Shame and Money Wins World Cinema Grand Jury Prize at Sundance

shame-and-moneyVisar Morina’s Shame and Money was awarded the World Cinema Grand Jury Prize at the 2026 Sundance Film Festival, marking a major moment for the filmmaker following his earlier Sundance entry Exile.

Set between rural Kosovo and the capital, the film follows a family forced to rebuild their lives after losing their livelihood, tracing how pride, financial pressure, and quiet desperation shape everyday choices. Morina approaches the story with restraint, letting tension build through small moments rather than spectacle.

The film stars Astrit Kabashi and Flonja Kodheli, whose performances anchor the story with emotional clarity and lived-in realism. Shame and Money represents Germany and Kosovo and continues its festival run following its Sundance win.

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2026 Sundance Film Festival Announces Award Winners

sundance-2026The 2026 Sundance Film Festival revealed its award winners during a ceremony at The Ray Theatre in Park City, Utah, honoring standout films across U.S., international, documentary, and NEXT categories ahead of the festival’s final weekend.

Top Grand Jury Prizes went to Josephine (U.S. Dramatic Competition), Nuisance Bear (U.S. Documentary Competition), Shame and Money (World Cinema Dramatic Competition), and To Hold a Mountain (World Cinema Documentary Competition). The festival’s NEXT Innovator Award, presented by Adobe, was awarded to The Incomer, while TheyDream received the NEXT Special Jury Award.

Audience Awards reflected strong viewer engagement across categories. Josephine also claimed the Audience Award for U.S. Dramatic, alongside American Pachuco: The Legend of Luis Valdez for U.S. Documentary. International audience honors went to HOLD ONTO ME (Κράτα Με) and One In A Million, with Aanikoobijigan [ancestor/great-grandparent/great-grandchild] taking the NEXT Audience Award.

This year’s festival showcased 97 feature-length projects and 54 short films, selected from more than 16,000 submissions, underscoring Sundance’s continued role as a launchpad for emerging voices and bold storytelling. Award-winning films remain available online nationwide through February 1, with select titles screening in person for passholders.

The 2026 edition also marks one of the final Sundance gatherings in Utah, ahead of the festival’s planned move to Boulder, Colorado in 2027.
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One Battle After Another Leads Online Film Critics Society Awards

onebattle-after-anotherPaul Thomas Anderson’s One Battle After Another emerged as a major winner at the 2025 Online Film Critics Society Awards, taking Best Picture and Best Director among five total wins. The film’s strong showing places it firmly among the most critically embraced releases of the year.

Ryan Coogler’s Sinners ultimately led the awards overall, collecting 10 wins across major categories including acting, writing, cinematography, score, and multiple technical honors. With more than 38 films recognized across 22 categories, this year’s OFCS awards reflected an unusually broad spread of genres, from studio releases to international and independent titles.

One notable takeaway from this year’s results is how concentrated the wins were at the top: just two films accounted for nearly half of all awards handed out, underscoring a rare level of consensus among the Society’s nearly 300 voting critics worldwide.

The organization also presented Lifetime Achievement Awards to Colleen Atwood, Jack Nicholson, Steven Spielberg, Vittorio Storaro, and Walter Murch, alongside Special Achievement Awards recognizing sustainability efforts in filmmaking and advocacy within the industry.

Here’s the complete list of Online Film Critics Society Award winners and nominations for 2025.

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‘One Battle After Another’ and ‘Hamnet’ Come Out on Top at the 2026 Golden Globes

goldenglobes2026The Golden Globes did what they usually do best this year: set the tone for the rest of awards season while reminding everyone which films are actually building momentum.

Paul Thomas Anderson’s One Battle After Another walked into the night as a frontrunner and walked out looking even stronger, picking up Best Motion Picture (Musical or Comedy) along with wins for directing, screenplay, and Teyana Taylor’s supporting performance. The film’s mix of political satire and emotional stakes clearly connected with voters, and Anderson used his moment to spotlight the kind of filmmaker-driven studio support that made the film possible.

On the drama side, Hamnet took Best Motion Picture, with Jessie Buckley also winning for her performance. Chloé Zhao’s adaptation of Maggie O’Farrell’s novel continues to quietly build awards-season credibility, leaning into intimacy and grief rather than spectacle.

The TV categories followed a similar pattern, rewarding shows that already felt unavoidable this year. Netflix’s Adolescence had the biggest night overall, while The Pitt and The Studio took top series honors, with Noah Wyle and Seth Rogen winning acting prizes. The wins reinforced how much streaming dramas and sharp industry satire continue to dominate the conversation.

Elsewhere, Sinners, KPop Demon Hunters, and The Secret Agent all picked up multiple awards, underscoring how wide the Globes’ tastes have become, from genre films to international titles to animated hits.

Hosted by Nikki Glaser, the ceremony aired January 11 from the Beverly Hilton on CBS and Paramount+. With the Globes now behind us, the field is narrowing, and the next stretch of the awards season is officially underway.

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Producers Guild of America Announces 2026 Awards Nominees

PGA-2026-NomsWe’re officially in that part of awards season where the shortlists matter, and the Producers Guild of America’s nominations offer an early read on which films are actually building momentum.

The PGA has announced the film and television nominees for the 37th Annual Producers Guild Awards, set to take place February 28, 2026, at the Fairmont Century Plaza in Los Angeles. The theatrical motion picture lineup includes Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sentimental Value, Sinners, Train Dreams, and Weapons.

Warner Bros. leads studio representation with three nominated films, followed by Focus Features and Netflix with two apiece, and single entries from Apple and NEON. Notably absent from the list are major franchise sequels like Avatar: Fire and Ash and Wicked: For Good. Aside from Bugonia, a remake, the field leans heavily toward original stories and literary adaptations, continuing a broader awards-season preference for non-franchise titles.

Historically, the PGA’s top prize, the Darryl F. Zanuck Award, has been one of the most reliable Oscar bellwethers, aligning with the Academy Award for Best Picture in 17 of the past 22 years.
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Sundance Film Festival Announces 2026 Trailblazer and Vanguard Award Honorees

sundance-2026-honoreesThe Sundance Institute has announced the recipients of its 2026 Trailblazer and Vanguard Awards, honoring filmmakers whose work continues to shape independent cinema. Academy Award–winning director Chloé Zhao will receive the Trailblazer Award, while Nia DaCosta and Geeta Gandbhir will be honored with Vanguard Awards for fiction and nonfiction, respectively.

The awards will be presented at Celebrating Sundance Institute: A Tribute to Founder Robert Redford on January 23, 2026, at the Grand Hyatt Deer Valley in Utah. The 2026 Sundance Film Festival runs January 22 through February 1, with an online program available January 29–February 1.

Zhao is being recognized for films including Songs My Brothers Taught Me, The Rider, and Nomadland, which won three Academy Awards. Her latest feature, Hamnet (2025), has earned multiple audience awards and major awards-season nominations.

The Vanguard Award for Fiction will go to DaCosta, whose recent work includes Hedda (2025), Candyman, and The Marvels. Her next film, 28 Years Later: The Bone Temple, arrives in theaters in January 2026.

Gandbhir will receive the Vanguard Award for Nonfiction following the success of The Perfect Neighbor, which premiered at Sundance 2025 and won the U.S. Documentary Directing Award.

The event will also honor Sundance founder Robert Redford, with the inaugural Robert Redford Luminary Award presented to Gyula Gazdag and Ed Harris. Proceeds support Sundance Institute’s year-round artist development programs.

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“We Shall Not Be Moved” Recognized as One of the Year’s Top International Films

we-shall-not-be-movedWe Shall Not Be Moved (No nos moverán), Mexico’s official submission for Best International Feature at the 98th Academy Awards®, has been named one of the year’s Best International Films by New York Film Critics Online. The recognition comes as the acclaimed debut feature from Mexican filmmaker Pierre Saint Martin continues its U.S. theatrical rollout.

Following a strong run in New York through Cinema Tropical, the dark dramedy will screen for one week at the Roxie Theater in San Francisco beginning December 18, before heading to the Museum of Fine Arts, Houston in January. A U.S. streaming release is expected to be announced soon.

Shot in black and white, the film follows Socorro, a 67-year-old retired lawyer played by Luisa Huertas, whose decades-long pursuit of the soldier responsible for her brother’s death during Mexico’s 1968 Tlatelolco massacre has consumed her life and fractured her family. When a new lead emerges, she risks everything to confront the past.

The film premiered at the Guadalajara International Film Festival, winning Best Mexican Film and the Audience Award, and went on to receive four Ariel Awards, including Best First Feature and Best Actress. It has screened at more than 40 international festivals and will also represent Mexico at Spain’s Goya Awards.

Saint Martin’s debut blends dark humor with an intimate exploration of memory, trauma, and political reckoning, offering a personal lens on one of Mexico’s most painful historical chapters.

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‘One Battle After Another’ Leads 2026 Golden Globe Nominations; ‘The White Lotus’ Tops TV as Globes Expand Into Podcasts

goldenglobes2026The 2026 Golden Globe nominations were unveiled Monday morning, and the race quickly narrowed around a handful of major contenders. Paul Thomas Anderson’s One Battle After Another dominated the film side with nine nominations, the most of any title this year. Joachim Trier’s Sentimental Value followed with eight, while Ryan Coogler’s Sinners earned seven, and Chloé Zhao’s Hamnet collected six. Frankenstein and Wicked: For Good landed five apiece.

On television, HBO’s The White Lotus led with six nominations, edging out Netflix’s Adolescence, which received five. Only Murders in the Building and Severance each secured four, continuing their awards-season consistency.

The ceremony returns to the Beverly Hilton on Jan. 11, airing live on CBS and streaming on Paramount+, with Nikki Glaser hosting. Marlon Wayans and Skye P. Marshall announced the nominees from Los Angeles, including categories for film, television, stand-up comedy, and, for the first time, the best podcast award.

This year’s podcast lineup reflects the Globes’ push toward broader media recognition, while also avoiding the political and culture-war flashpoints that have defined the category elsewhere. Titles such as Armchair Expert, Call Her Daddy, Good Hang with Amy Poehler, The Mel Robbins Podcast, SmartLess, and NPR’s Up First made the inaugural shortlist.

On the distributor front, Neon led all film companies with 21 nominations, while Netflix dominated television with 22.

The Globes also continue building out their rebranding campaign, including the launch of “Golden Eve,” a primetime special honoring this year’s career-achievement recipients: Helen Mirren (Cecil B. DeMille Award) and Sarah Jessica Parker (Carol Burnett Award).

Below is the full list of nominees:

Here’s the full list of nominees.

Motion picture – Drama
“Sinners”
“It Was Just an Accident”
“Sentimental Value”
“Frankenstein”
“Hamnet”
“The Secret Agent”

Motion picture – Musical or comedy
“One Battle After Another”
“No Other Choice”
“Marty Supreme”
“Blue Moon”
“Bugonia”
“Nouvelle Vague”

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“One Battle After Another” Dominates National Board of Review Awards

national-board-of-reviewPaul Thomas Anderson’s One Battle After Another continued its awards-season surge, leading the 2025 National Board of Review honors with five major wins, including Best Film, Best Director, Best Actor for Leonardo DiCaprio, Best Supporting Actor for Benicio Del Toro, and Breakthrough Performance for Chase Infiniti.

The strong showing follows the film’s recent victories at both the Gotham Awards and the New York Film Critics Circle, positioning the Warner Bros. title as one of this season’s most formidable contenders.

Rose Byrne was named Best Actress for If I Had Legs I’d Kick You, continuing her streak across multiple critics groups. Other notable winners included Inga Ibsdotter Lilleaas for Sentimental Value, Ryan Coogler for Sinners (Best Original Screenplay), and Clint Bentley & Greg Kwedar for Train Dreams (Best Adapted Screenplay).

NBR also recognized Arco as Best Animated Feature, It Was Just an Accident as Best International Film, and Cover-Up as Best Documentary. Mission: Impossible – The Final Reckoning earned the group’s stunt artistry honor, while Sinners cinematographer Autumn Durald Arkapaw received Outstanding Achievement in Cinematography.

As usual, the organization released additional top-ten lists spanning films, international selections, documentaries, and independent features, which continue to serve as an early barometer of industry consensus.

The winners will be celebrated at the NBR’s annual gala on January 13, 2026, in New York City.

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AFI Announces 2025 Honorees Across Film and Television

AFI-American-Film-InstituteThe American Film Institute has unveiled its selections for the 2025 AFI Awards, recognizing ten films and ten television programs that the organization deems the year’s most significant artistic achievements. One additional project, It Was Just an Accident, received the annual Special Award, given to works outside AFI’s standard eligibility.

This year’s film lineup spans major studio releases, acclaimed auteurs, and international literary adaptations, with titles including Avatar: Fire and Ash, Bugonia, Frankenstein, Hamnet, Jay Kelly, Marty Supreme, One Battle After Another, Sinners, Train Dreams, and Wicked: For Good.

On the television side, the honorees reflect a broad mix of prestige drama, genre storytelling, and serialized world-building. The 2025 selections include Adolescence, Andor, Death by Lightning, The Diplomat, The Lowdown, The Pitt, Pluribus, Severance, The Studio, and Task.

AFI President and CEO Bob Gazzale emphasized the awards’ long-standing focus on celebrating collective achievement rather than competition. Honorees will be recognized at AFI’s annual luncheon on January 9, 2026, a gathering known for bringing filmmakers and television creators together in an informal, industry-wide celebration of the year’s work.

The AFI Awards have become a consistent bellwether for awards-season momentum, often overlapping significantly with later Oscar and Emmy nominations.

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