Returns to NYC in New 4K Restoration: Can She Bake a Cherry Pie

Posted on January 21, 2026 by admin

Henry Jaglom’s quietly offbeat 1983 film Can She Bake a Cherry Pie? is getting a new 4K restoration and a theatrical run at Metrograph beginning February 20.

Shot entirely on the Upper West Side, the film stars Karen Black as a woman navigating love and loneliness in Jaglom’s loose, conversational style. The movie favors lived-in moments over plot, letting scenes wander in ways that feel more like real life than scripted drama.

The film has picked up cult status over the years, helped by an unusual supporting cast that includes Orson Welles, Frances Fisher, and a pre-Seinfeld Larry David. The new restoration, sourced from a 4K scan of the original 35mm materials, preserves the film’s rough, intimate feel while giving it new clarity on the big screen.

For fans of New York–set cinema and indie films that play by their own rules, Can She Bake a Cherry Pie? is a welcome return.

‘Spacewoman’ Trailer Arrives Ahead of March Theatrical Release

Posted on January 20, 2026 by admin

A new documentary centered on astronaut Eileen Collins is headed to theaters this spring. ‘Spacewoman’ , directed by Hannah Berryman, opens in cinemas beginning March 20, 2026, with an official trailer now released.

The film traces Collins’ career as the first woman to both pilot and command a Space Shuttle, following her path from a working-class upbringing in upstate New York to four increasingly complex NASA missions. Along the way, SPACEWOMAN looks not just at professional milestones, but at the personal cost of pushing into high-risk territory, for Collins and for the people closest to her.

Built around archival footage and first-hand interviews, the documentary features Collins alongside fellow astronauts, engineers, and family members, offering a grounded look at decision-making, responsibility, and the realities behind historic achievements. The score is composed by Marcelo Zarvos.

‘Spacewoman’ has already screened at several major festivals, including DOC NYC, CPH:DOX, Athena Film Festival, and the Boulder International Film Festival.

The film is produced by Keith Haviland and Natasha Dack Ojumu, with Berryman also credited as writer. Collins and Berryman are expected to participate in select interviews ahead of the release.

Sundance ’26: BURN Brings Hyper-Color and Chaos to the NEXT Section

Posted on January 13, 2026 by admin

One of the films at Sundance this year that feels like it’s daring people to either love it or walk out is BURN, the new feature from Makoto Nagahisa, who previously made We Are Little Zombies. It’s premiering in the festival’s NEXT section, which feels like exactly where it belongs.

The movie centers on Ju-Ju (played by Nana Mori), a runaway teen who ends up in Tokyo’s Kabukicho district, falling in with a loose group of kids living on the edge. At first, it feels like she’s finally found somewhere to land. That doesn’t last. What starts as freedom slowly turns into something tighter, darker, and harder to escape.

Visually, BURN is doing a lot, neon colors, hyper-stylized shots, constant motion. It’s bright, almost playful on the surface, even when the story underneath is clearly heading somewhere painful. That contrast is the point. The movie looks fun right up until it very much isn’t, and it doesn’t really warn you when the switch happens.

Nagahisa has always been good at capturing youth culture in a way that feels chaotic instead of nostalgic, and BURN seems to push that even further. It’s not trying to explain its characters or soften their choices. It just drops you into their world and lets things unravel.

Director Bong Joon Ho has already weighed in on the film, calling it intense and even frightening, which tracks. This feels like one of those Sundance titles people will be arguing about afterward, not whether it’s good or bad, but whether they were ready for it at all.

BURN premieres January 25, with additional screenings throughout the festival.

‘One Battle After Another’ and ‘Hamnet’ Come Out on Top at the 2026 Golden Globes

Posted on January 11, 2026 by admin

The Golden Globes did what they usually do best this year: set the tone for the rest of awards season while reminding everyone which films are actually building momentum.

Paul Thomas Anderson’s One Battle After Another walked into the night as a frontrunner and walked out looking even stronger, picking up Best Motion Picture (Musical or Comedy) along with wins for directing, screenplay, and Teyana Taylor’s supporting performance. The film’s mix of political satire and emotional stakes clearly connected with voters, and Anderson used his moment to spotlight the kind of filmmaker-driven studio support that made the film possible.

On the drama side, Hamnet took Best Motion Picture, with Jessie Buckley also winning for her performance. Chloé Zhao’s adaptation of Maggie O’Farrell’s novel continues to quietly build awards-season credibility, leaning into intimacy and grief rather than spectacle.

The TV categories followed a similar pattern, rewarding shows that already felt unavoidable this year. Netflix’s Adolescence had the biggest night overall, while The Pitt and The Studio took top series honors, with Noah Wyle and Seth Rogen winning acting prizes. The wins reinforced how much streaming dramas and sharp industry satire continue to dominate the conversation.

Elsewhere, Sinners, KPop Demon Hunters, and The Secret Agent all picked up multiple awards, underscoring how wide the Globes’ tastes have become, from genre films to international titles to animated hits.

Hosted by Nikki Glaser, the ceremony aired January 11 from the Beverly Hilton on CBS and Paramount+. With the Globes now behind us, the field is narrowing, and the next stretch of the awards season is officially underway.

2026 Sundance Film Festival Unveils Beyond Film Talks and Events

Posted on January 9, 2026 by admin

Sundance isn’t just about the films, it’s also where a lot of the conversations around them happen.

The Sundance Institute has announced the Beyond Film lineup for the 2026 Sundance Film Festival, featuring talks and events with Olivia Wilde, Richard Linklater, Ava DuVernay, Billie Jean King, Salman Rushdie, John Turturro, Nicole Holofcener, Elijah Wood, Ta-Nehisi Coates, James Wan, and more.

The Beyond Film program runs January 23–30, alongside the Festival, which takes place January 22–February 1, 2026, in Park City and Salt Lake City, with select events available online.

New this year is Sundance Institute’s Story Forum: Exploring Art and Innovation, a one-day event on January 26 focused on how storytelling is evolving across creative and technological spaces.

The free public program includes filmmaker conversations, artist talks, and live events like Cinema Café and The Big Conversation, with participants ranging from filmmakers and writers to cultural figures across disciplines.

The 2026 Festival will also spotlight Robert Redford’s legacy through the Park City Legacy program, featuring archival screenings, alumni talks, and community events celebrating Sundance’s history.

Most Beyond Film events are free to attend, with full schedules and access details available at festival.sundance.org.

IMAX Had Its Biggest Year Ever… and the Movies Driving It Might Surprise You

Posted on January 7, 2026 by admin

Avatar: Fire and Ash
20th Century Studios

IMAX closed out 2025 with the strongest box office performance in its history, pulling in a record $1.28 billion globally. That’s a 40 percent jump over 2024 and even higher than the company’s pre-pandemic peak in 2019, a notable milestone at a time when the broader theatrical business is still finding its footing.

What stands out isn’t just the total, but where the money came from. IMAX’s top-grossing films of the year weren’t dominated by traditional Hollywood blockbusters alone. The biggest title on IMAX screens was Ne Zha 2, a Chinese animated epic that barely registered in North America but became a massive global hit. It was followed by Avatar: Fire and Ash, F1: The Movie from Apple, the anime phenomenon Demon Slayer: Infinity Castle, and Mission: Impossible – The Final Reckoning.

That mix tells a bigger story about how IMAX is positioning itself. The company’s growth is increasingly tied to international audiences, anime fans, and filmmakers who deliberately shoot with IMAX cameras, not just tentpole franchises aimed at U.S. multiplexes. In fact, local-language films accounted for more than $400 million of IMAX’s box office in 2025, a record for the format.
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Brigitte Bardot, Iconic French Film Star and Cultural Figure, Dies at 91

Posted on December 28, 2025 by admin

Brigitte Bardot, the French actor, singer, and international cultural icon who rose to global fame in the 1950s before leaving cinema to become a prominent animal rights activist, has died at the age of 91. Her death was announced by the Brigitte Bardot Foundation, which did not disclose a cause.

Bardot became an international sensation with her breakthrough role in Roger Vadim’s And God Created Woman (1956), a film that reshaped attitudes toward sexuality in postwar cinema and established her as one of France’s most recognizable celebrities. Over the following two decades, she starred in more than 40 films, including The Truth, Contempt, and Viva Maria!, working with directors such as Jean-Luc Godard, Louis Malle, and Henri-Georges Clouzot.

She retired from acting in 1973 at age 39 and devoted her life to animal welfare, founding the Brigitte Bardot Foundation in 1986. In later years, Bardot remained a polarizing public figure due to her outspoken far-right political views and repeated convictions in France for inciting racial hatred.

French President Emmanuel Macron called Bardot “a legend of the century,” noting her lasting impact on French culture. She is survived by her son, Nicolas-Jacques Charrier.

Christopher Nolan Unveils First Trailer for Epic Adaptation of The Odyssey

Posted on December 22, 2025 by admin

Universal Pictures has released the first trailer for The Odyssey, Christopher Nolan’s epic adaptation of Homer’s ancient Greek poem. The film stars Matt Damon as Odysseus, the King of Ithaca, on his perilous journey home following the Trojan War.

The teaser offers glimpses of large-scale sea voyages, shipwrecks, and the famed Trojan Horse, while hinting at the mythic dangers Odysseus will face, including legendary monsters and supernatural forces.

The footage also introduces Tom Holland as Telemachus and Anne Hathaway as Penelope, Odysseus’ wife, whose plea for his return frames the trailer’s emotional core.

The cast includes Robert Pattinson, Zendaya, Lupita Nyong’o, Charlize Theron, Mia Goth, Benny Safdie, Jon Bernthal, and John Leguizamo. Nolan wrote and directed the film, producing alongside Emma Thomas, and shot the project using newly developed IMAX film technology to stage the story on an epic scale. The Odyssey is scheduled for theatrical release on July 17, 2026.

Michael Apted’s The Long Way Home Returns in Remastered, Expanded Form at MoMA Festival

Posted on December 20, 2025 by admin

Michael Apted’s documentary The Long Way Home will receive its world premiere in a newly remastered and expanded edition at To Save and Project: The 22nd MoMA International Festival of Film Preservation in January.

The 2026 version has been restored from the only surviving 16mm print under the supervision of producer Steven Lawrence and editor Susanne Rostock. The updated edition also includes a newly created epilogue examining the later life of Soviet rock icon Boris Grebenshchikov, whose career and exile following the release of his Western album Radio Silence are revisited decades after the film’s original release.

Originally released in the late 1980s, The Long Way Home follows Grebenshchikov as he became the first Soviet underground rocker to record in the West during the early days of Glasnost. The film documents his collaborations with Western musicians including Dave Stewart, Annie Lennox, Chrissie Hynde, Ray Cooper, and members of Crosby, Stills & Nash, while also capturing tensions with his longtime band Aquarium and his Russian audience.

The remastered edition will screen at MoMA on January 28, with an in-person introduction by Lawrence and Rostock.

“We Shall Not Be Moved” Recognized as One of the Year’s Top International Films

Posted on December 11, 2025 by admin

We Shall Not Be Moved (No nos moverán), Mexico’s official submission for Best International Feature at the 98th Academy Awards®, has been named one of the year’s Best International Films by New York Film Critics Online. The recognition comes as the acclaimed debut feature from Mexican filmmaker Pierre Saint Martin continues its U.S. theatrical rollout.

Following a strong run in New York through Cinema Tropical, the dark dramedy will screen for one week at the Roxie Theater in San Francisco beginning December 18, before heading to the Museum of Fine Arts, Houston in January. A U.S. streaming release is expected to be announced soon.

Shot in black and white, the film follows Socorro, a 67-year-old retired lawyer played by Luisa Huertas, whose decades-long pursuit of the soldier responsible for her brother’s death during Mexico’s 1968 Tlatelolco massacre has consumed her life and fractured her family. When a new lead emerges, she risks everything to confront the past.

The film premiered at the Guadalajara International Film Festival, winning Best Mexican Film and the Audience Award, and went on to receive four Ariel Awards, including Best First Feature and Best Actress. It has screened at more than 40 international festivals and will also represent Mexico at Spain’s Goya Awards.

Saint Martin’s debut blends dark humor with an intimate exploration of memory, trauma, and political reckoning, offering a personal lens on one of Mexico’s most painful historical chapters.