Marion Cotillard Leads Hadžihalilović’s Surreal Drama The Ice Tower

the-ice-towerAcclaimed French filmmaker Lucile Hadžihalilović (Innocence, Evolution, Earwig) returns with her fourth feature, The Ice Tower, which is set to open in theaters on October 3, 2025. The film stars Marion Cotillard, Clara Pacini, August Diehl, and Gaspar Noé.

Co-written with Geoff Cox, The Ice Tower premiered earlier this year at the Berlin Film Festival. The project reunites Hadžihalilović with Cotillard, who also starred in her 2004 debut feature Innocence. Known for her surreal and unsettling narratives, the director brings her distinctive style to another collaboration with long-time creative partner Noé, with whom she co-founded the production company Les Cinémas de la Zone in the early 1990s.

Hadžihalilović’s work has previously received recognition at international festivals including San Sebastián, Toronto, and Cannes. The Ice Tower continues her exploration of atmospheric, psychological storytelling, blending elements of fantasy and existential unease.

The film will be released in U.S. theaters on October 3.

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Tetsuya Mariko’s “Dear Stranger” Sets International Premiere at Busan Film Festival

dear-strangerBusan International Film Festival has set the international premiere of Dear Stranger, the latest feature from Japanese director Tetsuya Mariko (Destruction Babies), for its 2025 edition in the “A Window on Asian Cinema” program.

Starring Hidetoshi Nishijima (Drive My Car) and Gwei Lun-Mei (Girlfriend, Boyfriend), the Japan–Taiwan–U.S. co-production was filmed entirely in New York and follows a couple whose lives fracture after the disappearance of their young son forces them to confront buried secrets.

The film reunites Mariko with top collaborators, including cinematographer Yasuyuki Sasaki (Asako I & II), editor Matthieu Laclau (A Touch of Sin), and Grammy-winning musician Jim O’Rourke. The project was shot with a multilingual cast and crew across English, Japanese, Chinese, Spanish, and sign language.

Mariko, who won Locarno’s Best Emerging Director Award for Destruction Babies, shifts his focus from violent social critiques to an intimate immigrant drama exploring identity, family, and loss.

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