Harry Belafonte Doc Chronicles Final Years of Legendary Activist’s Life

following-harryA documentary capturing the last twelve years of Harry Belafonte’s life hits major streaming platforms next week.

Following Harry, directed by Emmy-nominated filmmaker Susanne Rostock, drops October 13 on Amazon, Apple TV, Fandango, and other VOD platforms in the US and Canada. The film follows the legendary singer and civil rights leader as he works to inspire a new generation of activists and artists to fight injustice.

Rostock, who previously directed Sing Your Song about Belafonte, embeds with the icon from the aftermath of Trayvon Martin’s death through the Ferguson protests. The doc shows both public moments and private conversations, including the creation of the Women’s March in Belafonte’s own office.

The film features Angela Davis, Jamie Foxx, Rosario Dawson, Chuck D, Talib Kweli, Jesse Williams, and Belafonte’s daughter Gina, among others.

Following Harry won jury awards at Sidewalk Film Festival and BronzeLens, plus the FilmSlam Award at Cleveland International Film Festival. It also played Tribeca and Santa Barbara.

Blue Harbor Entertainment is handling the release. For indie filmmakers documenting cultural icons, this shows there’s still an appetite for intimate, long-form storytelling about artists who never stopped fighting.

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Two Friends, 330 Miles, and Zero Score: ‘The North’ Hits Theaters With a 90% on Rotten Tomatoes

the-northA decade-old friendship gets put to the test across some of Scotland’s most punishing terrain.

The North follows Chris, a Dutchman (Bart Harder), and Lluis, a Spaniard (Carles Pulido), as they reconnect for a 330-mile trek through the Scottish Highlands along the West Highland Way and Cape Wrath Trail. The reunion carries both excitement and uncertainty, and the hike becomes more than just a physical challenge. Between stunning mountain views, creekside camps, relentless rain, and encounters with fellow travelers searching for something, the journey takes on a rhythm all its own.

The film was shot over 16 consecutive days with a skeleton crew of just six people, all hiking and camping in real time. There’s no added score, just the sound of wind, water, and footsteps. It’s a bold choice that pulls you into the experience rather than cueing you how to feel.

The North clocked a 90% on Rotten Tomatoes ahead of its theatrical run, a strong sign that audiences are hungry for stories that strip things down. Director Bart Schrijver, along with Pulido and sound designer Tom Holscher, will appear for post-screening Q&As in NYC on October 9th and 10th.

For indie filmmakers looking to capture something real without the gloss, this one’s worth studying. Sometimes all you need is two people, a trail, and a microphone.

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Willem Dafoe Stars in Mediterranean Thriller ‘The Birthday Party,’ Now Streaming on Lionsgate+

Willem Dafoe leads a Mediterranean-set psychological thriller that just hit Lionsgate+ on Prime Video.

The Birthday Party follows Marcos Timoleon, an Aristotle Onassis-style tycoon throwing a lavish bash for his daughter Sofia on his private island in the late 1970s. The party becomes a powder keg when Sofia arrives with news of her own, just as her controlling father secretly plots a major decision about her future.

Writer-director Miguel Ángel Jiménez crafted the drama around the clash between Marcos and Sofia as the party spirals into chaos. The cast includes Vic Carmen Sonne, Joe Cole, Emma Suárez, and Carlos Cuevas. Producers Giorgos Karnavas, Adria Mones, Erik Glijnis, Leontine Petit, and Kurban Kassam brought the 103-minute feature to life.

The film taps into themes of power, control, and family secrets, set against the Mediterranean backdrop. As guests arrive and night falls, the decadent celebration builds toward what the filmmakers describe as a heartbreaking climax.

Lionsgate+ offers the film ad-free as part of its $6.99 monthly subscription on Prime Video, with a seven-day free trial available. The service positions itself as the streaming home for Lionsgate’s extensive catalog of dramas, action franchises, and comedies.

For indie filmmakers, it’s another example of how talent-driven thrillers can find their audience through streaming platforms, even without a traditional theatrical run.

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All-Girl Metal Band Takes On Vampires and Werewolves in Horror Film ‘Devour’

An all-girl heavy metal band fights for survival against vampires, cannibals, a werewolf, and a warlock in the supernatural horror film Devour, hitting select theaters October 9 and digital platforms October 13.

The film stars Heidi Shepherd, vocalist for metal band Butcher Babies, alongside KateLynn E. Newberry, Gus Langley, and Alex Lucchesi. After a disastrous gig leaves them stranded, the band encounters a woman in danger and gets trapped in a remote town controlled by a powerful warlock. To survive until morning, they’ll have to tap into dark powers of their own.

Director Scott B. Hansen, who previously made the festival favorite Bad Candy, went heavy on practical effects. The creatures were created by Wayne Anderson, whose credits include Stranger Things, IT: Chapter One, and Avatar: The Way of Water. Anderson and the OX FX team built the film’s vampires, werewolves, and cannibals using creature suits, prosthetics, makeup, and animatronics instead of relying on digital effects.

Devour has already racked up over a dozen festival selections and won Best Feature, Best Director, and Best Vampire Feature at the Freakshow Horror Film Festival. It also got a shoutout on Chris Jericho’s Talk Is Jericho podcast.

Hansen, who’s directed music videos for Meshuggah, Willie Nelson, and Motionless in White, brings his music roots into the film, where the band’s identity and the supernatural horror are closely intertwined. For genre fans looking for practical creature work and metal energy, this one’s a bloody ride.

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V/H/S/MIXTAPE Turns Sound Into Terror When It Hits Shudder This Friday

The V/H/S franchise is cranking up the volume. V/H/S/MIXTAPE, the latest entry in the found-footage horror series, drops on Shudder this Friday with a lineup that treats music and sound as weapons of pure fear.

This time, the anthology goes all-in on audio terror. Four segments explore how rhythm, noise, and music can haunt, possess, and destroy. Directors Ernest Dickerson, RZA, David Moreau, and Renee Zhan each bring their own spin on sonic dread.

Highlights include “Dance, Dance, Dance, Dance,” where a studio reboots a cursed puppet show with help from Jim Henson’s Creature Shop. In “The Music of Mr. Sze,” Dickerson follows a film student documenting a tormented musician’s reclusive life. RZA’s “Death Tone” centers on a sound engineer chasing her late father’s vision of the ultimate track. And in “Heartbeat,” a pair of YouTube urbex influencers get trapped in a decommissioned military facility used for sonic experiments.

Tying it all together, GWAR hosts an MTV-style wrap segment from hell, complete with music videos directed by Tobias Forge and Flying Lotus.

Early reviews call it tailor-made for October marathons, with Daily Dead praising its “amp-bursting bang” and SlashFilm noting the franchise has finally found its groove.

For horror fans ready to let sound mess with their heads, this one’s dialed in.

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Yûta Shimotsu’s Body Horror Satire NEW GROUP Hits Shudder Next Month

A cult-like mentality spreads through a Japanese high school, turning gymnastics routines into a dance of death. That’s the premise of NEW GROUP, a body horror film from writer-director Yûta Shimotsu that streams on Shudder starting November 6th.

The film follows high school student Ai as people around her become mindless followers capable of transforming everyday exercises into something deadly. Shimotsu, who studied mechanical engineering before moving into filmmaking, co-wrote the script with Momoko Sahara. The cast includes Anna Yamada, Yuzu Aoki, and Pierre Taki.

Critics are calling it more than shock value. Rue Morgue praised its “underpinning of social commentary,” while Bloody Disgusting called it “an incredible, unpredictable body horror masterpiece that doubles as an indicting satire of Japan’s society.” MovieWeb noted its “daring and utterly confident trip into the pitfalls of societal norms.”

Shimotsu made his feature debut with BEST WISHES TO ALL in 2023 after years directing commercials and shorts. NEW GROUP screened at Fantasia International Film Festival and Sitges before landing on Shudder.

At just 82 minutes, it’s a lean slice of social horror for anyone tired of conformity.

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Dark Sky Films Drops Blood-Soaked Single-Night Thriller HUMAN This Month

A woman home alone. A dating app mishap. And a whole lot of blood.

Dark Sky Films brings HUMAN to select theaters and VOD on October 23, following a West Coast premiere the night before at Laemmle Glendale. Director Matt Stuertz (Tonight She Comes, RWD) takes audiences through a claustrophobic nightmare that unfolds over one terrible evening.

The film follows Dani Ferris (Jackie Kelly), exhausted and alone, who just wanted a little late-night distraction before bed. Instead, she gets dragged into a supernatural horror show packed with bodily fluids and emotional chaos. Every relationship becomes a gamble. Every hour brings a new threat.

Stuertz keeps the tension cranked as Dani rides out a night of friends, lovers, enemies, guns, and things far beyond natural. The single-night structure keeps things tight. The practical effects keep things gross. Critics at Fright Fest and Obscura Film Fest have already called it relentless, vibrant, and stomach-turning in the best way.

The cast includes Brock Russell, Cecily Dowd, Jeffrey Decker, and Mia Sydney. David Neiss wrote the script.

For indie horror fans craving something unstable and hallucinatory, this one’s landing just in time for Halloween season.

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Paul Greengrass’s “The Uprising” Hits Home Video With Andrew Garfield Leading Robin Hood-Inspired Rebellion

Paul Greengrass brought his signature gritty realism to medieval England, and now you can watch it at home.

“The Uprising” just landed on digital, with 4K UHD, Blu-ray, and a limited edition Steelbook arriving November 3. The film stars Andrew Garfield as the leader of a rebellion against King Richard II, drawing from the true events that inspired the Robin Hood legend.

Greengrass, known for “Captain Phillips” and the Bourne films, turns his visceral style on 1381 England. The result is what Screenrant called “a riveting cinematic epic” that puts audiences right in the middle of the revolt.

The home release comes loaded with bonus material. There’s behind-the-scenes footage with Garfield and Greengrass breaking down the film’s historical roots, plus looks at the detailed sets and costumes that transformed modern locations into 14th-century England. Eight deleted scenes round out the extras.

It’s a story about ordinary people standing up to power, the kind of underdog tale that resonates whether it’s set in the Middle Ages or today. And with Greengrass’s documentary-like approach, it feels less like a costume drama and more like you’re there in the mud and chaos.

For filmmakers looking to blend historical accuracy with modern energy, this one’s worth studying.

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Henry Jaglom’s ‘Sitting Ducks’ Gets 4K Restoration, Screens at Baltimore Fest

A forgotten crime comedy from 1980 is getting new life in 4K.

Henry Jaglom’s “Sitting Ducks” screens at the New/Next Film Fest in Baltimore this weekend, freshly restored from the original 35mm camera negative. The film follows two small-time thieves who steal cash from the mob and head for Miami in a limousine, dreaming of escape to Costa Rica.

The restoration came together through a collaboration between Hope Runs High and Cinématographe, with help from the Academy Film Archive. Vinegar Syndrome handled the 4K scan in Connecticut, and Marcus Johnson of Emulsional Recovery completed frame-by-frame digital work and color grading.

Jaglom, who died in 2025, carved out his own strange corner of American independent cinema. He started in editing, helping Jack Nicholson cut “Easy Rider” in 1969, then went on to write and direct over 20 films. “Sitting Ducks” was his third feature and played Cannes back in the day. Time Out called it “an instantly likeable triumph of optimism over opportunism.”

The film screens Sunday at 5:45pm at the Charles Theatre.

This is the second Jaglom restoration to hit screens, with more on the way. For a generation of filmmakers who worked outside the system, these restorations matter. Jaglom’s work has been underseen for decades, and 4K brings it back where it belongs.

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BOT LOVE Documentary Asks If AI Intimacy Can Replace Human Connection

A new documentary wants to know: if artificial intimacy feels real, does it matter that it isn’t?

BOT LOVE, from director Tyler Funk, premieres October 21 on CBC and CBC Gem. The film follows real people navigating relationships with AI companions, each for different reasons.

Nick, a young man on the autism spectrum, finds relief in an AI that offers consistency and patience where human relationships require exhausting effort. Denise turns to AI after painful experiences left her struggling to trust people. For both, this isn’t escapism. It’s survival.

The doc also tracks the developers building the systems that make this possible. Eugenia Kuyda created one of the world’s most popular AI companions. Anthony and Bryan Mitchell are fusing gaming, porn, and AI into an interactive sexual experience. Justin Harrison uses AI to reconstruct the dead so relationships can continue after loss.

“I never thought I’d see another technology transform our lives as quickly as the internet did,” Funk says. “AI has arrived with astonishing speed.” One developer told him AI could be “either the biggest existential threat or the most beautiful technology.” That tension runs through every frame.

Funk’s previous film, ANYTHING FOR FAME, premiered on Paramount+ and Showtime in 2024. This one feels more urgent. Millions of people are already using AI as a companion, advisor, or lover. BOT LOVE doesn’t judge them for it. It just asks what happens next.

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