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Paul Greengrass’s “The Uprising” Hits Home Video With Andrew Garfield Leading Robin Hood-Inspired Rebellion
Paul Greengrass brought his signature gritty realism to medieval England, and now you can watch it at home.
“The Uprising” just landed on digital, with 4K UHD, Blu-ray, and a limited edition Steelbook arriving November 3. The film stars Andrew Garfield as the leader of a rebellion against King Richard II, drawing from the true events that inspired the Robin Hood legend.
Greengrass, known for “Captain Phillips” and the Bourne films, turns his visceral style on 1381 England. The result is what Screenrant called “a riveting cinematic epic” that puts audiences right in the middle of the revolt.
The home release comes loaded with bonus material. There’s behind-the-scenes footage with Garfield and Greengrass breaking down the film’s historical roots, plus looks at the detailed sets and costumes that transformed modern locations into 14th-century England. Eight deleted scenes round out the extras.
It’s a story about ordinary people standing up to power, the kind of underdog tale that resonates whether it’s set in the Middle Ages or today. And with Greengrass’s documentary-like approach, it feels less like a costume drama and more like you’re there in the mud and chaos.
For filmmakers looking to blend historical accuracy with modern energy, this one’s worth studying.
Greta Van Fleet Map Out Massive 59-City 2027 World Tour
Greta Van Fleet are hitting the road hard. The Grammy-winning rock band just announced a 59-date world tour kicking off February 3, 2027 in Savannah, Georgia and wrapping July 31 back home in Michigan.
The Into the Beginning Tour spans North America and Europe, with stops in Chicago, Brooklyn, Detroit, Dallas, Berlin, Milan, Amsterdam, Paris, London, and Toronto. Arc De Soleil, The Kooks, and Portugal. The Man join on select North American legs.
In a rare win for fans, every ticket will be sold at face value with no surge pricing or platinum upselling. North American tickets go on sale October 15, European on October 9, with fan presales starting earlier. VIP packages are available for North American shows only.
The tour supports the band’s fourth studio album Palace for the People, dropping October 9 via Republic Records. New single “Tear It Down” just landed, following lead tracks “Play Your Games” and “Saw You Stand.” The Kiszka brothers and drummer Daniel Wagner recorded the album with producer Mike Elizondo in a remote Tennessee cabin, chasing a rawer, more expansive sound.
Before the big tour, Greta Van Fleet will play an intimate three-week Saturday residency at Nashville’s The Basement East throughout October. For a band known for selling out arenas, the small room shows feel like a victory lap before they take over the world again.
Lifetime’s Reunion Island and vertTV’s Bite Club Join Inaugural ALZA Festival Lineup
New York’s ALZA Festival is loading up its first-ever microdrama celebration with nine new world premieres ahead of its October 16-18 debut.
The additions include Lifetime’s Reunion Island, a thriller about reality show contestants trapped in a deadly game at a Maui mansion. The cast features Felix Merback and Eric Guilmette, with direction by Gary and Edmund Entin.
Also joining the slate is vertTV’s supernatural horror Bite Club, which reunites horror legends Barbara Crampton and Russell Todd on the 40th anniversary of Chopping Mall. The series follows a student investigating her friend’s murder at a university hiding vampire bloodlines. Sam Irvin directs.
Other premieres include South African dramedy Confessions of a Gold Digger, workplace comedy Bandana Besties, and a trio of thrillers from Reelarc: Fatal Match, Splitlight, and Zero Point.
Beyond screenings, the festival is packing in conversations with industry experts Richard Lawson, Jeffrey Schenck, Jay Blumenfield, Todd Spicer, Jen Cooper, Phil Viardo, Rob McGillivray and Manny Ruiz about how vertical storytelling is reshaping entertainment. A special panel features the leading men of GammaTime microdramas sharing behind-the-scenes stories and debuting an exclusive teaser for The Summer I Turned My Sexiest 2.
“There is no better place than ALZA to hear directly from the people who are helping shape the way we consume entertainment,” says Pete Torres, founder and CEO of ALZA Festival.
Festival passes and tickets are available now at ALZAFestival.com/ticketing.
BOT LOVE Documentary Asks If AI Intimacy Can Replace Human Connection
A new documentary wants to know: if artificial intimacy feels real, does it matter that it isn’t?
BOT LOVE, from director Tyler Funk, premieres October 21 on CBC and CBC Gem. The film follows real people navigating relationships with AI companions, each for different reasons.
Nick, a young man on the autism spectrum, finds relief in an AI that offers consistency and patience where human relationships require exhausting effort. Denise turns to AI after painful experiences left her struggling to trust people. For both, this isn’t escapism. It’s survival.
The doc also tracks the developers building the systems that make this possible. Eugenia Kuyda created one of the world’s most popular AI companions. Anthony and Bryan Mitchell are fusing gaming, porn, and AI into an interactive sexual experience. Justin Harrison uses AI to reconstruct the dead so relationships can continue after loss.
“I never thought I’d see another technology transform our lives as quickly as the internet did,” Funk says. “AI has arrived with astonishing speed.” One developer told him AI could be “either the biggest existential threat or the most beautiful technology.” That tension runs through every frame.
Funk’s previous film, ANYTHING FOR FAME, premiered on Paramount+ and Showtime in 2024. This one feels more urgent. Millions of people are already using AI as a companion, advisor, or lover. BOT LOVE doesn’t judge them for it. It just asks what happens next.
Henry Jaglom’s ‘Sitting Ducks’ Gets 4K Restoration, Screens at Baltimore Fest
A forgotten crime comedy from 1980 is getting new life in 4K.
Henry Jaglom’s “Sitting Ducks” screens at the New/Next Film Fest in Baltimore this weekend, freshly restored from the original 35mm camera negative. The film follows two small-time thieves who steal cash from the mob and head for Miami in a limousine, dreaming of escape to Costa Rica.
The restoration came together through a collaboration between Hope Runs High and Cinématographe, with help from the Academy Film Archive. Vinegar Syndrome handled the 4K scan in Connecticut, and Marcus Johnson of Emulsional Recovery completed frame-by-frame digital work and color grading.
Jaglom, who died in 2025, carved out his own strange corner of American independent cinema. He started in editing, helping Jack Nicholson cut “Easy Rider” in 1969, then went on to write and direct over 20 films. “Sitting Ducks” was his third feature and played Cannes back in the day. Time Out called it “an instantly likeable triumph of optimism over opportunism.”
The film screens Sunday at 5:45pm at the Charles Theatre.
This is the second Jaglom restoration to hit screens, with more on the way. For a generation of filmmakers who worked outside the system, these restorations matter. Jaglom’s work has been underseen for decades, and 4K brings it back where it belongs.
Nicolas Cage Takes Over a Diner in IFC’s Action Thriller Best Pancakes in the County

Independent Film Company
Nicolas Cage is back in full eccentric mode. IFC just picked up Best Pancakes in the County, a shoot-’em-up thriller that traps a diner full of dangerous people in one explosive night.
Cage plays The S.O.B., a cunning criminal caught in a deadly standoff between rogue federal agents, a fast-talking con man (Justin Long), and a waitress with secrets (Shelley Hennig). As tensions boil over, survival comes down to who can outthink and outgun everyone else.
Writer-director Ken Sanzel reunites with Cage after their 2019 action thriller Kill Chain. He wanted a character who could be funny, dangerous, and unpredictable all at once. “And then he took it to wilder and more unexpected places than I could have imagined,” Sanzel says.
The film was shot in Arkansas with backing from Beno Films and CaliWood Pictures. The ensemble also includes Lauren German, Ravi Patel, and Brandon Mychal Smith.
IFC’s Mark Ward is clearly excited. “BEST PANCAKES IN THE COUNTY is exactly the kind of eccentric and wildly entertaining ride that Nicolas Cage does better than anyone else.”
The film hits select theaters and VOD on November 20.
Sean Ono Lennon’s Fashion Doc threeASFOUR: FULL CIRCLE Hits Film Forum in November
Sean Ono Lennon is making his directorial debut with a documentary about fashion outsiders who refuse to play by the rules.
threeASFOUR: FULL CIRCLE follows the avant-garde fashion collective threeASFOUR, made up of designers Gabi Asfour (Lebanese-Palestinian), Angela Donhauser (German-Tajikistani), and Adi Gil (Israeli). For over 25 years, they’ve pushed fashion into uncharted territory, drawing from natural forms and pioneering techniques that landed them museum exhibitions and fans like Björk and Chloë Sevigny.
But the film isn’t just about their creative wins. It’s about survival. About what happens when you center artistry and cross-cultural collaboration in an industry obsessed with profit margins.
Lennon co-directs with Brian C. González, who also handles cinematography. Jenny Golden wrote and edited. Beth Levison produces alongside Lauren Evangelista, González, and Daniel Sheppard.
The documentary opens exclusively at New York’s Film Forum on November 13, then rolls out nationwide this fall.
It’s a timely portrait of artists choosing creativity over commerce, and a reminder that the most interesting work often comes from the people willing to struggle for it.
Phil Lord and Chris Miller’s Project Hail Mary Wins Sloan Science in Cinema Prize
SFFILM just handed its Sloan Science in Cinema Prize to Phil Lord and Chris Miller’s Project Hail Mary, and they’re backing it up with a $20,000 check and a splashy event.
The prize celebrates films that make science central to the story, not just window dressing. Project Hail Mary, starring Ryan Gosling as a lone science teacher on a spaceship racing to save Earth’s dying sun, fits the bill. The adaptation of Andy Weir’s novel leans hard into physics, astronomy, and microbiology to solve its interstellar crisis.
“This deeply entertaining and emotional film never skirts the scientific process, but instead fully embraces it at every turn,” says Anne Lai, SFFILM’s Executive Director.
The celebration happens October 28 at San Francisco’s Premier Theater at One Letterman. Lord, Miller, and screenwriter Drew Goddard will join VFX Supervisor Paul Lambert, Sound Designers Erik Aadahl and Ethan Van der Ryn, and Dr. Ron Radeztsky, the astrophysical scientist who worked on the film’s astrometric modeling. Expect a deep dive into how they balanced spectacle with actual science.
Past winners include Oppenheimer, Twisters, Don’t Look Up, Hidden Figures, and The Martian. The Sloan Foundation has backed over 900 science and film projects, trying to close the gap between hard science and Hollywood storytelling.
For indie filmmakers chasing authenticity, this prize proves there’s an appetite for smart science on screen, not just CGI explosions.
NYC’s First Vertical Film Festival Names Five “Made in NY” Award Finalists
New York is about to give a vertical storyteller the same award previously handed to Darren Aronofsky and Michelle Buteau.
ALZA Festival, launching October 16-18 at AMC 19th St. East 6, just announced five NYC-based creators competing for the iconic “Made in NY” honor. It’s the first time the award has gone to vertical filmmakers, and the public gets to vote at nyc.gov/CreatedinNY starting now.
The finalists: Melissa Becraft and Sarah Pribis with *Investigator Investigator*, a comedy about Broadway stars moonlighting as private eyes. Jesse Fisher and Sasha Herman’s thriller *Watch Hill*, where a third date turns dangerous. Kyle C. Mumford’s *Kyle Has Tourette’s*, a heartfelt comedy based on his own life. Christina Richardson’s *Besties*, about platonic friends navigating blurred boundaries. And Romel Rodriguez’s *The Super NYC*, following a superintendent dealing with eccentric tenants.
All five will premiere new work at the festival’s “Created in NY” showcase, presented with the NYC Mayor’s Office of Media and Entertainment.
“Storytelling is changing, and a new format should mean new recognition for the people creating great work,” says MOME Commissioner Rafael Espinal.
ALZA is the first festival dedicated entirely to microdramas and vertical series. Founder Pete Torres, former COO of Tribeca Festival, is betting that digital-native storytelling deserves real-world celebration. The winner gets announced on the festival’s final day.
Sundance Institute Grants Over $1 Million to 19 Documentary Projects
Nineteen documentary filmmakers from 14 countries are getting some serious financial backing from Sundance Institute’s Documentary Fund. The organization just announced over $1 million in unrestricted grants for nonfiction projects at every stage of production.
The timing matters. The Documentary Film Program turns 25 next year. Since 2002, it’s been a lifeline for indie doc makers, offering money, creative support, and industry connections without the usual strings attached.
This year’s slate spans from development to post-production. Four projects are still in early stages, 12 are actively shooting, and three are in post. The geographic spread is impressive. Almost 65% of proposals came from outside the U.S., with funded projects rooted in Canada, Denmark, France, India, Iran, Mexico, the Netherlands, Norway, Qatar, Romania, Tunisia, the U.K., the U.S., and South Korea.
The themes cut deep. Memory, archives, borders, environmental collapse, generational trauma. Several filmmakers are using science to blur the lines between human and nature.
Notable names include Julian Brave NoiseCat, whose Sugarcane made history as the first Oscar-nominated documentary feature directed by a North American Indigenous filmmaker. Emmy-nominated director Drew Xanthopoulos returns with My Friend the Bear after his Emmy-winning Fathom. David Alvarado’s All Shall Be Saved follows his 2025 Library of Congress prize winner American Pachuco.
Paola Mottura and Kristin Feeley, who run the Documentary Film Program, say the group reflects “the inventive and varied nonfiction work that continues to push the form forward.”
For indie doc makers fighting to get their stories seen, that million bucks isn’t just funding. It’s validation.











