David Mamet’s New Feature Film “Henry Johnson” Sets Release

Posted on April 3, 2025 by admin

Starting Friday May 9th, the film is set to open at the Aero Theatre in Los Angeles, as well as to rent on HenryJohnsonMovie.com. Additional theater listings is set to follow.

The film star Evan Jonigkeit, Shia LaBeouf, Chris Bauer, Dominic Hoffman. The film adaptation is Pulitzer Prize winner’s first movie in a decade.

Written and Directed by Pulitzer Prize winner David Mamet, HENRY JOHNSON follows the title character (Jonigkeit) as he navigates his search for a moral center, after an act of compassion upends his life. Looking to authority figures he encounters along the way — including his eventual cellmate, Gene (LaBeouf) — Henry’s journey leads him down a road of manipulation and ethical uncertainty. The film is an exploration of power, justice and the consequences of letting others choose your path for you.

David Mamet is an award-winning playwright, filmmaker and author. He received the Pulitzer Prize for Drama for Glengarry Glen Ross — currently on Broadway in a revival starring Kieran Culkin, Bob Odenkirk and Bill Burr — as well as Academy Award nominations for his screenplays of Wag the Dog and The Verdict. His feature film directorial credits include The Spanish Prisoner, Oleanna, House of Games, State and Main, Heist, Spartan, The Winslow Boy, Redbelt and Phil Spector.

“Call of the Void” Trailer And Release Date

Posted on April 1, 2025 by admin

Gravitas Ventures will release CALL OF THE VOID on digital platforms on April 15, 2025. The film premiered at the Flickers’ Rhode Island International Film Festival.

CALL OF THE VOID is a folk horror tale featuring songs from the Appalachian folk songbook performed live by the cast. Horror fans will be treated to a thrill both new and unexpected while drawing from the works of cosmic horror author, H.P. Lovecraft.

The film stars Caitlin Carver (Chicago Fire, I Tonya, Netflix’s Dear White People), Mina Sundwall (Netflix’s Lost In Space, Jesus Revolution), Christian Antidormi (Starz’s Spartacus, Netflix’s The Lincoln Lawyer), and Ethan Herisse (Nickel Boys, When They See Us).

It was written and directed by James B. Cox (Hacked, Grey Matter, based on a short story by Stephen King).

Here’s the film’s synopsis:
After the tragic death of her brother, Moray retreats to a remote mountain cabin to try and escape her work, her family, and her old life. However, her quiet retreat is quickly diverted by a college band moving into the unit next door and a suspicious professor studying a local phenomenon involving a mysterious hum. She discovers that the Hum is a gateway to something otherworldly, unnameable, and once heard–there is no return. The Hum is a sonic experience that asks the question: How can you escape your own senses?

Watch the trailer below for “Call of the Void”:

SFFILM Announces the Lineup for the 68th San Francisco International Film Festival

Posted on March 29, 2025 by admin

L to R top row: Josh O’Connor, Lily LaTorre in REBUILDING. Nicole Beharie, André Holland in LOVE, BROOKLYN. Asia Kate Dillon, Ridley Asha Bateman in OUTERLANDS. L to R, bottom row: filmmaker Chris Columbus, and actor André Holland. Top row photos and A. Holland headshot courtesy of rights holders. C. Columbus photo courtesy of Netflix; photo by Giles Keyte.

Today, SFFILM announced the full lineup for the 68th San Francisco International Film Festival (SFFILM Festival), the longest-running film festival in the Americas. Taking place April 17-27, the Festival returns to its full 11-day run bringing the best of this year’s global filmmaking to Bay Area audiences in theaters across San Francisco’s Marina and Presidio neighborhoods, the Mission, and in Berkeley. The festival lineup includes over 150 films from more than 50 countries including 11 World Premieres, 10 International Premieres, 10 North American Premieres, and six US Premieres. All feature films in competition, special events, and Marquee sections are California premieres. In addition to many filmmakers returning to the Festival, the program also includes 11 SFFILM Supported titles which are projects that received support from the organization’s youth education and artist development programs as grants, residencies, or funding, reflecting the year round mission of SFFILM.

“I am over the moon that we are back with 11 days of screenings, special Tributes, Awards, free talks, our annual Industry Days Conference, parties, city tours, and much more. It has been a delight to curate over 150 films for this year’s festival and we cannot wait to welcome local and international creatives to the city by the Bay,” said Jessie Fairbanks, SFFILM’s Director of Programming. “The program is packed with discovery titles, emerging storytellers, buzzy new films, A-list talent, and a special horror retrospective—that will be sure to delight audiences and filmmakers alike.”

The Festival opens with Max Walker-Silverman’s Rebuilding, a poignant exploration of communal love and resilience in the wake of devastating wildfires. This intimate, timely drama stars Josh O’Connor (Challengers, La Chimera, The Crown) as a man determined to restore his family’s ranch and rediscover his purpose. The Centerpiece presentation is Rachael Abigail Holder’s Love, Brooklyn, a layered romantic comedy exploring urban isolation and Black life in the modern age. Executive produced by Steven Soderbergh and starring André Holland, Nicole Beharie, and DeWanda Wise, the film generates plenty of sparks and humor. The Centerpiece film is presented alongside a Festival Tribute celebrating the career and craft of André Holland (Selma, Moonlight, Passing) who has been dazzling audiences on stage, television, and screen over the past two decades. Alongside the Centerpiece film, Holland offers a remarkable performance in Andre Gaines’s The Dutchman in the Marquee spotlight.
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Sundance Institute Announces Boulder, Colorado, as the New Home for the Sundance Film Festival Beginning in 2027

Posted on March 28, 2025 by admin

Sundance Institute’s Board of Trustees has announced that Boulder, Colorado, will become the Festival’s home beginning in 2027.

“This decision was informed by a detailed evaluation of the key components essential to creating our Festival. During the process, it became clear that Boulder is the ideal location in which to build our Festival’s future, marking a key strategic step in its natural evolution,” said Ebs Burnough, Sundance Institute Board Chair. “We have a profound appreciation for the finalist cities and their communities — including Boulder, Colorado, Cincinnati, Ohio, and Salt Lake City, Utah — who presented overwhelmingly strong proposals and dedicated their time, passion, and commitment every step of the way. We have deep respect and gratitude to these communities for their hard work and partnership throughout the past year. Additionally, we sincerely value the steadfast support from our staff and board as we have ventured on this exploration together.”

The Sundance Film Festival is the largest artist program of the nonprofit Sundance Institute. Its Artist Programs cultivate a vibrant ecosystem, supporting artists and connecting their work with audiences. The Festival stands as the pre-eminent gathering of original storytellers and audiences seeking new voices, fresh perspectives, and a celebration of independent film and storytelling.

“The Sundance Film Festival is a catalyst for innovation, creative expression, and the discovery of groundbreaking independent films that inspire and shape the future of storytelling. This process provided the opportunity to imagine how we design the Festival while staying true to our programming and mission. We extend our appreciation to the staff, artists, partners, volunteers, and audiences who have and continue to support that mission,” said Amanda Kelso, Sundance Institute Acting CEO. “Boulder is an art town, tech town, mountain town, and college town. It is a place where the Festival can build and flourish. This is the beginning of a bold, new journey as we invite everyone to be part of our community and to be entertained and inspired. We can’t imagine a better fit than Boulder.”

Film Feature: “Killer of Sheep” Charles Burnett’s American Independent Masterpiece

Posted on March 25, 2025 by admin

“Killer of Sheep”, Charles Burnett’s 1977 debut feature and landmark American independent masterpiece, will run at Film Forum from Friday, April 18 to Thursday, April 24, in a new 4K restoration.

Stan, employed at a slaughterhouse in the neighborhood of Watts, Los Angeles, is suffering from the emotional side effects of his bloody occupation to such a degree that his entire life unhinges. He seeks out tenderness in the face of unending struggle. Focusing on everyday life in Black communities with ingenuity, heart, and meticulous detail–a manner that had rarely been seen in American cinema–Burnett (acting as director, writer, producer, cinematographer, and editor) combines lyrical elements with a starkly neorealist, documentary-like approach that unfolds with kaleidoscopic intimacy.

On a budget of less than $10,000, Burnett shot KILLER OF SHEEP in roughly a year of weekends, filmed on location with a mostly amateur cast, a gritty documentary-style cinematography and much handheld camera work. The film’s soundtrack, which Burnett envisioned as an aural history of African-American popular music, includes songs by Etta James, Paul Robeson, Little Walter, and Earth, Wind & Fire. The new 4K restoration, which has improved picture and sound, marks the first theatrical release with the Dinah Washington song “Unforgettable” recovered in the ending, as was found in Burnett’s original release of the film, since being replaced in 2007 due to copyright issues.

Largely overlooked for decades following its 1977 release, KILLER OF SHEEP is now celebrated as a pivotal work of the LA Rebellion movement and hailed as a masterpiece that brought Black American lives to the screen with an unparalleled, poignant compassion.

“I come from a working-class environment and I wanted to express what the realities were. People were trying to get jobs, and once they found jobs they were fully concerned with keeping them. And they were confronted with other problems, with serious problems at home for example, which made things much more difficult… “[The] real problems lie within the family, trying to make that work and be a human being. You don’t necessarily win battles; you survive.” – Charles Burnett

“Relative Control” Starring Teri Polo Sets Digital Release

Posted on March 22, 2025 by admin

Gravitas Ventures is set to release “Relative Control” on digital platforms on April 11, 2025.

The film won the Blue Hen Award for Best Regional Narrative at the 2024 Rehoboth Beach Independent Film Festival and also screened at the 2025 Sedona International Film Festival.

The film stars Teri Polo (Meet the Parents trilogy, the Fosters, Good Trouble, The Big Leap) who shines as a middle-aged, type-A attorney whose perfectly ordered life spirals hilariously out of control. The film also stars Patrick F. McDade (Mare of Easttown, Concrete Cowboy, Paterno), and Brian Anthony Wilson (Limitless, Law Abiding Citizen, The Wire).

In the upcoming comedy drama, a middle-aged, type-A attorney’s life spirals as she juggles her handful of an ex-cop father, forgetful mother, unemployed son, a reignited romance, and a hostile takeover in the biggest corporate control battle of her career.

“Relative Control” captures the humor, heartbreak, and chaos of balancing family caregiving and career with poignant authenticity. With over 30 million family caregivers in the U.S., “Relative Control” offers a relatable and timely story for multigenerational audiences.

Watch the trailer below for “Relative Control”

“The Ugly Stepsister” Emilie Blichfeldt’s Provocative Satire & Fairytale Horror Sets Release Next Month

Posted on March 11, 2025 by admin

IFC Films and Shudder is set to release “The Ugly Stepsister”, a darkly entertaining fairy tale horror from writer and director Emilie Blichfeldt in her feature directorial debut.

IFC Films and Shudder will release the film theatrically on April 18th.

The film gathered acclaim at its world premiere at the Sundance Film Festival and at the Berlin International Film Festival.

Director Emilie Blichfeldt. photo: AIPhoto.com

A sinister twist on the classic Cinderella story, THE UGLY STEPSISTER follows Elvira (Lea Myren) as she prepares to earn the prince’s affection at any cost. In a kingdom where beauty is a brutal business, Elvira will compete with the beautiful and enchanting Agnes (Thea Sofie Loch Næss) to become the belle of the ball. A biting satire and cinematically exhilarating directorial debut, THE UGLY STEPSISTER is a timely examination of body image and beauty standards, identifying Emilie Blichfeldt as one of the most exciting new international filmmaking voices.

Leading to its premiere at Sundance, the “tongue-in-cheek body horror” has been one of the festival’s buzziest titles.

The film’s cast includes Lea Myren, Thea Sofie Loch Næss, Ane Dahl Torp, Flo Fagerli, Isac Calmroth, and Malte Gårdinger.

2025 Slamdance Film Festival Announces Award Winners

Posted on February 26, 2025 by admin

The 31st Slamdance Film Festival this evening announced the winners of their annual Sparky Awards in Audience and Jury categories for 2025. The festival also announced the recipient of their AGBO Fellowship from Slamdance alumni Joe and Anthony Russo, a curated Acting Award, and the second annual Summer Chastant Episodic Award. All winners were announced during the in-person awards ceremony on February 26th at the DGA Theater Complex in Los Angeles, CA.

“Our first year in Los Angeles hasn’t just been a new chapter—it’s been a breakthrough,” said Taylor Miller, Slamdance Director. “These award-winning films don’t just stake a claim; they redefine what cinema can be. These filmmakers have cemented their place in the future of cinema, proving that Slamdance isn’t just moving—it’s evolving. And we’re just getting started.”

A celebration of emerging filmmaking talent from around the world, this year’s lineup consisted of 146 films – 21 of which are World Premiere features. The fully accessible lineup included 33 features, 104 shorts, and five episodics. For the second year in a row, Slamdance continues to champion female filmmakers, with women directing 55% of this year’s lineup – marking a powerful shift in independent filmmaking. The full Slamdance lineup is still available online on the Slamdance Channel through March 7th.
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Cannes Prize-Winner “Holy Cow” Coming-of-Age Drama Opens at Film Forum

Posted on February 21, 2025 by admin

Film Forum has set the US theatrical premiere of Louise Courvoisier’s “Holy Cow” on Friday, March 28.

HOLY COW had its world premiere at the 2024 Cannes Film Festival in the Un Certain Regard section, where it was awarded the festival’s Youth Prize.

It will be featured in the upcoming Rendez-Vous with French Cinema festival, screening at Walter Reade Theater on Saturday, March 8. A limited number of press tickets are available to this screening.

The film’s synopsis says: Reveling in his youth in the gorgeous rural Jura region of Eastern France, Totone has few worries and is content to party with his friends as the family dairy business hums along. But when calamity strikes, the under-disciplined 18-year-old finds himself in charge of the farm and his 7-year-old sister. A sun-drenched coming-of-age story cast with non-professionals from Jura (filmmaker Courvoisier’s home), HOLY COW follows Totone’s determination to win a local Comté cheesemaking competition (cash prize: €30,000), while he romantically pursues a competing farmer — whose bullying brothers are none-too-pleased — and clumsily steps up to adult responsibilities.

U.S. Theatrical Release of the Puerto Rican Sundance Film “The Fishbowl”

Posted on February 20, 2025 by admin

Monument Releasing has announced the North American theatrical release for the acclaimed Puerto Rican ecofeminist drama The Fishbowl (La pecera), the striking feature debut by interdisciplinary artist Glorimar Marrero Sánchez. The film, which made history as the first Puerto Rican-produced feature to premiere at Sundance, is set to debut in U.S. theaters in March 2025, coinciding with Puerto Rican Emancipation Day on March 21. A streaming release will follow on May 21, 2025.

Set on the island of Vieques—a U.S. military testing ground for toxic munitions like napalm, depleted uranium, and Agent Orange—The Fishbowl tells the story of Noelia (Isel Rodríguez in an elegant performance), a 40-year-old artist grappling with terminal cancer. Determined to use her remaining time resisting the ecological and social consequences of U.S. colonialism, Noelia’s journey unfolds as both a personal and collective act of resilience.

After discovering her cancer has returned and metastasized, Noelia retreats to her home in Vieques, where she reconnects with her mother and her community. Choosing to keep her illness a secret in the absence of local medical care, she devotes herself to protesting the enduring environmental devastation caused by military activity. As a hurricane looms and her health deteriorates, she rekindles a past romance and faces a profound decision: to leave and seek treatment or to remain with her people and her cause.

Featuring a predominantly female cast and crew, The Fishbowl is both a compelling character study and a poignant commentary on environmental racism, colonialism, and resilience. Marrero Sánchez emerges as a vital voice in Puerto Rican cinema, creating a film that resonates far beyond its setting.