Peaky Blinders Returns With Feature Film The Immortal Man, Set for March Release

Peaky-BlindersPeaky Blinders is officially returning with a new feature film, Peaky Blinders: The Immortal Man, continuing the story of Tommy Shelby four years after the series concluded on Netflix. The film is written by series creator Steven Knight and directed by Tom Harper, who previously helmed episodes of the original series.

Set in 1940 against the backdrop of World War II, The Immortal Man follows Tommy Shelby, played once again by Cillian Murphy, as he is drawn out of self-imposed exile to confront what may be his most consequential reckoning yet. According to the film’s synopsis, the future of both the Shelby family and the country hangs in the balance as Tommy is forced to confront his past, his legacy, and the cost of survival in a world at war.

Murphy, who recently won an Academy Award for Oppenheimer, said returning to the role felt unfinished. “It seems like Tommy Shelby wasn’t finished with me,” he noted in a statement released alongside the teaser. Steven Knight has described the film as an “explosive chapter” in the Peaky Blinders saga, positioning it as a wartime continuation rather than a quiet epilogue.

The cast includes returning and new faces, with Rebecca Ferguson, Barry Keoghan, Tim Roth, Sophie Rundle, Stephen Graham, and others joining Murphy. The film is produced in association with BBC Film and continues Netflix’s strategy of extending marquee series through standalone features.

Peaky Blinders: The Immortal Man will debut in select theaters on March 6, 2026, before arriving on Netflix on March 20, 2026.

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HBO Max Drops Trailer for Season Two of Hospital Drama The Pitt

the-pittHBO Max has released the official trailer and key art for season two of The Pitt, the Emmy-winning hospital drama starring Noah Wyle, ahead of its January 8 premiere.

Created by R. Scott Gemmill and produced by John Wells Productions, the series returns with a 15-episode second season that will roll out weekly through April 16. Set in a modern Pittsburgh hospital, The Pitt continues its grounded portrayal of frontline healthcare workers navigating systemic strain, moral dilemmas, and high-stakes emergencies.

The show arrives for its sophomore run after a strong awards showing for its debut season, which earned 13 Emmy nominations and five wins, including Outstanding Drama Series and acting honors for Wyle and Katherine LaNasa. The success positioned The Pitt as one of HBO Max’s breakout dramas of 2025, particularly resonating with audiences drawn to realistic medical storytelling in the post-pandemic era.

Season two also expands accessibility efforts, with episodes streaming simultaneously in American Sign Language, and continues its companion podcast offering that blends episode discussion with real-world medical context.

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Colman, Lithgow, and Breakout Aud Mason-Hyde Anchor Tender Family Drama Jimpa

JimpaOlivia Colman and John Lithgow lead Jimpa, a new queer family drama from filmmaker Sophie Hyde. The film follows Hannah, played by Colman, as she travels with her trans nonbinary teenager Frances (Aud Mason-Hyde) to Amsterdam to visit Frances’ gay grandfather, affectionately known as Jimpa, portrayed by Lithgow. What begins as a simple family trip turns into a deeper emotional journey when Frances expresses a desire to stay abroad for a year.

The film explores the shifting dynamics across three generations as Hannah confronts the stories she has long held about her family, Frances wrestles with the disappointment of discovering their heroes aren’t perfect, and Jimpa faces the realities of aging in a community that once never imagined growing old.

Inspired by Hyde’s own experiences in a queer family, Jimpa blends humor, tenderness, and lived authenticity. Hyde directs from a script co-written with Matthew Cormack, continuing her track record of intimate character-driven storytelling seen in works like Good Luck to You, Leo Grande and 52 Tuesdays.

The cast also includes Daniel Henshall, Kate Box, Eamon Farren, and Cody Fern. The film features cinematography by Matthew Chuang, editing by Bryan Mason, and music composed by Nick Ward.

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New Distributor EKKL Entertainment Launches With “She Dances,” Hitting Theaters in March 2026

She-DancesEKKL Entertainment, a newly formed distribution banner focused on values-driven, audience-friendly filmmaking, has officially launched with its first acquisition: She Dances, the feature debut of writer-director Rick Gomez. The film, co-written with Steve Zahn, will receive a North American theatrical release in March 2026.

The family drama stars Steve Zahn, Audrey Zahn, Mackenzie Ziegler, Rosemarie DeWitt, Sonequa Martin-Green, and Ethan Hawke. After premiering at Tribeca earlier this year, the film drew strong audience reaction and was recently added to the 2026 Palm Springs International Film Festival lineup.

EKKL is led by producer Michael Scott, known for helping establish the modern faith-based boxoffice landscape. The company plans to release roughly eight theatrical titles annually, aiming to serve audiences looking for uplifting, character-driven storytelling.

In a joint statement, Gomez and Zahn said they were “thrilled” the film would play in theaters, noting that its emotional impact is strongest when shared communally.

She Dances centers on a strained father-daughter relationship navigating loss and reconciliation during a regional youth dance competition, an intimate portrait of grief, resilience, and rediscovery.

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Billy Wilder’s The Lost Weekend Returning to Theaters in 35mm This December

the-lost-weekendBilly Wilder’s landmark 1945 drama The Lost Weekend is set for a limited theatrical return beginning December 26, screening in a 35mm print for one week. The film, which won four Academy Awards including Best Picture, Best Director, Best Actor for Ray Milland, and Best Adapted Screenplay, remains one of cinema’s most influential depictions of alcoholism.

Milland stars as Don Birnam, a writer whose battle with addiction spirals over a destructive four-day binge, anchored by Jane Wyman’s performance as the woman determined to pull him back from the edge. Initially met with hesitation from preview audiences unaccustomed to its stark realism, The Lost Weekend later emerged as one of Wilder’s defining achievements and a milestone in Hollywood’s shift toward more unsparing drama.

Screenings will also include the 1947 Warner Bros. “Merrie Melodies” short Slick Hare, which features animated caricatures of 1940s celebrities, including Ray Milland himself, in a playful nod to the film.

A post-screening discussion with Eric Monder, author of Dashing to the End: The Ray Milland Story, and film critic Molly Haskell will be held on opening night, December 26.

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Uruguay Selects Don’t You Let Me Go as Its Oscar Submission

Uruguay has chosen Don’t You Let Me Go (Agarrame fuerte), the latest feature from filmmakers Ana Guevara and Leticia Jorge, as its official entry for Best International Feature at the 98th Academy Awards. The film previously premiered at the Tribeca Festival, where it won the Nora Ephron Award, and later earned a nomination for Best Ibero-American Film at Spain’s Goya Awards.

Produced by Agustina Chiarino’s Bocacha Films, the 74-minute drama centers on Adela, a woman grieving the sudden death of her closest friend. During the funeral, she slips into an otherworldly journey that takes her back a decade, where she reunites with her younger friend group for one final weekend together. Through its mix of intimate realism and gentle fantasy, the film explores memory, loss, and the enduring bonds that shape women’s lives.

Featuring performances by Chiara Hourcade, Victoria Jorge, and Eva Dans, the film continues the longtime collaboration between Guevara, Jorge, and Chiarino, and underscores their focus on female-driven stories both in front of and behind the camera.

International sales are handled by Alpha Violet.

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Nicholas Hytner’s “The Choral” Sets New York Advance Screenings Ahead of December 25 Theatrical Release

the-choralFalco Ink has announced two advance New York screenings for The Choral, the new period drama from BAFTA, Olivier, and Tony Award winner Nicholas Hytner (The History Boys, The Lady in the Van). The film, written by Alan Bennett, will open in theaters nationwide on December 25.

The screenings will be held at the Sony Screening Room (25 Madison Avenue, New York City) on Thursday, November 6 at 5 PM ET and Wednesday, November 12 at 2 PM ET. RSVP is required via AlexPelchar@FalcoInk.com.

Set in Yorkshire during World War I, The Choral follows a small-town choir struggling to survive as war empties its ranks. When the committee hires a mysterious new chorus master, Dr. Henry Guthrie (played by Ralph Fiennes), the community discovers that music can become an act of resistance and hope amid the chaos of war.

The film also stars Roger Allam, Amara Okereke, Simon Russell Beale, and Thomas Howes, and is produced by Kevin Loader, Nicholas Hytner, and Damian Jones.

The Choral made its world premiere at the 2025 Toronto International Film Festival and went on to screen at multiple international festivals, including Hamptons, AFI Fest, BFI London, Mill Valley, Russell Hobbs British, Coronado Island, and Virginia Film Festival.

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Rising Sun Media Brings Yakutian Cinema to Amazon Prime Video with Four Landmark Films

Rising-Sun-MediaFour acclaimed films by Yakutian filmmaker Stepan Burnashev (Black Snow, Our Winter, Cursed Land-Fate, and Aita) are now streaming globally on Amazon Prime Video through Rising Sun Media, marking a milestone for Sakhawood, the independent film movement from Russia’s Sakha Republic in Siberia.

Known for their emotional depth, poetic realism, and Indigenous storytelling, Burnashev’s works are often created on small budgets with local non-professional actors. His films explore survival, identity, and spiritual resilience set against the stark Siberian landscape.

Among the four titles, Aita stands out for its political resonance. It was banned in Russia in 2023 for being “contrary to the principles of the unity of the peoples of Russia,” which Burnashev described as proof of the film’s power to “disturb systems of silence.”

“This is what independent filmmaking is about,” said Nadav Streett of Rising Sun Media. “Creating despite the odds and finding new audiences who are ready to listen to voices from the periphery.”

Founded in 2007 in Los Angeles, Rising Sun Media is known for bringing bold international and independent films to major digital platforms.

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SFFILM to Honor Park Chan-wook With Career Tribute and Screening of ‘No Other Choice’

Park-Chan-wook

L to R. Director Park Chan-wook. Actor Lee Byung Hun in NO OTHER CHOICE. Photos: NEON.

San Francisco’s SFFILM will celebrate acclaimed South Korean filmmaker Park Chan-wook with a Career Tribute and special screening of his new film No Other Choice on November 20 at the Phyllis Wattis Theater at SFMOMA.

The event will feature an onstage conversation with Park and a showing of No Other Choice, his first film since Decision to Leave. The film, from NEON, reunites Park with Lee Byung Hun (Joint Security Area) in a darkly comic satire about a man’s descent into desperation after losing his corporate job.

“With No Other Choice, Director Park returns to the sharp social commentary of Sympathy for Lady Vengeance and Stoker,” said Jessie Fairbanks, SFFILM’s Director of Programming. “It’s a brilliantly savage look at capitalism, masculinity, and ambition, another masterful addition to his career.”

SFFILM Executive Director Anne Lai called the tribute “a deep honor,” noting Park’s global influence and the organization’s commitment to international cinema.

Park, best known for Oldboy, The Handmaiden, and Thirst, has won multiple Cannes awards and remains one of contemporary cinema’s most influential auteurs. No Other Choice, adapted from Donald E. Westlake’s The Ax, opens in select theaters December 25 via NEON and expands nationwide January 2026. Tickets: Available for SFFILM members October 30 and general audiences October 31 at sffilm.org
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“Junkie” from AFI Alum William Means to World Premiere at AFI Fest 2025

JunkieAFI alum William Means will debut his feature film Junkie at the 2025 AFI Fest on October 26, followed by a conversation with Means, executive producer Patty Jenkins, and members of the cast and crew.

Produced by Rachel Weise, Thayer Juergens, and Abra Salazarte, the gritty yet darkly funny Southern drama stars newcomer Rocky Shay in a breakout performance alongside Rett Keeter, Jessica Lea Risco, Kian Morr, and Christina Reynolds. Means, known for his short films Blue Square Heart and King of the Forest, wrote and directed the project.

Junkie follows Stevie, a meth-addicted mother who escapes rehab and embarks on a chaotic odyssey through the Southern underbelly, desperate to reconcile with her estranged son before fleeing town for good. Inspired by Shay’s real-life experiences and Means’ own family struggles, the film blends physical comedy with raw honesty in exploring addiction, identity, and redemption.

Shot by cinematographer Jay Swuen and edited by Noam Klement, Junkie marks Means’ feature debut and continues AFI’s tradition of spotlighting bold new voices in American independent cinema.

Watch the AFI Fest premiere listing here.

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