Category Archives: Film Industry

SAG-AFTRA Concludes 2025 National Convention in Los Angeles

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sag-aftraSAG-AFTRA’s 2025 National Convention concluded in Los Angeles on Sunday after three days of discussions, elections, and resolutions under the theme “Connect, Engage, Empower.”

President Sean Astin highlighted member participation and unity as the union prepares for continued change across the entertainment industry. Delegates debated 22 member-authored resolutions and passed 17, setting priorities for the next two years.

National Executive Director Duncan Crabtree-Ireland addressed major legislative and contract developments, including progress on the federal NO FAKES Act, expanded A.I. protections, and the new Interactive Media Agreement, which followed a year-long strike.

Newly re-elected Executive Vice President Linda Powell and Secretary-Treasurer Michelle Hurd also delivered remarks, emphasizing collaboration, mentorship, and optimism about the union’s future amid industry transformation.

The next SAG-AFTRA National Convention will take place in 2027.

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Spike Lee, Ryan Coogler, Tessa Thompson Among Honorees for Critics Choice’s Celebration of Black Cinema & Television

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Critics Choice AssociationThe Critics Choice Association has announced honorees for its 8th Annual Celebration of Black Cinema & Television, taking place December 9 in Los Angeles. Jay Pharoah returns as host, and STARZ is back as official media partner, with the ceremony airing in early 2026.

Spike Lee will receive the Career Achievement Award for his four-decade career, most recently Highest 2 Lowest. David Alan Grier earns the Vanguard Award for his acclaimed work across stage and screen, including St. Denis Medical. Ryan Coogler will be honored with the Director Award for Sinners, his record-breaking IMAX 70 mm feature for Warner Bros.

Reginald Hudlin and Shola Lynch take the Documentary Award for Apple TV’s Number One on the Call Sheet. Janelle James wins the Comedy Award for Abbott Elementary. Tessa Thompson, Sterling K. Brown, and Jurnee Smollett are recognized for Hedda, Paradise, and Smoke, respectively.

The Ensemble Award goes to Regina Hall, Teyana Taylor, and Chase Infiniti for One Battle After Another. Damson Idris earns Supporting Actor – Film for F1, and Skye P. Marshall wins Supporting Actress – Series for Matlock, receiving STARZ’s #TakeTheLead honor. Tenika Davis (Spartacus: House of Ashur) is named Breakthrough Performer, and Naya Desir-Johnson (Sarah’s Oil) takes Rising Star.

Singer-songwriter Aiyana-Lee will perform her song from Highest 2 Lowest. “It’s truly an honor to continue our tradition of celebrating excellence in Black cinema and television,” said executive producer Shawn Edwards.

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SAG-AFTRA, OpenAI, and Bryan Cranston Collaborate on Voice and Likeness Protections in Sora 2

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sag-aaftra-open-ai -ataSAG-AFTRA, OpenAI, and actor Bryan Cranston have reached a collaborative agreement to strengthen voice and likeness protections in OpenAI’s generative video model Sora 2, following early reports that Cranston’s likeness was generated without authorization during the model’s invite-only release.

The collaboration also includes the Association of Talent Agents (ATA), United Talent Agency (UTA), and Creative Artists Agency (CAA), all uniting to ensure performers’ rights are safeguarded in the era of synthetic media.

OpenAI confirmed it has reinforced its opt-in protocol, requiring explicit consent for any replication of a performer’s voice or likeness. The company also pledged to respond swiftly to any complaints or misuse, aligning its framework with the principles of the pending NO FAKES Act, federal legislation aimed at preventing unauthorized digital replication.

“I was deeply concerned not just for myself, but for all performers whose work and identity can be misused in this way,” Cranston said. “I am grateful to OpenAI for strengthening its guardrails and respecting our right to manage replication of our voice and likeness.”
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Ben Kalina’s “Plan C for Civilization” to World Premiere at DOC NYC

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Plan-C-for-CivilizationAward-winning filmmaker Ben Kalina (Shored Up, Can We Cool the Planet?) returns with Plan C for Civilization, a riveting new documentary that confronts one of the most controversial ideas in climate science: solar geoengineering. The film will make its world premiere at DOC NYC on Thursday, November 13 (6:30 p.m.) and Saturday, November 15 (1:00 p.m.) at Village East by Angelika, with an online screening available from November 14 to 30.

In Plan C for Civilization, physicist David Keith explores whether reflecting sunlight back into space could cool the planet and buy humanity time against climate catastrophe. But his early experiments spark fierce global debate, inspiring rogue start-ups like Make Sunsets, whose DIY launches raise urgent questions about science, ethics, and control in a warming world.

Kalina captures this unfolding tension across continents, examining the promise and peril of manipulating Earth’s atmosphere as climate solutions falter. “If we value the ecosystems and humanity of this planet,” Kalina says, “how could we ignore any tool with so much power to cool the planet, quickly?”

Produced by Mangrove Media, the film continues Kalina’s exploration of humanity’s uneasy relationship with nature, following his acclaimed documentaries on climate and coastal resilience.

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Film Forum to Host 36-Film Tribute to Kevin Brownlow Featuring ‘Napoleon,’ ‘The Wind,’ ‘Unknown Chaplin’

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Kevin-BrownlowFilm Forum will present a 36-film retrospective honoring filmmaker, historian, and preservationist Kevin Brownlow from October 24 to November 6 in New York.

The two-week series will feature works Brownlow directed, films he helped restore, and silent classics that influenced him. Highlights include the first New York screening since 1981 of Abel Gance’s 1927 epic Napoleon in its full 5½-hour version, Brownlow and Andrew Mollo’s WWII drama It Happened Here (1964), Winstanley (1975), and the documentary Unknown Chaplin (1983). Screenings of silent landmarks such as The Thief of Bagdad (1924), Intolerance (1916), Safety Last (1923), and The Phantom of the Opera (1925) will feature scores by the late composer Carl Davis, with select titles accompanied live on piano by Steve Sterner.

The retrospective will also include Victor Sjöström’s The Wind (1928) in a restored 35mm print, opening night introductions from filmmakers and authors including Diane Baker and Daniel Kehlmann, and a special daylong presentation of Napoleon.

Brownlow, who received an Academy Honorary Award in 2010 and TCM’s Robert Osborne Award in 2019, is recognized as one of the most influential voices in film history and preservation. His books, including The Parade’s Gone By, and documentaries such as Hollywood and Cinema Europe have been credited with reshaping the way silent cinema is viewed and valued.

Film Forum’s tribute is supported by the Robert Jolin Osborne Trust and the Ira M. Resnick Foundation.

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‘Akashi’ and ‘The Art of Adventure’ to World Premiere at Vancouver International Film Festival

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viff-org-2025

Pender PR has announced its fall festival roster, led by two world premieres at the Vancouver International Film Festival on October 5: Akashi, directed by Mayumi Yoshida, and Alison Reid’s documentary The Art of Adventure.

Akashi stars Yoshida alongside Bun Kimura (Rental Family), Hana Kino (Faceless), Chieko Matsubara (Tokyo Drifter), Kunio Murai (Godzilla vs. Gigan), Hiro Kanagawa (Shōgun), and Ryo Tajima (Avalanche). Reid’s sophomore feature centers Canadian wildlife artist Robert Bateman and environmentalist Bristol Foster.

Other Canadian titles in the slate include Ava Maria Safai’s horror Foreigner, Omorose Osagie’s Lost Wax, Jon Chiang’s Spring After Spring, and Luke Gleeson’s documentary Wədzįh Nəne’ | Caribou Country, among others set to premiere at VIFF, Sitges, Brooklyn Horror, Whistler, ReelWorld, and additional festivals this fall.

Ticket information for Akashi, The Art of Adventure, and other VIFF screenings is available at viff.org
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Robert Redford, Hollywood Icon and Architect of Independent Cinema, Dies at 89

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By Armando

Robert Redford during the filming of The Sting (1973). Photo by Ken Dare, Los Angeles Times / Courtesy of the Dutch National Archives.

Robert Redford, the Oscar-winning actor, director, and visionary who built Sundance into the home of independent film, has died at his home in Utah. He was 89. Redford was first known as one of Hollywood’s most magnetic leading men, but his greatest impact came later, as he reshaped the future of filmmaking by giving independent voices a place to be heard.

Redford began his career in television and on Broadway before breaking through in film. His first leading role that brought him recognition was Barefoot in the Park (1967) opposite Jane Fonda. Two years later, Butch Cassidy and the Sundance Kid (1969) made him a household name. His pairing with Paul Newman became one of the most beloved duos in film history. They reunited in The Sting (1973), which became a massive hit and earned Redford an Oscar nomination for Best Actor.

An American Icon

In the 1970s, Redford wasn’t just a star. With his blond hair, windswept style, and natural charisma, he became a cultural symbol of American masculinity. But he quickly proved he was more than an image. In The Candidate (1972), Jeremiah Johnson (1972), Three Days of the Condor (1975), and All the President’s Men (1976), he pursued stories with political and social weight. By the end of the decade, he had become both a top box office draw and one of the most respected actors of his generation.

Behind the Camera

In 1980, Redford made his directing debut with Ordinary People, a family drama that went on to win four Academy Awards, including Best Picture and Best Director. The film marked his transformation from leading man to accomplished filmmaker and proved he could command just as much respect behind the camera.
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SFFILM Announces Golden Gate Award and Audience Award Winners at the 68th San Francisco International Film Festival

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L to R, top row: New Directors Awardee: INK WASH, Global Visions Awardee: ALL THAT’S LEFT OF YOU. L to R, bottom row: Cine Latino Awardee: BELOVED TROPIC, Kirby Walker Documentary Award Awardee: SEEDS Seeds. Courtesy of SFFILM and rights holders.

Today, SFFILM announced the winners of the juried Golden Gate Awards competition and the Audience Awards at the 68th San Francisco International Film Festival (SFFILM Festival). Since the Festival’s first edition in 1957, the prestigious Golden Gate Awards have served as a launching pad for internationally renowned filmmakers who are early in their careers and have grown to include Audience Awards as well as serving as a qualifier for films under 40 minutes for the Academy of Motion Pictures Arts and Sciences (AMPAS). In 2025, Academy Award-qualifying honors presented at the Festival included Narrative Short, Documentary Short, and Animated Short. 

Golden Gate Awards were given in the feature film categories of New Directors–Ink Wash, Global Visions–All That’s Left of You, Cine Latino–Beloved Tropic, and the newly named Kirby Walker Documentary Award–Seeds.

Honoring the best documentary feature, the Kirby Walker Documentary Award celebrates the legacy of Kirby Walker, beloved Bay Area activist and filmmaker, whose profound curiosity about the lives of others and the world in general sparked a lasting love and respect for documentary filmmaking that allows audiences to develop their own informed viewpoint.
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SFFILM Celebrates Scientific Excellence in Lee Isaac Chung’s “Twisters” with $20,000 Sloan Science in Cinema Prize

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sffilm-twistersToday, SFFILM announced the program slate of the Sloan Science in Cinema Initiative at the 68th San Francisco International Film Festival (SFFILM Festival), which runs April 17–27.

A Festival Talk, free to the public, will feature director Lee Isaac Chung accepting the Sloan Science in Cinema Prize for his latest film, Twisters, followed by a special onstage conversation on the integration of science and cinematic tools to depict extreme weather. Lee Isaac Chung (Minari, The Mandalorian) will be joined onstage by Director of the Global Systems Laboratory (GSL), Kevin Kelleher, who spent 26 years at the National Oceanic and Atmospheric Administration (NOAA) and served as technical consultant on both Twister (1996) and Twisters (2024); Tapio Schneider, Professor of Environmental Science and Engineering at Caltech Division of Geological and Planetary Sciences; Twisters’ supervising sound editor and sound designer Al Nelson (Jurassic World, Top Gun: Maverick) and Industrial Light & Magic (ILM) visual effects supervisor Florian Witzel (Avengers, The Mandalorian).

“We are thrilled to award this year’s Sloan Science in Cinema Prize to Lee Isaac Chung’s hit film Twisters and this year’s Sloan Science on Screen Award to Cyprien Vial’s thought-provoking film Magma,” said Doron Weber, Vice President and Program Director at the Alfred P. Sloan Foundation. “While taking some liberties with the science, these two disaster films feature credible scientists as major protagonists and are based on the latest scientific research. They join a nationwide program that has supported over 850 science and film projects with 20 partners and, in addition to supporting screenwriters at SFFILM, has honored outstanding films such as Oppenheimer, Don’t Look Up, and Hidden Figures.”
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Sundance Institute Announces Boulder, Colorado, as the New Home for the Sundance Film Festival Beginning in 2027

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sundanceSundance Institute’s Board of Trustees has announced that Boulder, Colorado, will become the Festival’s home beginning in 2027.

“This decision was informed by a detailed evaluation of the key components essential to creating our Festival. During the process, it became clear that Boulder is the ideal location in which to build our Festival’s future, marking a key strategic step in its natural evolution,” said Ebs Burnough, Sundance Institute Board Chair. “We have a profound appreciation for the finalist cities and their communities — including Boulder, Colorado, Cincinnati, Ohio, and Salt Lake City, Utah — who presented overwhelmingly strong proposals and dedicated their time, passion, and commitment every step of the way. We have deep respect and gratitude to these communities for their hard work and partnership throughout the past year. Additionally, we sincerely value the steadfast support from our staff and board as we have ventured on this exploration together.”

The Sundance Film Festival is the largest artist program of the nonprofit Sundance Institute. Its Artist Programs cultivate a vibrant ecosystem, supporting artists and connecting their work with audiences. The Festival stands as the pre-eminent gathering of original storytellers and audiences seeking new voices, fresh perspectives, and a celebration of independent film and storytelling.

sundance-boulder“The Sundance Film Festival is a catalyst for innovation, creative expression, and the discovery of groundbreaking independent films that inspire and shape the future of storytelling. This process provided the opportunity to imagine how we design the Festival while staying true to our programming and mission. We extend our appreciation to the staff, artists, partners, volunteers, and audiences who have and continue to support that mission,” said Amanda Kelso, Sundance Institute Acting CEO. “Boulder is an art town, tech town, mountain town, and college town. It is a place where the Festival can build and flourish. This is the beginning of a bold, new journey as we invite everyone to be part of our community and to be entertained and inspired. We can’t imagine a better fit than Boulder.”

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