A.I. from METROPOLIS to EX MACHINA | 30+ Film Festival Runs January 3-23 at Film Forum

AI-from-Metropolis-to-Ex-Machina-film-forumA.I. FROM METROPOLIS TO EX MACHINA…, a three-week festival of movies that helped introduce the world to the concept of “artificial intelligence” (a term not coined until the 1950s), will run at Film Forum from Friday, January 3 to Thursday, January 23. The series includes more than 30 films, most of them offering a dystopian view of a society run by A.I., along with profound ethical and existential questions.

Fritz Lang’s 1927 silent masterpiece METROPOLIS (written by his wife Thea von Harbou, who adapted it from her own 1925 novel), broke new ground in science fiction storytelling, with the creation of Maria, a robot designed to look human and control the workers in an underground city. Gort, a massive robot that serves as enforcer for an alien peace mission in Robert Wise’s THE DAY THE EARTH STOOD STILL (1951), provided an early example of a machine with a higher purpose.

Five years later, Robby the Robot of FORBIDDEN PLANET (based on Shakespeare’s The Tempest!) both defined what a “robot” looked like for generations and offered a more benign depiction of what would later be called “artificial intelligence.” Later lovable movie robots include Johnny 5 in SHORT CIRCUIT, R2D2 in the Star Wars movies, and Wall-E in the Pixar movie of that name. The “Emerac” computer in the Tracy-Hepburn comedy DESK SET is also less malevolent, merely threatening to take jobs away from humans – probably the first film to raise that possibility.
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Frank Capra’s “Mr. Deeds Goes To Town” In 35mm at Film Forum

Mr.-Deeds-Goes-To-TownFrank Capra’s comedy-drama masterpiece “Mr. Deeds Goes To Town” (1936), starring Gary Cooper and Jean Arthur, will be screened in 35mm at Film Forum from Friday, December 27 through Thursday, January 2.

Nominated for five Academy Awards – winning Best Director for Capra – MR. DEEDS is one of eight collaborations between Capra and screenwriter Robert Riskin, who together are often credited with creating both the classic screwball and romantic comedy genres.

Cooper’s “pixilated” tuba-playing, greeting card versifying Vermonter Longfellow Deeds inherits $20 million — and then he’s whisked from Mandrake Falls to Park Avenue, as wisecracking reporter Jean Arthur dubs him the “Cinderella Man.” “Capra and Riskin’s crowning achievement… If I were to choose one film to be both the best and most representative of the decade, this would be it.” – David Shipman

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Werner Herzog’s THEATER OF THOUGHT, A Bracing Exploration of the Brain | Opens December 13 at Film Forum

Herzog-THEATER-OF-THOUGHTFilm Forum is set to present the US theatrical premiere of Werner Herzog’s THEATER OF THOUGHT opening Friday, December 13.

After 50+ years exploring the far corners of the world, Werner Herzog focuses inward — on the human brain, via the cutting-edge field of neuroscience, with its attendant ethical quandaries. Joined by Columbia professor Rafael Yuste (the film’s science advisor), the two cross the country querying innovators in cerebral research and bioethics: Can computers help people communicate telepathically? How can the brain be stimulated to curb depression, pain, or the effects of Parkinson’s? Is thought control possible? Can fear be located in the brain? And — as only the beguiling Herzog could inquire — will a scientist be able to read his mind and see his film before he’s made it? Herzog’s curiosity is at its peak in this romp through technological advances once only the stuff of science fiction.

The film had its world premiere at the 2022 Telluride Film Festival and went on to screen at the Toronto International Film Festival, as well as DOC NYC, where Herzog was awarded the festival’s Lifetime Achievement Award.

THEATER OF THOUGHT will be the 17th of Herzog’s films to debut at Film Forum, making him the second most-premiered filmmaker in the theater’s 54-year history.

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Michelangelo Antonioni’s First Masterpiece, IL GRIDO

IL-GRIDOIL GRIDO (1957), the widely underseen early masterwork by Italian auteur Michelangelo Antonioni, will run at Film Forum in a new 4K restoration from Friday, November 8 through Thursday, November 14.

Deserted by the mother of his child, Aldo, a factory worker (played by Hollywood tough guy Steve Cochran) wanders through the Po Valley in search of solace and connection. His romantic prospects—including a gas-station owner (Dorian Gray), a sex worker (Lyn Shaw), and an old girlfriend (Betsy Blair, Oscar nominee for the prior year’s Marty and Mrs. Gene Kelly)—fizzle out into alienation and despair.

Made three years before his international breakthrough L’avventura, this rare departure from exploring affluent society is among Antonioni’s most politically trenchant films and a raw expression of anguish that remains one of Italian cinema’s great underappreciated gems. Strikingly composed with atmospheric photography by the great Gianni Di Venanzo, IL GRIDO reveals a director in the process of discovering his artistic signature.

Directed by Michelangelo Antonioni, from the screenplay by Michelangelo Antonioni, Elio Bartolini and Ennio De Concini, the film stars Steve Cochran, Alida Valli, Betsy Blair, and Dorian Gray.

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“Lets Get Lost”, Documentary Portrait of Jazz Legend Chet Baker, Opens November 1 at Film Forum

Photo by William Claxton

“Lets Get Lost” (1988), Bruce Weber’s Academy Award-nominated documentary portrait of the elusive jazz icon Chet Baker, will run at Film Forum in a new 4K restoration from Friday, November 1 through Thursday, November 7.

A James Dean look alike pretty boy whose jazz trumpeting and melancholy epitomized 50s cool, Chet Baker had become, when famed photographer Bruce Weber finally caught up with him after three decades of fandom, an alcoholic and a junkie, whose petulantly angelic looks peeping out from behind a gaunt, valleyed and crevassed face could have starred for Sam Peckinpah.

Two visually stunning and musically moving hours with the iconic jazz trumpeter in the most romantically erotic jazz documentary ever made, shot by D.P. Jeff Preiss in stark, brooding film noir black & white.

Shifting back and forth from past to present, from Baker’s breakout performance and his controversial “doomed youth” years, to his poignant late-career decline and struggles with addiction, LET’S GET LOST forms a dreamy, improvisational quality offering a rare, behind-the-scenes glimpse into the decadent life of jazz music’s original bad-boy.

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Andrei Tarkovsky’s “The Sacrifice”, New 4K Restoration Opens October 25 at Film Forum

Andrei-Tarkovsky-THE-SACRIFICETHE SACRIFICE (1986), Russian expat master Andrei Tarkovsky’s final film, will run at Film Forum in a new 4K restoration from Friday, October 25 through Thursday, October 31.

Opening with a small group of familiar players in a tense isolated situation, THE SACRIFICE unfolds to encompass the director’s cosmic view as, faced with nuclear holocaust, a mystic sacrifice must be offered to restore the world — with unforeseen results.

Produced in Sweden with a cast headed by Bergman star Erland Josephson (Scenes from a Marriage, Cries and Whispers) the film was shot by Bergman’s longtime cinematographer, two-time Oscar winner Sven Nykvist. The director’s last work – made as he was dying of cancer – THE SACRIFICE is Tarkovsky’s personal statement, a profoundly moving, redemptive tragedy steeped in unforgettable imagery, including an astounding long take at the film’s finale.

The film was awarded the Grand Prix and a prize for artistic contribution (in recognition of Nykvist’s cinematography) at the 1986 Cannes Film Festival, and won the 1988 BAFTA for Best Foreign Language Film.

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Robert Bresson’s Late Masterwork THE DEVIL, PROBABLY | New 4K Restoration Opens September 20 at Film Forum

the-devil-probablyRobert Bresson’s late masterwork THE DEVIL, PROBABLY (1977), a blistering indictment of post-May ‘68 France, will run in a new 4K restoration at Film Forum from Friday, September 20 through Thursday, September 26.

Constructed as a flashback and based off of a newspaper story, THE DEVIL, PROBABLY centers on four disaffected youth, disillusioned with the reality inflicted upon them by their elders, as they drift through Paris, politics, religion, and psychoanalysis, witnesses to a society in moral and physical decline. “I hate life. I hate death. My sickness is that I see things clearly,” confides student Antoine Monnier to his shrink – but, even as he promises marriage to his two girlfriends, he also arranges his own… suicide?

“Bresson’s chilling visions of daily life—includes a brilliant sequence aboard a bus that depicts the mechanical world as a horror—suggesting its hostility to the passions of youth… These children of the revolution tremble with uncertainty, and their loose gestures and shambling ways conflict with his precise images. Both the world and Bresson’s cinema are in disarray, and the signs of his inner conflict are deeply troubling and tremendously moving.” – Richard Brody, The New Yorker
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John Ford’s Epic Western “The Searchers” New 4K Restoration at Film Forum

the-searchers-restrorationA new 4K restoration of John Ford’s monumental western THE SEARCHERS (1956), starring John Wayne and Natalie Wood, will run at Film Forum from Friday, September 13 through Thursday, September 19.

After John Wayne returns home to Texas from the Civil War, he sets out to track down the surviving members of his family who’ve been abducted by Comanches. With Jeffrey Hunter, they go on a dangerous multi-year quest to rescue his kidnapped niece Natalie Wood.

“THE SEARCHERS showed Ford’s willingness to make a more ‘modern’-seeming Western for an audience that wanted greater psychological realism from the genre… the film turns the concept of Western heroism inside out, showing the lone gunman who acts in the name of nascent civilization as a warped, destructive force.” – Joseph McBride in Searching for John Ford

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Akira Kurosawa’s SEVEN SAMURAI, Restored in 4K for the First Time | Opens July 5 at Film Forum

SEVEN-SAMURAIA new 4K restoration of Akira Kurosawa’s epic masterpiece, SEVEN SAMURAI (1954), starring the legendary Toshiro Mifune and Takashi Shimura, will run at Film Forum from Friday, July 5 through Thursday, July 18.

In 16th century Japan, as proud samurai end up as masterless, wandering ronin and farmers are prostrate under the heel of marauding bandits, a village patriarch counsels resistance. How? Hire samurai, “hungry samurai.” Under the calm leadership of Takashi Shimura (Kurosawa regular, star of Ikiru and Godzilla), that magic number enlist for a war against 40 mounted bandits, winding up at the most hair-raising battle ever filmed.

Kurosawa’s orchestration of swords, spears, arrows, men, horses, rain, wind, and mud; blazing tracking shots; giant close ups; chiaroscuro lighting; telephoto lenses that put us underfoot as horses crash amid struggling men; deep focus shots that render the tip of a sword poking into the lens equally clear with scurrying figures fifty feet away, transitions that effortlessly whip us from scene to scene; and ensemble performances that give dimensionality to every character, topped by Toshiro Mifune’s eventual transition from manic goofball to tortured, self-hating tragic hero make SEVEN SAMURAI one of the most influential films of all time.
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“THE G” Revenge Thriller Sets Release To UK Cinemas

The-GUK film outfit Lightbulb Film Distribution has announced that “The G” will be released in UK & Irish cinemas nationwide from Friday 21st June.

Written and directed by Karl R. Hearne, the film stars Dale Dickey (Winter’s Bone, Hell Or High Water) and Romane Denis.

The UK premiere took place at Glasgow Film Festival.

In the film, a mysterious older woman seeks revenge on the corrupt legal guardian who destroyed her life.

Lightbulb has also shared a first-look of the theatrical poster.

THE G will be coming to UK & Irish cinemas on 21st June.

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