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Pearl Jam, Alabama Shakes, and Maná Set to Headline Ohana Festival’s 10th Anniversary
Ohana Festival is hitting a milestone, and the lineup reflects it. Pearl Jam, Eddie Vedder & Friends, Tyler Childers, and Maná will headline the three-day event at Doheny State Beach in Dana Point, California, running September 25 through 27.
The 10th anniversary edition also includes Alabama Shakes, Fontaines D.C., Billy Idol, Pixies, Rilo Kiley, Jon Batiste, Men I Trust, and Bad Religion across more than 30 acts and three stages.
Since Eddie Vedder founded the festival in 2016, Ohana has become a standout on the festival circuit, mixing world-class music with environmental activism and surf culture along the Southern California coast. Pollstar named it Music Festival of the Year four times, most recently in 2026.
The Cove, a dedicated area within the festival grounds, focuses on oceans, conservation, Indigenous voices, and community action. The Storytellers Stage hosts panels with environmentalists, activists, and pro surfers, while The Cove Gallery displays hundreds of curated art pieces tied to music and board culture. Proceeds support nonprofit partners through the Vitalogy Foundation.
Ten Club presale starts Tuesday, May 12 at 10 a.m. PT. General presale follows Thursday, May 14 at noon PT. Tickets include GA, VIP, and Ultimate VIP packages. More info at ohanafest.com.
Alicia Scherson Brings Roberto Bolaño’s “The Third Reich” to Life in “Summer War,” World Premiering at Tribeca
A tabletop wargame becomes terrifyingly real in Alicia Scherson’s “Summer War,” adapting Roberto Bolaño’s novel “The Third Reich” for its world premiere at Tribeca Festival 2026.
The Chilean director returns to Tribeca two decades after winning Best New Narrative Director for her debut “Play.” This time she’s crafted a psychological thriller set in 1989, as Pinochet’s dictatorship crumbles. It’s Scherson’s second Bolaño adaptation, following 2013’s “Il Futuro.”
Dan Beirne stars as Udo Berger, an obsessive wargame champion whose beach vacation spirals when his WWII battle simulations start bleeding into reality. After a tourist vanishes at sea, Udo faces off against a mysterious local in a match where strategy dictates what’s real.
The international cast includes Lux Pascal, David Gaete, Aline Kuppenheim, and Agustín Pardella. Scherson relocates Bolaño’s story to Chile’s fragile political transition, turning it into a meditation on masculinity, paranoia, and how simulated violence echoes real-world consequences.
For indie filmmakers wrestling with literary adaptations, Scherson proves that respecting the source while making bold creative choices pays off. Her dry, dark humor captures Bolaño’s quiet unease without losing the tension.
The film screens June 7 at AMC 19th St. East 6 in New York.
Film Forum Bringing 35mm “Third Man” Print to NYC, Old-School Photochemical Style
Film Forum is screening a new 35mm print of Carol Reed’s “The Third Man” from June 12-25, and they’re doing it the analog way.
Unlike most classic film prints made today, which are digitally restored then output to film stock, this print was created photochemically in a lab from the original 35mm elements. Haghefilm and L’Immagine Ritrovata handled the work for Studiocanal, keeping the process true to the film’s origins.
The 1949 noir, starring Joseph Cotten, Alida Valli, and Orson Welles as Harry Lime, was shot across five weeks of double shifts in Vienna. Cinematographer Robert Krasker won an Oscar for his shadow work, and Anton Karas’s zither theme became a worldwide phenomenon.
Welles lit his own scenes and wrote much of his dialogue, including the famous “cuckoo clock” speech. The film won the Palme d’Or at Cannes and was named one of the 10 best-shot films of cinema’s first 50 years by American Cinematographer.
This matters because photochemical preservation is increasingly rare. Most repertory houses default to digital restorations. Film Forum’s commitment to analog processes keeps the craft alive for filmmakers and audiences who care about how classics are preserved and presented.
Rick Remender and Steve Epting’s Crime-Horror Mash-Up “Hammerfist” Launches This August
What happens when a hardboiled crime story crashes headfirst into splatter-horror? You get Hammerfist, the new ongoing series from Rick Remender and Steve Epting coming to Image Comics this August.
The book follows Mike Denton, a hitman, junkie, and terrible father who’s spent his life chasing easy fixes. But when an ancient darkness called Black Noon threatens to erase all light, Mike has to get his act together, awaken a supernatural weapon powered by love, and save his daughter from literal evil.
Remender calls it a love letter to the “unhinged genre films of the VHS era.” Think Reservoir Dogs meets Evil Dead, a dirtbag crime tale that mutates into Raimi-style horror. “It’s wildly original, over-the-top, hard-R, but never forgetting to be fun,” he says.
Epting, who’s collaborated with Remender on Captain America before, says the book is “unpredictable, gritty and funny. There’s real emotion under all the blood and chaos, we just take the most violent road possible to get there.”
Hammerfist #1 drops August 26 with variant covers from Jerome Opeña, Nic Klein, Dan Panosian, Daniel Acuña, and Andrew Robinson.
Katia Vecchio’s “Memories of Giselle” Tackles Childhood Trauma in Haunting New Graphic Novel
A brother and sister navigate the fractured landscape of childhood abuse in Memories of Giselle, a new graphic novel from rising cartoonist Katia Vecchio hitting shelves this summer from Image Comics.
The story follows Giselle as she’s haunted by her late grandmother’s memory and a recurring image of an empty boat, a symbol of the truth she’s buried for years. As she moves through adolescence, dealing with desire and trust, the pieces of her repressed past finally start coming together, revealing how deeply it’s shaped both her and her brother’s lives.
Vecchio, known for Silver Vessels and Painted, is making her Image debut with this deeply personal work inspired by true events. It’s drawn comparisons to Zoe Thorogood’s It’s Lonely at the Centre of the Earth and Kate Beaton’s Ducks for its raw, compassionate approach to difficult subject matter.
Foreword Reviews called it “a standout graphic novel” in a starred review, praising its tenderness and nuanced portrait of trauma’s lasting impact.
The book drops at comic shops June 17 and bookstores everywhere July 14. For indie creators tackling tough stories about survival and memory, Vecchio’s approach proves you don’t need to sensationalize trauma to make it hit hard.
Avalon Fast’s “CAMP” Hits Theaters June 26 After Festival Run
A guilt-ridden young woman, two tragic accidents, and a voice calling from the woods. That’s the setup for CAMP, a new horror feature from writer-director Avalon Fast hitting theaters June 26 courtesy of Dark Sky Films.
The film follows Emily, who takes a job as a summer camp counselor to escape the weight of two devastating tragedies from her past. Surrounded by supportive fellow counselors, she starts to believe in a fresh start. But when a voice begins whispering from deep in the woods, urging her to go home, Emily’s fragile peace starts to unravel.
CAMP has been making waves on the festival circuit, winning Fantastic Fest’s Next Wave Award and screening at BeyondFest, Sitges, Brooklyn Horror, and Outfest. Critics have compared it to The Virgin Suicides, with RogerEbert.com noting how the film uses grief and mourning as storytelling tools instead of easy answers. Projected Figures called it “a dizzying, unnerving examination of the strength and power that women can use to uplift each other.”
Fast, who calls her work “GIRL HORROR,” previously directed Honeycomb, which premiered at Slamdance in 2022. The film stars Zola Grimmer, Alice Wordsworth, and Cherry Moore.
Austin City Limits Turns 25 With Charli XCX, RÜFÜS DU SOL, and Twenty One Pilots
Austin City Limits is going big for its 25th anniversary. The festival just dropped its 2026 lineup, and it’s stacked with Charli XCX, RÜFÜS DU SOL, Twenty One Pilots, Lorde, Skrillex, Kings of Leon, and The xx headlining across two weekends.
The festival runs October 2-4 and October 9-11 at Zilker Park. Three-day tickets go on sale today at noon Central.
Beyond the headliners, the lineup pulls from every corner of the music world. Turnstile, Labrinth, The War On Drugs, and Bleachers anchor the mid-tier. Latin artists including Young Miko, rusowsky, and Rodrigo y Gabriela get real estate too. And ACL is still doing what it does best: giving rising talent a stage. Artists like Paris Paloma, Claire Rosinkranz, and Sienna Spiro are all on the bill.
Texas artists are well represented. Bo Staloch, Calder Allen, World Famous Pets, and the Huston Tillotson University Jazz Collective are among the homegrown acts playing this year.
Since 2006, the festival has funneled over $79 million into Austin’s parks through its partnership with Austin Parks Foundation. Last year alone, ticket sales contributed $8.5 million toward park improvements across the city.
For a festival that started as a PBS taping series, ACL has become one of the most important stages for indie and mainstream artists alike. Twenty-five years in, it’s still the place where careers get made.
Marcel Ruiz Makes His Screenwriting Debut With “Summer of Three” at Tribeca
Marcel Ruiz, best known for playing Alex Alvarez in Netflix’s One Day at a Time, is stepping behind the camera for the first time. His debut as a screenwriter and producer comes with Summer of Three, which world premieres at Tribeca Festival’s U.S. Narrative Competition in June.
The film is directed by his father, Carlitos Ruiz-Ruiz, whose debut Lovesickness premiered at Tribeca back in 2007. Now they’re back together with a deeply personal collaboration.
Summer of Three follows 17-year-old Javi, who returns to Puerto Rico after years away, first for his grandfather’s funeral. What starts as a reluctant trip turns into an unexpected homecoming when he meets Luife and Kiki, two misfits who pull him into a sultry love triangle. The film explores identity, grief, and belonging through a summer of heat, music, and emotional awakening.
The soundtrack blends reggaeton classics with Puerto Rico’s indie scene, grounding the story in the island’s youthful energy. Newcomers Kiki Montilla and Paolo Schoene join Ruiz in the cast.
This is exactly the kind of project Tribeca was built for: personal, bold, and rooted in cultural identity. A father-son collaboration premiering where the father’s career began? That’s the indie dream.
Hanif Abdurraqib Takes Viewers Inside Detroit’s Music Legacy in New Video Podcast
A new video podcast is asking a simple question: where do revolutions begin?
Living for the City, hosted by MacArthur Fellow and bestselling author Hanif Abdurraqib, traces music movements back to the neighborhoods, record stores, and street corners where they started. The eight-episode first season focuses on Detroit, exploring how the city shaped Motown, techno, and hip-hop.
Abdurraqib, known for his work in The New Yorker and books like A Little Devil in America, sits down with artists, DJs, producers, and the people behind the scenes who built these movements from the ground up. It’s his first time hosting on camera.
“I am someone who has a deep investment in not just sounds, but the roots of the sounds, the hands and hearts that went into making the sounds,” Abdurraqib said.
The series premieres May 13 on YouTube, Spotify, and Apple Podcasts, with new episodes dropping every Wednesday. Future seasons will spotlight other cities that have shaped music across generations.
Living for the City is produced by Side Stage, a network from Live Nation and Magnet Originals.
For creators trying to understand how local scenes go global, this one’s worth watching.
Foster the People Announce Fall 2026 North American Tour With Goth Babe and The Beaches
Foster the People are hitting the road this fall with a 25-date North American tour that promises to bring their latest live show vision to cities across the U.S. and Canada.
The “Good Mourning Sunshine” tour kicks off September 9 in Phoenix and wraps October 23 at the Greek Theatre in Los Angeles. Goth Babe joins most dates, with The Beaches supporting at Red Rocks. The run includes stops at Forest Hills Stadium in New York, Red Rocks in Colorado, and Toronto’s RBC Amphitheatre.
The tour follows a massive 2025 world tour behind Paradise State of Mind, the band’s third Top 10 album. That record earned praise from Billboard, NME, and Forbes before selling out shows across North America, Europe, and Latin America.
Foster the People debuted a reimagined live show at Coachella earlier this year, built around a 1950s utopia that unravels into psychedelic chaos. It’s a visual commentary on the modern world that they’ll now bring to amphitheaters and theaters nationwide.
Citi presale starts May 5 at 8am local, followed by artist presale at 10am. General on-sale is May 8 at 10am via fosterthepeople.com.
For indie and mainstream acts alike, fall tour season just got a lot more interesting.











