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Levitating (Para Perasuk) Makes Its Sundance Debut at World Cinema Dramatic Competition Red Carpet

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Levitating (Para Perasuk) premiered today at the 2026 Sundance Film Festival as part of the World Cinema Dramatic Competition, with a press line and red carpet held at The Yarrow Theatre in Park City ahead of its first public screening.

Director Wregas Bhanuteja appeared alongside cast members Angga Yunanda, Maudy Ayunda, Anggun, Bryan Domani, and Chicco Kurniawan, joined by producers and executive producers representing the film’s international production team. The group paused for photographs and brief press moments before heading inside for the morning screening.

Set in a town where trance possession is both ritual and livelihood, Levitating follows Bayu, a gifted spirit channeler whose flute music guides dancers into altered states as he struggles to protect his community and his home amid growing outside pressures. The film blends music, movement, and spirituality into a coming-of-age story rooted in tradition and collective survival.

The premiere marks Indonesia’s presence in this year’s competition lineup, with additional in-person and online screenings scheduled later in the festival’s run.

Photos from the red carpet capture the filmmakers and cast moments before the film’s Sundance journey officially began.

Photos: AIPImaging.com

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Big Girls Don’t Cry Premieres at Sundance World Cinema Dramatic Competition

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Big Girls Don’t Cry premiered Saturday, January 24, at the Sundance Film Festival, screening at The Ray Theatre in Park City as part of the World Cinema Dramatic Competition. The afternoon screening was preceded by a red carpet press line, where the film’s creative team gathered for photos and interviews ahead of the first public showing.

In attendance were writer-director Paloma Schneideman, lead cast members Ani Palmer, Rain Spencer, and Noah Taylor, along with producers and executive producers connected to the project. The atmosphere reflected the film’s debut status, with the team marking its introduction to festival audiences following its New Zealand production.

Set in rural New Zealand in 2006, Big Girls Don’t Cry follows 14-year-old Sid Bookman over the course of a formative summer as she navigates early desire, shifting friendships, and the influence of the early internet. The film centers on observation rather than spectacle, placing its young protagonist in everyday situations that quietly shape her sense of identity and belonging.

The premiere screening in Park City was the film’s first stop at the festival, with additional in-person and online screenings scheduled as Sundance continues through the end of January.

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Merata Mita and Graton Fellows Honored at Sundance 2026 Native Forum

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Merata-Mita-and-Graton-sundanceThe Sundance Institute recognized this year’s Merata Mita and Graton Fellowship recipients during the Native Forum Celebration at the 2026 Sundance Film Festival in Park City, Utah. The annual gathering brings together Indigenous filmmakers, artists, and alumni during the festival to spotlight new voices and ongoing work.

Masami Kawai was named the 2026 Merata Mita Fellow. A Ryukyuan filmmaker based in Oregon, Kawai’s work often explores identity, history, and Indigenous experience, and she has previously participated in Sundance’s Directors and Screenwriters Lab. The fellowship supports an Indigenous woman-identified filmmaker developing a feature project.

The 2026 Graton Fellows are Isabella Madrigal and Tsanavi Spoonhunter. Madrigal, a writer-director and actor, is developing her first feature, expanding a story rooted in Indigenous community performance and cultural memory. Spoonhunter, a nonfiction filmmaker and journalist, is based in Northern Nevada and focuses on documentary storytelling through her independent media company, Mahebe Media.

The Native Forum Celebration took place during the festival as a moment to recognize Indigenous-led projects across Sundance programs and to acknowledge the broader creative community gathered in Park City throughout the week.

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Harry Styles Announces Global Residency Run “Together, Together”

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harry-stylesHarry Styles is returning to the stage with Together, Together, a seven-city global residency running from May through December 2026. The Live Nation-promoted run includes 50 performances across Amsterdam, London, São Paulo, Mexico City, New York, Melbourne, and Sydney, with Styles limiting his live appearances next year to those cities only.

The residency includes major stretches in New York and London, highlighted by 30 shows at Madison Square Garden, his only U.S. dates of 2026, and a six-night run at Wembley Stadium. Rather than a traditional tour, the format focuses on extended stays, turning each city into its own chapter.

The announcement comes alongside new music. Styles will release his new single “Aperture” tonight, January 22, ahead of his fourth studio album Kiss All The Time. Disco, Occasionally., arriving March 6. Select dates will feature special guests including Robyn, Shania Twain, Jamie xx, Jorja Smith, and Fousheé.

More details, including ticket information by market, are available at hstyles.co.uk/tour.

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Independent Film Company and Shudder Acquire Natalie Erika James’ Saccharine Ahead of Sundance Premiere

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SaccharineIndependent Film Company and Shudder have acquired North American and UK rights to Saccharine, the latest feature from filmmaker Natalie Erika James, ahead of its world premiere at the Sundance Film Festival.

Written and directed by James, Saccharine is described as a supernatural body horror film and marks her third feature following Relic and Apartment 7A. The film stars Midori Francis, Danielle Macdonald, and Madeleine Madden. It is slated for a theatrical release before streaming on Shudder later in 2026.

The story follows Hana, a medical student whose involvement in an extreme weight-loss trend leads to increasingly disturbing consequences after she consumes human ashes. The film continues James’ interest in horror rooted in psychological and physical transformation.

Saccharine was produced by James alongside Anna McLeish and Sarah Shaw, with financing from Screen Australia in partnership with XYZ Films, IPR.VC, Stan, and VicScreen. XYZ Films handled the sale, which was finalized ahead of the film’s Sundance debut.

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Tedeschi Trucks Band Announce Future Soul Album and 2026 Tour

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tedeschi-trucks-bandTedeschi Trucks Band have announced Future Soul, their sixth studio album, set for release on March 20 via Fantasy Records, alongside plans for a wide-ranging 2026 tour. The band has also shared the album’s first single, “I Got You,” which is out now.

Led by Susan Tedeschi and Derek Trucks, the 12-piece ensemble recorded Future Soul at their own Swamp Raga Recording studio in Florida, as well as Phantom Studios in Tennessee. The album follows 2022’s ambitious I Am The Moon project and continues the band’s collaborative, full-band approach to songwriting, drawing from blues, soul, rock, funk, and gospel influences.

The Future Soul Tour will begin this spring following the band’s annual residency at New York’s Beacon Theatre. The tour includes stops across North America through the fall, with shows at major venues such as Red Rocks Amphitheatre and multiple multi-night runs. Select dates will feature co-headlining performances and special guests, including Alabama Shakes, Sheryl Crow, and Jason Isbell and the 400 Unit.

Pre-sale tickets begin January 27, with general on-sale opening January 30.

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Extra Geography Premieres at Sundance 2026 in World Cinema Dramatic Competition

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Extra Geography premiered Friday, January 23, at the Sundance Film Festival, screening at The Library Theatre in Park City as part of the World Cinema Dramatic Competition. The screening was preceded by a red carpet appearance from director Molly Manners and members of the cast, marking the film’s first public showing.

The debut feature, written by Miriam Battye, centers on two high-achieving students at a British girls’ boarding school whose tightly controlled routines are disrupted by a self-imposed summer project to fall in love.

The film stars Marni Duggan and Galaxie Clear, with Alice Englert and Aoife Riddell also appearing. Extra Geography is Manners’ first feature following her work in television, including the Netflix series One Day.

Following its premiere night in Park City, the film continues its Sundance run with additional public screenings in Park City and Salt Lake City through February 1, giving festival audiences multiple opportunities to catch the film during the final days of the festival.

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Filipiñana Debuts at Sundance with Red Carpet Screening in Park City

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Writer director Rafael Manuel

Rafael Manuel’s feature debut Filipiñana premiered at the Sundance Film Festival as part of the World Cinema Dramatic Competition, screening at The Ray Theatre in Park City, Utah.

The screening was preceded by a red carpet event, where the filmmakers paused for photos and interviews ahead of the film’s first public showing.

The film stars Isabel Sicat and centers on a teenage girl working at an elite country club who becomes drawn to its powerful president, only to uncover a darker history beneath the institution’s polished surface. Set across multiple languages including Filipino, English, and Ilokano, Filipiñana explores class tension, identity, and inherited power through a stylized and unsettling lens.

In attendance at the premiere were writer-director Rafael Manuel, supporting cast member Isabel Sicat, producers Jeremy Chua and Alex Polunin, and executive producer Farhana Bhula. Filipiñana continues its Sundance run in the World Cinema Dramatic Competition, with in-person and online screenings scheduled through the festival.

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Hot Water Premieres at Sundance 2026 With Red Carpet Debut in Park City

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Hot Water writer-director Ramzi Bashour

Ramzi Bashour’s feature debut Hot Water premiered Friday, January 23, in the U.S. Dramatic Competition at the Sundance Film Festival, screening at Eccles Theatre in Park City, Utah. The premiere was accompanied by a red carpet appearance from the filmmaker and members of the creative team, marking the film’s first public unveiling.

Starring Lubna Azabal (Incendies) and Daniel Zolghadri (Funny Pages, Lurker), Hot Water centers on a Lebanese mother and her American teenage son who set out on a cross-country drive after the boy is expelled from high school. What begins as a reluctant journey gradually opens into a series of encounters that test their relationship and challenge their sense of home. Dale Dickey appears in a supporting role.

Shot across multiple states, the production moved through new locations week by week before wrapping in California. Around the Sundance premiere, members of the creative team spoke about the intensity of the schedule and the collaborative effort behind making a first feature under lean conditions, with the emphasis throughout remaining on the script rather than any assumptions about where the film might land.

Hot Water marks Bashour’s debut as a writer-director and unfolds as a restrained road comedy, using everyday spaces, highways, motels, diners, to explore family tension, cultural distance, and uneasy connection. The film moves between English, Arabic, and French, reflecting the layered identities at the center of the story.

The film continues its Sundance run as part of the festival’s U.S. Dramatic Competition lineup.

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Blood Barn Brings Campy ’80s Horror Energy in New Trailer

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blood-barnA new trailer has dropped for Blood Barn, a throwback horror-comedy that leans hard into summer-camp chaos, practical effects, and unapologetic camp.

Set in the summer of 1985, the film follows Josie, a camp counselor who gathers her closest friends for one last weekend together at her family’s remote barn before everyone heads off to college. It’s meant to be nostalgic. It isn’t. The barn has a past, the vibes are off almost immediately, and things unravel fast once curiosity turns into something darker.

Starring Chloe Cherry alongside Lena Redford, Bambina, and Sam Lanier, Blood Barn doesn’t shy away from excess. It plays like a love letter to ’80s slashers and low-budget horror comedies, complete with wild energy, bad decisions, and a body count that escalates quickly once whatever’s lurking in the barn wakes up.

Written and directed by Gabriel Bernini (with co-writer Alexandra Jade), the film embraces practical effects and group-watch chaos over polish. At just over 75 minutes, Blood Barn looks built for midnight screenings, festival crowds, and horror fans who like their scares mixed with laughs.

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