By: Melgie Claire

Subsequent to declaring another album was underway earlier this month, Snoop Dogg is back with the official cover art for his fifteenth studio album, “Neva Left”, which fills in as the follow-up to 2016’s “Coolaid”. The matchless Doggfather took to Instagram to share the cover art and furthermore the album is to be released on May 19. With the expectation just building all the more every week, the veteran rapper proceeded and debuted the official album cover for his new venture on his Facebook page.

Snoop fused a return photograph of him taken by amazing photography Chi Modu, who has taken shots of notable hip-hop stars since the 1990s. In the cover art for Neva Left, Modu’s exemplary photograph indicates Snoop remaining under an expressway 187 sign in California in 1993, where the words “Neva Left” are written on the post in white paint.

While disclosing the photograph to XXL, Modu expressed, “That is my photograph taken of Snoop in 1993 when we were taking a shot at pictures for his album Doggystyle. We needed to take it at the highway 187 sign as a result of his verse in “Deep Cover”. The photo shows a youthful Snoop Dogg, brandishing his previous jheri curl hairdo that ended up noticeably well-known amid his introductory album years.
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By: Melgie Claire

We’re back at the 2017 Coachella Valley Music and Expressions Celebration for a moment few days of music, daylight and the majority of the Coachella vibes. Things commenced Friday, April 21, with a ton of warmth.

That is correct, the Empire Polo Club in Indio was hot, and for the most part on account of the huge shining circle in the sky. Saturday and Sunday will be considerably more sultry, with temperatures anticipated that would hit triple digits.

Be that as it may, the groups kept it way cool. Tennis had a marvelous set ahead of schedule in the Mojave Tent and Tacocat even conveyed a bubble machine out to the Sonora organize!
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By: Melgie Claire

Nelly Furtado – The_Ride

With 2006’s gleaming, Timbaland-created Loose, Nelly Furtado went from hippie-ish vocalist of “I’m Like a Bird” to a startling pop star with numerous Main 10 hits. The vocalist, in any case, has been experiencing a melodic identity crisis from that point onward, she overlooked subsequent meet-ups wavering between her people history and her pop achievement. The sixth album, “The Ride”, accomplishes balance.

Taking signals from recent partner Dev Hynes, an artist who makes enthusiastic synth-pop, Furtado’s first album on her label finds a home in crunchy outside the box driven tunes that superbly fit her innovative verses. Opening track “Cold Hard Truth” is one of her finest in years, an infectious single with one of the collection’s heaviest beats. The appealing “Paris Sun” conveys a menacingly sexy synth reminiscent of Nine Inch Nails’ “Closer” however with a milder touch.

The Ride’s essential blemish is obvious in its insignificant titles. A lot of the record, especially the ballads, falls into the lyricist’s trap of taking an arrogance and composing each and every piece of subtext out of it.

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