Category Archives: Sundance Film Festival

Broken English Brings Marianne Faithfull Tribute to Sundance Spotlight Premiere

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Broken English co-directors Iain Forsyth and Jane Pollard

Broken English co-directors Iain Forsyth and Jane PollardBroken English made its Sundance Film Festival debut on Sunday, January 25, with a Spotlight screening at Eccles Theatre in Park City. The North American premiere was preceded by a red carpet press line, where filmmakers, producers, and performers gathered ahead of the evening’s screening.

Directed by Iain Forsyth and Jane Pollard, Broken English is a documentary portrait of singer, songwriter, and cultural icon Marianne Faithfull. The film blends archival material, staged sequences, and performance, presenting Faithfull’s life and career through a stylized and unconventional lens rather than a traditional retrospective format.

Forsyth and Pollard attended the red carpet alongside producer Beth Earl and executive producers Victoria Steventon, Julia Xu, Julia Stier, and Miranda Bailey. Performers Norah Jones and Rufus Wainwright were also present ahead of their post-screening tribute performances, which followed the film’s premiere and added a live element to the evening’s celebration.

The Sundance appearance follows the film’s earlier world premiere at the Venice International Film Festival. At Sundance, Broken English screened as part of the festival’s Spotlight section and was presented in person only, drawing a full house and a noticeably attentive crowd.

The night felt less like a standard documentary premiere and more like a shared moment of remembrance, fitting for a film centered on legacy, memory, and artistic refusal to conform.

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Sundance Producers Celebration Honors Apoorva Guru Charan and Dawne Langford

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sundanceThe 2026 Sundance Film Festival Producers Celebration took place January 25 in Park City, bringing together filmmakers and industry guests to recognize producing excellence across this year’s festival lineup. Presented in partnership with Amazon MGM Studios, the event was held at The Park and centered on the Sundance Institute Producers Awards.

Two producers were honored with $10,000 grants during the ceremony. Apoorva Guru Charan received the Fiction Producers Award for Take Me Home, premiering in the U.S. Dramatic Competition, while Dawne Langford was awarded the Nonfiction Producers Award for Who Killed Alex Odeh?, debuting in the U.S. Documentary Competition. Both films are part of the 2026 Sundance program.

The celebration also featured a keynote from producer Shane Boris, whose recent work includes Navalny and Fire of Love. Boris spoke about collaboration, uncertainty, and the often unseen role producers play in sustaining creative work. The event highlighted producers as connective forces within independent filmmaking, emphasizing long-term relationships and shared risk rather than outcomes or accolades.

The Producers Celebration is an annual Sundance tradition, offering a moment to pause amid premieres and screenings to spotlight the behind-the-scenes work that brings films to the festival.

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Big Girls Don’t Cry Premieres at Sundance World Cinema Dramatic Competition

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Big Girls Don’t Cry premiered Saturday, January 24, at the Sundance Film Festival, screening at The Ray Theatre in Park City as part of the World Cinema Dramatic Competition. The afternoon screening was preceded by a red carpet press line, where the film’s creative team gathered for photos and interviews ahead of the first public showing.

In attendance were writer-director Paloma Schneideman, lead cast members Ani Palmer, Rain Spencer, and Noah Taylor, along with producers and executive producers connected to the project. The atmosphere reflected the film’s debut status, with the team marking its introduction to festival audiences following its New Zealand production.

Set in rural New Zealand in 2006, Big Girls Don’t Cry follows 14-year-old Sid Bookman over the course of a formative summer as she navigates early desire, shifting friendships, and the influence of the early internet. The film centers on observation rather than spectacle, placing its young protagonist in everyday situations that quietly shape her sense of identity and belonging.

The premiere screening in Park City was the film’s first stop at the festival, with additional in-person and online screenings scheduled as Sundance continues through the end of January.

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Merata Mita and Graton Fellows Honored at Sundance 2026 Native Forum

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Merata-Mita-and-Graton-sundanceThe Sundance Institute recognized this year’s Merata Mita and Graton Fellowship recipients during the Native Forum Celebration at the 2026 Sundance Film Festival in Park City, Utah. The annual gathering brings together Indigenous filmmakers, artists, and alumni during the festival to spotlight new voices and ongoing work.

Masami Kawai was named the 2026 Merata Mita Fellow. A Ryukyuan filmmaker based in Oregon, Kawai’s work often explores identity, history, and Indigenous experience, and she has previously participated in Sundance’s Directors and Screenwriters Lab. The fellowship supports an Indigenous woman-identified filmmaker developing a feature project.

The 2026 Graton Fellows are Isabella Madrigal and Tsanavi Spoonhunter. Madrigal, a writer-director and actor, is developing her first feature, expanding a story rooted in Indigenous community performance and cultural memory. Spoonhunter, a nonfiction filmmaker and journalist, is based in Northern Nevada and focuses on documentary storytelling through her independent media company, Mahebe Media.

The Native Forum Celebration took place during the festival as a moment to recognize Indigenous-led projects across Sundance programs and to acknowledge the broader creative community gathered in Park City throughout the week.

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Independent Film Company and Shudder Acquire Natalie Erika James’ Saccharine Ahead of Sundance Premiere

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SaccharineIndependent Film Company and Shudder have acquired North American and UK rights to Saccharine, the latest feature from filmmaker Natalie Erika James, ahead of its world premiere at the Sundance Film Festival.

Written and directed by James, Saccharine is described as a supernatural body horror film and marks her third feature following Relic and Apartment 7A. The film stars Midori Francis, Danielle Macdonald, and Madeleine Madden. It is slated for a theatrical release before streaming on Shudder later in 2026.

The story follows Hana, a medical student whose involvement in an extreme weight-loss trend leads to increasingly disturbing consequences after she consumes human ashes. The film continues James’ interest in horror rooted in psychological and physical transformation.

Saccharine was produced by James alongside Anna McLeish and Sarah Shaw, with financing from Screen Australia in partnership with XYZ Films, IPR.VC, Stan, and VicScreen. XYZ Films handled the sale, which was finalized ahead of the film’s Sundance debut.

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Extra Geography Premieres at Sundance 2026 in World Cinema Dramatic Competition

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Extra Geography premiered Friday, January 23, at the Sundance Film Festival, screening at The Library Theatre in Park City as part of the World Cinema Dramatic Competition. The screening was preceded by a red carpet appearance from director Molly Manners and members of the cast, marking the film’s first public showing.

The debut feature, written by Miriam Battye, centers on two high-achieving students at a British girls’ boarding school whose tightly controlled routines are disrupted by a self-imposed summer project to fall in love.

The film stars Marni Duggan and Galaxie Clear, with Alice Englert and Aoife Riddell also appearing. Extra Geography is Manners’ first feature following her work in television, including the Netflix series One Day.

Following its premiere night in Park City, the film continues its Sundance run with additional public screenings in Park City and Salt Lake City through February 1, giving festival audiences multiple opportunities to catch the film during the final days of the festival.

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Filipiñana Debuts at Sundance with Red Carpet Screening in Park City

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Writer director Rafael Manuel

Rafael Manuel’s feature debut Filipiñana premiered at the Sundance Film Festival as part of the World Cinema Dramatic Competition, screening at The Ray Theatre in Park City, Utah.

The screening was preceded by a red carpet event, where the filmmakers paused for photos and interviews ahead of the film’s first public showing.

The film stars Isabel Sicat and centers on a teenage girl working at an elite country club who becomes drawn to its powerful president, only to uncover a darker history beneath the institution’s polished surface. Set across multiple languages including Filipino, English, and Ilokano, Filipiñana explores class tension, identity, and inherited power through a stylized and unsettling lens.

In attendance at the premiere were writer-director Rafael Manuel, supporting cast member Isabel Sicat, producers Jeremy Chua and Alex Polunin, and executive producer Farhana Bhula. Filipiñana continues its Sundance run in the World Cinema Dramatic Competition, with in-person and online screenings scheduled through the festival.

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Hot Water Premieres at Sundance 2026 With Red Carpet Debut in Park City

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Hot Water writer-director Ramzi Bashour

Ramzi Bashour’s feature debut Hot Water premiered Friday, January 23, in the U.S. Dramatic Competition at the Sundance Film Festival, screening at Eccles Theatre in Park City, Utah. The premiere was accompanied by a red carpet appearance from the filmmaker and members of the creative team, marking the film’s first public unveiling.

Starring Lubna Azabal (Incendies) and Daniel Zolghadri (Funny Pages, Lurker), Hot Water centers on a Lebanese mother and her American teenage son who set out on a cross-country drive after the boy is expelled from high school. What begins as a reluctant journey gradually opens into a series of encounters that test their relationship and challenge their sense of home. Dale Dickey appears in a supporting role.

Shot across multiple states, the production moved through new locations week by week before wrapping in California. Around the Sundance premiere, members of the creative team spoke about the intensity of the schedule and the collaborative effort behind making a first feature under lean conditions, with the emphasis throughout remaining on the script rather than any assumptions about where the film might land.

Hot Water marks Bashour’s debut as a writer-director and unfolds as a restrained road comedy, using everyday spaces, highways, motels, diners, to explore family tension, cultural distance, and uneasy connection. The film moves between English, Arabic, and French, reflecting the layered identities at the center of the story.

The film continues its Sundance run as part of the festival’s U.S. Dramatic Competition lineup.

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Sundance Institute Announces 2026 Screenwriters Lab and Intensive Fellows

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sundance-screenwritersAs Sundance 2026 approaches, the Institute has revealed its latest group of writers selected for its Screenwriters Lab and Screenwriters Intensive, two long-running programs focused on helping emerging filmmakers shape their first and second features.

The Screenwriters Lab, held January 17 to 21 at Sundance Mountain Resort in Utah, will bring together 11 projects chosen from more than 3,800 submissions. Writers will spend the week workshopping original scripts in a small, collaborative setting, guided by a group of established filmmakers and writers. This year’s lab also doubles as a nod to Sundance’s roots, honoring founder Robert Redford and the program’s origins in the early 1980s.

Running separately in March, the Screenwriters Intensive will support nine projects from 13 writers, offering a more focused, online development experience aimed at first time fiction features.

Together, the selected projects reflect a wide range of voices and genres, from intimate family dramas and political thrillers to speculative stories and dark comedies, continuing Sundance’s long-standing emphasis on risk-taking and personal storytelling.
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Leonardo DiCaprio’s Appian Way Joins ‘The Lake’ Ahead of Sundance World Premiere

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The-LakeAhead of its Day One world premiere at the Sundance Film Festival, Leonardo DiCaprio’s Appian Way Productions has boarded the feature documentary The Lake as executive producer, alongside Jennifer Davisson and Phillip Watson.

Directed by Abby Ellis (Flint’s Deadly Water), The Lake has quickly emerged as one of Sundance’s most closely watched documentaries. The film examines the accelerating ecological crisis surrounding Utah’s Great Salt Lake, which is rapidly shrinking and exposing a toxic lakebed containing arsenic, lead, mercury, and other heavy metals—posing serious health risks to millions living along the Wasatch Front.

The documentary follows two scientists and a political insider as they race to prevent an environmental catastrophe, offering a rare look at bipartisan efforts to address a crisis with both local and global implications. As Sundance prepares for its final year in Park City, the film’s urgency has drawn significant attention.

Ellis described the project as deeply personal:

“What’s happening in Utah is a microcosm for so many environmental stories around the world… Having the support of Appian Way will only help enhance our reach with this incredibly timely and relevant story.”

Appian Way’s involvement reinforces its continued focus on environmentally driven storytelling. Jennifer Davisson noted that the film aligns closely with the company’s mission to support urgent, impact driven narratives.

Blending scientific reality with moral reckoning, The Lake moves beyond traditional environmental documentaries, asking broader questions about responsibility, complicity, and whether communities can act in time to avert disaster.

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