By Niy Birden
2018 is truly off to a great start in musical terms. Although the Grammys hit quite a sour spot with their very confusing awards ceremony this season, the results of intersectional feminism and the #TimesUp movement have nonetheless paved a way for female artists to have a more direct platform perfect for their voice. The Grammys were a testament to that.Janelle Monae is no exception, but is without a doubt one of the rare artists with a genuine spirit. Her story though, is what is most fascinating for her reappearance in music:
If you are like most, Janelle Monae was first introduced to us with her massive single “Tightrope”, which uses musical elements made famous by James Brown, Little Richard and Chuck Berry to form a dance R&B sound as quite an oddity in the early 2000s. The song, using a dance move as a metaphor for one’s own doctrine, has since then become a staple of Monae’s and is what introduced many to the world as a funk-tip toeing signature song for the musical magician.
This was our introduction to Janelle’s altar ego and the center of the stage, Cindi Mayweather, a rogue android in a dystopian future who has been declared as an outlaw.
But if you are a mega-fan of Janelle’s, you’ll know very well that the introduction to this songstress was more like during active Outkast days, when her song was added on Big Boi’s Got Purp? compilation album, and soon after made two appearances on Outkast’s Idlewild album, which was actually a soundtrack to their film of the same name. Not long after, she released her first official solo album, which is a very rare copy of her earlier works.
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