Independent Film Company and Shudder Acquire Natalie Erika James’ Saccharine Ahead of Sundance Premiere

SaccharineIndependent Film Company and Shudder have acquired North American and UK rights to Saccharine, the latest feature from filmmaker Natalie Erika James, ahead of its world premiere at the Sundance Film Festival.

Written and directed by James, Saccharine is described as a supernatural body horror film and marks her third feature following Relic and Apartment 7A. The film stars Midori Francis, Danielle Macdonald, and Madeleine Madden. It is slated for a theatrical release before streaming on Shudder later in 2026.

The story follows Hana, a medical student whose involvement in an extreme weight-loss trend leads to increasingly disturbing consequences after she consumes human ashes. The film continues James’ interest in horror rooted in psychological and physical transformation.

Saccharine was produced by James alongside Anna McLeish and Sarah Shaw, with financing from Screen Australia in partnership with XYZ Films, IPR.VC, Stan, and VicScreen. XYZ Films handled the sale, which was finalized ahead of the film’s Sundance debut.

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Filipiñana Debuts at Sundance with Red Carpet Screening in Park City

Rafael Manuel’s feature debut Filipiñana premiered at the Sundance Film Festival as part of the World Cinema Dramatic Competition, screening at The Ray Theatre in Park City, Utah.

The screening was preceded by a red carpet event, where the filmmakers paused for photos and interviews ahead of the film’s first public showing.

The film stars Isabel Sicat and centers on a teenage girl working at an elite country club who becomes drawn to its powerful president, only to uncover a darker history beneath the institution’s polished surface. Set across multiple languages including Filipino, English, and Ilokano, Filipiñana explores class tension, identity, and inherited power through a stylized and unsettling lens.

In attendance at the premiere were writer-director Rafael Manuel, supporting cast member Isabel Sicat, producers Jeremy Chua and Alex Polunin, and executive producer Farhana Bhula. Filipiñana continues its Sundance run in the World Cinema Dramatic Competition, with in-person and online screenings scheduled through the festival.

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Hot Water Premieres at Sundance 2026 With Red Carpet Debut in Park City

Hot Water writer-director Ramzi Bashour

Ramzi Bashour’s feature debut Hot Water premiered Friday, January 23, in the U.S. Dramatic Competition at the Sundance Film Festival, screening at Eccles Theatre in Park City, Utah. The premiere was accompanied by a red carpet appearance from the filmmaker and members of the creative team, marking the film’s first public unveiling.

Starring Lubna Azabal (Incendies) and Daniel Zolghadri (Funny Pages, Lurker), Hot Water centers on a Lebanese mother and her American teenage son who set out on a cross-country drive after the boy is expelled from high school. What begins as a reluctant journey gradually opens into a series of encounters that test their relationship and challenge their sense of home. Dale Dickey appears in a supporting role.

Shot across multiple states, the production moved through new locations week by week before wrapping in California. Around the Sundance premiere, members of the creative team spoke about the intensity of the schedule and the collaborative effort behind making a first feature under lean conditions, with the emphasis throughout remaining on the script rather than any assumptions about where the film might land.

Hot Water marks Bashour’s debut as a writer-director and unfolds as a restrained road comedy, using everyday spaces, highways, motels, diners, to explore family tension, cultural distance, and uneasy connection. The film moves between English, Arabic, and French, reflecting the layered identities at the center of the story.

The film continues its Sundance run as part of the festival’s U.S. Dramatic Competition lineup.

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Sundance Institute Announces 2026 Screenwriters Lab and Intensive Fellows

sundance-screenwritersAs Sundance 2026 approaches, the Institute has revealed its latest group of writers selected for its Screenwriters Lab and Screenwriters Intensive, two long-running programs focused on helping emerging filmmakers shape their first and second features.

The Screenwriters Lab, held January 17 to 21 at Sundance Mountain Resort in Utah, will bring together 11 projects chosen from more than 3,800 submissions. Writers will spend the week workshopping original scripts in a small, collaborative setting, guided by a group of established filmmakers and writers. This year’s lab also doubles as a nod to Sundance’s roots, honoring founder Robert Redford and the program’s origins in the early 1980s.

Running separately in March, the Screenwriters Intensive will support nine projects from 13 writers, offering a more focused, online development experience aimed at first time fiction features.

Together, the selected projects reflect a wide range of voices and genres, from intimate family dramas and political thrillers to speculative stories and dark comedies, continuing Sundance’s long-standing emphasis on risk-taking and personal storytelling.
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Leonardo DiCaprio’s Appian Way Joins ‘The Lake’ Ahead of Sundance World Premiere

The-LakeAhead of its Day One world premiere at the Sundance Film Festival, Leonardo DiCaprio’s Appian Way Productions has boarded the feature documentary The Lake as executive producer, alongside Jennifer Davisson and Phillip Watson.

Directed by Abby Ellis (Flint’s Deadly Water), The Lake has quickly emerged as one of Sundance’s most closely watched documentaries. The film examines the accelerating ecological crisis surrounding Utah’s Great Salt Lake, which is rapidly shrinking and exposing a toxic lakebed containing arsenic, lead, mercury, and other heavy metals—posing serious health risks to millions living along the Wasatch Front.

The documentary follows two scientists and a political insider as they race to prevent an environmental catastrophe, offering a rare look at bipartisan efforts to address a crisis with both local and global implications. As Sundance prepares for its final year in Park City, the film’s urgency has drawn significant attention.

Ellis described the project as deeply personal:

“What’s happening in Utah is a microcosm for so many environmental stories around the world… Having the support of Appian Way will only help enhance our reach with this incredibly timely and relevant story.”

Appian Way’s involvement reinforces its continued focus on environmentally driven storytelling. Jennifer Davisson noted that the film aligns closely with the company’s mission to support urgent, impact driven narratives.

Blending scientific reality with moral reckoning, The Lake moves beyond traditional environmental documentaries, asking broader questions about responsibility, complicity, and whether communities can act in time to avert disaster.

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Sundance ’26: BURN Brings Hyper-Color and Chaos to the NEXT Section

burnOne of the films at Sundance this year that feels like it’s daring people to either love it or walk out is BURN, the new feature from Makoto Nagahisa, who previously made We Are Little Zombies. It’s premiering in the festival’s NEXT section, which feels like exactly where it belongs.

The movie centers on Ju-Ju (played by Nana Mori), a runaway teen who ends up in Tokyo’s Kabukicho district, falling in with a loose group of kids living on the edge. At first, it feels like she’s finally found somewhere to land. That doesn’t last. What starts as freedom slowly turns into something tighter, darker, and harder to escape.

Visually, BURN is doing a lot, neon colors, hyper-stylized shots, constant motion. It’s bright, almost playful on the surface, even when the story underneath is clearly heading somewhere painful. That contrast is the point. The movie looks fun right up until it very much isn’t, and it doesn’t really warn you when the switch happens.

Nagahisa has always been good at capturing youth culture in a way that feels chaotic instead of nostalgic, and BURN seems to push that even further. It’s not trying to explain its characters or soften their choices. It just drops you into their world and lets things unravel.

Director Bong Joon Ho has already weighed in on the film, calling it intense and even frightening, which tracks. This feels like one of those Sundance titles people will be arguing about afterward, not whether it’s good or bad, but whether they were ready for it at all.

BURN premieres January 25, with additional screenings throughout the festival.

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2026 Sundance Film Festival Unveils Beyond Film Talks and Events

Sundance-exploring-art-and-innovationSundance isn’t just about the films, it’s also where a lot of the conversations around them happen.

The Sundance Institute has announced the Beyond Film lineup for the 2026 Sundance Film Festival, featuring talks and events with Olivia Wilde, Richard Linklater, Ava DuVernay, Billie Jean King, Salman Rushdie, John Turturro, Nicole Holofcener, Elijah Wood, Ta-Nehisi Coates, James Wan, and more.

The Beyond Film program runs January 23–30, alongside the Festival, which takes place January 22–February 1, 2026, in Park City and Salt Lake City, with select events available online.

New this year is Sundance Institute’s Story Forum: Exploring Art and Innovation, a one-day event on January 26 focused on how storytelling is evolving across creative and technological spaces.

The free public program includes filmmaker conversations, artist talks, and live events like Cinema Café and The Big Conversation, with participants ranging from filmmakers and writers to cultural figures across disciplines.

The 2026 Festival will also spotlight Robert Redford’s legacy through the Park City Legacy program, featuring archival screenings, alumni talks, and community events celebrating Sundance’s history.

Most Beyond Film events are free to attend, with full schedules and access details available at festival.sundance.org.

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Sundance Film Festival Announces 2026 Trailblazer and Vanguard Award Honorees

sundance-2026-honoreesThe Sundance Institute has announced the recipients of its 2026 Trailblazer and Vanguard Awards, honoring filmmakers whose work continues to shape independent cinema. Academy Award–winning director Chloé Zhao will receive the Trailblazer Award, while Nia DaCosta and Geeta Gandbhir will be honored with Vanguard Awards for fiction and nonfiction, respectively.

The awards will be presented at Celebrating Sundance Institute: A Tribute to Founder Robert Redford on January 23, 2026, at the Grand Hyatt Deer Valley in Utah. The 2026 Sundance Film Festival runs January 22 through February 1, with an online program available January 29–February 1.

Zhao is being recognized for films including Songs My Brothers Taught Me, The Rider, and Nomadland, which won three Academy Awards. Her latest feature, Hamnet (2025), has earned multiple audience awards and major awards-season nominations.

The Vanguard Award for Fiction will go to DaCosta, whose recent work includes Hedda (2025), Candyman, and The Marvels. Her next film, 28 Years Later: The Bone Temple, arrives in theaters in January 2026.

Gandbhir will receive the Vanguard Award for Nonfiction following the success of The Perfect Neighbor, which premiered at Sundance 2025 and won the U.S. Documentary Directing Award.

The event will also honor Sundance founder Robert Redford, with the inaugural Robert Redford Luminary Award presented to Gyula Gazdag and Ed Harris. Proceeds support Sundance Institute’s year-round artist development programs.

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Award-Winning Animated Documentary Endless Cookie Opens in NY and LA Theaters December 5

The acclaimed animated documentary Endless Cookie, created over eight years by brothers Seth and Peter Scriver, arrives in New York and Los Angeles theaters on December 5 from Obscured Releasing.

The film is a vivid, surreal portrait of the Scriver family, blending autobiography, memory, and playful imagination. Through colorful, shifting animation, the brothers revisit their upbringing in Toronto’s Kensington Market and Peter’s current life in a remote First Nations community in Northern Manitoba. Their stories overlap with family recollections, turning the film into both a family chronicle and a meditation on creativity.

Seth is a Toronto-based artist and animator known for the TIFF-winning feature Asphalt Watches. Peter is a First Nations carver, poet, mechanic, and storyteller whose real-life heroism in rescuing a neighbor from a house fire underscores the film’s themes of resilience and connection.

Endless Cookie has earned major honors worldwide, including the Golden Alexander at Thessaloniki, the Contrechamp Jury Award at Annecy, the Rogers Audience Award at Hot Docs 2025, and awards or mentions from Sitges, Dok Leipzig, Guadalajara, and Calgary Underground Film Festival.

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Sundance Comedy “Serious People” Skewers Ambition and Identity in Hollywood

serious-peopleSundance hit Serious People, the debut feature from filmmakers Pasqual Gutierrez and Ben Mullinkosson, brings a sharp comedy about ego, work, and self-replacement in the creative industry. The film opens in theaters November 14, followed by a VOD release December 16, distributed by Tribeca Films and Memory.

Written and directed by Gutierrez and Mullinkosson, the film stars Pasqual Gutierrez, Christine Yuan, RJ Sanchez, and Miguel Huerta. It follows a successful music video director who hires a double to take over his work during paternity leave, only to watch his life and career spiral out of control.

Gutierrez, known as half of the directing duo Cliqua (collaborating with Bad Bunny, Rosalía, and The Weeknd), makes his first feature with Serious People. Mullinkosson, whose past work includes The Last Year of Darkness and Don’t Be a Dick About It, brings a documentary sensibility to the film’s sharp tone. Together, they create a satire that examines ambition, burnout, and identity in modern Los Angeles.

The film premiered at the 2025 Sundance Film Festival, earning praise for its humor, originality, and inventive storytelling.

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