Vertical Entertainment has released the official trailer for their upcoming period drama THE AFFAIR, adapted from author Simon Mawer’s international best-seller, The Glass Room.
The film, directed by Julius Sevcik, is set in 1930s Czechoslovakia and stars Carice van Houten (GAME OF THRONES) and Hanna Alström (THE KINGSMAN franchise), as best friends who harbor forbidden romantic feelings for one another and follows the pair as their relationship is tested through various obstacles during World War II.
THE AFFAIR begins in 1930s Czechoslovakia, as newlyweds Viktor (Claes Bang) and Liesel Landauer (Hanna Alström) are filled with optimism and happiness in their new home. But all too soon, extramarital temptations bring out their darkest secrets and desires. As Liesel turns to her sensual friend Hana (Carice van Houten) for the passion she lacks in her marriage, Nazi troops enter the country, threatening the Landauer’s lives and the burning desire between the two women.
THE AFFAIR will be available On Demand on March 5, 2021.
Here is the film’s synopsis:
In 1930s Czechoslovakia, newlyweds Viktor and Liesel Landauer are filled with optimism and happiness in their new home. But all too soon, extramarital temptations bring out their darkest secrets and desires. As Liesel turns to her sensual friend Hana for the passion she lacks in her marriage, Nazi troops enter the country, threatening the Landauer’s lives and the burning desire between the two women.
Created by Matteo Bernardini, the illustrated short series is set to have its world premiere at 2021 Slamdance Film Festival.
When a nine-year-old boy in 1620s Bavaria goes on trial for witchcraft, a flabbergasted court must decide the child’s fate.
Based on Ludwig Bechstein’s The Little Pitchfork Rider, THE LITTLE BROOMSTICK RIDER was born out of the objective creative impediment filmmaker Matteo Bernardini had to face during the lockdown generated by the COVID-19 pandemic. Being aware he could not rely on casts and crews as he was used to and being confined to his own house, Bernardini decided to let his illustrations do all the acting and his hands do the rest of the work: the final result is a unique product, more of an “illustrations-coming-to-life experience” than a traditional animated series.
Armed exclusively with paper, pens, scissors and glue, Bernardini has brought his personal interpretation of 17th century Germany to life. Half fairy-tale, half-perhaps-a-bit-too-historically-accurate (and spiced with a hint of macabre humour), Bernardini’s maverick series takes DIY to the next level.
THE LITTLE BROOMSTICK RIDER will have its world premiere in the Episodes section at the 2021 Slamdance Film Festival.
Episode 1: The trial for witchcraft begins and the identity of the defendant is revealed.
Episode 2 : The court gets very peculiar information and perspective about the Satanic Arts.
Episode 3: The existence of a Dark Lord is discovered.
Episode 4: Vision of a Witches’ Sabbath.
Episode 5: Further evidence about the Dark Arts is provided, including singing demons and a great lemon cake.
Episode 6: Little Linhard learns about the court’s verdict: he will burn at the stake. Or so they think.
World Premiere at the 2021 Slamdance Film Festival
Moving, thought-provoking, both personal and political, Bad Attitude: The Art of Spain Rodriguez explores the controversial art and life of the legendary underground cartoonist through the lens of his wife, Emmy-nominated filmmaker Susan Stern.
From the propaganda comics of WWII, to the underground comics breakthrough in 1960s New York and San Francisco, to the graphic novels of today, Bad Attitude is an enthralling history of comics and a rousing call to art and activism. Featuring a roster of friends and family, Bad Attitude dives deep into Spain’s life with insight from comics luminaries R. Crumb, Art Spiegelman, Trina Robbins, Aline Kominsky-Crumb, and Ed Piskor, and features animation by Spain’s daughter, the New York-based artist, Nora Rodriguez.
“Bad Attitude is a love letter to my partner in art and life, Spain Rodriguez, but it is also a love letter to all activists, especially artist-activists,” says director Susan Stern. “I hope Bad Attitude creates a space for conversation about the art and social justice we are trying to make, the ways we fail, and how we can be forgiven.”
BAD ATTITUDE: The Art of Spain Rodriguez will have its world premiere in the Breakouts section at the 2021 Slamdance Film Festival.The documentaary is directed and produced by Susan Stern
Live Nation, the world’s leading live entertainment company, today announced it has acquired a majority stake in Veeps, a ticketed live stream platform custom-built for artists, by artists.
Created by Joel and Benji Madden of the band Good Charlotte, the company’s artist-centric mentality has set it apart from others in the space, especially in terms of execution and monetization. The platform is designed for ticketed live streams, and facilitates enhanced engagement between artists and fans with features like chat and exclusive merch purchases, while also supporting broad social marketing and intimate VIP offerings. Veeps is also commission-free, which means artists don’t pay hefty fees to use the platform and can more easily grow their careers through live streaming. Established in 2017, Veeps has continued to evolve its services based on the unique needs and requests of artists.
Veeps has helped artists make millions of dollars in revenue, drawing incredible talent from emerging artists to established acts alike, including Brandi Carlile, Liam Payne, Pete Yorn, Louis Tomlinson, Architects, Rufus Wainwright and many more. The platform hosted around 1,000 ticketed live stream shows in 2020 alone, delivering some of its highest monthly ticket sales and revenue in the back half of the year.
“We are impressed with what Benji and Joel have created with Veeps and their platform will create new ways to enjoy thousands of Live Nation concerts,” said Michael Rapino, President and CEO of Live Nation Entertainment. “Live streaming is a great complement to our core business, and essentially gives any show an unlimited capacity. Looking to the future live streams will continue to unlock access for fans – whether they are tuning into a sold out show in their hometown, or watching their favorite artist play in a city halfway around the world. The most critical element of live streaming is the artist on stage, and with Live Nation’s unmatched inventory feeding into Veeps, together we will help fans enjoy more live music than ever before.” Continue reading →
Chip Zdarsky and Pasqual Ferry bring you a tale of Peter Parker on the edge in SPIDER-MAN: SPIDER’S SHADOW
This April, writer Chip Zdarsky and artist Pasqual Ferry team up for a Spider-Man story like none other in SPIDER-MAN: SPIDER’S SHADOW. The critically acclaimed writer, currently wowing readers with his Eisner-nominated work on Daredevil, has crafted a thrilling saga that will explore Peter Parker’s dark side. Superstar artist Pasqual Ferry (The Mighty Thor) and colorist Matt Hollingsworth (Hawkeye) join him to bring to life one of the most ruthless Spider-Man stories Marvel Comics has ever told.
Peter Parker once put on an alien suit that nearly destroyed his life – but what if he’d never taken it off? Ignoring every warning, Spidey embraces the dark symbiote! Haunted by terrible nightmares and exhausted by an endless barrage of bad guys, Peter can’t seem to catch a break these days. So when the Hobgoblin attacks, he finds a hero at the end of his rope…and vulnerable to new dark impulses. Spider-Man is about to change his rules – but is it truly Peter who is in charge?
“I’m thrilled to be kicking off a new era of “WHAT IF” stories with this tale of a Spider-Man gone bad! How bad will he be? Will he have a goatee and no hyphen in his name? Pick up issue one to find out! But seriously, I feel that with SPIDER’S SHADOW we’re exploring some dark situations with Spidey and the Marvel Universe, while making it cool and fun to read. I think longtime fans will love it and new readers will be amazed at what Marvel lets us do,” Zdarsky teased. “Pasqual and Matt are producing amazing work on this book. When every page comes in, I share them with all of my friends even though Marvel says I’m not allowed to do that.”
“Since I started working at Marvel some long years ago, I always dreamed of drawing Spiderman, I came close a couple of times to get it, but the God of Thunder and Iron Man got in the way at the last moment— which were quite a joy too. So when I was offered the opportunity to draw this miniseries, you can imagine my happiness. In addition, I always wanted to experiment with the black suit from Secret Wars so the icing on the cake was doing that in the form of a “What If” series set at the beginning of that journey,” Ferry said. “Chip’s script is really shocking and surprising, a delight for someone fan of the character like me, and I’m sure it will catch the readers as much as it is drawing it with me. Hold on to the seats, because SPIDER’S SHADOW is going to surprise you in a way that you cannot imagine!”
101 Studios has released the official trailer and poster for Serbia’s official Academy Awards selection for Best International Feature, DARA OF JASENOVAC, along with a featurette that takes a behind-the-scenes look at this first-ever feature film about theviolent Holocaust-era concentration camp complex Jasenovac. Directed and produced by Predrag Peter Antonijevic, DARA OF JASENOVAC personalizes this part of history that has been mainly concealed from the public, through the eyes of a young girl named Dara. To this day, there is still controversy surrounding on how many lives were actually taken at Jasenovac.
Set in 1940s Croatia, DARA OF JASENOVAC follows 10-year-old Dara (Biljana Cekic) as she comes face-to-face with the horrors of the Holocaust-era after she, her mother and siblings are sent to the concentration camp complex known as Jasenovac. Considered one of the most overlooked parts of history, Jasenovac is not run by the Germans but by the fascist Ustase who brutally murdered Jews, Serb and Roma people, which included many women and children.
As unspeakable atrocities start to unfold, Dara must summon tremendous courage to protect her infant brother from a terrible fate while she safeguards her own survival and plots a precarious path toward freedom.
DARA OF JASENOVAC opens in select theaters on February 5, 2021.
Here is the film’s synopsis
In 1940s Croatia, 10-year-old Dara (Biljana Cekic) comes face-to-face with the horrors of the Holocaust-era after she is sent with her mother and siblings to the concentration camp complex known as Jasenovac. Overseen by vicious emissaries of the fascist Ustase government, the facility, the only operational death camp during World War II not created or run by the Germans, is tasked with murdering Serbs, Jews and Roma people-and re-educating the few children deemed worthy of rehabilitation. As unspeakable atrocities unfold all around her, young Dara must summon tremendous courage to protect her infant brother from a terrible fate, to safeguard her own survival and to plot a precarious path toward freedom.
GKIDS, the acclaimed distributor of multiple Academy Award®-nominated animated features, will release Studio Ghibli’s highly-anticipated new feature EARWIG AND THE WITCH in both theaters and on streaming in early February, followed by a home entertainment release in the spring. Tickets are on sale now for the film’s theatrical debut on February 3, 2021, in both Japanese subtitled and English dub versions. The film will appear in select theaters nationwide with longtime partner, Fathom Events, as well as independent theater circuits. At Fathom Events screenings, in addition to the full feature, audiences can look forward to a special interview with director Goro Miyazaki, and producer Toshio Suzuki. For fans looking forward to viewing Earwig and the Witch at home, starting February 5, Earwig and the Witch will also be available to stream in the US on HBO Max.
Tickets for Earwig and the Witch are available now at EarwigMovie.com and participating box offices. Ticketing setup is at the discretion of local theaters. Audiences unable to purchase tickets at their local theater are advised to continue to check back for updated ticket availability, especially closer to the event date.
The latest film from Japan’s legendary Studio Ghibli (Spirited Away, My Neighbor Totoro, Princess Mononoke and more) is directed by Goro Miyazaki (From Up on Poppy Hill, Tales from Earthsea) and produced by studio co-founder Toshio Suzuki, with planning from Academy Award®-winner Hayao Miyazaki. An official selection for the 2020 Cannes Film Festival, the film aired on NHK in Japan December 30, 2020. Based on the children’s novel by Diana Wynne Jones (Howl’s Moving Castle), the film marks Studio Ghibli’s first CGI animated feature and first feature film production in four years.
The English language cast features the voices of Richard E. Grant (Can You Ever Forgive Me?, Gosford Park), Kacey Musgraves (“Golden Hour” “Same Trailer Different Park”) and Dan Stevens (Eurovision Song Contest: The Story of Fire Saga, FX’s Legion), as well as Taylor Paige Henderson as “Earwig”. In addition to her debut voice acting role as “Earwig’s Mother,” six-time Grammy Award winner Kacey Musgraves sings the English language version of the film’s theme song, “Don’t Disturb Me.”
Growing up in an orphanage in the British countryside, Earwig has no idea that her mother had magical powers. Her life changes dramatically when a strange couple takes her in, and she is forced to live with a selfish witch. As the headstrong young girl sets out to uncover the secrets of her new guardians, she discovers a world of spells and potions, and a mysterious song that may be the key to finding the family she has always wanted.
The Marvel Stormbreaker delivers a stunning piece for Carnage’s new series!
Recently announced as a member of the inaugural class of Marvel’s Stormbreakers, superstar artist Peach Momoko continues to turn out bestselling variant covers for Marvel’s hottest titles. Fans can now see her latest creation, featuring a depiction of Spider-Man’s scariest foe reimagined in Momoko’s trademark style, for CARNAGE: BLACK, WHITE & BLOOD #1.
Featuring all-star creators such as Donny Cates, Ken Lashley, Sara Pichelli, and more, CARNAGE: BLACK, WHITE, BLOOD will present Carnage’s most spine-chilling tales in BLACK, WHITE AND BLOOD. See Momoko’s cover below and don’t miss adding this latest variant cover masterpiece to your collection when CARNAGE: BLACK, WHITE, AND BLOOD #1 hits stands in March. For more information, visit Marvel.com.
Knull takes on Earth’s Mightiest Heroes in Avengers #45
Now fully underway, Donny Cates and Ryan Stegman’s KING IN BLACK has taken the entire Marvel Universe by storm. And in April, the year’s most talked-about event will explode in the pages of Jason Aaron’s AVENGERS. Featuring art by Luca Maresca (Marvel’s Spider-Man: The Black Cat Strikes), AVENGERS #45 will star Blade and a vampire army taking on Knull’s forces.
The vampire hunter has been at the forefront of battles throughout KING IN BLACK and now the vampire hunter will pay a dark price that will change his world forever. Setting up Blade and the Avengers for what’s to come, AVENGERS #45 is a key chapter in the King in Black saga that fans won’t want to miss. Check out the cover by Cory Smith below and pick up the issue when it hits stands in April. For more information, visit Marvel.com.
Eventive, the leading platform for virtual cinema, hosting over 35,000 films for more than 700 festivals and year-round exhibitors in 2020, announced today that starting February 1, 2021, every stream on the platform will be secured with a NAGRA NexGuard forensic watermark. By using this invisible mark to identify each individual user and session, Eventive will be able to track any unauthorized use and trace it right back to the source.
Forensic watermarking is the most advanced form of content protection available and was previously only available at significant expense to a limited number of films. Eventive Advanced Antipiracy brings this level of security to everyone, at no additional cost.
In 2020 the independent film exhibition landscape shifted entirely to virtual cinema screenings, which allowed viewers to enjoy these films at home – however, the threat of piracy also increased dramatically. As pirates continue to improve their techniques, artists need the tools to protect their work, and Eventive’s latest advancement – along with existing multi-DRM, enhanced bitstream, burn-in, and overlay watermarking – grants filmmakers, distributors, exhibitors and film festivals the assurance that content is being streamed safely.
“Eventive Advanced Antipiracy moves content security to an entirely new level,” says Carly-Rose Moser, Director of Production & Operations at the American Film Institute. She adds, “It’s going to help all filmmakers and distributors feel more comfortable showing their work virtually.”
Iddo Patt, Eventive Co-founder and CEO, also added, “Our primary goal with Eventive Virtual has always been to create a sustainable virtual exhibition ecosystem that preserves premium and theatrical release windows, to support all filmmakers and new voices in reaching ever wider audiences while protecting their creative rights. We are delighted to be able to offer this level of security to all filmmakers.” Learn more about the Eventive Advanced Antipiracy suite of features at AdvancedAntipiracy.org.