Sundance Institute Announces 2026 Screenwriters Lab and Intensive Fellows

sundance-screenwritersAs Sundance 2026 approaches, the Institute has revealed its latest group of writers selected for its Screenwriters Lab and Screenwriters Intensive, two long-running programs focused on helping emerging filmmakers shape their first and second features.

The Screenwriters Lab, held January 17 to 21 at Sundance Mountain Resort in Utah, will bring together 11 projects chosen from more than 3,800 submissions. Writers will spend the week workshopping original scripts in a small, collaborative setting, guided by a group of established filmmakers and writers. This year’s lab also doubles as a nod to Sundance’s roots, honoring founder Robert Redford and the program’s origins in the early 1980s.

Running separately in March, the Screenwriters Intensive will support nine projects from 13 writers, offering a more focused, online development experience aimed at first time fiction features.

Together, the selected projects reflect a wide range of voices and genres, from intimate family dramas and political thrillers to speculative stories and dark comedies, continuing Sundance’s long-standing emphasis on risk-taking and personal storytelling.
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Leonardo DiCaprio’s Appian Way Joins ‘The Lake’ Ahead of Sundance World Premiere

The-LakeAhead of its Day One world premiere at the Sundance Film Festival, Leonardo DiCaprio’s Appian Way Productions has boarded the feature documentary The Lake as executive producer, alongside Jennifer Davisson and Phillip Watson.

Directed by Abby Ellis (Flint’s Deadly Water), The Lake has quickly emerged as one of Sundance’s most closely watched documentaries. The film examines the accelerating ecological crisis surrounding Utah’s Great Salt Lake, which is rapidly shrinking and exposing a toxic lakebed containing arsenic, lead, mercury, and other heavy metals—posing serious health risks to millions living along the Wasatch Front.

The documentary follows two scientists and a political insider as they race to prevent an environmental catastrophe, offering a rare look at bipartisan efforts to address a crisis with both local and global implications. As Sundance prepares for its final year in Park City, the film’s urgency has drawn significant attention.

Ellis described the project as deeply personal:

“What’s happening in Utah is a microcosm for so many environmental stories around the world… Having the support of Appian Way will only help enhance our reach with this incredibly timely and relevant story.”

Appian Way’s involvement reinforces its continued focus on environmentally driven storytelling. Jennifer Davisson noted that the film aligns closely with the company’s mission to support urgent, impact driven narratives.

Blending scientific reality with moral reckoning, The Lake moves beyond traditional environmental documentaries, asking broader questions about responsibility, complicity, and whether communities can act in time to avert disaster.

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Sundance ’26: BURN Brings Hyper-Color and Chaos to the NEXT Section

burnOne of the films at Sundance this year that feels like it’s daring people to either love it or walk out is BURN, the new feature from Makoto Nagahisa, who previously made We Are Little Zombies. It’s premiering in the festival’s NEXT section, which feels like exactly where it belongs.

The movie centers on Ju-Ju (played by Nana Mori), a runaway teen who ends up in Tokyo’s Kabukicho district, falling in with a loose group of kids living on the edge. At first, it feels like she’s finally found somewhere to land. That doesn’t last. What starts as freedom slowly turns into something tighter, darker, and harder to escape.

Visually, BURN is doing a lot, neon colors, hyper-stylized shots, constant motion. It’s bright, almost playful on the surface, even when the story underneath is clearly heading somewhere painful. That contrast is the point. The movie looks fun right up until it very much isn’t, and it doesn’t really warn you when the switch happens.

Nagahisa has always been good at capturing youth culture in a way that feels chaotic instead of nostalgic, and BURN seems to push that even further. It’s not trying to explain its characters or soften their choices. It just drops you into their world and lets things unravel.

Director Bong Joon Ho has already weighed in on the film, calling it intense and even frightening, which tracks. This feels like one of those Sundance titles people will be arguing about afterward, not whether it’s good or bad, but whether they were ready for it at all.

BURN premieres January 25, with additional screenings throughout the festival.

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2026 Sundance Film Festival Unveils Beyond Film Talks and Events

Sundance-exploring-art-and-innovationSundance isn’t just about the films, it’s also where a lot of the conversations around them happen.

The Sundance Institute has announced the Beyond Film lineup for the 2026 Sundance Film Festival, featuring talks and events with Olivia Wilde, Richard Linklater, Ava DuVernay, Billie Jean King, Salman Rushdie, John Turturro, Nicole Holofcener, Elijah Wood, Ta-Nehisi Coates, James Wan, and more.

The Beyond Film program runs January 23–30, alongside the Festival, which takes place January 22–February 1, 2026, in Park City and Salt Lake City, with select events available online.

New this year is Sundance Institute’s Story Forum: Exploring Art and Innovation, a one-day event on January 26 focused on how storytelling is evolving across creative and technological spaces.

The free public program includes filmmaker conversations, artist talks, and live events like Cinema Café and The Big Conversation, with participants ranging from filmmakers and writers to cultural figures across disciplines.

The 2026 Festival will also spotlight Robert Redford’s legacy through the Park City Legacy program, featuring archival screenings, alumni talks, and community events celebrating Sundance’s history.

Most Beyond Film events are free to attend, with full schedules and access details available at festival.sundance.org.

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Sundance Film Festival Announces 2026 Trailblazer and Vanguard Award Honorees

sundance-2026-honoreesThe Sundance Institute has announced the recipients of its 2026 Trailblazer and Vanguard Awards, honoring filmmakers whose work continues to shape independent cinema. Academy Award–winning director Chloé Zhao will receive the Trailblazer Award, while Nia DaCosta and Geeta Gandbhir will be honored with Vanguard Awards for fiction and nonfiction, respectively.

The awards will be presented at Celebrating Sundance Institute: A Tribute to Founder Robert Redford on January 23, 2026, at the Grand Hyatt Deer Valley in Utah. The 2026 Sundance Film Festival runs January 22 through February 1, with an online program available January 29–February 1.

Zhao is being recognized for films including Songs My Brothers Taught Me, The Rider, and Nomadland, which won three Academy Awards. Her latest feature, Hamnet (2025), has earned multiple audience awards and major awards-season nominations.

The Vanguard Award for Fiction will go to DaCosta, whose recent work includes Hedda (2025), Candyman, and The Marvels. Her next film, 28 Years Later: The Bone Temple, arrives in theaters in January 2026.

Gandbhir will receive the Vanguard Award for Nonfiction following the success of The Perfect Neighbor, which premiered at Sundance 2025 and won the U.S. Documentary Directing Award.

The event will also honor Sundance founder Robert Redford, with the inaugural Robert Redford Luminary Award presented to Gyula Gazdag and Ed Harris. Proceeds support Sundance Institute’s year-round artist development programs.

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2026 Sundance Film Festival Reveals Short Film Program

sundance-short-film-program

Top L–R: La Tierra Del Valor (The Home of the Brave), Mangittatuarjuk (The Gnawer of Rocks), Luigi, The Bird’s Placebo
Center Row L–R: Candy Bar, Taga, DON’T TELL MAMA, The Boys and the Bees
Bottom L–R: Jazz Infernal, Albatross, I’m Glad You’re Dead Now, Busy Bodies

The Sundance Film Festival has announced the 54 short films selected for its 2026 edition, spotlighting new work across fiction, nonfiction, and animation from filmmakers around the world. The shorts will screen in eight curated programs as part of the festival’s official lineup.

The 2026 festival will take place January 22–February 1 in Park City and Salt Lake City, Utah, with an online at-home program running January 29–February 1. In addition to the new selections, Sundance will present a Park City Legacy short film program featuring films from past editions.

This year’s short film lineup was chosen from more than 11,000 submissions, representing 22 countries and territories. The program continues Sundance’s long-standing role as a launchpad for emerging filmmakers, many of whom have gone on to shape contemporary independent cinema.

Individual tickets for in-person and online screenings go on sale January 14.

The 2026 Sundance Film Festival Short Films are:

U.S. FICTION SHORT FILMS

Albatross / U.S.A. (Director and Screenwriter: Amandine Thomas, Screenwriter and Producer: Gerardo Coello Escalante, Producers: Zach Wechter, Valerie Bush, Carlos López Estrada, Glenn Kiser, Amanda Schneider). Maria, burdened with caregiving for her sick husband, gets invited to a party. Cast: Georgina Saldaña Wonchee, Patrick O’Brien, Ciro Suárez. World Premiere. Available online for public.
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Sundance Comedy “Serious People” Skewers Ambition and Identity in Hollywood

serious-peopleSundance hit Serious People, the debut feature from filmmakers Pasqual Gutierrez and Ben Mullinkosson, brings a sharp comedy about ego, work, and self-replacement in the creative industry. The film opens in theaters November 14, followed by a VOD release December 16, distributed by Tribeca Films and Memory.

Written and directed by Gutierrez and Mullinkosson, the film stars Pasqual Gutierrez, Christine Yuan, RJ Sanchez, and Miguel Huerta. It follows a successful music video director who hires a double to take over his work during paternity leave, only to watch his life and career spiral out of control.

Gutierrez, known as half of the directing duo Cliqua (collaborating with Bad Bunny, Rosalía, and The Weeknd), makes his first feature with Serious People. Mullinkosson, whose past work includes The Last Year of Darkness and Don’t Be a Dick About It, brings a documentary sensibility to the film’s sharp tone. Together, they create a satire that examines ambition, burnout, and identity in modern Los Angeles.

The film premiered at the 2025 Sundance Film Festival, earning praise for its humor, originality, and inventive storytelling.

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Vertical Acquires Sundance Winner “Atropia” Starring Alia Shawkat and Callum Turner for December Release

Atropia

Alia Shawkat | Courtesy: Vertical

Vertical has acquired North American rights to Hailey Gates’ feature directorial debut “Atropia,” winner of the U.S. Grand Jury Prize for Dramatic Feature at the 2025 Sundance Film Festival. The film, starring Alia Shawkat (Severance) and Callum Turner (Masters of the Air), will open in theaters this December.

The ensemble cast includes Chloë Sevigny, Jane Levy, Tim Heidecker, Lola Kirke, Zahra Alzubaidi, and Jamie McShane. Produced by Luca Guadagnino, Naima Abed, Emilie Georges, Lana Kim, and Jett Steiger, the film marks Gates’ transition from documentary to narrative storytelling.

In Atropia, an aspiring actress (Shawkat) working at a simulated military training facility falls for a soldier (Turner) cast as an insurgent, blurring the line between reality and performance. Inspired by real-life desert role-play camps, Gates conceived the idea after visiting similar installations in California.

“I couldn’t be more thrilled that it’s found a home with Vertical, a company that takes bold creative swings,” said Gates. Vertical Partner Peter Jarowey added, “Hailey has created an impressive debut led by an outstanding cast and set in a world rarely seen on screen.”

The deal was negotiated by Jarowey and Tony Piantedosi for Vertical, with UTA Independent Film Group and WME Independent representing the filmmakers.

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Albert Birney’s Retro Sci-Fi Thriller Obex Set for Theatrical Release in January

ObexFilmmaker Albert Birney’s new feature Obex will open in theaters on January 9, 2026, following its premiere at the 2025 Sundance Film Festival.

Written by Birney and Pete Ohs (Erupcja), the black-and-white fantasy is set in 1987, where a reclusive man and his dog become ensnared in a mysterious computer game that turns their analog world into a surreal digital nightmare. The film stars Birney alongside Callie Hernandez, Paisley Isaacs, Frank Mosley, and Tyler Davis, with music by Josh Dibb (Deakin of Animal Collective).

Described as a lo-fi vision of early computing and isolation, Obex blends nostalgic visuals with psychological tension to explore the blurring line between technology and reality. The film is produced by Emma Hannaway, Birney, James Belfer, and Ohs, with cinematography by Ohs.

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Robert Redford, Hollywood Icon and Architect of Independent Cinema, Dies at 89

By Armando

Robert Redford during the filming of The Sting (1973). Photo by Ken Dare, Los Angeles Times / Courtesy of the Dutch National Archives.

Robert Redford, the Oscar-winning actor, director, and visionary who built Sundance into the home of independent film, has died at his home in Utah. He was 89. Redford was first known as one of Hollywood’s most magnetic leading men, but his greatest impact came later, as he reshaped the future of filmmaking by giving independent voices a place to be heard.

Redford began his career in television and on Broadway before breaking through in film. His first leading role that brought him recognition was Barefoot in the Park (1967) opposite Jane Fonda. Two years later, Butch Cassidy and the Sundance Kid (1969) made him a household name. His pairing with Paul Newman became one of the most beloved duos in film history. They reunited in The Sting (1973), which became a massive hit and earned Redford an Oscar nomination for Best Actor.

An American Icon

In the 1970s, Redford wasn’t just a star. With his blond hair, windswept style, and natural charisma, he became a cultural symbol of American masculinity. But he quickly proved he was more than an image. In The Candidate (1972), Jeremiah Johnson (1972), Three Days of the Condor (1975), and All the President’s Men (1976), he pursued stories with political and social weight. By the end of the decade, he had become both a top box office draw and one of the most respected actors of his generation.

Behind the Camera

In 1980, Redford made his directing debut with Ordinary People, a family drama that went on to win four Academy Awards, including Best Picture and Best Director. The film marked his transformation from leading man to accomplished filmmaker and proved he could command just as much respect behind the camera.
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