Instagram: “Something went wrong. Please try again later”

Instagram is a very popular social media app used by millions worldwide. But it is still vulnerable to bugs and issues which many users face often.

One such issue is receiving the message “”Something went wrong. Please try again later” whenever you tag someone or use the hashtag. Whenever this happens, the user have no choice but to remove the tag and hashtag.

However, there are a few things which users can do to resolve it. Although this is not a bulletproof solution, some of these have been proven to work.

Check Or Reset Your Network Connection

A very common source of the issue is bad connectivity. Often, all you need to do is reset your wi-fi connection, or check your network speed. You can also try removing anything that is situated between your device and your router, or moving closer to it. Resetting both devices (your phone, laptop or computer where you access instagram, and the router) may also work.

You Can’t Edit Because The Post May Be Boosted At That Moment

Needless to say, posts that are in the status of “boosted” cannot be edited. Instagram installed in some devices does not inform this to the user. In some macbook versions of Instagram for example, the user is still allowed to edit and tag, only to find out that the tag does not work. On a galaxy tablet however, a message will appear: “You can’t edit this post because the post is boosted as an ad”, or something similar.

Reinstall Instagram

This may be extreme and also inconvenient, but in some cases, all you have to do is reinstall the app. This then cleans out all the app settings on your device and login as if its your first login session. This often also helps resolve some of the app slowness and sluggish features you may be experiencing.

Clear Your Cache Or Switch Devices

Using another device quickly rules out some of the issues you may be facing. Switching to another device, and it still doesn’t work means the issue is related to your instagram account specifically, not on the device nor connectivity. Try clearing your cache as well on the same device as its most likely accumulated a lot of cache files that needs to be cleared out of the device.

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Eventive Announces Advanced Anti-Piracy Technology For Virtual Cinema

“Power to the filmmakers. Not to the pirates.”

Eventive, the leading platform for virtual cinema, hosting over 35,000 films for more than 700 festivals and year-round exhibitors in 2020, announced today that starting February 1, 2021, every stream on the platform will be secured with a NAGRA NexGuard forensic watermark. By using this invisible mark to identify each individual user and session, Eventive will be able to track any unauthorized use and trace it right back to the source.

Forensic watermarking is the most advanced form of content protection available and was previously only available at significant expense to a limited number of films. Eventive Advanced Antipiracy brings this level of security to everyone, at no additional cost.

In 2020 the independent film exhibition landscape shifted entirely to virtual cinema screenings, which allowed viewers to enjoy these films at home – however, the threat of piracy also increased dramatically. As pirates continue to improve their techniques, artists need the tools to protect their work, and Eventive’s latest advancement – along with existing multi-DRM, enhanced bitstream, burn-in, and overlay watermarking – grants filmmakers, distributors, exhibitors and film festivals the assurance that content is being streamed safely.

“Eventive Advanced Antipiracy moves content security to an entirely new level,” says Carly-Rose Moser, Director of Production & Operations at the American Film Institute. She adds, “It’s going to help all filmmakers and distributors feel more comfortable showing their work virtually.”

Iddo Patt, Eventive Co-founder and CEO, also added, “Our primary goal with Eventive Virtual has always been to create a sustainable virtual exhibition ecosystem that preserves premium and theatrical release windows, to support all filmmakers and new voices in reaching ever wider audiences while protecting their creative rights. We are delighted to be able to offer this level of security to all filmmakers.” Learn more about the Eventive Advanced Antipiracy suite of features at AdvancedAntipiracy.org.

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Microsoft launches ‘Plasma Bot’ to recruit recovered COVID-19 patients to help treat sick ones


The antibodies in recovered patients’ blood may be an effective novel coronavirus treatment

Microsoft is launching a self-screening tool for people to check whether they qualify to donate their plasma in the hopes of creating a treatment for those with COVID-19, according to a company blog post. The tool is part of the company’s work with a group called the CoVig-19 Plasma Alliance.

When someone is infected with a virus, their immune system produces antibodies to fight it. Once the infected person recovers, they have these antibodies in their blood.

“The sooner recovered COVID-19 patients donate convalescent plasma, the sooner the Alliance may be able to start manufacturing a potential therapy and begin clinical trials,” according to the post. “These trials will determine if this therapy could treat patients who are at risk for serious complications from COVID-19.”
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Apple employees are reportedly using new, unreleased Apple products at home because of the coronavirus

It apparently takes a worldwide pandemic for Apple to loosen its notoriously secretive approach: The company is letting engineers take home and work on new versions of major Apple products, according to a new Bloomberg report.

The unreleased Apple products they’re taking home reportedly include everything from the next iPhone, expected to arrive this fall, to the next Apple Watch, which could arrive “as early as this year.”

Apple Park — the sprawling new headquarters Apple opened in 2017 — is home to much of Apple’s product engineering and design. But Apple Park, like many other offices around the world, is currently shut down.

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Coronavirus sleuths say they still see a ‘path forward’ after regulatory snag

Regulators have blocked the Seattle Flu Study’s guerrilla effort to trace the spread of novel coronavirus, citing ethical concerns, but leaders of the effort say they’re working out an alternate path to continue their investigation.

The Seattle Flu Study was set up last year by leaders in the biomedical community — including the Brotman Baty Institute for Precision Medicine, the University of Washington, the Fred Hutchinson Cancer Research Center and Seattle Children’s Hospital — to use genetic tools to study how influenza spreads.

When the SARS-CoV-2 coronavirus started spreading like wildfire through China and other countries, the team began analyzing the samples they were receiving for evidence of the virus’ genetic fingerprint. And when evidence was found, the results were sent onward to public health authorities for follow-up. At least one patient in Snohomish County was identified as a coronavirus case thanks to the team’s work.

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“The Dark Crystal: Age Of Resistance” Soundtrack Volumnes 1 & 2 Being Released Friday Aug 30

The Soundtrack Volumes 1 & 2 for The Jim Henson Company’s fantasy adventure series The Dark Crystal: Age of Resistance are being released digitally on Friday, August 30 (the same day as the series launch on Netflix), and on CD and vinyl in the coming months, exclusively through Music.Film Recordings.

Volume 1 of the soundtrack features original music by composer Daniel Pemberton, while Volume 2 consists of tracks by Pemberton and by Samuel Sim.

“I approached the music the same way I approached the filming and the puppetry,” explains executive producer and director Louis Leterrier (Now You See Me, The Incredible Hulk). “I wanted somebody to come on this journey that would be willing to take big risks. I wanted something that was almost tribal. I wanted to hear the strings being plucked and the skin wrapped over the drum. At the same time, I wanted somebody who could write beautiful melodies, understood music, and was a lover of beautiful music. I wanted someone who would approach it in a very organic way and who would tell the story through the score. My search led me to Daniel.”

The 10-episode show is a prequel to the groundbreaking 1982 fan favorite The Dark Crystal, and takes place many years before the events of the film. Leading the voice cast in the series will be Kingsman star Taron Egerton, The Witch actress Anya Taylor-Joy and Game of Thrones’ Nathalie Emmanuel, as ‘Gelfling’ heroes Rian, Brea and Deet. Star Wars’ Mark Hamill, Harry Potter’s Helena Bonham-Carter, Tomb Raider star Alicia Vikander and Outlander’s Caitriona Balfe provide additional voice performances in the new fantasy epic. The series was shot in the U.K., and stars an ensemble of fantastical, state-of-the-art creatures brought to life by Jim Henson’s Creature Shop™ and designed by Brian Froud, the original feature’s conceptual designer.
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“gen:LOCK” First Trailer Released

By Creative Media Times

Fresh off the success of his recent sports drama, Creed II, Michael B. Jordan is back voicing a pilot character in Rooster Teeth’s upcoming American animated web series “gen:LOCK.”

Set in the dystopian future Earth, the sci-fi mecha anime series follows a diverse team of young pilots. Jordan is a Vanguard pilot Julian Chase, the lead character in the series.

Alongside Jordan are Dakota Fanning as his love interest, Maisie Williams as the youngest recruit of the Gen:Lock program, Asia Kate Dillon, Golshifteh Farahani and David Tennant.

gen:LOCK’s first two episodes is set to premiere on Saturday, January 26 on the Rooster Teeth website (RoosterTeeth.com) and is available on iOS, Android, Xbox One, Apple TV. Memberships start at $4.99 per month.

Here’s the official synopsis:

Fifty years in the future, an oppressive authoritarian force threatens to conquer the world. A daring team is recruited to pilot a new form of weaponized neuroscience that powers devastating mecha, but they must be willing to sacrifice everything to save the world.

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“Infinity War”, “Ready Player One” Lead Noms In Visual Effects Society Awards

By Creative Media Times

Universal

Visual Effects Society has released their list of nominations for the 17th Annual VES Awards and “Avengers: Infinity War” has received the most nominations, leading the pack with six noms.

The “Incredibles 2” meanwhile, emerged as the main contender in the animated categories with five of its town. On the broadcast categories, Netflix’s “Lost in Space” led the list with six nominations.

The VES Awards is a “yearly celebration that recognizes outstanding visual effects artistry and innovation worldwide in film, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on-the-keys artists who bring this work to life.”

The winners are set to be revealed on Feb. 5. Here is the full list of nominees for 17th Annual VES Awards.

Outstanding Visual Effects in a Photoreal Feature
Avengers: Infinity War
Christopher Robin
Ready Player One
Solo: A Star Wars Story
Welcome to Marwen

Outstanding Supporting Visual Effects in a Photoreal Feature
12 Strong
Bird Box
Bohemian Rhapsody
First Man
Outlaw King

Outstanding Visual Effects in an Animated Feature
Dr. Seuss’ The Grinch
Incredibles 2
Isle of Dogs
Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse

Outstanding Visual Effects in a Photoreal Episode
Altered Carbon; Out of the Past
Krypton; The Phantom Zone
Lost in Space; Danger, Will Robinson
The Terror; Go For Broke
Westworld; The Passenger
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IMAX Earns $1Billion For The First Time

By Creative Media Times

The IMAX movie format has reached a new milestone, surpassing the $1 billion mark at the global boxoffice in a single calendar year.

This is the first time the company has reached that mark in its 50-year history. This number was powered by a combination of Hollywood blockbusters as well as various local language films from China, Japan, Korea, Russia and India.

Leading the charge were Hollywood tentpoles such as Disney’s “Avengers: Infinity War” and “Black Panther” as well as Universal Pictures’ “Jurassic World: Fallen Kingdom.”

Recently, “Aquaman” has led the global boxoffice for the third weekend and a great part of its success was the 1,227 IMAX screens which played the film worldwide, including 406 screens in the US. Both of these contributed to $16.4 million gross with a week more to go before 2018 comes to a close.

There’s a total of 1,443 IMAX systems as of September 30, 2018, 1,346 of which were in commercial multiplexes.

Here are top 10 films of 2018 on IMAX at the worldwide box office:
1. Avengers: Infinity War
2. Black Panther
3. Jurassic World
4. Mission: Impossible – Fallout
5. Ready Player One
6. Aquaman
7. Venom
8. Fantastic Beasts: The Crimes of Grindelwald
9. Ant-Man and the Wasp
10.The Meg

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20 Films In Oscars Visual Effects Race

By Creative Media Times

Credit: Warner Bros.

20 film advanced in this year’s Oscar visual effects shortlist, the Academy of Motion Picture Arts and Sciences announced today.

Later this month, the executive committee of the visual effects branch will release the 10 shortlisted films where the nominees will be selected.

The nominees will be announced on Tuesday, January 22, 2019. The 90th Academy Awards is set to take place March 4, 2019.

Here is the list in alphabetical order:

“Ant-Man and the Wasp”
“Aquaman”
“Avengers: Infinity War”
“Black Panther”
“Bumblebee”
“Christopher Robin”
“Fantastic Beasts: The Crimes of Grindelwald”
“First Man”
“Incredibles 2”
“Isle of Dogs”
“Jurassic World: Fallen Kingdom”
“Mary Poppins Returns”
“Mission: Impossible – Fallout”
“Mortal Engines”
“The Nutcracker and the Four Realms”
“Paddington 2”
“A Quiet Place”
“Ready Player One”
“Solo: A Star Wars Story”
“Welcome to Marwen”

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