SAG-AFTRA, OpenAI, and Bryan Cranston Collaborate on Voice and Likeness Protections in Sora 2

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-ataSAG-AFTRA, OpenAI, and actor Bryan Cranston have reached a collaborative agreement to strengthen voice and likeness protections in OpenAI’s generative video model Sora 2, following early reports that Cranston’s likeness was generated without authorization during the model’s invite-only release.

The collaboration also includes the Association of Talent Agents (ATA), United Talent Agency (UTA), and Creative Artists Agency (CAA), all uniting to ensure performers’ rights are safeguarded in the era of synthetic media.

OpenAI confirmed it has reinforced its opt-in protocol, requiring explicit consent for any replication of a performer’s voice or likeness. The company also pledged to respond swiftly to any complaints or misuse, aligning its framework with the principles of the pending NO FAKES Act, federal legislation aimed at preventing unauthorized digital replication.

“I was deeply concerned not just for myself, but for all performers whose work and identity can be misused in this way,” Cranston said. “I am grateful to OpenAI for strengthening its guardrails and respecting our right to manage replication of our voice and likeness.”
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Horror Short ‘Terroir’ Screens at Festivals Across October

terroirThe new short horror film Terroir, written, directed, produced, and edited by Casey Rogerson, is screening at multiple film festivals this October. A directing fellow at the American Film Institute Conservatory, Rogerson brings a sharp genre sensibility to the 13-minute thriller.

The film follows a young wine critic (Madison Hu) who returns to a French vineyard one year after giving it a bad review, only to find herself and her friends stalked by a masked killer. Terroir stars Madison Hu (The Brothers Sun, The Boogeyman, Bizaardvark), along with Leenya Rideout, Naomi Rubin, João Santos, and John R. Howle (Bleeding).

Terroir recently screened at the New York Shorts International Film Festival and Screamfest, and continues its festival run this month with the following showings:

San Diego International Film Festival – October 16 at 6:15 p.m. and October 19 at 11:00 a.m. (AMC UTC 14)
Vancouver Horror Show – October 17 at 2:00 p.m. (Vancouver Film School)

The film will also be shown throughout October at Amalthea Cellars, pairing screenings with wine tastings.
For tickets and screening information, visit: https://linktr.ee/terroirfilm

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Ben Kalina’s “Plan C for Civilization” to World Premiere at DOC NYC

Plan-C-for-CivilizationAward-winning filmmaker Ben Kalina (Shored Up, Can We Cool the Planet?) returns with Plan C for Civilization, a riveting new documentary that confronts one of the most controversial ideas in climate science: solar geoengineering. The film will make its world premiere at DOC NYC on Thursday, November 13 (6:30 p.m.) and Saturday, November 15 (1:00 p.m.) at Village East by Angelika, with an online screening available from November 14 to 30.

In Plan C for Civilization, physicist David Keith explores whether reflecting sunlight back into space could cool the planet and buy humanity time against climate catastrophe. But his early experiments spark fierce global debate, inspiring rogue start-ups like Make Sunsets, whose DIY launches raise urgent questions about science, ethics, and control in a warming world.

Kalina captures this unfolding tension across continents, examining the promise and peril of manipulating Earth’s atmosphere as climate solutions falter. “If we value the ecosystems and humanity of this planet,” Kalina says, “how could we ignore any tool with so much power to cool the planet, quickly?”

Produced by Mangrove Media, the film continues Kalina’s exploration of humanity’s uneasy relationship with nature, following his acclaimed documentaries on climate and coastal resilience.

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Luis Buñuel’s “Viridiana” Returns in New 4K Restoration at Film Forum

ViridianaJanus Films will release a new 4K restoration of Luis Buñuel’s Palme d’Or-winning classic Viridiana (1961), opening November 14 for a one-week engagement at Film Forum in New York City.

Banned in Franco-era Spain and condemned by the Vatican upon release, Viridiana remains one of cinema’s most provocative works. The film follows a novice nun (Silvia Pinal) whose idealistic faith collides with corruption and hypocrisy when she moves in with her uncle, played by Fernando Rey, in a narrative that skewers religious dogma and human weakness.

Winner of the Palme d’Or at the 1961 Cannes Film Festival, the film has long been regarded as one of Buñuel’s masterpieces. Co-written with Julio Alejandro and photographed by José F. Aguayo, the restoration showcases the film’s bold imagery and subversive wit for a new generation of audiences.

Viridiana runs November 14 to 20, 2025, exclusively at Film Forum.

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Romantic Dramedy ‘I Really Love My Husband’ Sets Digital and VOD Release

i-really-love-my-husbandNight Breeze Productions and Entertainment Squad will release I Really Love My Husband, the feature debut from writer-director G.G. Hawkins, on digital and VOD platforms November 4, 2025.

Set against the lush backdrop of Bocas del Toro, Panamá, the film follows newlyweds Teresa (Madison Lanesey) and Drew (Travis Quentin Young) as cracks begin to show during their tropical honeymoon. When they meet Paz (Arta Gee), a charming expat who manages their rental, Teresa’s attraction to her upends the couple’s fragile balance, forcing her to confront the difference between the marriage she imagined and the reality unfolding before her.

Blending drama, comedy, and LGBTQ+ themes, I Really Love My Husband explores modern intimacy, self-discovery, and the quiet chaos of honesty in relationships. Produced by Elle Roth-Brunet, with co-producers Maria Ventura and Natalie LeVeck, the film also stars Lisa Jacqueline Starrett.

Described as both playful and piercing, Hawkins’ feature trusts ambiguity over easy resolutions, establishing her as a filmmaker to watch.

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“Junkie” from AFI Alum William Means to World Premiere at AFI Fest 2025

JunkieAFI alum William Means will debut his feature film Junkie at the 2025 AFI Fest on October 26, followed by a conversation with Means, executive producer Patty Jenkins, and members of the cast and crew.

Produced by Rachel Weise, Thayer Juergens, and Abra Salazarte, the gritty yet darkly funny Southern drama stars newcomer Rocky Shay in a breakout performance alongside Rett Keeter, Jessica Lea Risco, Kian Morr, and Christina Reynolds. Means, known for his short films Blue Square Heart and King of the Forest, wrote and directed the project.

Junkie follows Stevie, a meth-addicted mother who escapes rehab and embarks on a chaotic odyssey through the Southern underbelly, desperate to reconcile with her estranged son before fleeing town for good. Inspired by Shay’s real-life experiences and Means’ own family struggles, the film blends physical comedy with raw honesty in exploring addiction, identity, and redemption.

Shot by cinematographer Jay Swuen and edited by Noam Klement, Junkie marks Means’ feature debut and continues AFI’s tradition of spotlighting bold new voices in American independent cinema.

Watch the AFI Fest premiere listing here.

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Vertical Acquires Sundance Winner “Atropia” Starring Alia Shawkat and Callum Turner for December Release

Atropia

Alia Shawkat | Courtesy: Vertical

Vertical has acquired North American rights to Hailey Gates’ feature directorial debut “Atropia,” winner of the U.S. Grand Jury Prize for Dramatic Feature at the 2025 Sundance Film Festival. The film, starring Alia Shawkat (Severance) and Callum Turner (Masters of the Air), will open in theaters this December.

The ensemble cast includes Chloë Sevigny, Jane Levy, Tim Heidecker, Lola Kirke, Zahra Alzubaidi, and Jamie McShane. Produced by Luca Guadagnino, Naima Abed, Emilie Georges, Lana Kim, and Jett Steiger, the film marks Gates’ transition from documentary to narrative storytelling.

In Atropia, an aspiring actress (Shawkat) working at a simulated military training facility falls for a soldier (Turner) cast as an insurgent, blurring the line between reality and performance. Inspired by real-life desert role-play camps, Gates conceived the idea after visiting similar installations in California.

“I couldn’t be more thrilled that it’s found a home with Vertical, a company that takes bold creative swings,” said Gates. Vertical Partner Peter Jarowey added, “Hailey has created an impressive debut led by an outstanding cast and set in a world rarely seen on screen.”

The deal was negotiated by Jarowey and Tony Piantedosi for Vertical, with UTA Independent Film Group and WME Independent representing the filmmakers.

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Horror Comedy ‘Dead Giveaway’ to World Premiere at Philadelphia Film Festival 2025

Dead-GiveawayWriter-director Ian Kimble’s horror comedy Dead Giveaway will make its world premiere at the Philadelphia Film Festival 2025 on Friday, October 17, with an encore screening on Sunday, October 26.

Starring Ruby Modine (Shameless), Mikaela Hoover (Superman [2025]), and Scout Taylor-Compton (Rob Zombie’s Halloween), the film follows Jill (Modine), who wakes up hungover beside a murdered stranger and quickly finds herself juggling a tied-up man, an unconscious roommate, and a bloody mess, all before brunch.

A sharp, chaotic blend of humor and horror, Dead Giveaway features what festival programmers describe as “endlessly creative and uproarious” writing from Kimble, with standout chemistry between Modine and Hoover that keeps the laughs and screams coming.

Produced by Suzann Toni Petrongolo, Andrew Vogel, and Kimble, with Hallee Adelman as executive producer and Amanda Frederick as co-producer, the 87-minute feature marks Kimble’s debut as writer, director, and producer. The film expands on one of his original short works.

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Sundance Institute Partners With Rolex to Support Feature Film Program

sundance-instituteThe Sundance Institute has announced a new multi-year partnership with Rolex, naming the Swiss watchmaker as its Official Partner and Exclusive Timepiece. The collaboration will provide direct support and funding to the Institute’s Feature Film Program, one of the organization’s cornerstone initiatives.

For more than four decades, Sundance’s Feature Film Program has championed independent filmmakers through its Screenwriters and Directors Labs, Screenwriters Intensive, and year-round ELEVATE professional development track. The new partnership will expand those efforts, providing emerging storytellers with creative resources, mentorship, and access to Sundance Collab, the Institute’s global online learning platform.

Rolex’s support comes through its Perpetual Arts Initiative, which promotes artistic excellence and mentorship across disciplines. “We are incredibly grateful to Rolex for collaborating with us to uplift artists and their stories,” said Michelle Satter, Founding Senior Director of Artist Programs at Sundance Institute. “Together, we’re empowering a new generation of independent filmmakers to bring bold, original work to life.”

Since its founding by Robert Redford, the Institute has helped nurture leading filmmakers including Ryan Coogler, Chloé Zhao, Taika Waititi, Lulu Wang, and The Daniels, continuing its legacy as a vital incubator for independent voices.

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Supernatural Thriller ‘Damned If You Do’ to Premiere at Screamfest 2025

Damned-If-You-DoThe supernatural thriller Damned If You Do will make its world premiere at Screamfest 2025 on Wednesday, October 15, at 9:45 p.m. at the TCL Chinese 6 Theatres in Hollywood.

Directed by Jake Rubin and Evan Metzold, the film follows a group of high school friends who once sold their souls to the devil in exchange for fame and success. Decades later, as their 25th reunion approaches, they must confront the consequences of their pact and rely on an old classmate to escape Hell’s grasp before time runs out.

The ensemble cast includes Kate Siegel (The Fall of the House of Usher), Harvey Guillén (What We Do in the Shadows), Molly Bernard (Younger), Ginger Gonzaga (She-Hulk), Paulo Costanzo (Upload), Beth Dover (Orange Is the New Black), Ed Weeks (Drop), and Michael Flanagan (The Haunting of Hill House).

Produced by Lior Haas, Matthew R. Cooper, and Uwakokunre (Kokie) Imasogie, the film was written by Ellen Adair and Eric Gilde.

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