Film Forum is set to present the US theatrical premiere of Pablo Berger’s “Robot Dreams”, a NEON release, on Friday, May 31.
A tender, affecting tale of friendship, the animated “Robot Dreams”, adapted from the graphic novel of the same name by Sara Varon – is set in a 1980s NYC populated solely by pigs, birds, cats, and other animal clans. Yet Dog leads a lonely existence, eating TV dinners in his East Village walkup.
When he sees an infomercial for a robot-building kit, he seizes the chance for the perfect city buddy: Dog and Robot eat hot dogs together on 5th Avenue, roller skate in Central Park, venture to Coney Island — to the groove of their song, Earth, Wind & Fire’s “September.” But when Robot gets stranded at the beach, Dog is helpless to rescue him; and, as the seasons change, they both endure a separation that will change them forever.
The 2024 Tribeca Festival, presented by OKX, today announced its lineup of television and original indie episodic series. The Festival, which takes place June 5-16, showcases highly anticipated world premieres of new and returning programs from networks and streamers at the forefront of groundbreaking storytelling including Apple TV+, AMC, HBO, Hulu, Paramount+, and more.
This year’s TV lineup features 11 series premieres and two first looks at returning classics. World premieres include Hulu’s Mastermind: To Think Like A Killer, executive produced by Dakota Fanning and Elle Fanning, an in-depth exploration of Dr. Anne Burgess’ career and her successful journey to closing some of America’s most infamous criminal cases; Hollywood Black, executive produced by Justin Simien, an examination of the Black experience in Hollywood featuring conversations with Issa Rae, Lena Waithe, Ryan Coogler, and Ava DuVernay; and Apple TV+’s Presumed Innocent, a legal thriller starring and executive produced by Jake Gyllenhaal, hailing from David E. Kelley and executive producer J.J. Abrams, also with Ruth Negga and Peter Sarsgaard. Continue reading →
The latest from Dark Sky Films is directed by Raymond Wood. It is written and starring Jenna Kanell from the Terrifier franchise and Todd Jacobs.
“Faceless After Dark” is set for release nationwide in select theaters and on digital platforms on May 17th.
Also in the film are Danny Kang (Insatiable, NCIS Hawai’i), Danielle Lyn (Mayfair Witches, Single Drunk Female), Max Calder (Stranger Things,Jungle Cruise), Michael Aaron Milligan (TV’s Outer Banks, TV’s The Purge), Kathrine Barnes (Average Joe, Queer as Folk), Jason MacDonald (The Vampire Diaries, NCIS), Israel Vaughn (The Righteous Gemstones).
Here’s the official synopsis:
Following her breakout success as the star of a killer clown horror flick, Bowie now finds herself struggling to capitalize on its success. But when she is suddenly held hostage by an unhinged fan posing as that same killer clown, horror becomes her reality as she fights to survive the night and escape before he completes his sinister plan to recreate the film’s fatal plot.
Japan Society, a 116-year-old nonprofit organization bridging the U.S. and Japan, today announced it will host three special screenings in May spanning classic Japanese cinema, a lauded documentary, and a major North American premiere. Japan Society is a storied institution that has presented Japanese art and culture for over a century, and its robust Film Program presents over 60 screenings from the silent era through to contemporary cinema all across the year.
Japan Society’s May events begin on May 1 with French filmmaker Chris Marker’s influential 1983 documentary Sans Soleil presented on rare imported 35mm. Driven by the desire to “capture life in the process of becoming history,” Marker traveled the globe and made a sprawling body of work that ruminates on the nature of memory and time. Of the several films he made in Japan, Sans Soleil remains the late director’s greatest achievement.
An unnamed woman narrates the poetic letters and philosophical reflections of an invisible world traveler accompanied by footage of Guinea-Bissau, Cape Verde, Iceland, Paris, San Francisco, and, most significantly, Tokyo—a city whose people, streets, malls, and temples inspire the traveler’s richest observations. Continue reading →
Today, SFFILM announced the program slate of the Sloan Science in Cinema Initiative at the 67th San Francisco International Film Festival (SFFILM Festival) which runs April 24–28. Presented in partnership between the Alfred P. Sloan Foundation and SFFILM, this year’s programs include three films and participation by Sloan Fellows and grant recipients at events throughout the Festival.
“We are thrilled to partner with SFFILM on our continuing Science in Cinema initiatives,” said Doron Weber, Vice President and Program Director at the Alfred P. Sloan Foundation. “This year’s program features three original films, each of which recounts a very personal journey that links to broader scientific themes and addresses universal questions. We’ll be joined on the ground by the 2023 SFFILM Sloan Science in Cinema Fellows, and recipients of our Stories of Science Development Fund grantees who are all at the screenwriting phase of filmmaking. I am excited to have filmmakers from every part of the process together to benefit from each other and from audience interaction.”
Curated programs include three titles, selected by Jessie Fairbanks, SFFILM’s Director of Programming. “It is thrilling to present such a strong slate of Sloan titles at the festival. Continue reading →
In PURE O, a rehab counselor (Daniel Dorr, Fury, 20th Century Women) questions his sanity when he is diagnosed with a crippling form of OCD known as Pure Obsessional. With the help of his friends, a therapy group, and his addiction recovery clients, he discovers the life-affirming power of community in order to fight through the darkest moment of his life.
The film is set for digital release on major platforms Friday, April 12, and atrically in Los Angeles Friday April 5.
PURE O marks the directorial debut of veteran actor-musician-filmmaker Dillon Tucker, who has drawn from his own struggle with OCD to create a singular cinematic portrait of American life. Featuring subtle, natural light-filled cinematography by Tucker’s longtime creative collaborator, Ricky Fosheim, and a vibrant soundtrack of original songs by Tucker.
Along with Daniel Dorr, the film also stars Hope Lauren (CW’s The Republic of Sarah), Landry Bender (Best Friends Whenever, Hulu’s Looking for Alaska, The Sitter, Fuller House), Jeffery A. Baker
Said Dillon, ‘Pure O is a semi-autobiographical account of my life around the time I was diagnosed with OCD while working as a counselor at a drug and alcohol rehab. It is a true ensemble piece that shows how mental health affects not only the sufferer, but also the loved ones who surround them. This film is a story about the power of human connection and how vulnerability is the greatest form of courage.
PURE O was nominated for the Grand Jury award at 2023 SXSW, and received critical acclaim. Script Magazine called it “vulnerable, honest, and remarkably, it feels real, “ and Signal Horizon said the film is “ one of the most poignant and optimistic films I have ever seen.”
Oscar Micheaux and the Birth of Black Independent Cinema, an 18-film festival, including 7 new restorations, of work by the prolific independent director whose pioneering explorations of contemporary Black life paved the way for generations, will run at Film Forum from Friday, May 3 through Thursday, May 9.
Operating on shoestring budgets, Oscar Micheaux (1884-1951) directed and produced more than 40 films between 1919 and 1948, shifting from silent to talkies, and depicting such complex and taboo subjects as religious hypocrisy, interracial marriage, police violence, and lynching, often with all-Black casts and producers. His work explored the Black experience with nuance and depth, often challenging the negative stereotypes so commonly portrayed in films of the era. Micheaux’s films were the first made by a Black filmmaker to be shown in white cinemas, and they were often hugely successful, with Micheaux working directly with theater owners to finance, distribute, and market them. Continue reading →
Today, SFFILM announced the full lineup for the 67th San Francisco International Film Festival (SFFILM Festival), the longest running film festival in the Americas.
This year’s program, curated from nearly 5,000 submissions and invitations, will screen exclusively in theaters in San Francisco’s Marina and Presidio neighborhoods, and in Berkeley from April 24–28. A selection of titles, curated from the full festival, will be presented from May 2–4 as SFFILM Festival Encore Days at the historic Roxie Theater.
“We have been boldly imagining a future where the San Francisco Bay Area is thriving in its celebration of and engagement with the arts and community,” said Anne Lai, Executive Director of SFFILM. “Film—always a reflection of and beacon for society—remains the gateway to a vibrant, healthy future of our culture and city. Continue reading →
Dark Sky Films has set the release of its upcoming horror thriller “The Glenarma Tapes” to VOD and digital on April 2nd.
Directed by Tony Devlin, the film stars Warren McCook, Sophie Hill, Ryan Early and Emily Lamey. It is written by Tony Devlin & Paul Kennedy.
THE GLENARMA TAPES tells the story of teenager GORDY and his best friend JIMMY attempting to make the best film ever by following a day in the life of Gordy. Just an average day where Gordy tends to his little sister, goes to college, helps his Mum, pines over a potential girlfriend and smokes a pack of cigarettes… Not very exciting, until they overhear their annoying teachers plotting a wild weekend in the forest. Perfect timing for the boys to have an adventure of their own…by following them! Throw in Gordy’s love interest – the smart and streetwise ELEANOR and her no-nonsense friend CLARE and we have our Fab Four.
Off they set on a rickety old bus to the village of Glenarma, over sixty miles away from home. But what does every great adventure need? Supplies! Upon reaching the one-horse town and finding a dilapidated gas station, the gang encounter the strange yet articulate local shopkeeper EUGENE DONNELLY. Eugene proceeds to inform the young students of the tale of ‘Harry Half-a-Head’ – setting the scene for the unknown territory that lies ahead.
With their bags full, the gang make the 4-mile trek to the forest with the help of some “borrowed” wheels. A chase ensues but Gordy and his friends reach the gates of the Glenarma Forest safely…only to find the place is closed up. After a brief discussion on what to do next, the sound of an approaching vehicle nails the evening plans down. Taking cover, the students observe their teachers – MALLON and HOLMES, exit the unmarked car and make their way into the forest. Showtime!
Equipped with infra-red head cams, the youngsters follow the faculty members into the forest but soon lose sight of them. Darkness is coming and temperatures drop. Supplies are low and Gordy’s cigarette lighter is of no help when attempting to create a fire. Time to go home they decide. Catching your teachers having an affair on camera is no longer as appealing as they once believed.
However, when they begin to retrace their steps back through the forest, they uncover their teachers’ campsite and discover their educators are involved in a ritual sacrifice with a number of other people. When THE HUNTSMASTER initiates the hunt, the gang are discovered and must make it out of the forest alive before their teachers track them down and silence them forever…
Fast forward two years later and footage detailing their movements on the day they disappeared is uncovered during a police operation outside Belfast. With DETECTIVE TODD in charge, the case begins to unravel, lives are changed, there is a shocking discovery and we learn the truth of what occurred that fateful night through THE GLENARMA TAPES.
“The Black Guelph” is directed and written by Josh Connors, and stars Graham Earley, Paul Roe, Tony Doyle, Denise McCormack, Lauren Larkin, and John Connors.
See below for the latest trailer for the movie.
The film is set to have screenings in US theaters on Friday, March 22, 2024 in New York City, Boston, Washington DC, Chicago, Baltimore.
Here is the film’s official synopsis:
“The Black Guelph” dives into the corrupt chaos of a small-time drug dealer, Canto, who yearns to escape the clutches of his criminal life. However, his aspirations for redemption get complicated when his estranged father reemerges, igniting a tumultuous journey of forgiveness and self-discovery. As Canto grapples with his grimly choices, the film unfolds as an unyielding critique of power dynamics and societal corruption.
The film’s riveting narrative and poignant performances, notably Graham Earley’s portrayal of Canto, have captivated audiences worldwide, and securing him the esteemed Seymour Cassel Award for Outstanding Performance. With its compelling storyline and powerful performances, “The Black Guelph” stands as a testament to the enduring relevance of cinema in confronting pressing societal issues.
Film Forum is set to present the US theatrical premiere of Pablo Berger’s “Robot Dreams”, a NEON release, on Friday, May 31. 
