Bitter Rice, Giuseppe De Santis’ Neo-Realist Classic, Returns in a New 4K Restoration

bitter-riceGiuseppe De Santis’ Bitter Rice (1949), one of the most provocative and influential films of Italian neorealism, will screen at Film Forum from January 30 through February 5 in a newly restored 4K edition.

Set during planting season in Northern Italy’s Po Valley, Bitter Rice follows a group of rice-field workers known as the mondine, focusing on an earthy laborer played by Silvana Mangano who becomes entangled with a small-time criminal, portrayed by Vittorio Gassman, and his glamorous accomplice, played by Doris Dowling. The film blends social realism with melodrama, pairing its portrait of grueling manual labor with sex, crime, and moral tension.

Filmed on location with real mondine visible in the background, Bitter Rice stands out even within neorealism for its raw physicality and pulp energy. The film was an early international success for producer Dino De Laurentiis, premiered at the 1949 Cannes Film Festival, and earned an Academy Award nomination for Best Story the following year.

De Santis, who came up as a critic and screenwriter before directing, was deeply shaped by anti-Fascist film culture in Italy and by his collaborations with figures like Luchino Visconti and Roberto Rossellini. Bitter Rice reflects that background, merging political consciousness with a visceral, almost sensational style that helped broaden the reach of neorealism beyond strictly austere realism.

The new 4K restoration offers a rare chance to see Bitter Rice with renewed visual clarity, restoring the texture and immediacy of a film that helped redefine postwar European cinema, and remains strikingly modern in its mix of social critique and genre filmmaking.

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IMAX Had Its Biggest Year Ever… and the Movies Driving It Might Surprise You

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Avatar: Fire and Ash
20th Century Studios

IMAX closed out 2025 with the strongest box office performance in its history, pulling in a record $1.28 billion globally. That’s a 40 percent jump over 2024 and even higher than the company’s pre-pandemic peak in 2019, a notable milestone at a time when the broader theatrical business is still finding its footing.

What stands out isn’t just the total, but where the money came from. IMAX’s top-grossing films of the year weren’t dominated by traditional Hollywood blockbusters alone. The biggest title on IMAX screens was Ne Zha 2, a Chinese animated epic that barely registered in North America but became a massive global hit. It was followed by Avatar: Fire and Ash, F1: The Movie from Apple, the anime phenomenon Demon Slayer: Infinity Castle, and Mission: Impossible – The Final Reckoning.

That mix tells a bigger story about how IMAX is positioning itself. The company’s growth is increasingly tied to international audiences, anime fans, and filmmakers who deliberately shoot with IMAX cameras, not just tentpole franchises aimed at U.S. multiplexes. In fact, local-language films accounted for more than $400 million of IMAX’s box office in 2025, a record for the format.
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Oscar-Shortlisted Short Documentary Perfectly a Strangeness Sets NYC Screenings

perfectly-a-strangenessAlison McAlpine’s short documentary Perfectly a Strangeness continues its awards-season run with two upcoming New York City screenings in January, following its inclusion on the Academy Awards’ 2026 shortlist for Best Documentary Short.

The 15-minute Canadian film, which premiered in Official Competition at the 2024 Cannes Film Festival, unfolds in a desert landscape where three donkeys encounter an abandoned astronomical observatory. Blending documentary with elements of myth, science fiction, and philosophical inquiry, the film explores perception, curiosity, and humanity’s relationship to the cosmos through a strikingly sensory approach.

Perfectly a Strangeness has earned significant critical praise, with Deadline calling it “one of the most cinematic documentaries of the year,” and The Film Verdict describing it as “a heady blend of myth, science fiction, documentary, comedy and philosophical exploration.” The film has also screened at TIFF, IDFA, and more than 70 international festivals.

The New York screenings include a January 7 showing at Quad Cinema, followed by a Q&A with critic Jordan Hoffman, and a January 10 screening at DCTV with a post-screening conversation led by filmmaker Penny Lane.

McAlpine, whose previous work includes the acclaimed feature documentary CIELO, is a Guggenheim Fellow and is currently developing her first narrative feature alongside a new hybrid documentary project.

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Michael Jai White, Tyrese Gibson, and Isaiah Washington Star in Oscar Shaw Trailer

oscar-shawSamuel Goldwyn Films has released the official trailer for Oscar Shaw, a new action thriller starring Michael Jai White alongside Tyrese Gibson and Isaiah Washington. The film is set to arrive in theaters and on digital platforms on January 9.

White plays a retired police detective who takes justice into his own hands after the death of his closest friend, launching a familiar vengeance-driven storyline that places him back on the streets he once swore to protect. Directed by R. Ellis Frazier and Justin Nesbitt, Oscar Shaw leans heavily into genre staples, with shadowy visuals, street-level gunfights, and tough-talking confrontations framing its revenge narrative.

The trailer positions Oscar Shaw squarely within the wave of low-budget, direct-to-VOD action films that White has increasingly headlined in recent years, offering another vehicle for his physical presence and fight choreography rather than a reinvention of the genre. For fans of straightforward revenge thrillers, the film appears to deliver exactly what it promises, with little interest in subverting expectations.

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Peaky Blinders Returns With Feature Film The Immortal Man, Set for March Release

Peaky-BlindersPeaky Blinders is officially returning with a new feature film, Peaky Blinders: The Immortal Man, continuing the story of Tommy Shelby four years after the series concluded on Netflix. The film is written by series creator Steven Knight and directed by Tom Harper, who previously helmed episodes of the original series.

Set in 1940 against the backdrop of World War II, The Immortal Man follows Tommy Shelby, played once again by Cillian Murphy, as he is drawn out of self-imposed exile to confront what may be his most consequential reckoning yet. According to the film’s synopsis, the future of both the Shelby family and the country hangs in the balance as Tommy is forced to confront his past, his legacy, and the cost of survival in a world at war.

Murphy, who recently won an Academy Award for Oppenheimer, said returning to the role felt unfinished. “It seems like Tommy Shelby wasn’t finished with me,” he noted in a statement released alongside the teaser. Steven Knight has described the film as an “explosive chapter” in the Peaky Blinders saga, positioning it as a wartime continuation rather than a quiet epilogue.

The cast includes returning and new faces, with Rebecca Ferguson, Barry Keoghan, Tim Roth, Sophie Rundle, Stephen Graham, and others joining Murphy. The film is produced in association with BBC Film and continues Netflix’s strategy of extending marquee series through standalone features.

Peaky Blinders: The Immortal Man will debut in select theaters on March 6, 2026, before arriving on Netflix on March 20, 2026.

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Tron: Ares Sets Disney+ Streaming Debut

ares-disney-plusTron: Ares, the latest installment in Disney’s long-running sci-fi franchise, will make its streaming debut on Disney+ on January 7, bringing the Tron universe back to screens more than a decade after Tron: Legacy.

Directed by Joachim Rønning, the film expands the series’ exploration of the digital “Grid,” centering on Ares, a highly advanced program sent from the virtual world into the real one. The storyline frames the mission as humanity’s first direct encounter with artificial intelligence beings, positioning the film within ongoing cultural conversations about AI and technology.

Tron: Ares will be available in IMAX Enhanced on Disney+, preserving the expanded aspect ratio and sound mix originally designed for theatrical exhibition. The film features a new original score by Nine Inch Nails, continuing the franchise’s emphasis on electronic music as a defining element of its atmosphere.

The release also coincides with renewed availability of Tron (1982) and Tron: Legacy (2010) on the platform, allowing viewers to revisit the series’ evolution ahead of the new chapter.

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Brigitte Bardot, Iconic French Film Star and Cultural Figure, Dies at 91

Bardot in “The Woman and the Puppet”Brigitte Bardot, the French actor, singer, and international cultural icon who rose to global fame in the 1950s before leaving cinema to become a prominent animal rights activist, has died at the age of 91. Her death was announced by the Brigitte Bardot Foundation, which did not disclose a cause.

Bardot became an international sensation with her breakthrough role in Roger Vadim’s And God Created Woman (1956), a film that reshaped attitudes toward sexuality in postwar cinema and established her as one of France’s most recognizable celebrities. Over the following two decades, she starred in more than 40 films, including The Truth, Contempt, and Viva Maria!, working with directors such as Jean-Luc Godard, Louis Malle, and Henri-Georges Clouzot.

She retired from acting in 1973 at age 39 and devoted her life to animal welfare, founding the Brigitte Bardot Foundation in 1986. In later years, Bardot remained a polarizing public figure due to her outspoken far-right political views and repeated convictions in France for inciting racial hatred.

French President Emmanuel Macron called Bardot “a legend of the century,” noting her lasting impact on French culture. She is survived by her son, Nicolas-Jacques Charrier.

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Charlize Theron and Taron Egerton Face a Deadly Wilderness Hunt in Netflix Thriller Apex

apexNetflix has released the first teaser for Apex, a survival thriller directed by Baltasar Kormákur (Everest, Adrift), set in the Australian wilderness. The film stars Charlize Theron as a grieving woman whose search for solitude turns into a deadly game of cat and mouse with a serial killer, played by Taron Egerton.

The teaser emphasizes isolation, psychological tension, and the unforgiving natural environment, positioning the landscape as a central force in the story. Brief footage suggests a stripped-down narrative focused on endurance, pursuit, and survival rather than spectacle.

Shot on location in New South Wales, Apex also stars Eric Bana and was filmed using real outdoor locations, including remote rivers and mountain terrain. The film continues Kormákur’s interest in extreme environments and human vulnerability, a recurring theme in his previous work.

Apex premieres globally on Netflix on April 24, 2026.

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Christopher Nolan Unveils First Trailer for Epic Adaptation of The Odyssey

the-odysseyUniversal Pictures has released the first trailer for The Odyssey, Christopher Nolan’s epic adaptation of Homer’s ancient Greek poem. The film stars Matt Damon as Odysseus, the King of Ithaca, on his perilous journey home following the Trojan War.

The teaser offers glimpses of large-scale sea voyages, shipwrecks, and the famed Trojan Horse, while hinting at the mythic dangers Odysseus will face, including legendary monsters and supernatural forces.

The footage also introduces Tom Holland as Telemachus and Anne Hathaway as Penelope, Odysseus’ wife, whose plea for his return frames the trailer’s emotional core.

The cast includes Robert Pattinson, Zendaya, Lupita Nyong’o, Charlize Theron, Mia Goth, Benny Safdie, Jon Bernthal, and John Leguizamo. Nolan wrote and directed the film, producing alongside Emma Thomas, and shot the project using newly developed IMAX film technology to stage the story on an epic scale. The Odyssey is scheduled for theatrical release on July 17, 2026.

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Michael Apted’s The Long Way Home Returns in Remastered, Expanded Form at MoMA Festival

michael-apted The Long Way HomeMichael Apted’s documentary The Long Way Home will receive its world premiere in a newly remastered and expanded edition at To Save and Project: The 22nd MoMA International Festival of Film Preservation in January.

The 2026 version has been restored from the only surviving 16mm print under the supervision of producer Steven Lawrence and editor Susanne Rostock. The updated edition also includes a newly created epilogue examining the later life of Soviet rock icon Boris Grebenshchikov, whose career and exile following the release of his Western album Radio Silence are revisited decades after the film’s original release.

Originally released in the late 1980s, The Long Way Home follows Grebenshchikov as he became the first Soviet underground rocker to record in the West during the early days of Glasnost. The film documents his collaborations with Western musicians including Dave Stewart, Annie Lennox, Chrissie Hynde, Ray Cooper, and members of Crosby, Stills & Nash, while also capturing tensions with his longtime band Aquarium and his Russian audience.

The remastered edition will screen at MoMA on January 28, with an in-person introduction by Lawrence and Rostock.

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