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Larry Fessenden Brings His Monsters Together in ‘Trauma, or Monsters All’

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Larry Fessenden is uniting his classic monsters for what may be his final film.

Dark Sky Films just announced that *Trauma, or Monsters All* hits theaters November 4th. The film opens at IFC Center in New York, followed by a Los Angeles run at Lumiere Music Hall and a nationwide VOD release on November 24th.

The new film brings together the vampire, Frankenstein’s monster, and werewolf from Fessenden’s earlier work (*Habit*, *Depraved*, *Blackout*) into a single story. French actress Laëtitia Hollard plays Cassandra, a visiting writer researching George Washington Carver in the upstate town of Talbot Falls. After she publishes an exposé on the town’s dark history, the monsters emerge and the community’s buried trauma comes flooding back.

The ensemble cast includes Aitana Doyle, Addison Timlin, Alex Hurt, Barbara Crampton, James Le Gros, and Fessenden himself. The 119-minute film marks another collaboration between Dark Sky and Fessenden’s Glass Eye Pix, the production house behind *The House of the Devil*, *The Innkeepers*, and *Stake Land*.

“I’ve spent my career reimagining classic monsters because they reveal something deeply human about us,” Fessenden said. The film reportedly blends gothic horror with social commentary, tackling themes of memory, guilt, and identity.

IFC Center is also running a seven-film Fessenden retrospective starting October 28th in honor of Glass Eye Pix’s 40th anniversary.

This matters because Fessenden has championed independent horror for decades, both as a filmmaker and a producer who’s nurtured voices like Ti West, Jim Mickle, and Kelly Reichardt. If this is truly his last film, he’s going out swinging.

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Iron Maiden Add Surprise Third North American Leg to 50th Anniversary Tour

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Iron Maiden are coming back to North America in spring 2027 for one more run.

The metal icons just wrapped a massive leg of their Run for Your Lives tour across the U.S. and Canada, and now they’re adding 16 more dates, hitting cities they missed the first time around. The tour kicks off April 14 in Tacoma and wraps May 16 at the Boardwalk Rock festival in Ocean City, Maryland.

“Maiden were planning on taking a break from live performances in 2027,” bassist Steve Harris says, “but we’ve been enjoying this last leg in the USA and Canada so much that we all had a chat and decided we should take the show to parts we missed, particularly the North West and South East.”

The shows will feature the same dramatic production as the first leg, with a setlist pulled from the band’s early career. Bullet for My Valentine and The Raven Age will support on all dates, marking the first time since 1983 that Maiden has put together an all-British three-band bill.

This will be the final leg of the Run for Your Lives tour, which by the end will have played 107 shows to over 3 million fans in 36 countries. Manager Rod Smallwood says the first leg saw some of the biggest shows Maiden has ever played in North America, including their first U.S. stadium headliners.

Tickets go on sale October 23. Eddie’s Dive Bars will return at every stop.

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Sundance Winner THEYDREAM Blends Animation and Family Archives to Explore Nuyorican Identity

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A queer Puerto Rican filmmaker and his mother built miniature sets, stepped in front of green screens, and used motion capture to bring their dead family members back to life.

THEYDREAM, William D. Caballero’s hybrid documentary, hits AMC Empire 25 in New York on November 13. Executive produced by John Leguizamo, the film took home the NEXT Special Jury Award for Creative Expression at Sundance earlier this year.

Caballero and his mother Migdalia “Milly” Caballero spent over two decades archiving their family’s story, from Brooklyn public housing to rural North Carolina. Now they’ve turned those memories into art, mixing 2D and 3D animation, handcrafted miniatures, digital rotoscoping, and vérité footage to process devastating losses.

The film traces a working-class Nuyorican family across generations, exploring queer self-acceptance and intergenerational healing through animation and candid conversations. It’s already picked up awards at Miami, the New York Latino Film Festival, Ann Arbor, and LA Latino International.

The theatrical release follows festival screenings in Charlotte, Montclair, San Francisco, Asheville, Memphis, and a DOC NYC presentation on November 15.

This matters because indie filmmakers are proving you don’t need a massive budget to tell deeply personal stories. Just green screens, miniatures, and two decades of love.

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New Zealand Body Horror Comedy MUM, I’M ALIEN PREGNANT Hits Digital Oct. 27

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A messy millennial gets knocked up by an extraterrestrial, and nobody believes her.

MUM, I’M ALIEN PREGNANT, the feature debut from New Zealand directing duo THUNDERLIPS, drops on digital and VOD October 27th via XYZ Films. The film follows Mary, an underachieving twentysomething who accidentally becomes alien-pregnant and has to navigate skeptical doctors, a useless baby daddy, and her oversharing mother just to survive.

The film expands on THUNDERLIPS’ 2024 short HELP, I’M ALIEN PREGNANT, with Hannah Lynch (The Rule of Jenny Pen) returning to play Mary. She’s joined by Yvette Parsons (What We Do in the Shadows), Arlo Green (Shortland Street), and Jackie van Beek, co-creator of the Australian version of The Office.

MUM, I’M ALIEN PREGNANT premiered in the Midnight section at Sundance earlier this year and earned strong reviews, currently sitting at 94% on Rotten Tomatoes. It’s a wild mix of body horror and comedy that puts a millennial spin on alien invasion tropes.

For indie filmmakers working in genre, this is proof that a strong concept and fresh voice can carry a feature, even when scaling up from a short. THUNDERLIPS took a weird idea and ran with it all the way to Sundance.

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Abhishek Singh’s Krishna Epic Gets New Cover for 15th Anniversary Reprint

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A stunning graphic novel that reimagines the life of Krishna is coming back to print next spring with fresh cover art.

Abhishek Singh’s Krishna: A Journey Within turns one of the world’s oldest spiritual stories into a visual meditation. Singh follows Krishna from divine child to cosmic guide, using lush colors and cinematic scope to explore questions of duty, desire, identity, and enlightenment.

Image Comics is bringing the book back for its 15-year milestone. The reprint hits comic shops in February 2027 and bookstores the following month.

Singh’s artwork has been praised for creating a meditative atmosphere that turns the retelling into something more than just another take on a classic story. It’s become the kind of book readers return to for both its wisdom and emotional pull.

The reprint will be available in print and across digital platforms including Kindle, Apple Books, Kobo, and Overdrive.

For indie creators working in mythology and spirituality, this anniversary reissue shows there’s lasting power in blending ancient stories with contemporary visual storytelling. Sometimes the oldest tales still have something new to say.

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Lindsay Lou Releases Final Episode of Bluegrass Women Docuseries Celebrating Female Songwriters

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Lindsay Lou just dropped the fourth and final episode of her docuseries documenting Bluegrass Women, her acclaimed project shining a light on female songwriters who’ve been quietly shaping bluegrass for decades.

The album itself brings together heavy hitters like Molly Tuttle, Sierra Hull, Aoife O’Donovan, Sarah Jarosz, and Laurie Lewis to perform ten songs written by women, many of whom never got the credit they deserved. Ola Belle Reed’s “I’ve Endured” was popularized by Del McCoury. Ma Rainey first recorded “C.C. Rider,” but Elvis made it famous. Ricky Skaggs’ “All I Ever Loved Was You”? Written by his mother, Dorothy Skaggs.

The docuseries captures the energy behind the sessions, the camaraderie of women navigating a male-dominated genre, cross-generational connections, and even Lou and producer Shani Gandhi preparing for motherhood. It’s less about the technical details and more about the human side of creating something rare.

“Just like having pickers like Molly Tuttle and Sierra Hull out there showing little girls that there is a place for them now in bluegrass, I want to show where there always has been,” Lou says.

The New York Times called it “an all-star album,” and Billboard noted it’s giving “a long-overdue spotlight” to older generations of women songwriters. Lou just wrapped performances at CaveFest and heads to the IBMA conference in Chattanooga next for a live eTown radio taping.

This is what it looks like when a community decides to remember its own history.

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Nickelback Plot Massive Global Arena Tour Behind New Album

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Nickelback are hitting the road hard in 2027. The Canadian rock band just announced the Everything Under the Sun Tour, a global arena run supporting their eleventh studio album of the same name, out October 30 via Virgin Music Group.

The tour kicks off February 6 in Pittsburgh and runs through May 1 in San Antonio before heading to the UK and Europe from May through July. An Australian leg wraps things up in October. Don Broco joins as direct support.

The announcement comes as Nickelback’s latest single “Rattle The Cage” featuring John 5 sits at No. 1 on Active Rock radio in the U.S. The track introduced the new album with heavy guitars and arena-sized energy, while follow-ups “Leave Me Behind” and “Make Me Love You” show a more vulnerable side.

This tour follows the band’s Get Rollin’ World Tour, which became the fastest-selling and highest-attended run of their career. Their Netflix documentary Hate to Love: Nickelback also hit the platform’s Global Top 10, pulling back the curtain on the band’s two-decade journey.

North American presales start October 13, with general on-sale beginning October 16 at LiveNation.com. The band has sold nearly 65 million albums worldwide and racks up more than 50 million monthly listeners. Say what you want, Nickelback still fills arenas.

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HAAi Drops DIGITiSE, Her Big Rave Follow-Up to HUMANiSE

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London-based, Australian-born DJ and producer HAAi just released DIGITiSE, a dancefloor-focused album that picks up right where 2025’s HUMANiSE left off. She calls it the “bigger, ravey sibling” of that critically acclaimed record.

“DIGITiSE holds the hand of HUMANiSE and walks it to the club,” HAAi says. “I’ve spent so many hours in clubs, on the dance floor and in the booth, and I really wanted to put that into this new album.”

The record features collaborators including Skybreak and Cantoalegre, a children’s choir from Medellín, Colombia. The standout track ‘Talking Walls’ brings together HAAi, Skybreak, and the choir for what HAAi describes as “one to hug your mates to at the festival.”

HAAi has been testing the tracks in her DJ sets, refining breakdowns and grooves based on real-time crowd reactions. She’s got a packed tour schedule ahead, including a 10-hour open-to-close marathon at Refuge in New York on October 18, an all-night Halloween set at EartH in London, and an Australian tour with The Avalanches in March 2027.

The album continues exploring what it means to be human in an increasingly digital world, gathering people on the dancefloor to feel community and unity.

DIGITiSE is out now on Mute.

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Disney Theme Park Heist Doc Stolen Kingdom Heads to International Market

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A documentary about stolen Disney World props and a half-million-dollar animatronic is going global.

BayView Entertainment picked up international rights to Stolen Kingdom, Joshua Bailey’s debut feature that digs into the seedy underworld of Disney theme park theft. The film centers on the 2018 heist of “Buzzy,” an animatronic swiped from Epcot and valued at nearly $500,000.

Bailey co-wrote the doc with Matthew Serrano of Defunctland. It traces the history of mischief and scandal at Walt Disney World, exposing a surprisingly lucrative black market for stolen props.

The film’s had a strong festival run with sold-out screenings at Big Sky, Slamdance, IFF Boston, and Florida Film Festival. Sidewalk Film Festival picked it as opening night. It hit #1 on Apple TV for new documentaries in the U.S. and screened theatrically over 150 times across the U.S. and Canada.

BayView is shopping it to international buyers at MIPCOM this month. The company’s Craig Sussman and Selena Paskalidis called it a “passion project about mischief and misdeeds” they’re eager to bring to global audiences.

Producers include Slater Wayne (Jackass Forever), Brandon Pickering, Colin Alexander, and Sam Fraser. Antenna Releasing handles North America.

For indie docs chasing niche audiences, this one found two massive ones: Disney fans and true-crime junkies.

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Garden State Film Festival Marks 25 Years of Launching Indie Filmmakers

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Long before New Jersey had a film tax incentive, the Garden State Film Festival was already building the state’s indie film ecosystem. Now, as it approaches its 25th anniversary in March 2027, the nonprofit is pushing to raise $10,000 to keep that work going.

GSFF has screened Academy Award-winning documentaries like A Note of Triumph: The Golden Age of Norman Corwin and Freeheld. This year, two GSFF alumni films, Saverio and Lawyered Up, made it to the international stage at the American Pavilion during the Cannes Film Festival.

The festival runs March 18–21, 2027, across New Jersey venues, expecting about 20,000 attendees. Beyond the fest itself, GSFF operates year-round film clinics for students who’ve never picked up a camera.

“Every great film needs someone to believe in it first. For 25 years, that’s been our job,” the festival wrote in its DAF Day fundraising appeal. “For many New Jersey students, our year-round film clinics are the first place they pick up a camera and realize their stories matter.”

The goal: give independent voices a stage, especially voices that might otherwise go unheard. As production investment accelerates across New Jersey, GSFF connects that growing industry to filmmakers, audiences, and communities who helped build it from the ground up.

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