Robert Redford, Hollywood Icon and Architect of Independent Cinema, Dies at 89

Robert Redford during the filming of The Sting (1973). Photo by Ken Dare, Los Angeles Times / Courtesy of the Dutch National Archives.

Robert Redford, the Oscar-winning actor, director, and visionary who built Sundance into the home of independent film, has died at his home in Utah. He was 89. Redford was first known as one of Hollywood’s most magnetic leading men, but his greatest impact came later, as he reshaped the future of filmmaking by giving independent voices a place to be heard.

Redford began his career in television and on Broadway before breaking through in film. His first leading role that brought him recognition was Barefoot in the Park (1967) opposite Jane Fonda. Two years later, Butch Cassidy and the Sundance Kid (1969) made him a household name. His pairing with Paul Newman became one of the most beloved duos in film history. They reunited in The Sting (1973), which became a massive hit and earned Redford an Oscar nomination for Best Actor.

An American Icon

In the 1970s, Redford wasn’t just a star. With his blond hair, windswept style, and natural charisma, he became a cultural symbol of American masculinity. But he quickly proved he was more than an image. In The Candidate (1972), Jeremiah Johnson (1972), Three Days of the Condor (1975), and All the President’s Men (1976), he pursued stories with political and social weight. By the end of the decade, he had become both a top box office draw and one of the most respected actors of his generation.

Behind the Camera

In 1980, Redford made his directing debut with Ordinary People, a family drama that went on to win four Academy Awards, including Best Picture and Best Director. The film marked his transformation from leading man to accomplished filmmaker and proved he could command just as much respect behind the camera.
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“Darling” 4K Restoration to Open at Film Forum for 60th Anniversary Run

darlingJohn Schlesinger’s Darling (1965), starring Julie Christie, Dirk Bogarde, and Laurence Harvey, returns to the big screen in a new 4K restoration for its 60th anniversary. The bittersweet satire of Swinging London will screen at Film Forum in New York from October 10 to October 23.

The film, which helped define the British New Wave, earned five Academy Award nominations, winning Best Actress for Christie, Best Original Screenplay for Frederic Raphael, and Best Costume Design for Julie Harris. Christie’s performance as ambitious model Diana Scott launched her to international stardom.

Darling also earned four BAFTAs and three New York Film Critics Circle Awards, cementing its place as a cultural landmark of the 1960s.

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Film Forum Celebrates 100 Years of Peter Sellers With Two-Week Retrospective

100-years-of-peter-sellersFilm Forum will honor one of cinema’s greatest comic actors with 100 Years of Peter Sellers: From Britcoms to International Icon, running September 19–October 2. The series spans Sellers’ career from early U.K. comedies like The Ladykillers (1955) and his BAFTA-winning role in I’m All Right Jack (1959), to Hollywood landmarks including The Pink Panther series, Stanley Kubrick’s Dr. Strangelove (1964), and his Oscar-nominated turn in Hal Ashby’s Being There (1979).

Eighteen features are included, alongside rare 35mm screenings of Casino Royale (1967), What’s New Pussycat? (1965), A Shot in the Dark (1964), and Sellers’ Oscar-nominated short with Richard Lester, The Running Jumping & Standing Still Film (1959).

Film critic Siddhant Adlakha will introduce the opening-night screening of Blake Edwards’ The Party (1968) on September 19.

Highlights include:

The Ladykillers (1955) – Sept 19, 21, 22, 29
I’m All Right Jack (1959) – Sept 19, 21, 26, 27, 30, Oct 1
Dr. Strangelove (1964, 35mm) – Sept 19, 20, 22, 28, Oct 1–2
Lolita (1962) – Sept 20, 21, 25, 27, Oct 2
The Pink Panther (1963) – Sept 21, 24, 30
Casino Royale (1967, 35mm) – Sept 23
Being There (1979, 35mm) – Sept 26–28, Oct 2

(Additional titles include Two Way Stretch, Only Two Can Play, Heavens Above!, The World of Henry Orient, What’s New Pussycat? and more.)

The full schedule and ticket information are available at filmforum.org.

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Marion Cotillard Leads Hadžihalilović’s Surreal Drama The Ice Tower

the-ice-towerAcclaimed French filmmaker Lucile Hadžihalilović (Innocence, Evolution, Earwig) returns with her fourth feature, The Ice Tower, which is set to open in theaters on October 3, 2025. The film stars Marion Cotillard, Clara Pacini, August Diehl, and Gaspar Noé.

Co-written with Geoff Cox, The Ice Tower premiered earlier this year at the Berlin Film Festival. The project reunites Hadžihalilović with Cotillard, who also starred in her 2004 debut feature Innocence. Known for her surreal and unsettling narratives, the director brings her distinctive style to another collaboration with long-time creative partner Noé, with whom she co-founded the production company Les Cinémas de la Zone in the early 1990s.

Hadžihalilović’s work has previously received recognition at international festivals including San Sebastián, Toronto, and Cannes. The Ice Tower continues her exploration of atmospheric, psychological storytelling, blending elements of fantasy and existential unease.

The film will be released in U.S. theaters on October 3.

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Film Forum Launches Screen Deco, Festival of 1920s and 1930s Art Deco Classics

art-deco-classicsFilm Forum in New York will present Screen Deco, a festival showcasing more than 25 films from the 1920s and 1930s that exemplify the style later dubbed Art Deco. Running from September 8, 2025, through January 1, 2026, the series commemorates the 100th anniversary of the 1925 Exposition des Arts Décoratifs in Paris, which helped introduce the movement to the world.

Highlights include silent-era landmarks such as Our Dancing Daughters with Joan Crawford, A Woman of Affairs with Greta Garbo, Pandora’s Box with Louise Brooks, and the French production L’Inhumaine. Pre-Code features include Michael Curtiz’s Female, Edgar G. Ulmer’s The Black Cat with Boris Karloff and Bela Lugosi, William Wyler’s Counsellor at Law with John Barrymore, Ernst Lubitsch’s Trouble in Paradise, and Busby Berkeley’s Footlight Parade. Musicals such as Top Hat with Fred Astaire and Ginger Rogers also feature in the lineup.
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Cannes 2025: ‘It Was Just an Accident’ Wins Palme d’Or Amid Strong Year for Global Cinema

cannes-2025The 78th Cannes Film Festival concluded with Iranian director Jafar Panahi winning the Palme d’Or for It Was Just an Accident, a tense moral thriller inspired by his own imprisonment in Iran. The film, which follows a group of former detainees confronting their alleged torturer, marked Panahi’s first in-person appearance at Cannes in over two decades. His emotional return and the film’s urgent themes of oppression and justice drew widespread acclaim and a standing ovation at the ceremony.

Panahi, long banned from leaving Iran, dedicated the prize to artists exiled from their home countries. His win also extended indie distributor Neon’s streak to six consecutive Palme d’Or victories, including previous titles like Parasite and Anora.

Beyond Panahi’s triumph, the festival showcased a wide range of standout films. Joachim Trier won the Grand Prix for Sentimental Value, while the Jury Prize was split between Óliver Laxe’s Sirât and Mascha Schilinski’s Sound of Falling. Brazil’s The Secret Agent took home Best Director for Kleber Mendonça Filho and Best Actor for Wagner Moura. Best Actress went to Nadia Melliti for The Little Sister.

The Camera d’Or for best first film was awarded to Hasan Hadi’s The President’s Cake, the first Iraqi film to win at Cannes. A special award was given to Bi Gan for Resurrection.

Despite a power outage affecting the region hours before the ceremony, the festival concluded without major disruption, ending what many considered one of Cannes’ strongest years in recent memory.

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Jack Lemmon 100: Festival of Classics Opens May 16 at Film Forum

jack-lemmonJACK LEMMON 100, a two-week festival of classics from the 1950s to the 1990s, will run at Film Forum from Friday, May 16 to Thursday, May 29, in commemoration of Lemmon’s centennial year in 2025. The festival will include Lemmon’s best-known movies, including THE APARTMENT, SOME LIKE IT HOT, DAYS OF WINE AND ROSES, THE ODD COUPLE, IRMA LA DOUCE, and THE CHINA SYNDROME.

One of the most beloved actors in movie history, with a 50-year career that included comedies, musicals and dramas, Jack Lemmon (1925-2001), known for his quintessential “every man” persona, became the first person to win Academy Awards for both Best Supporting Actor for his role in MISTER ROBERTS (1955) and Best Actor for SAVE THE TIGER (1973). Lemmon also received Oscar nominations for THE CHINA SYNDROME (1979), TRIBUTE (1980) and MISSING (1982).

A frequent collaborator of director Billy Wilder and actor Walter Matthau, Lemmon first worked with Wilder on the comedy masterpiece SOME LIKE IT HOT (1959), shortly followed by the Oscar-winning THE APARTMENT (1960). He first starred opposite Matthau in THE FORTUNE COOKIE (1966), but it was their iconic clashing of personalities in THE ODD COUPLE (1968) that cemented their place as one of the all-time great comedy teams, with The New York Times dubbing them “one of Hollywood’s most successful pairings.”
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René Clément’s “Forbidden Games” New 4K Restoration At Film Forum

forbidden-games“Forbidden Games”, the 1952 French war drama by René Clément based on François Boyer’s novel Les Jeux Interdits, will run in a new 4K restoration at Film Forum from Friday, May 9 to Thursday, May 15.

“Michel! Michel! Michel!” France 1940, as a refugee column trudges along a country road, a dog makes a break for it, with its tiny blonde mistress in pursuit — and then the German fighters strike. But if 5-year-old Brigitte Fossey’s understanding of death is limited as she strokes her mother’s cold face, at least she can bury the dog discarded by her peasant rescuers, aided by 11-year-old farm boy Georges Poujouly. As they build a special, secret friendship, their pet cemetery steadily grows, topped by crosses stolen from graveyards, even as the adults play their own games of grotesque peasant feuds… And then Fossey (“in a performance that rips the heart out” – The New York Times) shouts his name again.

A masterpiece of French post-war cinema by director René Clément (who would make the classic thriller Purple Noon, starring Alain Delon, eight years later), adapted by the legendary team of Jean Aurenche and Pierre Bost from Boyer’s successful novel, with a haunting hit score played by guitar virtuoso Narciso Yepes, the ultimately beautiful, hilarious and disturbing “Forbidden Games” initially did so-so box office and screened only on the fringes of the Cannes Festival, then nearly got shut out of Venice — where it promptly won its top prize, the Golden Lion — and then became a worldwide art house smash and Clément’s second Best Foreign Film Oscar winner (following the previous year’s The Walls of Malapaga).

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Cannes Prize-Winner “Holy Cow” Coming-of-Age Drama Opens at Film Forum

holy-cowFilm Forum has set the US theatrical premiere of Louise Courvoisier’s “Holy Cow” on Friday, March 28.

HOLY COW had its world premiere at the 2024 Cannes Film Festival in the Un Certain Regard section, where it was awarded the festival’s Youth Prize.

It will be featured in the upcoming Rendez-Vous with French Cinema festival, screening at Walter Reade Theater on Saturday, March 8. A limited number of press tickets are available to this screening.

The film’s synopsis says: Reveling in his youth in the gorgeous rural Jura region of Eastern France, Totone has few worries and is content to party with his friends as the family dairy business hums along. But when calamity strikes, the under-disciplined 18-year-old finds himself in charge of the farm and his 7-year-old sister. A sun-drenched coming-of-age story cast with non-professionals from Jura (filmmaker Courvoisier’s home), HOLY COW follows Totone’s determination to win a local Comté cheesemaking competition (cash prize: €30,000), while he romantically pursues a competing farmer — whose bullying brothers are none-too-pleased — and clumsily steps up to adult responsibilities.

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“Tales from The New Yorker”, 30-Film Series Opens February 21 at Film Forum

Robert-Benchley

Robert Benchley

Tales from The New Yorker, a two-week series celebrating the iconic magazine’s first century, will run from Friday, February 21 to Thursday, March 6 at Film Forum, with a slate of over 30 films inspired by fiction and reporting from its pages, and by the legendary writers who helped define it.

The series opens on the 100th anniversary of the magazine’s very first issue (dated February 21, 1925, featuring the magazine’s top-hatted dandy, Eustace Tilley, on the cover), with Richard Brooks’ faithful adaptation of Truman Capote’s IN COLD BLOOD (1967), which first appeared in serial form in The New Yorker in 1965. The opening night screening will be introduced by New Yorker editor David Remnick.

Other films in the series adapted from New Yorker stories include Alexander Hall’s MY SISTER EILEEN (1942), based on stories by Ruth McKenney; Vincente Minnelli’s MEET ME IN ST. LOUIS (1944), based on stories by Sally Benson, Norman Z. McLeod’s THE SECRET LIFE OF WALTER MITTY (1947), based on the story by James Thurber; Nicholas Ray’s BIGGER THAN LIFE (1956), based on the Annals of Medicine story “Ten Feet Tall” by Berton Roueché; Frank Perry’s THE SWIMMER (1968), based on the short story by John Cheever; Ang Lee’s BROKEBACK MOUNTAIN (2005), based on the short story by Annie Proulx; Lee Chang-dong’s BURNING (2018), based on the short story “Barn Burning,” by Haruki Murakami; and many more.
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