Category Archives: Art Films

Werner Herzog’s THEATER OF THOUGHT, A Bracing Exploration of the Brain | Opens December 13 at Film Forum

Posted on by

Herzog-THEATER-OF-THOUGHTFilm Forum is set to present the US theatrical premiere of Werner Herzog’s THEATER OF THOUGHT opening Friday, December 13.

After 50+ years exploring the far corners of the world, Werner Herzog focuses inward — on the human brain, via the cutting-edge field of neuroscience, with its attendant ethical quandaries. Joined by Columbia professor Rafael Yuste (the film’s science advisor), the two cross the country querying innovators in cerebral research and bioethics: Can computers help people communicate telepathically? How can the brain be stimulated to curb depression, pain, or the effects of Parkinson’s? Is thought control possible? Can fear be located in the brain? And — as only the beguiling Herzog could inquire — will a scientist be able to read his mind and see his film before he’s made it? Herzog’s curiosity is at its peak in this romp through technological advances once only the stuff of science fiction.

The film had its world premiere at the 2022 Telluride Film Festival and went on to screen at the Toronto International Film Festival, as well as DOC NYC, where Herzog was awarded the festival’s Lifetime Achievement Award.

THEATER OF THOUGHT will be the 17th of Herzog’s films to debut at Film Forum, making him the second most-premiered filmmaker in the theater’s 54-year history.

Share

Michelangelo Antonioni’s First Masterpiece, IL GRIDO

Posted on by

IL-GRIDOIL GRIDO (1957), the widely underseen early masterwork by Italian auteur Michelangelo Antonioni, will run at Film Forum in a new 4K restoration from Friday, November 8 through Thursday, November 14.

Deserted by the mother of his child, Aldo, a factory worker (played by Hollywood tough guy Steve Cochran) wanders through the Po Valley in search of solace and connection. His romantic prospects—including a gas-station owner (Dorian Gray), a sex worker (Lyn Shaw), and an old girlfriend (Betsy Blair, Oscar nominee for the prior year’s Marty and Mrs. Gene Kelly)—fizzle out into alienation and despair.

Made three years before his international breakthrough L’avventura, this rare departure from exploring affluent society is among Antonioni’s most politically trenchant films and a raw expression of anguish that remains one of Italian cinema’s great underappreciated gems. Strikingly composed with atmospheric photography by the great Gianni Di Venanzo, IL GRIDO reveals a director in the process of discovering his artistic signature.

Directed by Michelangelo Antonioni, from the screenplay by Michelangelo Antonioni, Elio Bartolini and Ennio De Concini, the film stars Steve Cochran, Alida Valli, Betsy Blair, and Dorian Gray.

Share

“Lets Get Lost”, Documentary Portrait of Jazz Legend Chet Baker, Opens November 1 at Film Forum

Posted on by

Photo by William Claxton

“Lets Get Lost” (1988), Bruce Weber’s Academy Award-nominated documentary portrait of the elusive jazz icon Chet Baker, will run at Film Forum in a new 4K restoration from Friday, November 1 through Thursday, November 7.

A James Dean look alike pretty boy whose jazz trumpeting and melancholy epitomized 50s cool, Chet Baker had become, when famed photographer Bruce Weber finally caught up with him after three decades of fandom, an alcoholic and a junkie, whose petulantly angelic looks peeping out from behind a gaunt, valleyed and crevassed face could have starred for Sam Peckinpah.

Two visually stunning and musically moving hours with the iconic jazz trumpeter in the most romantically erotic jazz documentary ever made, shot by D.P. Jeff Preiss in stark, brooding film noir black & white.

Shifting back and forth from past to present, from Baker’s breakout performance and his controversial “doomed youth” years, to his poignant late-career decline and struggles with addiction, LET’S GET LOST forms a dreamy, improvisational quality offering a rare, behind-the-scenes glimpse into the decadent life of jazz music’s original bad-boy.

Share

Andrei Tarkovsky’s “The Sacrifice”, New 4K Restoration Opens October 25 at Film Forum

Posted on by

Andrei-Tarkovsky-THE-SACRIFICETHE SACRIFICE (1986), Russian expat master Andrei Tarkovsky’s final film, will run at Film Forum in a new 4K restoration from Friday, October 25 through Thursday, October 31.

Opening with a small group of familiar players in a tense isolated situation, THE SACRIFICE unfolds to encompass the director’s cosmic view as, faced with nuclear holocaust, a mystic sacrifice must be offered to restore the world — with unforeseen results.

Produced in Sweden with a cast headed by Bergman star Erland Josephson (Scenes from a Marriage, Cries and Whispers) the film was shot by Bergman’s longtime cinematographer, two-time Oscar winner Sven Nykvist. The director’s last work – made as he was dying of cancer – THE SACRIFICE is Tarkovsky’s personal statement, a profoundly moving, redemptive tragedy steeped in unforgettable imagery, including an astounding long take at the film’s finale.

The film was awarded the Grand Prix and a prize for artistic contribution (in recognition of Nykvist’s cinematography) at the 1986 Cannes Film Festival, and won the 1988 BAFTA for Best Foreign Language Film.

Share

Japan Society Announces First North American Retrospective on Kaizo Hayashi

Posted on by

Kaizo-Hayashi

To Sleep So as to Dream © Video Detective Agency

Japan Society Announces First North American Retrospective on Kaizo Hayashi, Independent Luminary of 80s and 90s Cinema

Japan Society has announced the first North American retrospective on director Kaizo Hayashi, one of the great luminaries of independent Japanese cinema in the 1980s and 1990s.

The world of Kaizo Hayashi is one of cinematic reverie and enchantment, whose reverence for film history—transposing genre and stylistic conventions from benshi and silent era serials to jidaigeki and hardboiled noir—results in one of the most imaginative and inspiring filmographies of the post-studio era. Invoking the mystery and intrigue of the moving image, amidst the flutter of celluloid frames, his cinema of the past brims with ingenuity and far-flung imagination, conjuring fantasies of what dreams may come.
Continue reading →

Share

John Ford’s Epic Western “The Searchers” New 4K Restoration at Film Forum

Posted on by

the-searchers-restrorationA new 4K restoration of John Ford’s monumental western THE SEARCHERS (1956), starring John Wayne and Natalie Wood, will run at Film Forum from Friday, September 13 through Thursday, September 19.

After John Wayne returns home to Texas from the Civil War, he sets out to track down the surviving members of his family who’ve been abducted by Comanches. With Jeffrey Hunter, they go on a dangerous multi-year quest to rescue his kidnapped niece Natalie Wood.

“THE SEARCHERS showed Ford’s willingness to make a more ‘modern’-seeming Western for an audience that wanted greater psychological realism from the genre… the film turns the concept of Western heroism inside out, showing the lone gunman who acts in the name of nascent civilization as a warped, destructive force.” – Joseph McBride in Searching for John Ford

Share

Film Feature: Something Divine Doc, Led by Hardcore Punk Rock Star and Ex-Monk Ray Cappo, Official Selection of Lonely Seal Film Festival

Posted on by

something-divineThomas Essig’s new documentary feature Something Divine has been named an official selection of Lonely Seal Film Festival, scheduled from August 20-25, 2024 in Arlington, MA. The film will be screened on Wednesday, August 21st during the Midweek Music Movies and More themed evening.

In the film, Ray Cappo, the lead singer of the straight edge hardcore band Youth of Today, who at the height of its growing popularity, leaves the band and travels to India. Ray goes from punk artist and becomes the Monk Raghunath. What follows is the confluence of two opposites, hardcore punk and spirituality. The film follows a pilgrimage guided by Raghunath through the holy cities of India, chronicling a spiritual journey of transformation.

In 2017, Essig first went on pilgrimage to India with Monk Raghunath. What he believed was to be a yoga trip, was in fact a journey into yogic philosophy and transformation of oneself – the catalyst that forever changed his life.
Continue reading →

Share

Film Forum Set To Premiere Agnieszka Holland’s “Green Border”

Posted on by

green-borderWinner of the Special Jury Prize at the 2023 Venice Film Festival, “Green Border” immediately drew controversy from the Polish government for its depiction of the European migrant crisis on the Poland-Belarus border.

Shot in stark black-and-white, this riveting thriller explores the intractable conflict from multiple perspectives: a Syrian family fleeing ISIS caught between cruel border guards in both countries; young guards instructed to brutally reject the migrants; and activists who, at great risk, aid the refugees.

Holland (three-time Academy Award® nominee for Angry Harvest, Europa Europa, and In Darkness) brings an unflinching eye and deep compassion to this blistering critique of a humanitarian calamity that continues to unfold.

The Museum of the Moving Image will present a series of films by Agnieszka Holland from June 7–21, 2024.

Share

Japan Society Announces May Screening Events: Sans Soleil, Lumberjack the Monster, and Tampopo

Posted on by

tampopo-janus-filmsJapan Society, a 116-year-old nonprofit organization bridging the U.S. and Japan, today announced it will host three special screenings in May spanning classic Japanese cinema, a lauded documentary, and a major North American premiere. Japan Society is a storied institution that has presented Japanese art and culture for over a century, and its robust Film Program presents over 60 screenings from the silent era through to contemporary cinema all across the year.

Japan Society’s May events begin on May 1 with French filmmaker Chris Marker’s influential 1983 documentary Sans Soleil presented on rare imported 35mm. Driven by the desire to “capture life in the process of becoming history,” Marker traveled the globe and made a sprawling body of work that ruminates on the nature of memory and time. Of the several films he made in Japan, Sans Soleil remains the late director’s greatest achievement.

An unnamed woman narrates the poetic letters and philosophical reflections of an invisible world traveler accompanied by footage of Guinea-Bissau, Cape Verde, Iceland, Paris, San Francisco, and, most significantly, Tokyo—a city whose people, streets, malls, and temples inspire the traveler’s richest observations.
Continue reading →

Share

Tarkovsky’s Haunting Late Masterpiece NOSTALGHIA New 4K Restoration Opens Feb. 21 at Film Forum

Posted on by

ANDREI-TARKOVSKY---NOSTALGHIAAndrei Tarkovsky’s haunting late masterpiece NOSTALGHIA (1983) will run at Film Forum in a new 4K restoration from Wednesday, February 21 through Tuesday, February 29.

In Tarkovsky’s first film made outside the USSR, Russian expatriate Andrei (Oleg Yankovsky, THE MIRROR), wanders wintry Italian landscapes while returning in memory to his homeland. He becomes obsessed with the Botticelli-like beauty of his translator Eugenia (Domiziana Giordano), as well as with the apocalyptic ramblings of a self-destructive wanderer named Domenico (Erland Josephson, THE SACRIFICE). In one of cinema’s most agonizingly suspenseful sequences, the fate of the world is found hanging on a candle’s flight across a dry pool, culminating in an overwhelming final shot.

Written with Tonino Guerra, frequent collaborator of Michelangelo Antonioni (on every film from L’AVVENTURA through BLOW-UP), Federico Fellini (AMARCORD), and Francesco Rosi (ILLUSTRIOUS CORPSES, CHRIST STOPPED AT EBOLI), NOSTALGHIA is a mystical and mysterious collision of East and West, shot with the tactile beauty that only Tarkovsky could provide.

NOSTALGHIA won the Grand Prix du cinéma de creation prize for Best Director (shared with Robert Bresson for L’ARGENT) and the international film critics prize at the 1983 Cannes Film Festival. Soviet authorities prevented the film from winning the Palme d’Or, which hardened Tarkovsky’s resolve to never work in the Soviet Union again.

Share
Page 1 of 2
1 2