Claude Lelouch’s “A Man And A Woman” New Restoration

a-man-and-a-womanClaude Lelouch’s arthouse classic A MAN AND A WOMAN (1966), starring Jean-Louis Trintignant and Anouk Aimée, will run at Film Forum from Friday, April 4 to Thursday, April 17, in a new restoration supervised by the director. Mr. Lelouch will appear in person at screenings on opening weekend, as well as at a special screening of his latest film, the comedy-drama FINALEMENT, on Thursday, April 3.

In A MAN AND A WOMAN, race car driver Jean-Louis Trintignant and “la scripte-girl” Anouk Aimée meet at their kids’ boarding school, and then the flashbacks and Francis Lai’s can’t-get-it-out-of-your-head main love theme begin, in the undeniably romantic international smash hit – winner of the Cannes Film Festival’s Palme d’Or, two Academy Awards® (Best Foreign Film and Best Original Screenplay), and two nominations (Best Director and Best Actress).

Lelouch’s LA BONNE ANNÉE, CAT AND MOUSE, LES UNS ET LES AUTRES, AND NOW MY LOVE, and LES MISÉRABLES will also be shown during the run of A MAN AND A WOMAN.
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François Ozon’s Thriller “When Fall Is Coming”

when-fall-is-comingFrançois Ozon’s “When Fall Is Coming is set for US theatrical premiere release by Film Forum on Friday, April 4.

Acclaimed French stage actress Hélène Vincent is Michelle, a kindly grandmother who nurtures her garden in a quiet Burgundy village, attends church, and sees her longtime friend, Marie-Claude. But don’t be fooled by the apparent tranquility – WHEN FALL IS COMING is another twisty drama from François Ozon, with a disdainful daughter (Ludivine Sagnier of Ozon’s SWIMMING POOL), wild poisonous mushrooms, and a son who’s recently out of prison stacking up against Michelle’s peaceful retirement.

The film will be featured in the upcoming Rendez-Vous with French Cinema festival, screening at Walter Reade Theater on Friday, March 7, 3:30 PM and Sunday, March 16, 5:45 PM. A limited number of press tickets are available to this screening.

WHEN FALL IS COMING had its world premiere at the 2024 Toronto International Film Festival and went on to screen at the San Sebastian International Film Festival where it was awarded the Jury Prize for Best Screenplay and Best Supporting Performance (Pierre Lottin). Hélène Vincent was nominated for the 2025 César Award for Best Actress for her role.

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Cannes Prize-Winner “Holy Cow” Coming-of-Age Drama Opens at Film Forum

holy-cowFilm Forum has set the US theatrical premiere of Louise Courvoisier’s “Holy Cow” on Friday, March 28.

HOLY COW had its world premiere at the 2024 Cannes Film Festival in the Un Certain Regard section, where it was awarded the festival’s Youth Prize.

It will be featured in the upcoming Rendez-Vous with French Cinema festival, screening at Walter Reade Theater on Saturday, March 8. A limited number of press tickets are available to this screening.

The film’s synopsis says: Reveling in his youth in the gorgeous rural Jura region of Eastern France, Totone has few worries and is content to party with his friends as the family dairy business hums along. But when calamity strikes, the under-disciplined 18-year-old finds himself in charge of the farm and his 7-year-old sister. A sun-drenched coming-of-age story cast with non-professionals from Jura (filmmaker Courvoisier’s home), HOLY COW follows Totone’s determination to win a local Comté cheesemaking competition (cash prize: €30,000), while he romantically pursues a competing farmer — whose bullying brothers are none-too-pleased — and clumsily steps up to adult responsibilities.

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Lou Ye’s Docufiction AN UNFINISHED FILM + Four Ye Features | Opening March 14 at Film Forum

an-unfinished-filmFilm Forum has announce the US theatrical premiere of Lou Ye’s AN UNFINISHED FILM on Friday, March 14.

Using outtakes and on-set footage from SUZHOU RIVER and other films (SPRING FEVER, MYSTERY, THE SHADOW PLAY), and casting real actors from these films to play themselves, Lou creates an intense yet playful catharsis for filmmakers, artists, and, ultimately, all of us — a chance to revisit that time, and to heal.

In this enthralling, poignant docufiction, director Lou Ye (SUZHOU RIVER) and his crew reunite in Wuhan in January 2020 to complete a film started a decade earlier. When the first wave of COVID precipitates lockdown and fear, this story of revived artistic vision pivots to a thriller-paced account of the early spread of the virus — both the devastation and the deep connections borne of shared isolation.

AN UNFINISHED FILM had its world premiere at the 2024 Cannes Film Festival in the Special Screenings section and was an official selection at the Toronto International Film Festival, MoMA Doc Fortnight, and more.


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Jean-Luc Godard’s “A Woman Is A Woman” At Film Forum

a-woman-is-a-womanA WOMAN IS A WOMAN, writer/director Jean-Luc Godard’s “subversive” color and Scope tribute to the Hollywood musical comedy, starring Jean-Paul Belmondo, Jean-Claude Brialy, and the director’s then-wife and muse Anna Karina, will run at Film Forum from Friday, February 7 to Thursday, February 20, in a new 4K restoration being shown for the first time in the United States.

“I want to be in a musical with Cyd Charisse and Gene Kelly… choreographed by Bob Fosse!” declares Karina, and she almost gets her wish in this first color, Scope, and partly studio-shot film by her then-husband, the second (following LE PETIT SOLDAT) of their seven and a half collaborations. Karina’s Angela — an afternoon dancer in the sleazy Zodiac Club – yearns for motherhood, but live-in boyfriend Brialy “isn’t ready yet,” while hanger-on Belmondo is more than happy to oblige.
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Trailblazing Italian Filmmaker Lina Wertmüller’s Dark Comedy “Swept Away”

swept-awayTrailblazing Italian filmmaker Lina Wertmüller’s dark comedy SWEPT AWAY… BY AN UNUSUAL DESTINY IN THE BLUE SEA OF AUGUST, starring Mariangela Melato and Giancarlo Giannini, will run in a new 4K restoration from Friday, January 31 to Thursday, February 6 at Film Forum.

Set against the backdrop of the beautiful Mediterranean, SWEPT AWAY is Lina Wertmüller’s most famous and controversial film about sex, love and politics. On an elegant yacht cruising off the coast of Sardinia, Raffaella (Melato), a beautiful, haughty bourgeoise, enjoys tormenting Gennarino (Giannini), a Communist sailor. Fate weaves a different scenario and roles become reversed when the two find themselves stranded together on a deserted island.

Raffaella must submit to Gennarino in order to survive, which culminates in a dramatic climax when they are rescued. “A parable in which people’s sexual attitudes are governed by economics and class.” — New York Women in Film and Television`
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“The Girl With The Needle” From Director Magnus von Horn Sets Release

girl-with-the-needleMUBI is set to release THE GIRL WITH THE NEEDLE, an unflinching portrait of a desperate young woman in the aftermath of WWI struggling to find love and a sense of morality. THE GIRL WITH THE NEEDLE made its World Premiere at the Cannes Film Festival and was an official selection at the Toronto International Film Festival.

The film most recently won European Film Awards for best production design for Jagna Dobesz and best original score for Frederikke Hoffmeier (Puce Mary), with cinematography by Michael Dymek (A Real Pain, EO). The film was written by Magnus von Horn and Line Langebeck, who also produced.

Inspired by a true story and directed by Magnus von Horn, Variety’s 2025 ‘Director to Watch’ (The Here After, Sweat) THE GIRL WITH THE NEEDLE follows Karoline (Vic Carmen Sonne – Hlynur Pálmason’s Godland and Isabella Eklöf’s Holiday), a young factory worker, as she is struggling to survive in post WW1 Copenhagen. When she finds herself unemployed, abandoned and pregnant, she meets Dagmar (Trine Dyrholm), a charismatic woman running an underground adoption agency, helping mothers to find foster homes for their unwanted children. With nowhere else to turn, Karoline takes on the role of a wet-nurse. A strong connection is formed between the two women, but Karoline’s world shatters when she stumbles upon the shocking truth behind her work.

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Michelangelo Antonioni’s First Masterpiece, IL GRIDO

IL-GRIDOIL GRIDO (1957), the widely underseen early masterwork by Italian auteur Michelangelo Antonioni, will run at Film Forum in a new 4K restoration from Friday, November 8 through Thursday, November 14.

Deserted by the mother of his child, Aldo, a factory worker (played by Hollywood tough guy Steve Cochran) wanders through the Po Valley in search of solace and connection. His romantic prospects—including a gas-station owner (Dorian Gray), a sex worker (Lyn Shaw), and an old girlfriend (Betsy Blair, Oscar nominee for the prior year’s Marty and Mrs. Gene Kelly)—fizzle out into alienation and despair.

Made three years before his international breakthrough L’avventura, this rare departure from exploring affluent society is among Antonioni’s most politically trenchant films and a raw expression of anguish that remains one of Italian cinema’s great underappreciated gems. Strikingly composed with atmospheric photography by the great Gianni Di Venanzo, IL GRIDO reveals a director in the process of discovering his artistic signature.

Directed by Michelangelo Antonioni, from the screenplay by Michelangelo Antonioni, Elio Bartolini and Ennio De Concini, the film stars Steve Cochran, Alida Valli, Betsy Blair, and Dorian Gray.

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Andrei Tarkovsky’s “The Sacrifice”, New 4K Restoration Opens October 25 at Film Forum

Andrei-Tarkovsky-THE-SACRIFICETHE SACRIFICE (1986), Russian expat master Andrei Tarkovsky’s final film, will run at Film Forum in a new 4K restoration from Friday, October 25 through Thursday, October 31.

Opening with a small group of familiar players in a tense isolated situation, THE SACRIFICE unfolds to encompass the director’s cosmic view as, faced with nuclear holocaust, a mystic sacrifice must be offered to restore the world — with unforeseen results.

Produced in Sweden with a cast headed by Bergman star Erland Josephson (Scenes from a Marriage, Cries and Whispers) the film was shot by Bergman’s longtime cinematographer, two-time Oscar winner Sven Nykvist. The director’s last work – made as he was dying of cancer – THE SACRIFICE is Tarkovsky’s personal statement, a profoundly moving, redemptive tragedy steeped in unforgettable imagery, including an astounding long take at the film’s finale.

The film was awarded the Grand Prix and a prize for artistic contribution (in recognition of Nykvist’s cinematography) at the 1986 Cannes Film Festival, and won the 1988 BAFTA for Best Foreign Language Film.

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Japan Society Announces May Screening Events: Sans Soleil, Lumberjack the Monster, and Tampopo

tampopo-janus-filmsJapan Society, a 116-year-old nonprofit organization bridging the U.S. and Japan, today announced it will host three special screenings in May spanning classic Japanese cinema, a lauded documentary, and a major North American premiere. Japan Society is a storied institution that has presented Japanese art and culture for over a century, and its robust Film Program presents over 60 screenings from the silent era through to contemporary cinema all across the year.

Japan Society’s May events begin on May 1 with French filmmaker Chris Marker’s influential 1983 documentary Sans Soleil presented on rare imported 35mm. Driven by the desire to “capture life in the process of becoming history,” Marker traveled the globe and made a sprawling body of work that ruminates on the nature of memory and time. Of the several films he made in Japan, Sans Soleil remains the late director’s greatest achievement.

An unnamed woman narrates the poetic letters and philosophical reflections of an invisible world traveler accompanied by footage of Guinea-Bissau, Cape Verde, Iceland, Paris, San Francisco, and, most significantly, Tokyo—a city whose people, streets, malls, and temples inspire the traveler’s richest observations.
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