Film Feature: “Killer of Sheep” Charles Burnett’s American Independent Masterpiece

killer-sheep“Killer of Sheep”, Charles Burnett’s 1977 debut feature and landmark American independent masterpiece, will run at Film Forum from Friday, April 18 to Thursday, April 24, in a new 4K restoration.

Stan, employed at a slaughterhouse in the neighborhood of Watts, Los Angeles, is suffering from the emotional side effects of his bloody occupation to such a degree that his entire life unhinges. He seeks out tenderness in the face of unending struggle. Focusing on everyday life in Black communities with ingenuity, heart, and meticulous detail–a manner that had rarely been seen in American cinema–Burnett (acting as director, writer, producer, cinematographer, and editor) combines lyrical elements with a starkly neorealist, documentary-like approach that unfolds with kaleidoscopic intimacy.

On a budget of less than $10,000, Burnett shot KILLER OF SHEEP in roughly a year of weekends, filmed on location with a mostly amateur cast, a gritty documentary-style cinematography and much handheld camera work. The film’s soundtrack, which Burnett envisioned as an aural history of African-American popular music, includes songs by Etta James, Paul Robeson, Little Walter, and Earth, Wind & Fire. The new 4K restoration, which has improved picture and sound, marks the first theatrical release with the Dinah Washington song “Unforgettable” recovered in the ending, as was found in Burnett’s original release of the film, since being replaced in 2007 due to copyright issues.

Largely overlooked for decades following its 1977 release, KILLER OF SHEEP is now celebrated as a pivotal work of the LA Rebellion movement and hailed as a masterpiece that brought Black American lives to the screen with an unparalleled, poignant compassion.

“I come from a working-class environment and I wanted to express what the realities were. People were trying to get jobs, and once they found jobs they were fully concerned with keeping them. And they were confronted with other problems, with serious problems at home for example, which made things much more difficult… “[The] real problems lie within the family, trying to make that work and be a human being. You don’t necessarily win battles; you survive.” – Charles Burnett

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“Relative Control” Starring Teri Polo Sets Digital Release

relative-controlGravitas Ventures is set to release “Relative Control” on digital platforms on April 11, 2025.

The film won the Blue Hen Award for Best Regional Narrative at the 2024 Rehoboth Beach Independent Film Festival and also screened at the 2025 Sedona International Film Festival.

The film stars Teri Polo (Meet the Parents trilogy, the Fosters, Good Trouble, The Big Leap) who shines as a middle-aged, type-A attorney whose perfectly ordered life spirals hilariously out of control. The film also stars Patrick F. McDade (Mare of Easttown, Concrete Cowboy, Paterno), and Brian Anthony Wilson (Limitless, Law Abiding Citizen, The Wire).

In the upcoming comedy drama, a middle-aged, type-A attorney’s life spirals as she juggles her handful of an ex-cop father, forgetful mother, unemployed son, a reignited romance, and a hostile takeover in the biggest corporate control battle of her career.

“Relative Control” captures the humor, heartbreak, and chaos of balancing family caregiving and career with poignant authenticity. With over 30 million family caregivers in the U.S., “Relative Control” offers a relatable and timely story for multigenerational audiences.

Watch the trailer below for “Relative Control”

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“The Ugly Stepsister” Emilie Blichfeldt’s Provocative Satire & Fairytale Horror Sets Release Next Month

the-ugly-stepsisterIFC Films and Shudder is set to release “The Ugly Stepsister”, a darkly entertaining fairy tale horror from writer and director Emilie Blichfeldt in her feature directorial debut.

IFC Films and Shudder will release the film theatrically on April 18th.

The film gathered acclaim at its world premiere at the Sundance Film Festival and at the Berlin International Film Festival.

Director Emilie Blichfeldt. photo: AIPhoto.com

A sinister twist on the classic Cinderella story, THE UGLY STEPSISTER follows Elvira (Lea Myren) as she prepares to earn the prince’s affection at any cost. In a kingdom where beauty is a brutal business, Elvira will compete with the beautiful and enchanting Agnes (Thea Sofie Loch Næss) to become the belle of the ball. A biting satire and cinematically exhilarating directorial debut, THE UGLY STEPSISTER is a timely examination of body image and beauty standards, identifying Emilie Blichfeldt as one of the most exciting new international filmmaking voices.

Leading to its premiere at Sundance, the “tongue-in-cheek body horror” has been one of the festival’s buzziest titles.

The film’s cast includes Lea Myren, Thea Sofie Loch Næss, Ane Dahl Torp, Flo Fagerli, Isac Calmroth, and Malte Gårdinger.

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2025 Slamdance Film Festival Announces Award Winners

slamdanceThe 31st Slamdance Film Festival this evening announced the winners of their annual Sparky Awards in Audience and Jury categories for 2025. The festival also announced the recipient of their AGBO Fellowship from Slamdance alumni Joe and Anthony Russo, a curated Acting Award, and the second annual Summer Chastant Episodic Award. All winners were announced during the in-person awards ceremony on February 26th at the DGA Theater Complex in Los Angeles, CA.

“Our first year in Los Angeles hasn’t just been a new chapter—it’s been a breakthrough,” said Taylor Miller, Slamdance Director. “These award-winning films don’t just stake a claim; they redefine what cinema can be. These filmmakers have cemented their place in the future of cinema, proving that Slamdance isn’t just moving—it’s evolving. And we’re just getting started.”

A celebration of emerging filmmaking talent from around the world, this year’s lineup consisted of 146 films – 21 of which are World Premiere features. The fully accessible lineup included 33 features, 104 shorts, and five episodics. For the second year in a row, Slamdance continues to champion female filmmakers, with women directing 55% of this year’s lineup – marking a powerful shift in independent filmmaking. The full Slamdance lineup is still available online on the Slamdance Channel through March 7th.
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Cannes Prize-Winner “Holy Cow” Coming-of-Age Drama Opens at Film Forum

holy-cowFilm Forum has set the US theatrical premiere of Louise Courvoisier’s “Holy Cow” on Friday, March 28.

HOLY COW had its world premiere at the 2024 Cannes Film Festival in the Un Certain Regard section, where it was awarded the festival’s Youth Prize.

It will be featured in the upcoming Rendez-Vous with French Cinema festival, screening at Walter Reade Theater on Saturday, March 8. A limited number of press tickets are available to this screening.

The film’s synopsis says: Reveling in his youth in the gorgeous rural Jura region of Eastern France, Totone has few worries and is content to party with his friends as the family dairy business hums along. But when calamity strikes, the under-disciplined 18-year-old finds himself in charge of the farm and his 7-year-old sister. A sun-drenched coming-of-age story cast with non-professionals from Jura (filmmaker Courvoisier’s home), HOLY COW follows Totone’s determination to win a local Comté cheesemaking competition (cash prize: €30,000), while he romantically pursues a competing farmer — whose bullying brothers are none-too-pleased — and clumsily steps up to adult responsibilities.

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U.S. Theatrical Release of the Puerto Rican Sundance Film “The Fishbowl”

thefishbowlMonument Releasing has announced the North American theatrical release for the acclaimed Puerto Rican ecofeminist drama The Fishbowl (La pecera), the striking feature debut by interdisciplinary artist Glorimar Marrero Sánchez. The film, which made history as the first Puerto Rican-produced feature to premiere at Sundance, is set to debut in U.S. theaters in March 2025, coinciding with Puerto Rican Emancipation Day on March 21. A streaming release will follow on May 21, 2025.

Set on the island of Vieques—a U.S. military testing ground for toxic munitions like napalm, depleted uranium, and Agent Orange—The Fishbowl tells the story of Noelia (Isel Rodríguez in an elegant performance), a 40-year-old artist grappling with terminal cancer. Determined to use her remaining time resisting the ecological and social consequences of U.S. colonialism, Noelia’s journey unfolds as both a personal and collective act of resilience.

After discovering her cancer has returned and metastasized, Noelia retreats to her home in Vieques, where she reconnects with her mother and her community. Choosing to keep her illness a secret in the absence of local medical care, she devotes herself to protesting the enduring environmental devastation caused by military activity. As a hurricane looms and her health deteriorates, she rekindles a past romance and faces a profound decision: to leave and seek treatment or to remain with her people and her cause.

Featuring a predominantly female cast and crew, The Fishbowl is both a compelling character study and a poignant commentary on environmental racism, colonialism, and resilience. Marrero Sánchez emerges as a vital voice in Puerto Rican cinema, creating a film that resonates far beyond its setting.

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“Under The Burning Sun” Premiere At 2025 Slamdance Film Festival

under-the-burning-sun“Under The Burning Sun” is written and directed by Yun Xie. Produced by Aaron Linjun Yu and Jera Wang. Cinematography by Tianyi Wang. Edited by Bowei Yue and Christopher Ma. Music by Dong Liu. A Narval Films production.

Says the film’s synopsis: In a barren, desolate land where abortion is outlawed, Mowanza struggles with an unwanted pregnancy. When she hears of a distant land with a lenient abortion policy, Mowanza, armed with only a half-empty water bottle and a battered car, embarks on a journey across the desert towards the lush land of Iropus.

“Our protagonist, Mowanza, never had the agency to make choices about her own body,” says Yu Xie.

“She is trapped in a cycle of anguish and anger, with freedom always just out of reach—like a distant oasis she can never quite grasp. Through Mowanza’s journey, the world we’ve crafted, and the struggles she endures, I hope we can inch closer to understanding the complex realities of womanhood—ones that remain unresolved, but deserve to be told.”

“Under The Burning Sun” is set to have its world premiere at 2025 Slamdance Film Festival where it plays on these dates:
Saturday Feb 22 – 1:30pm at LA Times Theater – Quixote Studios
Monday Feb 24 – 3:45pm at LA Times Theater – Quixote Studios

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Lou Ye’s Docufiction AN UNFINISHED FILM + Four Ye Features | Opening March 14 at Film Forum

an-unfinished-filmFilm Forum has announce the US theatrical premiere of Lou Ye’s AN UNFINISHED FILM on Friday, March 14.

Using outtakes and on-set footage from SUZHOU RIVER and other films (SPRING FEVER, MYSTERY, THE SHADOW PLAY), and casting real actors from these films to play themselves, Lou creates an intense yet playful catharsis for filmmakers, artists, and, ultimately, all of us — a chance to revisit that time, and to heal.

In this enthralling, poignant docufiction, director Lou Ye (SUZHOU RIVER) and his crew reunite in Wuhan in January 2020 to complete a film started a decade earlier. When the first wave of COVID precipitates lockdown and fear, this story of revived artistic vision pivots to a thriller-paced account of the early spread of the virus — both the devastation and the deep connections borne of shared isolation.

AN UNFINISHED FILM had its world premiere at the 2024 Cannes Film Festival in the Special Screenings section and was an official selection at the Toronto International Film Festival, MoMA Doc Fortnight, and more.


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Theatrical Release of the Cannes Doc “The Falling Sky”

the-falling-skyKimStim has announced the North American theatrical release of The Falling Sky (A Queda do Céu), the immersive and lyrical Brazilian documentary co-directed by acclaimed documentarian Eryk Rocha (Cinema Novo) and first-time director Gabriela Carneiro da Cunha.

Inspired by the 2010 book of the same name by Yanomami shaman Davi Kopenawa—who serves as both protagonist and narrator—and French anthropologist Bruce Albert, this breathtaking and collaborative film gives voice to the remote Yanomami and Watoriki communities as they issue a dire warning to the world: environmental catastrophe is imminent, driven by the greed of industrialized nations.

A standout at major international festivals—including Directors’ Fortnight at Cannes, DOC NYC, and Doclisboa—this powerful and award-winning portrait of Indigenous resilience will open with a one-week theatrical engagement at The Museum of Modern Art (MoMA) in New York City on Friday, March 7, followed by a theatrical release at Laemmle Theaters in Los Angeles beginning Friday, April 2, with additional cities to be announced.
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“Trigger Happy” Quirky Comedic Satire Inspired by the 1950s

trigger-happy“Trigger Happy” stars Tyler Poelle (Grey’s Anatomy, NCIS: LA), Elsha Kim (The Garcias), Christina Kirkman (All That!, Ambitions), Matt Lowe (Hart of Dixie, Blood of Zeus), Chau Long (Interior Chinatown, PEN15), Zak Steiner (Euphoria, White Men Can’t Jump), Kevin Kreider (Bling Empire, The Traitors), Jacob Wysocki (Pitch Perfect, Unfriended, Terri), and Michele Selene Ang (13 Reasons Why). The film was directed by Tiffany Kim Stevens with a screenplay by Daniel Moya and produced by Kyle Herman.

“Trigger Happy” had its World Premiere at 2024 Cinequest where it won the Audience Award for Best Sci-Fi and Thriller. It also had a sold-out screening at the Newport Beach Film Festival 2024. The film has a running time of 86 minutes and will not be rated by the MPAA. Gravitas Ventures will release “Trigger Happy” on digital platforms on February 25, 2025.

In “Trigger Happy” George Decker has a dream of escaping his life and jetting to the Bahamas, but getting there will mean finding a way to rid himself of his wife, his crushing debts, his demeaning nine-to-six job, and an American culture that he feels has been specifically designed to torture him. Annie Decker, George’s wife, has a dream, too: booking the lead role in an infomercial for the “WOW! Sponge,” which is the most watched television program in America. As Annie’s acting career approaches new heights, George’s frustrations send him plummeting towards rock bottom, and the lives of these selfish, striving people intersect in ways that are hilarious, violent, and spectacularly unpredictable.

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