Terence Blanchard Honored As A BMI Icon At BMI’s 35th Annual Film, TV, & Visual Media Awards

The Evening Also Celebrated the Previous Year’s Top Composers for Film, TV And Visual Media

Last night, BMI (Broadcast Music, Inc.) held its 35th annual Film, TV & Visual Media Awards to celebrate the top performing composers in film, TV and visual media of the past year. The highest honors of the evening went to film composer and multiple award-winning jazz musician Terence Blanchard, who was named a BMI Icon in recognition of his significant contributions to the cinematic community, and William Ross, who received BMI’s Classic Contribution Award for his outstanding work as an arranger, orchestrator, conductor, music director, composer and mentor to emerging talent. The private ceremony was hosted by Vice President Creative – Film, TV & Visual Media, Doreen Ringer-Ross and BMI President and CEO Mike O’Neill at the Beverly Wilshire Hotel in Beverly Hills, California.

O’Neill presented Blanchard with the BMI Icon accolade in front of a room of his peers, noting that the award was “reserved for extraordinary members of the BMI family, whose artistry has had an unparalleled impact on both music lovers and music creators.” He went on to say, “You’ve humbly said you stand on the shoulders of musical legends. Well, Terence, steady your shoulders, because there are many you will carry as they aspire to your legacy.”
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35th Anniversary GHOSTBUSTERS Original Motion Picture Score Available Digitally For The First Time

35th Anniversary GHOSTBUSTERS Original Motion Picture Score Available Digitally For The First Time On June 7th.

In honor of the 35th anniversary of Ghostbusters’ 1984 theatrical debut, Sony Music announces a special reissue of “GHOSTBUSTERS (ORIGINAL MOTION PICTURE SCORE)” with music by legendary film composer ELMER BERNSTEIN (The Magnificent Seven, To Kill a Mockingbird, The Age of Innocence).
Available now to preorder, the anniversary edition arrives in digital formats for the very first time (in both standard and hi resolutions) and on CD Friday, June 7 and on vinyl Friday, July 19.

The collection features music from the iconic blockbuster, newly mixed and remastered from the score’s original multi-tracks, as well as new artwork, commentary from Elmer Bernstein’s son, Peter, and four previously unreleased tracks.

Of the 35th anniversary edition, Peter Bernstein, son of the late Elmer Bernstein, says, “As one of the original orchestrators on Ghostbusters, it has been very satisfying and also very moving to work on this soundtrack release 35 years down the road. It is a great movie with great music and we had a whole lot of fun creating it. I am very pleased to see it released in its original form.”
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Shia LaBeouf And Mel Gibson To Star In “Rothchild”

By Creative Media Times

American Honey (A24 / Focus Features)

Mel Gibson is about to join Shia LaBeouf in the upcoming satire “Rothchild”, a black comedy set to be directed by Jon S. Baird, according to Variety.

LaBeouf set to play Becket Rothchild, a family outcast who plots to get back into the family and its fortune.

As a charismatic and intelligent adult, Becket penetrates his way into the family, which sets him up into a clash with sinister family patriarch Whitelaw (Gibson) and Rothchild family members.

“Rothchild” was originally a 2014 Blacklist script written by John Patton Ford and being produced by Los Angeles-based production company Unified Pictures.

Scottish film director Jon S. Baird recently directed the biographical comedy-drama film “Stan & Ollie” which received positive reviews from critics during its release last October.

“Rothchild is a satirical and thrilling ride, and I am elated to be working with a filmmaker like Jon Baird, who not only has an incredible track record of guiding award-winning performances, but is crafting this film to be an action packed cautionary tale on wealth and power,” said producer Keith Kjarval.

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Power Pack Gets An All-New Adventure with Louise Simonson and June Brigman

Acclaimed creators Louise Simonson and June Brigman are bringing an all-new special story to the Marvel Universe this August, as POWER PACK’s young super heroes set the stage for an adventurous, thrilling ride.

Power Pack jumps into action when the Brood crash a concert, but it’s a race against time as they battle the invasion against their own anxieties, as well as each other, in hopes of saving the world. Join Alex, Julie, Katie, and Jack Power and special guests Wolverine and Kitty Pryde for an incredible new adventure! Plus, don’t miss fan-favorite artist Gurihiru teaming up with Louise Simonson for the first time in a special short story.

“I remember the joy I felt reading Power Pack #1 when it was first published, and the sadness of hitting the last page of the final issue of their original run, so it’s a thrill to be able to reunite Louise and June to tell untold tales with Alex, Julie Jack and Katie from that time period,” shared Editor-in-Chief C.B. Cebulski. “And to also have Gurihiru contributing a story bridges these two acclaimed generations of Power family fun, making this a perfect project to commemorate Marvel’s 80th Anniversary!”

Power Pack: Grow Up! #1 hits comic shops this August.

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Legendary Actress And Singer Doris Day Dies At 97

By Creative Media Times

CBS

Doris Day, the legendary girl-next door singer and actress who appeared in “Pillow Talk” and many other 1950s and 1960s romantic comedies has died, according to the Associated Press. She died at her home in Carmel Valley, California. She was 97.

Day is one of the most popular and successful Hollywood actresses of all time, once topping both the billboard music and box-office charts.

In 1959, she co-starred with Rock Hudson in the romantic comedy film Pillow Talk. Directed by Michael Gordon, the film earned her an Academy Award for Best Actress nomination. She also starred in boxoffice hits Please Don’t Eat the Daisies (1960) and That Touch of Mink (1962) among others.

Day also had a very successful music career. In 1945, she had two highly successful records “Sentimental Journey” and “My Dreams Are Getting Better All the Time” with Les Brown & His Band of Renown, and between 1947 and 1967, she has recorded over 650 songs.

Her singing talent came in handy in the 1956 Alfred Hitchcock boxoffice hit suspense film The Man Who Knew Too Much, where she costarred with James Stewart.

In the film, she sang her rendition of the legendary song “Que Sera, Sera (Whatever Will Be, Will Be)”. Written by the team of Jay Livingston and Ray Evans, the song reached number two on Billboard Hot 100 chart, then later won the Academy Award for Best Original Song.

The song was also used as a theme song in the sitcom “The Doris Day Show”, which aired on CBS from 1968 to 1973, later becoming her signature song.

Day also topped the US singles chart with “Love Somebody” (w/ Buddy Clark) in 1948, “A Guy Is a Guy” in 1952, and “Secret Love” in 1954.

She later became an advocate of animal rights, founding the Doris Day Pet Foundation in 1978, now known as Doris Day Animal Foundation (DDAF).

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Jonathan Hickman Unveils An Exclusive First-Look For His Radical Plans For The X-Men

Today, Jonathan Hickman (Fantastic Four, The Avengers, Infinity, Secret Wars) revealed an exclusive first look – and a look forward – for his highly-anticipated upcoming series, HOUSE OF X and POWERS OF X!

Beginning this July through September, all the current X-titles will come to an end as Hickman reshapes the mutant world forever starting with HOUSE OF X and POWERS OF X. Speaking with Comicbook.com Hickman shared his long-term plans for the X-Men with fans and retailers everywhere.

“We needed to sell the idea that this is what we’re going to be doing for the next few years,” said Hickman. “We wanted to be clear to the fans, to the stores, and just as importantly, to the creators who are going to be staffing these books in the future. We wanted the message to be very clear: This is a whole new era for the X-Men. This is what we’re doing now.”

Fans of the current series will see that the X-universe has been dovetailing to this new era, which will build from every major X-Men milestone since 1963 up through all of today’s fan-favorite X-Men series.
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Disney Releases First Trailer for “Maleficent: Mistress of Evil”

By Creative Media Times

Walt Disney Studios
Motion Pictures

Angelina Jolie returns to the titular role of the horned villainess and she’s back to her ways. Elle Fanning’s Aurora is also back, while Michelle Pfeiffer, Ed Skrein and Chiwetel Ejiofor are new to the cast.

Appropriately set to “Season of the Witch,” the trailer features of beautiful visuals and seem to indicate a conflict between her and Pfeiffer’s Queen Ingrith.

“Maleficent: Mistress of Evil” picks up several years after the original 2014 film “Maleficent,” a character loosely based on the Wicked fairy godmother and re-imagined the classic story of Sleeping Beauty.

Joachim Rønning directs the upcoming fantasy adventure film from Walt Disney Pictures. Rønning previously co-helmed “Pirates of the Caribbean: Dead Men Tell No Tales”.

“Maleficent: Mistress of Evil” is set for release on October 18, 2019.

Here’s the film’s official synopsis:

A fantasy adventure that picks up several years after Maleficent, in which audiences learned of the events that hardened the heart of Disney’s most notorious villain and drove her to curse a baby Princess Aurora, Maleficent II continues to explore the complex relationship between the horned fairy (Angelina Jolie) and the soon to be Queen (Elle Fanning), as they form new alliances and face new adversaries in their struggle to protect the moors and the magical creatures that reside within.

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“Killing Eve” Wins Big at BAFTA TV Awards

By Creative Media Times

BBC America hit show “Killing Eve” was the big winner Sunday at BAFTA’s British Academy Television Awards, winning top awards such as best drama series, best actress for Jodie Comer and best supporting actress for Fiona Shaw.

The BAFTA TV Awards were held at the Royal Festival Hall in London on Sunday night and was hosted by Graham Norton.

Other winners include Benedict Cumberbatch, who took home Leading Actor for “Patrick Melrose,” and Ben Whishaw for Supporting Actor for his role in “A Very British Scandal.”

HBO’s “Succession” took home the international category, winning over previous winner “The Handmaid’s Tale.”

See the full list of nominees and winners below:

Drama Series
Bodyguard (BBC One)
Killing Eve (BBC America/BBC Three)
Save Me (Sky Atlantic)
Informer (BBC One)

Mini-Series
A Very English Scandal (BBC One)
Kiri (Channel 4)
Mrs Wilson (BBC One)
Patrick Melrose (Showtime/Sky Atlantic)

Leading Actress
Jodie Comer – Killing Eve (BBC America/BBC Three)
Sandra Oh – Killing Eve (BBC America/BBC Three)
Keeley Hawes – Bodyguard (BBC One)
Ruth Wilson – Mrs Wilson (BBC One)

Leading Actor
Hugh Grant – A Very English Scandal (BBC One)
Chance Perdomo – Killed By My Debt (BBC Three)
Lucian Msamati – Kiri (Channel 4)
Benedict Cumberbatch – Patrick Melrose (Showtime/Sky Atlantic)
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Posted in TV

“IT Chapter Two” Creepy Trailer Released

By Creative Media Times

Pennywise is back, as Warner Bros. releases the very first trailer for director Andy Muschietti’s “IT Chapter Two,” the sequel to the 2017 boxoffice phenomenon “It”.

The trailer starts with a grown-up Beverly Marsh (Jessica Chastain), returning to her childhood home and finds that a creepy old woman now lives there.

“You know what they say about Dary,” the elderly woman says. “No one who dies here ever really dies.” Things escalates into really creepy territory pretty quickly from there. Just as she tries to leave, all hell broke lose.

Set 27 years after the first films, we see shots of the Losers Club all grown up and as well as flashbacks to their younger selves. The group revisits the town of Derry, Maine, and about to face the horrors of the past.

In addition to Chastain, the film features James McAvoy as Bill Denbrough, Jay Ryan as Ben Hanscom, Bill Hader as Richie Tozier, Isaiah Mustafa as Mike Hanlon, Andy Bean as Stan Uris and James Ransone as Eddie Kaspbrak.

We also see the child actors who starred in the first film, such as Jaeden Martell, Sophia Lillis, Jeremy Ray Taylor, Finn Wolfhard, Chosen Jacobs, Jack Dylan Grazer and Wyatt Oleff.

Bill Skarsgård also returns as Pennywise the Clown. The first film’s director Muschietti and writer Gary Dauberman are also back.

It Chapter Two is set for release on September 6, 2019.

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The Box Office Kings: A Timeline of America’s Top-Grossing Films

A definitive timeline of the films that held the U.S. box office crown, based on actual earnings at the time they reigned.

By Armando

Over the years, only a small number of movies have truly held the title of highest-grossing film at the U.S. box office. It’s a short list that stretches from the silent film era to today, and each film that reached the top marked a major moment in movie history.

It started in 1915 with The Birth of a Nation, a film that, despite its now widely condemned content, was the first to become a nationwide box office phenomenon. Gone with the Wind followed and stayed on top for decades thanks to multiple re-releases. Later, Jaws launched the modern blockbuster, Star Wars broke records in the late ‘70s, and Titanic and The Force Awakens set new benchmarks for turnout and cultural impact.

Only nine films have ever taken the #1 spot in the U.S. box office at the time of their release. Below is the full list, based solely on actual domestic earnings at the time — not adjusted for inflation or estimated through re-releases years later.

1. The Birth of a Nation (1915)

The first true blockbuster, it earned around $10 million domestically by the early 1930s — a massive total for its time. It played in theaters for years and was often accompanied by live orchestras. Despite its commercial success, the film remains infamous for its deeply racist content and historical distortion.

2. Gone with the Wind (1939)

With multiple re-releases, it reached about $67 million by the mid-1960s, making it the most successful film of the classical Hollywood era. Adjusted for inflation, it’s still the highest-grossing domestic film in U.S. history. Its 1967 re-release alone made over $25 million, a record-setting revival at the time.

3. Jaws (1975)

Universal Pictures

Steven Spielberg’s shark thriller earned about $133 million in its initial run, finally dethroning Gone with the Wind in unadjusted dollars. It established the summer blockbuster template with nationwide releases and aggressive marketing. Jaws was also the first film to cross $100 million in U.S. box office during its original run.

4. Star Wars (1977)

Star Wars exploded past Jaws with over $300 million in its original release. Its success revolutionized franchise filmmaking and merchandising. The movie’s unexpected popularity led to multiple re-releases and expanded versions that kept it in theaters for years.

5. E.T. the Extra-Terrestrial (1982)

Universal Pictures


Earning over $359 million domestically, E.T. took the crown from Star Wars and became the new box office benchmark. Its emotional story and family-friendly appeal helped it dominate throughout 1982 and again in a 1985 re-release. It was the highest-grossing film of the 1980s and solidified Spielberg’s reign as a box office force.

6. Jurassic Park (1993)

Jurassic Park brought in about $357 million in the U.S., making it nearly neck-and-neck with E.T. domestically. Its revolutionary CGI and practical effects set a new standard for big-budget visual storytelling. It had the biggest opening weekend of all time at that point and led the global box office until Titanic.

7. Titanic (1997)

With a domestic total of $600 million, Titanic blew past every record in sight and held the crown for over a decade. It stayed #1 at the box office for 15 straight weeks, the longest run in modern box office history. The film’s emotional appeal and repeat viewings made it a true pop culture phenomenon.

8. Avatar (2009)

avatar

20th Century Fox


James Cameron did it again. Avatar earned about $749 million in the U.S., taking the top domestic spot from Titanic. It also became the highest-grossing film worldwide, using 3D technology and immersive world-building to draw crowds. Its domestic total included a strong second wind from an extended theatrical run in 2010.

9. Star Wars: The Force Awakens (2015)

Walt Disney Studios Motion Pictures


Still holding the record today, The Force Awakens made $936 million at the U.S. box office — without needing a re-release. It had the biggest opening weekend of all time and crossed $1 billion globally in just 12 days. Fueled by nostalgia and the return of classic characters, it became a major event for multiple generations of fans.

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