Category Archives: Sundance Red Carpet

Guillermo del Toro Returns to Sundance With Cronos Restoration

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Director Guillermo del Toro at Sundance 2026

Guillermo del Toro made a low-key appearance Tuesday night at the 2026 Sundance Film Festival for a Park City Legacy screening of Cronos, his 1994 debut feature, at The Ray Theatre in Park City. The screening coincided with the presentation of a newly restored 4K version of the film, more than 30 years after it first premiered at Sundance.

The Academy Award winning director, appeared in good spirits and posed for photographers during a press line ahead of the screening.

Originally released in the early 1990s, Cronos follows an antique dealer who discovers an ancient device promising eternal life, setting off a quiet but unsettling chain of consequences.

The film has long been viewed as an early blueprint for del Toro’s recurring themes: mortality, monstrosity, and tenderness existing side by side.

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Time and Water Premieres January 27 at Sundance in Park City

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Time and Water premiered on Tuesday, January 27, 2026, at the Park City Library Theater as part of the Premieres section of the 2026 Sundance Film Festival.

The screening was preceded by a press line attended by director Sara Dosa and Icelandic writer and subject Andri Snær Magnason, along with producers Shane Boris, Jameka Autry, and Elijah Stevens.

The documentary centers on Magnason as he confronts parallel forms of loss, the disappearance of Iceland’s glaciers and the fading presence of family memory. Using personal archives, photographs, writing, and folklore, the film approaches climate change through intimacy rather than scale, grounding global urgency in lived experience. The atmosphere surrounding the premiere reflected that tone, measured, quiet, and reflective rather than overtly ceremonial.

The Sundance screening marked the film’s first public presentation. Time and Water continues its festival run with additional in-person and online screenings through February 1.

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Broken English Brings Marianne Faithfull Tribute to Sundance Spotlight Premiere

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Broken English co-directors Iain Forsyth and Jane Pollard

Broken English co-directors Iain Forsyth and Jane PollardBroken English made its Sundance Film Festival debut on Sunday, January 25, with a Spotlight screening at Eccles Theatre in Park City. The North American premiere was preceded by a red carpet press line, where filmmakers, producers, and performers gathered ahead of the evening’s screening.

Directed by Iain Forsyth and Jane Pollard, Broken English is a documentary portrait of singer, songwriter, and cultural icon Marianne Faithfull. The film blends archival material, staged sequences, and performance, presenting Faithfull’s life and career through a stylized and unconventional lens rather than a traditional retrospective format.

Forsyth and Pollard attended the red carpet alongside producer Beth Earl and executive producers Victoria Steventon, Julia Xu, Julia Stier, and Miranda Bailey. Performers Norah Jones and Rufus Wainwright were also present ahead of their post-screening tribute performances, which followed the film’s premiere and added a live element to the evening’s celebration.

The Sundance appearance follows the film’s earlier world premiere at the Venice International Film Festival. At Sundance, Broken English screened as part of the festival’s Spotlight section and was presented in person only, drawing a full house and a noticeably attentive crowd.

The night felt less like a standard documentary premiere and more like a shared moment of remembrance, fitting for a film centered on legacy, memory, and artistic refusal to conform.

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Levitating (Para Perasuk) Makes Its Sundance Debut at World Cinema Dramatic Competition Red Carpet

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Levitating (Para Perasuk) premiered today at the 2026 Sundance Film Festival as part of the World Cinema Dramatic Competition, with a press line and red carpet held at The Yarrow Theatre in Park City ahead of its first public screening.

Director Wregas Bhanuteja appeared alongside cast members Angga Yunanda, Maudy Ayunda, Anggun, Bryan Domani, and Chicco Kurniawan, joined by producers and executive producers representing the film’s international production team. The group paused for photographs and brief press moments before heading inside for the morning screening.

Set in a town where trance possession is both ritual and livelihood, Levitating follows Bayu, a gifted spirit channeler whose flute music guides dancers into altered states as he struggles to protect his community and his home amid growing outside pressures. The film blends music, movement, and spirituality into a coming-of-age story rooted in tradition and collective survival.

The premiere marks Indonesia’s presence in this year’s competition lineup, with additional in-person and online screenings scheduled later in the festival’s run.

Photos from the red carpet capture the filmmakers and cast moments before the film’s Sundance journey officially began.

Photos: AIPImaging.com

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Big Girls Don’t Cry Premieres at Sundance World Cinema Dramatic Competition

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Big Girls Don’t Cry premiered Saturday, January 24, at the Sundance Film Festival, screening at The Ray Theatre in Park City as part of the World Cinema Dramatic Competition. The afternoon screening was preceded by a red carpet press line, where the film’s creative team gathered for photos and interviews ahead of the first public showing.

In attendance were writer-director Paloma Schneideman, lead cast members Ani Palmer, Rain Spencer, and Noah Taylor, along with producers and executive producers connected to the project. The atmosphere reflected the film’s debut status, with the team marking its introduction to festival audiences following its New Zealand production.

Set in rural New Zealand in 2006, Big Girls Don’t Cry follows 14-year-old Sid Bookman over the course of a formative summer as she navigates early desire, shifting friendships, and the influence of the early internet. The film centers on observation rather than spectacle, placing its young protagonist in everyday situations that quietly shape her sense of identity and belonging.

The premiere screening in Park City was the film’s first stop at the festival, with additional in-person and online screenings scheduled as Sundance continues through the end of January.

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Extra Geography Premieres at Sundance 2026 in World Cinema Dramatic Competition

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Extra Geography premiered Friday, January 23, at the Sundance Film Festival, screening at The Library Theatre in Park City as part of the World Cinema Dramatic Competition. The screening was preceded by a red carpet appearance from director Molly Manners and members of the cast, marking the film’s first public showing.

The debut feature, written by Miriam Battye, centers on two high-achieving students at a British girls’ boarding school whose tightly controlled routines are disrupted by a self-imposed summer project to fall in love.

The film stars Marni Duggan and Galaxie Clear, with Alice Englert and Aoife Riddell also appearing. Extra Geography is Manners’ first feature following her work in television, including the Netflix series One Day.

Following its premiere night in Park City, the film continues its Sundance run with additional public screenings in Park City and Salt Lake City through February 1, giving festival audiences multiple opportunities to catch the film during the final days of the festival.

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Filipiñana Debuts at Sundance with Red Carpet Screening in Park City

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Writer director Rafael Manuel

Rafael Manuel’s feature debut Filipiñana premiered at the Sundance Film Festival as part of the World Cinema Dramatic Competition, screening at The Ray Theatre in Park City, Utah.

The screening was preceded by a red carpet event, where the filmmakers paused for photos and interviews ahead of the film’s first public showing.

The film stars Isabel Sicat and centers on a teenage girl working at an elite country club who becomes drawn to its powerful president, only to uncover a darker history beneath the institution’s polished surface. Set across multiple languages including Filipino, English, and Ilokano, Filipiñana explores class tension, identity, and inherited power through a stylized and unsettling lens.

In attendance at the premiere were writer-director Rafael Manuel, supporting cast member Isabel Sicat, producers Jeremy Chua and Alex Polunin, and executive producer Farhana Bhula. Filipiñana continues its Sundance run in the World Cinema Dramatic Competition, with in-person and online screenings scheduled through the festival.

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Hot Water Premieres at Sundance 2026 With Red Carpet Debut in Park City

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Hot Water writer-director Ramzi Bashour

Ramzi Bashour’s feature debut Hot Water premiered Friday, January 23, in the U.S. Dramatic Competition at the Sundance Film Festival, screening at Eccles Theatre in Park City, Utah. The premiere was accompanied by a red carpet appearance from the filmmaker and members of the creative team, marking the film’s first public unveiling.

Starring Lubna Azabal (Incendies) and Daniel Zolghadri (Funny Pages, Lurker), Hot Water centers on a Lebanese mother and her American teenage son who set out on a cross-country drive after the boy is expelled from high school. What begins as a reluctant journey gradually opens into a series of encounters that test their relationship and challenge their sense of home. Dale Dickey appears in a supporting role.

Shot across multiple states, the production moved through new locations week by week before wrapping in California. Around the Sundance premiere, members of the creative team spoke about the intensity of the schedule and the collaborative effort behind making a first feature under lean conditions, with the emphasis throughout remaining on the script rather than any assumptions about where the film might land.

Hot Water marks Bashour’s debut as a writer-director and unfolds as a restrained road comedy, using everyday spaces, highways, motels, diners, to explore family tension, cultural distance, and uneasy connection. The film moves between English, Arabic, and French, reflecting the layered identities at the center of the story.

The film continues its Sundance run as part of the festival’s U.S. Dramatic Competition lineup.

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Sundance ’26: BURN Brings Hyper-Color and Chaos to the NEXT Section

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burnOne of the films at Sundance this year that feels like it’s daring people to either love it or walk out is BURN, the new feature from Makoto Nagahisa, who previously made We Are Little Zombies. It’s premiering in the festival’s NEXT section, which feels like exactly where it belongs.

The movie centers on Ju-Ju (played by Nana Mori), a runaway teen who ends up in Tokyo’s Kabukicho district, falling in with a loose group of kids living on the edge. At first, it feels like she’s finally found somewhere to land. That doesn’t last. What starts as freedom slowly turns into something tighter, darker, and harder to escape.

Visually, BURN is doing a lot, neon colors, hyper-stylized shots, constant motion. It’s bright, almost playful on the surface, even when the story underneath is clearly heading somewhere painful. That contrast is the point. The movie looks fun right up until it very much isn’t, and it doesn’t really warn you when the switch happens.

Nagahisa has always been good at capturing youth culture in a way that feels chaotic instead of nostalgic, and BURN seems to push that even further. It’s not trying to explain its characters or soften their choices. It just drops you into their world and lets things unravel.

Director Bong Joon Ho has already weighed in on the film, calling it intense and even frightening, which tracks. This feels like one of those Sundance titles people will be arguing about afterward, not whether it’s good or bad, but whether they were ready for it at all.

BURN premieres January 25, with additional screenings throughout the festival.

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“Sorry Baby” Sundance Premiere

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By Armando

“Sorry, Baby” premieres at 2025 Sundance Film Festival with the cast and crew in attendance.

Written and directed by Eva Victor, the film premiered at 2025 Sundance Film Festival on Monday, Jan 27, 2025. “Sorry, Baby” stars Eva alongside Naomi Ackie, Lucas Hedges, John Carroll Lynch, Louis Cancelmi, and Kelly McCormack. The A24 film is produced by Barry Jenkins.

“Something bad happened to Agnes. But life goes on… for everyone around her, at least,” the film’s logline says.

Photos: aipimaging.com


Sorry, Baby

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