Richard Linklater’s Nouvelle Vague Premieres at Cannes, First Trailer Released

nouvelle-vagueRichard Linklater’s latest film, Nouvelle Vague, premiered at the 2025 Cannes Film Festival, marking the director’s first French-language feature. Shot in black and white and entirely in French, the film is a dramatized account of the making of Jean-Luc Godard’s landmark 1960 film Breathless.

Nouvelle Vague reconstructs the early days of the French New Wave through the lens of Godard’s directorial process, using a cast of mostly new French actors to mirror the spirit of the movement. Guillaume Marbeck plays Godard in his feature debut, alongside Zoey Deutch as Jean Seberg and Aubry Dullin as Jean-Paul Belmondo. Additional cast members include Paolo Luka Noé, Alix Bénézech, and Jade Phan-Gia.

The film is co-written by Linklater with Vince Palmo, Michèle Halberstadt, Laetitia Masson, and Holly Gent, with cinematography by David Chambille. International sales are being handled by Goodfellas. The project follows Linklater’s other recent 2025 release, Blue Moon, which premiered at the Berlin Film Festival.

The teaser trailer, now released, offers a stylized preview of Nouvelle Vague, combining footage with a French voiceover listing key elements of the story: “A pretty boy. A pretty girl. Paris 1959. A gym. A director. A camera…”

The film is expected to be released in theaters on October 8.

Watch the teaser trailer for Nouvelle Vague below:

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Dag Johan Haugerud’s Sex Opens at Film Forum

Dag-Johan-Haugerud-SexThe 2024 Norwegian drama Sex, directed by Dag Johan Haugerud, will have its U.S. theatrical premiere on Friday, June 13 at Film Forum in New York. The film is the second in Haugerud’s Love–Sex–Dreams: The Oslo Trilogy, a series of standalone features examining nontraditional forms of intimacy and emotional honesty in modern relationships.

Set in Oslo, Sex follows two male-identified colleagues—both in heterosexual marriages—as they confront aspects of their sexuality and identity that challenge traditional gender roles and relationship norms. One man discloses a recent sexual encounter with another man, while the other wrestles with recurring dreams involving David Bowie and questions of gender fluidity. The narrative focuses on their efforts to communicate these experiences with their wives, exploring themes of vulnerability, trust, and the complexity of love within the framework of monogamous relationships.

The film had its world premiere at the 2024 Berlin Film Festival, where it received the Europa Cinemas Label Award for Best European Film in the Panorama section. Haugerud, also an acclaimed novelist, is known for using restrained storytelling to depict nuanced emotional and social dynamics.

Sex is the second installment in The Oslo Trilogy. The first film, Love, opens at Film Forum on Friday, May 16, with Haugerud scheduled to appear for post-screening Q&As on Friday, May 16 (7:45 PM) and Saturday, May 17 (5:15 PM). The final film in the trilogy, Dreams, which won the Golden Bear at the 2025 Berlinale, is slated to open at Film Forum on Friday, September 12.

Each of the trilogy’s films is self-contained and can be viewed independently, though they are thematically linked by their exploration of intimacy, desire, and identity in contemporary Norwegian society.

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Jia Zhangke’s “Caught by the Tides” Opens in Theaters Nationwide

caught-by-the-tides-posterCaught by the Tides, the latest film from acclaimed Chinese filmmaker Jia Zhangke, is now playing in New York and will open in theaters nationwide this weekend.

The film spans more than two decades of footage, blending archival and newly shot material to tell a love story set against the backdrop of modern China’s societal changes. Zhao Tao stars in the leading role, with the film tracing her journey through shifting landscapes and turbulent times.

Jia, known for works such as Platform, Still Life, A Touch of Sin, and Ash Is Purest White, continues his exploration of contemporary Chinese life with a focus on personal and collective memory.

Caught by the Tides has screened at major international festivals, including Cannes, Toronto, New York Film Festival, BFI London, AFI Fest, and Rotterdam. It has received praise from a range of critics, described as “a masterpiece” (New York Magazine), “deeply touching” (The New York Times), and “carefully crafted to break your heart” (Rolling Stone).

Watch the trailer below.

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René Clément’s “Forbidden Games” New 4K Restoration At Film Forum

forbidden-games“Forbidden Games”, the 1952 French war drama by René Clément based on François Boyer’s novel Les Jeux Interdits, will run in a new 4K restoration at Film Forum from Friday, May 9 to Thursday, May 15.

“Michel! Michel! Michel!” France 1940, as a refugee column trudges along a country road, a dog makes a break for it, with its tiny blonde mistress in pursuit — and then the German fighters strike. But if 5-year-old Brigitte Fossey’s understanding of death is limited as she strokes her mother’s cold face, at least she can bury the dog discarded by her peasant rescuers, aided by 11-year-old farm boy Georges Poujouly. As they build a special, secret friendship, their pet cemetery steadily grows, topped by crosses stolen from graveyards, even as the adults play their own games of grotesque peasant feuds… And then Fossey (“in a performance that rips the heart out” – The New York Times) shouts his name again.

A masterpiece of French post-war cinema by director René Clément (who would make the classic thriller Purple Noon, starring Alain Delon, eight years later), adapted by the legendary team of Jean Aurenche and Pierre Bost from Boyer’s successful novel, with a haunting hit score played by guitar virtuoso Narciso Yepes, the ultimately beautiful, hilarious and disturbing “Forbidden Games” initially did so-so box office and screened only on the fringes of the Cannes Festival, then nearly got shut out of Venice — where it promptly won its top prize, the Golden Lion — and then became a worldwide art house smash and Clément’s second Best Foreign Film Oscar winner (following the previous year’s The Walls of Malapaga).

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François Ozon’s Thriller “When Fall Is Coming”

when-fall-is-comingFrançois Ozon’s “When Fall Is Coming is set for US theatrical premiere release by Film Forum on Friday, April 4.

Acclaimed French stage actress Hélène Vincent is Michelle, a kindly grandmother who nurtures her garden in a quiet Burgundy village, attends church, and sees her longtime friend, Marie-Claude. But don’t be fooled by the apparent tranquility – WHEN FALL IS COMING is another twisty drama from François Ozon, with a disdainful daughter (Ludivine Sagnier of Ozon’s SWIMMING POOL), wild poisonous mushrooms, and a son who’s recently out of prison stacking up against Michelle’s peaceful retirement.

The film will be featured in the upcoming Rendez-Vous with French Cinema festival, screening at Walter Reade Theater on Friday, March 7, 3:30 PM and Sunday, March 16, 5:45 PM. A limited number of press tickets are available to this screening.

WHEN FALL IS COMING had its world premiere at the 2024 Toronto International Film Festival and went on to screen at the San Sebastian International Film Festival where it was awarded the Jury Prize for Best Screenplay and Best Supporting Performance (Pierre Lottin). Hélène Vincent was nominated for the 2025 César Award for Best Actress for her role.

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Cannes Prize-Winner “Holy Cow” Coming-of-Age Drama Opens at Film Forum

holy-cowFilm Forum has set the US theatrical premiere of Louise Courvoisier’s “Holy Cow” on Friday, March 28.

HOLY COW had its world premiere at the 2024 Cannes Film Festival in the Un Certain Regard section, where it was awarded the festival’s Youth Prize.

It will be featured in the upcoming Rendez-Vous with French Cinema festival, screening at Walter Reade Theater on Saturday, March 8. A limited number of press tickets are available to this screening.

The film’s synopsis says: Reveling in his youth in the gorgeous rural Jura region of Eastern France, Totone has few worries and is content to party with his friends as the family dairy business hums along. But when calamity strikes, the under-disciplined 18-year-old finds himself in charge of the farm and his 7-year-old sister. A sun-drenched coming-of-age story cast with non-professionals from Jura (filmmaker Courvoisier’s home), HOLY COW follows Totone’s determination to win a local Comté cheesemaking competition (cash prize: €30,000), while he romantically pursues a competing farmer — whose bullying brothers are none-too-pleased — and clumsily steps up to adult responsibilities.

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U.S. Theatrical Release of the Puerto Rican Sundance Film “The Fishbowl”

thefishbowlMonument Releasing has announced the North American theatrical release for the acclaimed Puerto Rican ecofeminist drama The Fishbowl (La pecera), the striking feature debut by interdisciplinary artist Glorimar Marrero Sánchez. The film, which made history as the first Puerto Rican-produced feature to premiere at Sundance, is set to debut in U.S. theaters in March 2025, coinciding with Puerto Rican Emancipation Day on March 21. A streaming release will follow on May 21, 2025.

Set on the island of Vieques—a U.S. military testing ground for toxic munitions like napalm, depleted uranium, and Agent Orange—The Fishbowl tells the story of Noelia (Isel Rodríguez in an elegant performance), a 40-year-old artist grappling with terminal cancer. Determined to use her remaining time resisting the ecological and social consequences of U.S. colonialism, Noelia’s journey unfolds as both a personal and collective act of resilience.

After discovering her cancer has returned and metastasized, Noelia retreats to her home in Vieques, where she reconnects with her mother and her community. Choosing to keep her illness a secret in the absence of local medical care, she devotes herself to protesting the enduring environmental devastation caused by military activity. As a hurricane looms and her health deteriorates, she rekindles a past romance and faces a profound decision: to leave and seek treatment or to remain with her people and her cause.

Featuring a predominantly female cast and crew, The Fishbowl is both a compelling character study and a poignant commentary on environmental racism, colonialism, and resilience. Marrero Sánchez emerges as a vital voice in Puerto Rican cinema, creating a film that resonates far beyond its setting.

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Lou Ye’s Docufiction AN UNFINISHED FILM + Four Ye Features | Opening March 14 at Film Forum

an-unfinished-filmFilm Forum has announce the US theatrical premiere of Lou Ye’s AN UNFINISHED FILM on Friday, March 14.

Using outtakes and on-set footage from SUZHOU RIVER and other films (SPRING FEVER, MYSTERY, THE SHADOW PLAY), and casting real actors from these films to play themselves, Lou creates an intense yet playful catharsis for filmmakers, artists, and, ultimately, all of us — a chance to revisit that time, and to heal.

In this enthralling, poignant docufiction, director Lou Ye (SUZHOU RIVER) and his crew reunite in Wuhan in January 2020 to complete a film started a decade earlier. When the first wave of COVID precipitates lockdown and fear, this story of revived artistic vision pivots to a thriller-paced account of the early spread of the virus — both the devastation and the deep connections borne of shared isolation.

AN UNFINISHED FILM had its world premiere at the 2024 Cannes Film Festival in the Special Screenings section and was an official selection at the Toronto International Film Festival, MoMA Doc Fortnight, and more.


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Theatrical Release of the Cannes Doc “The Falling Sky”

the-falling-skyKimStim has announced the North American theatrical release of The Falling Sky (A Queda do Céu), the immersive and lyrical Brazilian documentary co-directed by acclaimed documentarian Eryk Rocha (Cinema Novo) and first-time director Gabriela Carneiro da Cunha.

Inspired by the 2010 book of the same name by Yanomami shaman Davi Kopenawa—who serves as both protagonist and narrator—and French anthropologist Bruce Albert, this breathtaking and collaborative film gives voice to the remote Yanomami and Watoriki communities as they issue a dire warning to the world: environmental catastrophe is imminent, driven by the greed of industrialized nations.

A standout at major international festivals—including Directors’ Fortnight at Cannes, DOC NYC, and Doclisboa—this powerful and award-winning portrait of Indigenous resilience will open with a one-week theatrical engagement at The Museum of Modern Art (MoMA) in New York City on Friday, March 7, followed by a theatrical release at Laemmle Theaters in Los Angeles beginning Friday, April 2, with additional cities to be announced.
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Berlinale: World Premiere of PUNKU by J.D. Fernández Molero

PUNKUPunku, the latest film by Peruvian Rotterdam Tiger Award-winning writer-director J.D. Fernández Molero [Videophilia (and Other Viral Syndromes)], will have its world premiere in the Forum section of the 75th Berlin International Film Festival, running from February 13 to 23, 2025. This one-of-a-kind, playfully genre-blending film was shot in 16mm, Super 8, and digital formats, and it will be screened on 35mm in its world premiere at the Berlinale.

Set deep in the Peruvian Amazon lowlands and the tropical city of Quillabamba in the Cusco region of Peru, Punku—which means “gateway” in Quechua—follows an unlikely pair on a foreboding journey that artfully threads together the fantasy and Surrealism of fairy tales with the harsh shadow of trauma in a shared search for belonging and safety.

Meshia, a Matsigenka Indigenous teenager, finds a young boy, Ivan, who vanished two years ago and was presumed dead. Determined to rescue him, she leads him on a journey upriver into the mountains toward the city for a surgery urgently needed to stop the infection that is progressively consuming his sight.
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