Trailer And Poster For Jennifer Reeder’s “Night’s End” Premieres On Shudder March 31st

Posted on March 3, 2022 by admin

Shudder has just dropped the official poster and trailer for Jennifer Reeder’s latest film “Night’s End”. Directed by Jennifer Reeder (V/H/S/94, Knives and Skin) and written by Brett Nevue, Night’s End is set to debut worldwide on Shudder on March 31.

In Night’s End, an anxious shut-in unwittingly moves into a haunted apartment and hires a mysterious stranger to perform an exorcism that takes a horrific turn.

The film also stars Lawrence Grimm (Chicago Med), Daniel Kyri (Chicago Fire), Theo Germaine (The Politician), and Morgan Reesh (Blood Below the Skin).

Night’s End will premiere on Shudder on March 31st and will be available on Shudder US.

“Take Back The Night” Female Powerhouse Thriller Comes To Digital On March 4

Posted on February 23, 2022 by admin

Directed by Gia Elliot from a script by Elliot and Emma Fitzpatrick, the horror thriller film stars Emma Fitzpatrick (The Social Network, In Time), Angela Gulner (Glow), Jennifer Lafleur (Big Little Lies, Billions), Sibongile Mlambo (Teen Wolf, Lovecraft Country).

Fueled by formidable female talent both in front of and behind the camera, the new suspense thriller comes to select theaters and digital platforms on March 4, 2022. The film is distributed by Dark Sky Films.

Here’s the film’s official synopsis:

Finding herself the victim of a violent monster attack, Jane launches a vigilante campaign to hunt the beast that tried to kill her. Jane’s efforts intensify, but her troubling history of drug use and mental illness bubbles to the surface causing her family, community, and authorities to question the authenticity of her account. Suddenly alone in her fight, Jane starts to doubt her own memory of the attack…to doubt if Monster exists at all.

Christina Ricci To Star In New Supernatural Thriller “Monstrous”

Posted on March 7, 2021 by admin

In partnership with Screen Media, a Chicken Soup for the Soul Entertainment company, Clay Epstein’s Film Mode Entertainment today announced the acquisition of the new supernatural thriller, MONSTROUS,starring Christina Ricci (MONSTER, SLEEPY HOLLOW). Colleen Camp (SPENSER CONFIDENTIAL) is co-starring. Chris Sivertson (ALL CHEERLEADERS MUST DIE, THE LOST) is directing. The film was written by Carol Chrest.

“We’re thrilled to be teaming up with Screen Media on MONSTROUS, an exciting, commercially viable feature film, with a fresh and current take on one of the most popular genres in the world. Christina Ricci’s unmatched talent with an adept group of filmmakers and a spine-tingling script is a recipe for success that that will please audiences everywhere,” said Epstein.

MONSTROUS centers on a traumatized woman fleeing from her abusive ex-husband with her 7-year-old son. In their new, remote sanctuary they find they have a bigger, more terrifying monster to deal with.
“Carol Chrest created an iconic genre character who Christina Ricci brings to life in a mesmerizing and deeply emotional performance,” said Sivertson.

Robert Yocum, Sasha Yelaun and B.I. Rosen are producing alongside Johnny Remo. Sivertson and Aperture Entertainment’s Adam Goldworm (MY FRIEND DAHMER) are executive producing alongside Omer Paracha, Sean Reilly, Clay Epstein, Craig Albrecht, Carol Anne Watts and Adam Sigal of Scarlett Pictures, and Galen Christy and Mark Silba of High Octane Pictures.

Principal Photography began in early December in Los Angeles, CA throughout Simi Valley, Sherman Oaks and Altadena. Sivertson has written and directed numerous elevated genre films since his critically acclaimed adaptation of Jack Ketchum’s THE LOST. He most recently co-wrote WASH ME IN THE RIVER starring Robert De Niro and John Malkovich and also wrote the upcoming bio-pic SLINKY for director Tamra Jenkins.

Classic Film Review: A Detective’s Dilemma In Alfred Hitchcock’s “Sabotage”

Posted on August 25, 2015 by admin

By Armando Inquig

Although ‘Sabotage’ is one of Alfred Hitchcock’s lesser-known films, its darker elements mark it as a significant precursor to his later works.

Released in 1936, Sabotage is one of Hitchcock’s British productions before he moved to the US and transitioned into Hollywood. The film is narratively daring for its time, incorporating dark and tragic elements that Hitchcock would later become known for.

The film follows cinema owner Karl Verloc (played by Oscar Homolka), a man who engages in attacks against the city’s infrastructure. His wife, Mrs. Verloc (Sylvia Sidney), and her younger brother, Stevie (Desmond Tester), are unaware of his activities.

Detective sergeant Ted Spencer (John Loder) is assigned to investigate Verloc and infiltrate his life under the guise of a cinema patron. As Spencer delves deeper into his investigation, Mrs. Verloc gradually senses that something is wrong with her husband. It is soon revealed that Verloc, pressured by his co-conspirators, is planning to carry out a big sabotage act.

Verloc secretly instructs Stevie to deliver a film canister containing a lethal bomb, set to explode in the heart of London. Stevie is unaware of its contents and innocently agrees to transport the canister. But the bomb tragically detonates on a crowded bus, killing the young boy and sending shockwaves through the city. Mrs. Verloc is devastated by the loss of her brother and, in a moment of anger, she confronts Karl and ends up stabbing and killing him.

By now, Detective Spencer who seemingly developed feelings for Mrs. Verloc, is torn and conflicted. Will Detective Spencer abide by his obligations and turn Mrs. Verloc in, or will his emotions prevail and help her escape?

In true Hitchcockian fashion, the film navigates moral dilemmas about loyalty, guilt and justice, themes that became a hallmark of his storytelling style and continued throughout the rest of his career. His direction is steady, focused on the psychological complexities of the characters without devolving into conventional tropes.

“Sabotage” is released as “The Woman Alone” in the United States, and is now available in Blu-ray in the United Kingdom in a high-definition format.