Malcolm Todd Hits the Road This Fall With His Biggest North American Tour Yet

Malcolm Todd is taking his breakout album Do That Again on the road. The rising pop artist just announced a 28-date North American tour kicking off September 2nd in Irving, Texas, with stops at some of his biggest venues yet, including Radio City Music Hall in New York, the Greek Theatre in LA, and Boston’s MGM Music Hall at Fenway.

The timing makes sense. Do That Again dropped last week via Columbia Records and immediately flooded streaming charts. All 13 tracks hit the U.S. Spotify chart, while the album climbed to #5 on Apple Music’s Top 200. Add in catalog hits like “Earrings” and “Sweet Boy,” and Malcolm now has 16 songs charting stateside.

Three years ago, he’d never played a show. Last year, he moved 100,000 tickets across three continents. Now he’s selling out venues that would’ve seemed impossible just months ago.

The album itself captures Malcolm mid-evolution, blending classic pop songwriting with modern R&B as he processes a breakthrough year spent mostly on tour. Rolling Stone gave it four stars. The Los Angeles Times called it a more mature Malcolm, embracing vulnerability over easy hits.

Presale starts Tuesday, June 9 at 10am local time. General onsale follows Thursday, June 11. Full tour dates and VIP packages available at MalcolmTodd/Tour.

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“Miss Representation” Returns With a Tech Era Warning About Sexism’s Digital Amplification

Filmmaker Jennifer Siebel Newsom is back at Tribeca with “Miss Representation: Rise Up,” a follow-up to her 2011 doc that examined how media distorts the image of women and keeps them out of power.

The new film, running 87 minutes, tackles how technology is making everything worse. It looks at cultural backlash against women’s mental health, agency, and power, with digital platforms accelerating sexism and misogyny in ways that couldn’t have been predicted when the first film dropped.

Newsom, California’s First Partner, brings a heavy lineup of voices. Hillary Rodham Clinton, former Speaker Nancy Pelosi, Sen. Amy Klobuchar, Facebook whistleblower Frances Haugen, and tech critic Safiya Noble all feature, alongside activists Reshma Saujani and Jameela Jamil.

The original “Miss Representation” led Newsom to create The Representation Project, which sparked campaigns like #NotBuyingIt and helped amplify #MeToo and #TimesUp. Her films have reached tens of millions globally. She’s also behind “The Mask You Live In” and executive produced Oscar-nominated “The Invisible War.”

This matters because while women have made gains since 2011, the digital landscape has created new battlegrounds. Understanding how tech amplifies old biases is crucial for anyone trying to level the playing field in media and beyond.

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Inside Cameroon’s First Prison Recording Studio, a Music Doc Gets the Taika Waititi Treatment

A documentary about inmates making music in one of Africa’s toughest prisons just premiered at Tribeca, and it’s got some serious firepower behind it.

Jail Time Records follows the artists of Cameroon’s Central Prison of Douala, home to the first recording studio inside an African prison. Directors Dione Roach and Steve Happi spent time in the crammed alleyways of the facility, documenting inmates like Empereur, Stone, Transporteur, and The Guide as they transform into recording artists.

The film landed executive producers Taika Waititi and Rita Ora, along with backing from Artists Equity, Matt Damon and Ben Affleck’s production company. Waititi showed up for the June 6 premiere at AMC 19th St., joined by the directors and fellow EP Caitlin Alba-Rothstein.

It’s a bold subject. Prison docs aren’t new, but centering one around a functioning recording label inside a Cameroonian facility puts a fresh spin on both the music doc and incarceration storytelling. The film treats its subjects as artists first, not just inmates with a hobby.

For indie filmmakers, this is a reminder that the most compelling stories often come from the margins. You don’t need a Hollywood budget to find something worth documenting. You just need to look where others aren’t.

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Paw Patrol Pups Meet Rhubarb the Dino Ahead of August Theatrical Release

The Paw Patrol is going prehistoric. Paramount Animation and Spin Master Entertainment dropped a first look at Rhubarb, a new dinosaur character joining the pack in “Paw Patrol: The Dino Movie,” timed to National Dinosaur Day.

The new featurette also introduces Timmy the T-Rex and features voice work from McKenna Grace, Jameela Jamil, Terry Crews, and Jennifer Hudson. Cal Brunker directs from a script he co-wrote with Bob Barlen, based on Keith Chapman’s TV series.

The story follows the Paw Patrol pups after they crash land on a tropical island filled with dinosaurs. They team up with Rex, a pup who’s been stranded there for years and knows his way around the prehistoric wildlife. Things go sideways when Mayor Humdinger starts mining the island and accidentally triggers a dormant volcano. The pups have to pull off their biggest rescues yet to stop everything from going extinct.

The cast also includes Snoop Dogg, Bill Nye, Paris Hilton, and Fortune Feimster. It’s a stacked lineup for what’s shaping up to be a much bigger adventure than the usual Paw Patrol fare.

“Paw Patrol: The Dino Movie” hits theaters August 14, 2026.

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Dark New Short “I Think About Killing You” Explores Athlete Abuse at Tribeca Festival

A collegiate rower’s violent fantasies about her abusive coach take center stage in “I Think About Killing You,” a new psychological thriller making its world premiere at Tribeca Festival on June 4.

Writer-director Ran Ran Wang draws from her own experience as an athlete for the 14-minute short. The story follows Dani, captain of a Division One rowing team, whose intrusive thoughts about killing her coach spiral when she’s pushed past her breaking point.

The film stars Tiana Le (“Insecure,” “Just Add Magic”) as Dani and Bridget Regan (“Agent Carter,” “John Wick”) as her coach. The cast also includes Charlie Morgan Patton and Miya Kodama.

Wang, whose feature screenplay “If I Had Your Face” made the 2023 Black List, says the film is “for anyone who has ever been an athlete, any woman who has ever had a complicated relationship with an older authority figure, and anyone who loves an anxiety-inducing thriller.”

“I Think About Killing You” comes from Rideback RISE, Dan Lin’s nonprofit accelerator for mid-career POC filmmakers. The program has hosted industry heavyweights like Issa Rae, Jon M. Chu, and Destin Daniel Cretton.

The short will screen three times during Tribeca: June 4 and June 11 at Spring Studios, and June 13 at AMC 19th Street.

This matters because it tackles a subject rarely explored on screen, rooted in the lived reality of women abused within institutional sports.

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Live Nation Takes Majority Stake in Dale Play to Expand Latin Music in Argentina

Live Nation just made a major move in Argentina’s live music scene.

The concert giant acquired a majority stake in Dale Play Live, a homegrown promoter focused on Spanish-language artists and regional talent. Dale Play founder Federico Lauria stays on to lead creative direction and will help develop Latin artists for global markets.

The deal strengthens Live Nation’s position in Buenos Aires, the second largest music market in South America. Dale Play brings deep local connections with emerging artists and younger audiences, while Live Nation’s existing partner DF Entertainment continues handling international tours and major events.

It’s a two-pronged strategy. DF Entertainment focuses on bringing global acts to Argentina. Dale Play builds up Spanish-language artists from the ground up.

“Dale Play was founded with the vision of supporting artists and building a platform that empowers them to grow locally and globally,” Lauria said. “Being partners with Live Nation represents a tremendous opportunity to continue expanding artists from Argentina and Latin America to the world.”

For indie and regional Latin artists, this could mean more resources, bigger stages, and real pathways to international audiences. Live Nation gets stronger roots in a market that’s only growing.

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Woody Harrelson and Demi Moore Team Up for Final Chapter of Regenerative Agriculture Doc Trilogy

A documentary about soil just won at Cannes, and it’s landing on Prime Video this Friday.

“Groundswell,” executive produced and narrated by Woody Harrelson and Demi Moore, completes a trilogy that started with “Kiss the Ground” and “Common Ground.” Directed by Josh and Rebecca Harrell Tickell, the film spans five continents to track a global farming revolution that’s quietly addressing climate change, species extinction, and soil loss all at once.

The premise is straightforward. Regenerative agriculture builds living soil, stores carbon underground, and produces more nutrient-dense food per acre. The film shows farmers, scientists, and Indigenous leaders already proving it works at scale. Grasslands are recovering. Rivers are running cleaner. Yields are climbing.

The doc took home the Golden Globes Prize for Documentary at the 2026 Cannes Film Festival, earning recognition for a film that wraps a very real environmental crisis in accessible, solutions-focused storytelling. Prince William even makes an appearance, introducing regenerative rancher Gabe Brown in a symbolic passing of the torch.

While “Kiss the Ground” introduced soil health to a mainstream audience and “Common Ground” tackled policy and power, “Groundswell” closes the loop with a global call to action. It’s rare to see a documentary trilogy stick the landing, especially one built around dirt. This one might actually matter.

“Groundswell” hits Prime Video June 5.

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Sara Bareilles Returns With First Album in Seven Years, Fall Tour, and Tribeca Doc Premiere

By Armando

sara-bareillesSara Bareilles is coming back in a big way. The Grammy-winning singer-songwriter just announced Good Grief, her first studio album since 2019’s Amidst the Chaos, dropping August 28 on Epic Records.

The 14-track collection confronts loss head-on while threading hope through its darkest corners. “This whole collection of songs felt like transmissions rather than a deliberate attempt to make sense of the world,” Bareilles says. “My deepest hope is that Good Grief provides some kind of comfort or catharsis.”

First single “Home” arrives today, inspired by a conversation between Stephen Colbert and Anderson Cooper about grief. The album features collaborators like Brandi Carlile, Ingrid Michaelson, and the late poet Andrea Gibson, with production handled by Bareilles alongside Aaron Dessner at Long Pond Studios.

The rollout includes a Good Grief Tour kicking off September 9 in Boston, hitting Radio City Music Hall, Chicago Theatre, and the Dolby Theatre across 18 North American cities. Tickets go on sale June 10, with artist and presales starting June 8.

A documentary capturing the album’s creation premieres at Tribeca Festival on June 4, offering an intimate look at Bareilles returning to the studio after seven years. It’s a creative process laid bare, grief and all.

For an artist who’s conquered Broadway with Waitress and earned Emmy nods for Girls5eva, this marks a deeply personal homecoming to her roots.

SARA BAREILLES LIVE

September 9: Boston, MA, MGM Music Hall at Fenway
September 12: Washington, D.C., The Anthem
September 15: Toronto, ON, Massey Hall
September 18: New York, NY, Radio City Music Hall
September 21: Philadelphia, PA, The Met Philadelphia presented by Highmark
September 24: Atlanta, GA, Fox Theatre
September 25: Cincinnati, OH, Taft Theatre
September 27: Chicago, IL, Chicago Theatre
September 30: Minneapolis, MN, Orpheum Theatre
October 2: St. Louis, MO, Stifel Theatre
October 4: Denver, CO, Bellco Theatre
October 6: Austin, TX, Bass Concert Hall
October 7: Houston, TX, The Hobby Center for the Performing Arts
October 12: Los Angeles, CA, Dolby Theatre
October 13: Los Angeles, CA, Dolby Theatre
October 16: San Francisco, CA, Bill Graham Civic Auditorium
October 19: Seattle, WA, The Paramount Theatre

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New Documentary “We Are Pat” Hitting Theaters This Week

We-Are-PatRemember “Pat,” that divisive SNL character from the ’90s? A new documentary is cracking it back open.

“We Are Pat,” directed by Rowan Haber, starts its theatrical run May 29 in New York before expanding nationwide this summer. Tribeca Films will release it digitally June 23.

The film revisits Julia Sweeney’s androgynous character, which became an SNL phenomenon before facing backlash as conversations around trans and non-binary identity evolved. But instead of just rehashing the controversy, Haber assembles an all-trans writers room to create a brand new 2025 Pat sketch.

“I was interested in what happens when you don’t try to resolve a cultural artifact, but instead reopen it and see what’s still alive inside it,” Haber says.

The doc features interviews with Sweeney herself, Kevin Nealon, and a roster of trans comics including Molly Kearney, Murray Hill, Sabrina Wu, and River Gallo. Even Sweeney admits she didn’t know if the film would be “sympathetic or problematic,” adding it’s “so much deeper and richer and more provocative than I ever imagined.”

The producing team includes Emmy winner Caryn Capotosto (“Won’t You Be My Neighbor?”) with executive producers Alan Cumming and Lilly Wachowski.

For indie filmmakers tackling cultural reckonings, this is how you do it: with nuance, humor, and the people most affected leading the conversation.

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What Happens When You Chase Your Dream Through The Asylum’s Sharknado Machine

MockbusterAn Australian director stuck making corporate videos pitches himself to direct a dinosaur movie for The Asylum, the studio behind Sharknado. They actually say yes. What could go wrong?

MOCKBUSTER drops July 10 in theaters and on digital, just in time for shark week. It’s a documentary about Anthony Frith’s wild six-day shoot of The Land That Time Forgot in suburban Adelaide on a budget he describes as “aspirational.”

Here’s the twist: Frith is directing both the B-movie and the documentary about making it. So you get the full beautiful chaos, rubber dinosaurs, last-minute rewrites, demanding LA execs, and his own self-doubt included.

The Asylum might get mocked, but they’ve built a global empire over two decades. Sharknado became a phenomenon. Their mockbuster model actually works.

What starts as a chronicle of chaotic production becomes something more. It’s about chasing the dream through the absurd hustle of genre filmmaking and finding success where you didn’t expect it.

The doc got competitive national funding from Screen Australia, proving the country’s documentary scene is thriving. Executive producers include Tickled filmmaker David Farrier.

Opening night includes a red carpet screening July 9 at Laemmle Glendale, plus runs in Philly, Indy, Toronto, and Portland.

For indie filmmakers wondering if they should take the shot, this one’s for you.

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