Category Archives: Documentary

Racing Film 2DIE4 Set for IMAX Release This April

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2DIE4

O2 Produções Artísticas e Cinematográficas Ltda

The racing film 2DIE4 will hit select IMAX theaters on April 16, offering an immersive look at one of motorsport’s most intense competitions.

Shot during the 24 Hours of Le Mans at real race speed—with no reenactments—the film follows driver Felipe Nasr as he navigates a high-stakes endurance race. After a strong start in practice, a mechanical failure pushes him to the back of the grid, turning his race into a relentless fight to climb back through the field.

Directed by Salomão and André Abdala, 2DIE4 focuses on the mental and physical demands of racing, capturing the pressure, precision, and risk that define the sport at its highest level.

The IMAX release emphasizes the film’s immersive approach, placing audiences as close as possible to the experience of being on the track.

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VR Documentary Lacuna to Make International Premiere at SXSW

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lacuna

Studio Biarritz

The VR documentary Lacuna will make its international premiere at SXSW as part of the festival’s XR Spotlight section.

Directed by Maartje Wegdam and Nienke Huitenga Broeren and produced by Corine Meijers, the immersive project invites viewers into the fragmented memories of Sonja, as she reflects on a moment of loss during the Second World War. The experience combines conversations with Sonja, animation, 3D modeling, and personal footage to explore how memory—and the absence of it—can shape identity.

Lacuna previously world premiered at the Cannes Film Festival’s Cannes Immersive program and is designed as both a remembrance project and a broader reflection on how people reconstruct the past through imagination.

The VR experience will be available during SXSW’s XR Spotlight Experiences, running daily from 11 a.m. to 6 p.m. at the Fairmont Hotel in Austin through March 17.

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Indigenous Documentary Ceremony to World Premiere at SXSW

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CeremonyThe documentary Ceremony, directed by Banchi Hanuse, will make its world premiere at SXSW as part of the festival’s Documentary Spotlight Program.

The film will debut at Alamo Lamar in Austin on March 14, with a second screening scheduled for March 16. Ceremony is also nominated for the SXSW “Green Lens” Award, which recognizes projects that highlight environmental change and pathways toward a more sustainable future.

The documentary centers on the Nuxalk Nation in Bella Coola, where the disappearance of the ooligan fish becomes a starting point for examining deeper histories tied to land, culture, and survival. Through testimony, watercolor animation, and archival footage, the film explores how Indigenous voices confront historical erasure while reclaiming their stories and relationship with the natural world.

Directed and produced by Slts’lani Banchi Hanuse, the film has been in development since 2014 and builds on Hanuse’s work as a filmmaker and co-founder of Nuxalk Radio, which supports language revitalization and cultural preservation.

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Trailer Released for Sci-Fi Documentary Daughters of the Forest Ahead of SXSW Premiere

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Daughters-of-the-ForestThe trailer has been released for Daughters of the Forest (Hijas del bosque), a sci-fi documentary directed by Otilia Portillo Padua, ahead of its North American premiere at SXSW.

The film will first world premiere at CPH:DOX in Copenhagen before screening in the Visions section at the SXSW Film Festival in Austin.

Daughters of the Forest follows Lis and Juli, two Indigenous mycologists from communities in Mexico who study the complex relationship between humans and fungi. As they share their scientific knowledge and ancestral traditions, the film explores how environmental change, deforestation, and limited opportunities threaten both ecosystems and cultural knowledge.

Blending documentary storytelling with speculative elements, the film looks at how mushrooms and mycelial networks can offer new ways of thinking about coexistence and the future.

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Alfonso Cuarón Joins How to Clean a House in Ten Easy Steps Ahead of True/False World Premiere

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how-to-clean-a-house-in-ten-easy-stepsA new hybrid documentary backed by Alfonso Cuarón is set to debut at the 2026 True/False Film Festival.

How to Clean a House in Ten Easy Steps, the debut feature from director Carolina González Valencia, will have its world premiere at the 23rd edition of the festival, taking place March 5–8 in Columbia, Missouri. The film is executive produced by the Academy Award–winning filmmaker alongside labor leader Ai-jen Poo, president of the National Domestic Workers Alliance.

The documentary follows Beatriz Valencia, a Colombian-born domestic worker living in the United States, and her daughter Carolina — the filmmaker herself — as they create a fictional alter ego together: a writer. Blending documentary storytelling with elements of fiction, the film explores immigration, labor, family separation, and the power of imagination to reclaim personal narratives.

Structured in ten chapters, the film shifts between everyday routines, docu-fiction, and surreal moments as mother and daughter confront questions of identity, migration, and belonging.

The project was also selected as the 2026 recipient of the True Life Fund, a philanthropic initiative connected to the True/False Film Festival that supports documentary subjects.

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Daughters of the Forest Set for SXSW North American Premiere After CPH:DOX Debut

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daughters-of-the-forrestThe documentary Daughters of the Forest (Hijas del bosque), directed by Otilia Portillo Padua, is set for its North American premiere at the SXSW Film Festival in Austin, Texas, following its world premiere at CPH:DOX.

The film will first debut in competition for the Dox Award at CPH:DOX (March 11–22) before screening in the Visions section at SXSW (March 12–18).

Daughters of the Forest follows Lis and Juli, two Indigenous women and trained mycologists from communities in Oaxaca and Mexico State who study the complex ecosystems of mushrooms in the forests where they live. As environmental pressures and deforestation threaten their surroundings, the pair work to bridge scientific research with ancestral knowledge to better understand and protect the fungi that sustain their communities.

Blending documentary storytelling with speculative elements, the film explores the connections between humans, nature, and knowledge systems, offering a reflective look at coexistence and ecological resilience.

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Mistress Dispeller Streams on Criterion Channel, Unpacking China’s Infidelity Industry

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Mistress-DispellerElizabeth Lo’s documentary Mistress Dispeller is now streaming exclusively on the Criterion Channel.

The film follows Wang Zhenxi, a professional “mistress dispeller” hired to preserve marriages by breaking up extramarital affairs — a growing industry in China. With rare, intimate access, the documentary observes a real marital crisis unfold as Wang works to steer a couple back from collapse.

As loyalties shift between husband, wife, and mistress, Mistress Dispeller explores how emotion, pragmatism, and cultural expectations shape modern relationships. Critics have described the film as both haunting and unexpectedly tender.

Mistress Dispeller is available now on the Criterion Channel.

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Tough Old Broads Premieres at Santa Barbara International Film Festival

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touch-old-broadsThe documentary Tough Old Broads makes its world premiere February 10 at the Santa Barbara International Film Festival, with additional screenings on February 11 and 13. The premiere screening will be followed by a Q and A with director Stacey Tenenbaum and the film’s subjects.

Directed by Canadian filmmaker Stacey Tenenbaum, the film focuses on three women whose careers reshaped the fields they entered.

Kathrine Switzer became the first woman to officially run the Boston Marathon in 1967 and later helped push for the inclusion of the women’s marathon in the Olympic Games. Inuit leader Siila Watt-Cloutier has spent decades advocating for Indigenous rights and climate action on the global stage. Photographer Sharon Farmer broke barriers in government, becoming the first woman and first person of color to serve as Director of White House Photography.

The film follows each of them in the present day, looking at how their work and influence continue to evolve.

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Dear Lara World Premieres at Santa Barbara International Film Festival

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dear-lara-posterThe documentary Dear Lara makes its world premiere tonight, February 6, at the Santa Barbara International Film Festival.

The film is directed by violinist Lara St. John and centers on her decision to publicly speak in 2019 about being sexually assaulted as a teenager while studying at the Curtis Institute of Music. After her account was published in The Philadelphia Inquirer, St. John received messages from musicians around the world who shared similar experiences.

The documentary follows St. John as she meets with some of those individuals across North America and Europe. The film focuses on personal accounts from musicians who describe abuse, institutional inaction, and the professional consequences of speaking out within the classical music world.

Dear Lara is St. John’s first feature as a director. She also serves as a cinematographer on the film alongside Patrick Hamm, who produced the project. The film includes original music by St. John and is edited by Christie Herring. Blood Sweat Honey is handling sales.

Following the screening, St. John will participate in a panel discussion alongside several of the documentary’s featured subjects. The film is supported by partnerships with advocacy organizations, including Child USA, and is intended for future screenings at festivals, universities, and music institutions.

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Time and Water Premieres January 27 at Sundance in Park City

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Time and Water premiered on Tuesday, January 27, 2026, at the Park City Library Theater as part of the Premieres section of the 2026 Sundance Film Festival.

The screening was preceded by a press line attended by director Sara Dosa and Icelandic writer and subject Andri Snær Magnason, along with producers Shane Boris, Jameka Autry, and Elijah Stevens.

The documentary centers on Magnason as he confronts parallel forms of loss, the disappearance of Iceland’s glaciers and the fading presence of family memory. Using personal archives, photographs, writing, and folklore, the film approaches climate change through intimacy rather than scale, grounding global urgency in lived experience. The atmosphere surrounding the premiere reflected that tone, measured, quiet, and reflective rather than overtly ceremonial.

The Sundance screening marked the film’s first public presentation. Time and Water continues its festival run with additional in-person and online screenings through February 1.

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