Sundance Institute Announces 2026 Screenwriters Lab and Intensive Fellows

sundance-screenwritersAs Sundance 2026 approaches, the Institute has revealed its latest group of writers selected for its Screenwriters Lab and Screenwriters Intensive, two long-running programs focused on helping emerging filmmakers shape their first and second features.

The Screenwriters Lab, held January 17 to 21 at Sundance Mountain Resort in Utah, will bring together 11 projects chosen from more than 3,800 submissions. Writers will spend the week workshopping original scripts in a small, collaborative setting, guided by a group of established filmmakers and writers. This year’s lab also doubles as a nod to Sundance’s roots, honoring founder Robert Redford and the program’s origins in the early 1980s.

Running separately in March, the Screenwriters Intensive will support nine projects from 13 writers, offering a more focused, online development experience aimed at first time fiction features.

Together, the selected projects reflect a wide range of voices and genres, from intimate family dramas and political thrillers to speculative stories and dark comedies, continuing Sundance’s long-standing emphasis on risk-taking and personal storytelling.
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The Mortuary Assistant Brings a Cult Horror Game to Theaters This February

the-mortuary-assistantIf you’ve spent any time around horror games in recent years, The Mortuary Assistant likely sounds familiar. The unsettling indie hit, known for its slow-burn dread and deeply uncomfortable atmosphere, is getting a film adaptation, arriving in theaters on Friday, February 13, 2026.

The movie comes from Epic Pictures and Dread, the genre label behind Terrifier, and is based on the best-selling game created by Brian Clarke. IndieWire has already flagged it as one of the year’s most anticipated horror releases, and the newly debuted trailer leans heavily into the claustrophobic tension that made the game a cult favorite.

Directed by Slapface filmmaker Jeremiah Kipp, the film stars Willa Holland as Rebecca Owens, a newly certified mortician working the night shift alone at a small-town funeral home. As the hours stretch on, routine embalming work gives way to increasingly disturbing events, pulling Rebecca into a web of demonic rituals, buried trauma, and the unsettling influence of her mentor, played by Paul Sparks.

First released in 2022, The Mortuary Assistant gained viral attention through streamers and horror fans for its ability to create sustained unease rather than rely on cheap scares. The film expands on the game’s mythology while aiming to preserve its oppressive tone, including the recreation of the mortuary as a full practical set.

The Mortuary Assistant opens exclusively in theaters on February 13, before streaming on Shudder on March 27, 2026.

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Leonardo DiCaprio’s Appian Way Joins ‘The Lake’ Ahead of Sundance World Premiere

The-LakeAhead of its Day One world premiere at the Sundance Film Festival, Leonardo DiCaprio’s Appian Way Productions has boarded the feature documentary The Lake as executive producer, alongside Jennifer Davisson and Phillip Watson.

Directed by Abby Ellis (Flint’s Deadly Water), The Lake has quickly emerged as one of Sundance’s most closely watched documentaries. The film examines the accelerating ecological crisis surrounding Utah’s Great Salt Lake, which is rapidly shrinking and exposing a toxic lakebed containing arsenic, lead, mercury, and other heavy metals—posing serious health risks to millions living along the Wasatch Front.

The documentary follows two scientists and a political insider as they race to prevent an environmental catastrophe, offering a rare look at bipartisan efforts to address a crisis with both local and global implications. As Sundance prepares for its final year in Park City, the film’s urgency has drawn significant attention.

Ellis described the project as deeply personal:

“What’s happening in Utah is a microcosm for so many environmental stories around the world… Having the support of Appian Way will only help enhance our reach with this incredibly timely and relevant story.”

Appian Way’s involvement reinforces its continued focus on environmentally driven storytelling. Jennifer Davisson noted that the film aligns closely with the company’s mission to support urgent, impact driven narratives.

Blending scientific reality with moral reckoning, The Lake moves beyond traditional environmental documentaries, asking broader questions about responsibility, complicity, and whether communities can act in time to avert disaster.

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Sundance ’26: BURN Brings Hyper-Color and Chaos to the NEXT Section

burnOne of the films at Sundance this year that feels like it’s daring people to either love it or walk out is BURN, the new feature from Makoto Nagahisa, who previously made We Are Little Zombies. It’s premiering in the festival’s NEXT section, which feels like exactly where it belongs.

The movie centers on Ju-Ju (played by Nana Mori), a runaway teen who ends up in Tokyo’s Kabukicho district, falling in with a loose group of kids living on the edge. At first, it feels like she’s finally found somewhere to land. That doesn’t last. What starts as freedom slowly turns into something tighter, darker, and harder to escape.

Visually, BURN is doing a lot, neon colors, hyper-stylized shots, constant motion. It’s bright, almost playful on the surface, even when the story underneath is clearly heading somewhere painful. That contrast is the point. The movie looks fun right up until it very much isn’t, and it doesn’t really warn you when the switch happens.

Nagahisa has always been good at capturing youth culture in a way that feels chaotic instead of nostalgic, and BURN seems to push that even further. It’s not trying to explain its characters or soften their choices. It just drops you into their world and lets things unravel.

Director Bong Joon Ho has already weighed in on the film, calling it intense and even frightening, which tracks. This feels like one of those Sundance titles people will be arguing about afterward, not whether it’s good or bad, but whether they were ready for it at all.

BURN premieres January 25, with additional screenings throughout the festival.

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2026 Sundance Film Festival Unveils Beyond Film Talks and Events

Sundance-exploring-art-and-innovationSundance isn’t just about the films, it’s also where a lot of the conversations around them happen.

The Sundance Institute has announced the Beyond Film lineup for the 2026 Sundance Film Festival, featuring talks and events with Olivia Wilde, Richard Linklater, Ava DuVernay, Billie Jean King, Salman Rushdie, John Turturro, Nicole Holofcener, Elijah Wood, Ta-Nehisi Coates, James Wan, and more.

The Beyond Film program runs January 23–30, alongside the Festival, which takes place January 22–February 1, 2026, in Park City and Salt Lake City, with select events available online.

New this year is Sundance Institute’s Story Forum: Exploring Art and Innovation, a one-day event on January 26 focused on how storytelling is evolving across creative and technological spaces.

The free public program includes filmmaker conversations, artist talks, and live events like Cinema Café and The Big Conversation, with participants ranging from filmmakers and writers to cultural figures across disciplines.

The 2026 Festival will also spotlight Robert Redford’s legacy through the Park City Legacy program, featuring archival screenings, alumni talks, and community events celebrating Sundance’s history.

Most Beyond Film events are free to attend, with full schedules and access details available at festival.sundance.org.

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Rancid-Inspired Film “…And Out Comes the Wolf” Expands Into an Official Graphic Novel Universe

graphic-notvel-universeThe upcoming punk-inspired film …And Out Comes the Wolf, based on the music and ethos of Rancid’s landmark 1995 album …And Out Come the Wolves, is expanding beyond the screen with an official graphic novel series produced by Big Newport Studios and Z2.

Adapted by writer and artist Kevin Mellon (Archer, Hit-Monkey) from the film’s screenplay by Danny Peykoff and brothers Jamie and Jason Neese (The Umbrella Academy), the graphic novel aims to deepen the story’s portrait of survival, friendship, and violence in the 1990s East Bay punk scene. The film, which recently wrapped production, is set to premiere at festivals this spring before a theatrical release later this summer.

Both the film and the graphic novel center on two best friends navigating a collapsing city shaped by poverty, drugs, and constant threat, drawing inspiration from the raw energy and working-class urgency that defined Rancid’s music. While rooted in punk culture, the story leans less toward nostalgia and more toward examining how limited choices and escalating danger shape lives on the margins.
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Oscar-Shortlisted Short Documentary Perfectly a Strangeness Sets NYC Screenings

perfectly-a-strangenessAlison McAlpine’s short documentary Perfectly a Strangeness continues its awards-season run with two upcoming New York City screenings in January, following its inclusion on the Academy Awards’ 2026 shortlist for Best Documentary Short.

The 15-minute Canadian film, which premiered in Official Competition at the 2024 Cannes Film Festival, unfolds in a desert landscape where three donkeys encounter an abandoned astronomical observatory. Blending documentary with elements of myth, science fiction, and philosophical inquiry, the film explores perception, curiosity, and humanity’s relationship to the cosmos through a strikingly sensory approach.

Perfectly a Strangeness has earned significant critical praise, with Deadline calling it “one of the most cinematic documentaries of the year,” and The Film Verdict describing it as “a heady blend of myth, science fiction, documentary, comedy and philosophical exploration.” The film has also screened at TIFF, IDFA, and more than 70 international festivals.

The New York screenings include a January 7 showing at Quad Cinema, followed by a Q&A with critic Jordan Hoffman, and a January 10 screening at DCTV with a post-screening conversation led by filmmaker Penny Lane.

McAlpine, whose previous work includes the acclaimed feature documentary CIELO, is a Guggenheim Fellow and is currently developing her first narrative feature alongside a new hybrid documentary project.

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Award-Winning Documentary ‘Natchez’ Opens at Film Forum

NatchezSuzannah Herbert’s documentary Natchez will open its U.S. theatrical run at Film Forum on January 30, following its award-winning debut on the festival circuit. The film is executive produced by Sam Pollard.

Set in Natchez, Mississippi, the documentary examines a town long known for its antebellum tourism as it confronts growing challenges to its romanticized portrayal of the Old South. Through interviews with plantation owners, tour guides, activists, and local officials, Natchez explores conflicting narratives about history, memory, and the legacy of slavery.

Natches premiered at the 2025 Tribeca Festival, where it won Best Documentary, along with special jury awards for cinematography and editing. The film has since earned additional honors, including audience and documentary prizes at multiple festivals, and was named one of the National Board of Review’s Top 5 Documentaries of the Year.

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Documentary Glendora to World Premiere at Dances With Films NY 2026

GlendoraThe feature documentary Glendora will make its world premiere at Dances With Films: New York 2026. Directed by Isabelle Armand in collaboration with the Glendora community, the 74-minute film screens January 16 at Regal Union Square.

Set in the Mississippi Delta, Glendora offers an intimate portrait of a small, predominantly African American town, shaped by decades of economic hardship yet sustained by strong communal bonds and cultural traditions.

Developed over five years, the documentary is told through the voices of multiple generations and captures everyday rituals that define life in the town.

Blending personal testimony with observations of daily life, the film situates Glendora’s present-day experiences within a broader American history marked by racial injustice and structural inequality, while emphasizing the community’s resilience and collective memory.

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Sundance Film Festival Announces 2026 Trailblazer and Vanguard Award Honorees

sundance-2026-honoreesThe Sundance Institute has announced the recipients of its 2026 Trailblazer and Vanguard Awards, honoring filmmakers whose work continues to shape independent cinema. Academy Award–winning director Chloé Zhao will receive the Trailblazer Award, while Nia DaCosta and Geeta Gandbhir will be honored with Vanguard Awards for fiction and nonfiction, respectively.

The awards will be presented at Celebrating Sundance Institute: A Tribute to Founder Robert Redford on January 23, 2026, at the Grand Hyatt Deer Valley in Utah. The 2026 Sundance Film Festival runs January 22 through February 1, with an online program available January 29–February 1.

Zhao is being recognized for films including Songs My Brothers Taught Me, The Rider, and Nomadland, which won three Academy Awards. Her latest feature, Hamnet (2025), has earned multiple audience awards and major awards-season nominations.

The Vanguard Award for Fiction will go to DaCosta, whose recent work includes Hedda (2025), Candyman, and The Marvels. Her next film, 28 Years Later: The Bone Temple, arrives in theaters in January 2026.

Gandbhir will receive the Vanguard Award for Nonfiction following the success of The Perfect Neighbor, which premiered at Sundance 2025 and won the U.S. Documentary Directing Award.

The event will also honor Sundance founder Robert Redford, with the inaugural Robert Redford Luminary Award presented to Gyula Gazdag and Ed Harris. Proceeds support Sundance Institute’s year-round artist development programs.

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