Sandra Hüller Reunites With Her Father in Pawlikowski’s Postwar Drama ‘Fatherland’

Paweł Pawlikowski is back with another black-and-white stunner. His new film “Fatherland” premieres October 23 at Film Forum in New York, and it’s already racking up serious attention.

The film stars Sandra Hüller (fresh off “Anatomy of a Fall”) as Erika Mann, daughter of legendary author Thomas Mann, played by Hanns Zischler. Set in 1949, they’re driving through a bombed-out Germany after years of exile in the U.S. Mann’s returned as a Nobel Prize winner with celebrity status, but the country he knew is gone. Erika’s coordinating his trip while dealing with her own family trauma, trying to break through her father’s distant facade.

Pawlikowski won Best Director at Cannes for this one. It’s also Poland’s official Oscar submission for Best International Feature. If you know his work, the pedigree checks out. “Ida” won the Oscar in 2014, and “Cold War” scored three nominations including Best Director.

The reviews are glowing. Critics are calling it “a perfectly cut jewel” and praising cinematographer Łukasz Żal’s gorgeous monochrome work. At just 82 minutes, Pawlikowski keeps it lean and devastating.

For indie cinema lovers, this is the kind of restrained, visually striking filmmaking that reminds you why arthouse matters. Film Forum’s the place to see it first.

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A Hollywood Hills Dream House Turns Into a Vampire Nightmare in “The Teenage Vampire”

A recent high school grad thinks she’s scored the perfect spot in the Hollywood Hills. Parties, romance, the whole California dream. Then she finds out her landlords are vampires, and her first party ends in a bloodbath.

“The Teenage Vampire” hits VOD and digital platforms October 27 via Lionsgate. The indie horror follows Sandra, who moves into what looks like a chic bungalow only to discover the ancient creatures living upstairs have plans that don’t involve welcoming her to the neighborhood.

The film stars Jazlyn Nicolette Sward alongside Kelly Lynn Reiter (“Deadlock,” “Mojave Diamonds”), James Chalke (“Renegades,” “Don’t Kill It”), and Courtney Akbar (“Boneyard,” “Clown Fear”). It’s directed with an 85-minute runtime and an R rating for language, bloody images, and the kind of teen behavior that tends to attract vampires.

Shot in 2022, the film arrives just in time for Halloween viewing. It’s priced at $5.99 to rent, $9.99 to own.

For indie horror fans, it’s another entry in the crowded vampire genre, but one that swaps castles and small towns for LA’s glittering hills, where even the undead want a piece of the view.

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Hilary Duff Adds 32 Tour Dates After Selling Out Around the World

Hilary Duff is taking “the lucky me tour” even further. The pop star just announced 32 new dates across Europe, Latin America, and the U.S. after selling out arenas worldwide.

The expansion kicks off May 7 in Madrid, hitting Berlin, Paris, Amsterdam, Copenhagen, Stockholm, San Juan, São Paulo, Buenos Aires, and Santiago. Rebecca Black joins for all European stops. The U.S. leg launches October 1 in Sunrise, Florida, wrapping November 20 in Anaheim. Dashboard Confessional and Tegan and Sara support on select American dates.

Tickets go on sale Friday, October 2, with various presales starting September 28.

Duff teased the announcement at her second sold-out O2 Arena show in London. During the encore of “What Dreams Are Made Of,” confetti rained down reading “2027 More Dates Loading” as a countdown clock appeared on screens.

This is her first full-scale global tour in almost two decades, celebrating her sixth album *luck… or something*. Rolling Stone, Billboard, and Variety all named it one of 2026’s best albums. The record hit number three on the Billboard 200, her highest chart position since 2007, and went number one in Canada and Australia.

The tour has already crushed it. Madison Square Garden, LA’s Kia Forum, and multiple international venues sold out.

For indie artists grinding toward their first headlining run, Duff’s 18-year gap between major tours proves momentum can return stronger than ever.

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Mirka Andolfo Returns to Victorian Horror With Merciless, a Long-Awaited Sequel to Mercy

The Devil of Woodsburgh is back.

Mirka Andolfo is returning to the world of her international hit Mercy with Merciless, a four-issue miniseries launching this December from Image Comics. This time, she’s teaming up with artist Lidia Bolognini (Sweet Paprika: Black, White & Pink) for a new Gothic horror tale set 15 years after the original.

“Mercy readers have been waiting for this sequel, and I’m so happy it’s finally on its way!” Andolfo says. The story follows Rory, now all grown up and ready to uncover dark secrets in Woodsburgh.

The mining town thought it was done with devils. But when Rory arrives to open her factory, a mysterious drug called Electric Sumac starts spreading through the streets, turning ordinary people unnaturally strong and dangerously unhinged. Rory and her companion Joel know the drug’s origins aren’t earthly, and they’re determined to stop it.

Meanwhile, Sheriff Bancroft returns to settle his father’s unfinished business. Old debts resurface, secrets unravel, and Rory might find herself caught in the middle of it all.

Andolfo describes it as a dark supernatural horror story perfect for fans of From Hell, Fatale, and the original Mercy series.

Merciless #1 drops December 2 at comic shops, with 11 different covers including incentive variants. For anyone catching up, the complete Mercy series is collected in a trade paperback available now.

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New Documentary Traces 20 Years of Research Linking What We Eat to How We See and Think

A new health documentary follows an Irish scientist’s two-decade quest to prove that nutrition affects vision and brain health in ways we’ve barely begun to understand.

“A Vision for Vision,” directed by two-time Emmy winner Wayne Chesler, tracks Professor John Nolan’s research into carotenoids, the plant-based pigments found in marigolds, eyes, and the brain. The film spans locations from marigold fields in Mexico to research labs in Ireland, omega-3-rich waters off Norway, and elite performance centers in Singapore.

Nolan, who founded and directs the Nutrition Research Centre Ireland, has spent over 20 years studying how targeted nutrition might support vision, memory, and aging. His recent trials, including the re-MIND, CARES Trial 2, and CREST AMD studies, found that supplements combining carotenoids, omega-3 fatty acids, and vitamin E showed positive effects on Alzheimer’s symptoms, improved working memory in healthy adults, and better visual performance in patients with early macular degeneration.

The doc arrives as conversations around preventative health gain traction. Nolan’s pitch is straightforward: aging happens, disease doesn’t have to, and earlier intervention through nutrition could change outcomes.

The film drops on digital and VOD November 3. For indie filmmakers covering health and science, it’s a reminder that some of the most compelling stories live in labs, not studios.

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Jordan Firstman’s Club Kid Gets 35mm Screening at Castro Theatre Ahead of A24 Release

Jordan Firstman is bringing his feature directorial debut to San Francisco before it hits theaters nationwide. SFFILM just announced a special 35mm screening of Club Kid at the Castro Theatre on November 2, with Firstman sticking around for a post-screening Q&A.

The film made waves at Cannes before A24 scooped it up. Firstman wrote, directed, and stars as Peter, a New York City club promoter whose party-heavy lifestyle gets flipped upside down when a 10-year-old son he didn’t know existed shows up at his door. The ensemble includes Cara Delevingne, Diego Calva, Kirby Howell-Baptiste, Reggie Absolom, and Colleen Camp.

“The anarchic humor, incredible ensemble, and unexpected tenderness make this a distinctive film,” said Jessie Fairbanks, SFFILM’s Director of Programming. She called out the needle drops as “thrillingly precise” to the characters and story.

SFFILM Executive Director Anne Lai pointed out the fitting venue. “For decades, gathering to see movies at The Castro has been at the heart of San Francisco’s queer culture and history.”

Tickets go on sale to SFFILM members September 22 at 10 am, with general public access starting September 24. General admission is $35, members pay $30. Club Kid opens in select cities November 6.

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Blind Paralympian Attempts 3,600-Mile Solo Bike Ride in New Doc ‘Blind AF’

A blind Army veteran is about to do something nobody thought possible.

Shawn Cheshire, a 13-time U.S. National Champion in paracycling, rode a single, non-tandem bicycle 3,600 miles across America in 60 straight days. Completely blind. New documentary Blind AF chronicles the entire journey.

Directed by Gina LeVay Goldstein, the film follows Cheshire’s historic cross-country ride, but it’s really a story about trauma and healing. Cheshire lost her sight in 2009 after a brain injury while working as a paramedic. She was 36, an Army vet, a single mom of two. Depression hit hard. Treatment at a VA hospital, including adaptive sports and therapy for Complex PTSD, helped her rebuild.

By 2016, she was competing at the Rio Paralympics. She went on to set a world record as the first blind person to cross the Grand Canyon without a sighted guide.

“This film goes beyond the epic athletic achievement,” Goldstein says. “It’s a story about healing, transformation, and the power of vulnerability.”

The doc mixes vérité footage, journal entries, and immersive sound design to put you inside Cheshire’s world. Executive produced by five-time Emmy winner Jeff Zimbalist, Blind AF premiered at Geena Davis’s Bentonville Film Festival and won Best of Fest at the 2025 Sedona International Film Festival.

It drops October 28 on Amazon Prime, AppleTV, Tubi, Roku, YouTube, and Documentary+. For indie filmmakers tackling real stories, this is what it looks like when grit meets craft.

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UK Travel Giant Jet2 Partners with Adobe to Build AI-Powered Holiday Planning Tools

Jet2, the UK’s largest tour operator, is teaming up with Adobe to overhaul how 10 million customers plan and book their holidays. The multi-year deal brings Adobe’s AI tools into Jet2’s booking system, promising smarter recommendations and faster, more personalized service.

At the core is Adobe CX Enterprise Coworker, which uses agentic AI to help Jet2 staff deliver custom experiences at scale. The tech will analyze each traveler’s booking history and preferences, then serve up destination ideas, resort picks, and daily itineraries that actually match what they’re looking for, whether that’s a family getaway or a solo city break.

Jet2 will also use Adobe Firefly Foundry to create on-brand content faster, and Adobe Brand Intelligence to keep everything consistent across channels. The goal is to meet customers where they are, especially as more people turn to AI search to research trips.

The two companies are launching a joint Customer Experience Lab, where Adobe engineers and Jet2’s teams will work side by side to test and build new AI-driven services. Jet2’s chief customer officer David Hills says the partnership will let them “make every interaction more personal, more relevant, more timely.”

For the indie travel world watching the big players lean into AI, this is a clear signal: personalization at scale is the new baseline.

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UK Travel Giant Jet2 Partners with Adobe to Build AI-Powered Holiday Planning Tools

Jet2, the UK’s largest tour operator, is teaming up with Adobe to give its 10 million customers a more personalized way to plan their vacations.

The multi-year partnership will use Adobe’s AI tools to help Jet2 deliver tailored destination ideas, offers, and trip recommendations based on each traveler’s preferences and booking history. Think family-friendly resort suggestions or curated daily itineraries once you’re on the ground.

Adobe CX Enterprise Coworker sits at the center of the deal. It’s agentic AI tech that helps Jet2 teams create on-brand content faster and serve up the right message at the right moment, whether you’re browsing flights or checking into your hotel.

The two companies are also launching a joint Customer Experience Lab, where Adobe engineers and Jet2’s digital team will build and test new AI-powered services. The goal is to match travelers with holidays that actually fit what they’re looking for, not just what’s being pushed that week.

“Customers know they will always receive a VIP experience when they holiday with us,” says David Hills, Jet2’s chief customer officer. “Working with Adobe will enable us to serve our customers even better.”

For indie creators and small studios watching how tech giants flex their tools, this is a peek at how AI is being embedded into consumer-facing platforms at scale.

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Jet2 Partners with Adobe to Build AI-Powered Holiday Planning Tools

UK travel giant Jet2 is teaming up with Adobe to give its 10 million customers smarter, more personalized holiday planning.

The multi-year partnership will use Adobe’s AI tech to help Jet2 deliver custom vacation recommendations based on each traveler’s preferences and booking history. Think family-friendly resort suggestions or curated daily itineraries while you’re already on vacation.

At the center of it all is Adobe CX Enterprise Coworker, which uses what Adobe calls “agentic AI” to help Jet2 staff quickly build personalized experiences at scale. The system will pull from customer data to send the right offer at the right time, whether that’s a city break idea or a last-minute deal.

Jet2 will also tap Adobe Firefly Foundry to create on-brand content faster, using custom AI models trained on the company’s own assets. That means quicker responses to travel trends and shifting customer demand.

A new Jet2 x Adobe Customer Experience Lab will bring engineers and travel specialists together to test and build new AI services, like better ways to match customers with trips that actually fit their style.

“Our customers are at the heart of everything we do,” says David Hills, Jet2’s chief customer officer. “Working with Adobe will enable us to serve our customers even better, using the power of AI to make every interaction more personal, more relevant, more timely.”

For indie creators and travelers alike, it’s a glimpse at how AI is reshaping the experience economy.

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