FandaFandango Acquires MovieTickets.com

…Creating Global Suite of Movie Ticketing Properties With Mission Of Getting More Moviegoers Into Theaters Worldwide.

fandango.com

PRESS RELEASE

LOS ANGELES and BOCA RATON, Fla., Oct. 13, 2017 /PRNewswire/ — Fandango, a leading digital network for all things movies, announced today it has signed a definitive agreement to acquire MovieTickets.com, a popular online movie ticketer serving moviegoers in the United States, Canada, the United Kingdom, and Latin America. MovieTickets.com will join brands Fandango, Flixster, Ingresso and Fandango Latin America to create a suite of movie ticketing properties, serving hundreds of millions of moviegoers worldwide. The deal is subject to customary closing conditions and is anticipated to close in Q4 2017.

The addition of MovieTickets.com will further Fandango’s goal of full national coverage, ensuring that moviegoers can purchase advance tickets to their favorite local theaters anytime, anywhere and on any device. Once completed, the acquisition will bring to Fandango’s ticketing network new exhibitors including National Amusements, Cineplex, Landmark Theatres and Marquee Cinemas, as well as many independent theater chains.

It will also expand the company’s footprint in Latin America, and establish a ticketing presence in Canada and the United Kingdom for the first time. After the acquisition is complete, MovieTickets.com will continue to operate from its headquarters in Boca Raton, Florida.

“MovieTickets.com has done a terrific job, building a popular and trusted brand with millions of loyal customers and hundreds of exhibitors, and has been a champion of serving theater circuits large and small for nearly two decades,” said Fandango President Paul Yanover. “We look forward to sharing an array of mobile and social media innovations with their customer base to enhance the movie discovery, planning and ticket buying experience.”
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CMT Interview: Andrew Hollander About Composing the World of A Serial Killer, Amongst Other Things.

By Niy Birden

composer Andrew Hollander


It is a widespread idea that the mind of a composer is often a rambunctious and claustrophobic one, with numerous do-overs and second thoughts. It is especially difficult when making something for a designated medium or even, for another person. Strangely enough, this understanding can also be applied to psychopathic killers. But according to Andrew Hollander, things really aren’t that complicated. With having enough context and musical ambition, plus a little luck-finding the perfect balance between the “colors” of a score and a hinting script was enough to craft the subtle sounds for My Friend Dahmer, a daring and even funny coming-of-age autobiography about one of America’s most interesting serial killers.

Q: Okay, so for starters, this may seem a little bit weird to ask, but I know that music is becoming more digital now- there’s so many apps and different DAWs- so I have to ask, do you play any instruments?

A: I do, no-clearly that’s not a crazy question, I do, I play a bunch of instruments. I mainly play piano and any sort of keyboard instruments, but I play a bit of guitar, bit of drums, you know.

Q: I notice there aren’t really any leads to your origins. What got you specifically into composing, and how did you get started in the niche? Also, which came first, songwriting or film composing?

A: They came at more or less the same time, funny enough-when I started playing music,I was like, I think 12 or 13 and I was in a bunch of rock bands…

FilmRise

I started writing, some song stuff, some instrumental stuff, but I felt like-I always loved movies, so film scoring always kind of intrigued me, and then after college I moved to NY. And I got hired for this really low-budget indie film to score it, but they also needed some songs, so I also ended up doing both on that film. And it kind of just set me on that path, I was always doing things pretty much in parallel, sometimes I would do-and still do- a score and songs, for a film, but I was always working with different artists and bands on records and scoring films. Like certain years I might be busy with one more than the other, but I always liked just working in both worlds. One was never…neither of them was ever peripheral, both were really important to me and really inspiring to me. And so, they seem to be very parallel paths to me.
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New Teaser Art For “Thoroughbreds”

By Creative Media Times

Focus Features

Focus Features has released a new teaser art for “Thoroughbreds,” ahead of the film’s teaser trailer release next week.

Directed by Cory Finley from a screenplay he also wrote, the drama thriller stars Anya Taylor-Joy (“Split”), Olivia Cooke (“Me and Earl and the Dying Girl”), Paul Sparks (Netflix’s “House of Cards”) and Anton Yelchin (“Star Trek” films) in his last role before his tragic death last year.

Early this year, the movie premiered at Sundance Film Festival, and is scheduled for release on select theaters March 9, 2018.

Here’s the film’s official synopsis:

Childhood friends Lily and Amanda reconnect in suburban Connecticut after years of growing apart. Lily has turned into a polished, upper-class teenager, with a fancy boarding school on her transcript and a coveted internship on her resume; Amanda has developed a sharp wit and her own particular attitude, but all in the process of becoming a social outcast. Though they initially seem completely at odds, the pair bond over Lily’s contempt for her oppressive stepfather, Mark, and as their friendship grows, they begin to bring out one another’s most destructive tendencies. Their ambitions lead them to hire a local hustler, Tim, and take matters into their own hands to set their lives straight.

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Radiohead Among Nominees For 2018 Rock and Roll Hall of Fame

By Armando

Parlophone – EMI


It seems like it was only yesterday that Radiohead released their debut single “Creep,” the quintessential track from their album “Pablo Honey” which brought them worldwide success.

But that was 1992, making the influential English alternative rock band seemingly a shoo-in for induction on their first year of eligibility to the Rock and Roll Hall of Fame, where performers qualify for induction 25 years after the release of their first commercial recording.

Along with Rage Against the Machine, Dire Straits, Judas Priest, among others, Radiohead is one of 9 first-time nominees for 2018 induction class. In total, there are 19 nominated artists announced on Tuesday.

By December this list will be truncated to five and revealed as Class of 2018. They will then be inducted during a ceremony at the Public Hall in Cleveland, Ohio on April 14th, 2018, an annual musical occasion which includes numerous performances by both the inductees and the presenters.

According to Rock & Roll Hall Of Fame website, fans will be able to participate in the selection process by selecting 5 artists at a time. This will comprise the “fan ballot” and will be tallied alongside the ballots from Rock Hall voting body, which is a group of more than 900 artists, historians and music-industry professionals.

Throughout the past, inductees include some of the most influential names in rock history, such as Chuck Berry, The Beatles, The Rolling Stones, and The Jackson 5. Last year, Electric Light Orchestra, Joan Baez, Journey, Pearl Jam, Tupak Shakur, and Yes comprised the 2017 Hall of Fame class.

For the full list of nominees, click here.

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Jenna Mattison on Her Directorial Debut The Sound, and Being A Headstrong Filmmaker

Jenna Mattison


By Niy Birden

In Jenna Mattison’s directorial debut for “The Sound”, we experience Rose McGowan as Kelly, a completely in-for-it-all ghost buster who finds herself uncovering secrets of the death of a suicide victim in a subway station. Through social media and thoughtful, star-studded interactions both living and dead, we get to see the emotional breakthrough for a character based in survival and deep emotional and mental pain. But the character of Jenna Mattison I’ve found, is a far more interesting character, and like Kelly, has many sides.

Q: The film seems like an antithesis of your acting work- Is this by design?
J: You know, I had an injury about 10 years ago, and went through subsequent surgeries over 5 to 6 years and that essentially ended my acting career. And during that time period, I went deaf on one side…it was insane. And when something that intense happens to you, it changes your perspective a lot. And it kind of makes you a more soulful person, may be in ways darker? [laughs] So when I wrote the sound, it was definitely different than my previous writing because it was a very different experience for me. And within that, my writing as a filmmaker changed.

Q: Did you put a lot of your experience in the film, or find yourself seeing some similarities in there?

J: I wouldn’t say that, but definitely the importance of sound, you know, for someone who has had their hearing damaged. And you realize..how much, how we hear. And how we see the world, because it also changes because it gets heightened. You just realize how important it is. And so I got really interested in sound, and then this sort of you know, came out of that.

Q: How do you compare the creative process of doing a darker plot vs softer characters? Which inspire you more?

The Sound


J: I’m into all sorts of different things, so I wouldn’t necessarily say I’m really one or the other, but I do really enjoy sort of getting into characters and people that are a bit broken, that their lives (past) have shadowed their view of the world and kind of made them a bit darker, so yeah I guess in that, that is a reflection of the person I’ve grown to become since my injury and, you know…the [sarcastic]“nightmare that happened to me” [laughs].

We then started talking about how her injury was an empowering one, especially since women are really held into looking a certain way on screen.

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First “Tomb Raider” Poster Highlight Star Alicia Vikander

By Creative Media Times

Warner Bros. Picture

Warner Bros. and MGM has debut the first poster of “Tomb Raider”, which features Alicia Vikander ready for action, ahead of the first trailer’s release on Tuesday. Fans of the franchise also got their first look of the film in an action packed 15-second teaser trailer posted on Twitter (see below.)

The badass poster shows the Oscar-winning Vikander wearing shirt and jeans, looking over the shoulder, her back bleeding and holding a climbing ax that harks back to the 2013 Tomb Raider video game of the same name that inspired the movie.

Vikander plays the beautiful archaeologist-adventurer Lara Croft, a role that brought blockbuster stardom to Angelina Jolie in 2001’s original Lara Croft: Tomb Raider, and it’s sequel two years later in Lara Croft: Tomb Raider – The Cradle of Life.

In this reboot, Croft sets out on a high-stakes adventure to a mysterious island where her father, who disappeared seven years ago, was last seen.

Directed by Norwegian filmmaker Roar Uthaug, the film also features Daniel Wu, Walton Goggins, Hannah John-Kamen as Sophie, Antonio Aakeel and Dominic West. Tomb Raider is set to be released in March 2018.

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“Three Billboards Outside Ebbing, Missouri” Wins At Toronto Film Festival

By Creative Media Times

Fox Searchlight Pictures


Director Martin McDonagh’s dark comedy drama “Three Billboards Outside Ebbing, Missouri” was a surprise winner at Toronto International Film Festival on Sunday, winning the Grolsch People’s Choice Award, the event’s top prize. First runner up went to Craig Gillespie’s “I, Tonya”, the Tonya Harding biopic which stars Margot Robbie.

‘Three Billboards’, which screened at the Venice Film Festival earlier in the month where it took best screenplay, stars Frances McDormand as a grieving mom whose daughter was brutally raped and murdered. She then decided to commission the titular three billboards to protest and find the killer after no arrests have been made.

Considered an early harbinger for paths to the awards season, the award is voted by the TIFF moviegoers. Winners and runners up films at Toronto in the past such as “Spotlight,” “12 Years A Slave,” “The King’s Speech” and “La La Land” have gone on receive Oscar nominations. For the past 10 years, only 2011’s winner “Where Do We Go Now?” failed to score an Academy Awards best-picture nomination.

Written by Martin McDonagh, “Three Billboards Outside Ebbing, Missouri” also stars Woody Harrelson, Sam Rockwell, John Hawkes and Peter Dinklage. The film is currently scheduled for a Nov. 10 release.

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First Look At David Harbour as Hellboy

By Creative Media Times

Lionsgate

Hellboy creator Mike Mignola gives fans their first glimpse of David Harbour as Hellboy on Wednesday, posting a photo of the actor in character on social media. “Holy crap… first look #hellboy,” Mignola posted with the photo.

Harbour’s version of the powerful demon looks accurate to comics, and is not entirely a different look from that of Ron Perlman who played the role in the 2004 original and on it’s sequel in 2008, Hellboy II: The Golden Army.

The character’s latest iteration does look grittier and imposing, more realistically muscular, and has longer locks of hair .

Set to be directed by Neil Marshall, the currently untitled Hellboy reboot also stars Ian McShane, Milla Jovovich, Sasha Lane and Daniel Dae Kim.

With the release of the image, production is moving quickly as principal photography expected to get underway this month. The film is expected to be shot in U.K. and Bulgaria. The film is set to be released next year, but no specific release date has been announced.

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JJ Abrams To Direct Star Wars: Episode IX

By Creative Media Times

Lucasfilm

“With The Force Awakens, J.J. delivered everything we could have possibly hoped for, and I am so excited that he is coming back to close out this trilogy,” said Lucasfilm President Kathleen Kennedy.

JJ Abrams’s Star Wars: The Force Awakens was a dynamite at the boxoffice, $2.06 billion worldwide making it the third highest-grossing film of all time, including unadjusted $936 million domestically, above Titanic and Avatar.

As such, the director responsible for reintroducing the beloved characters of the franchise to a new generation of fans is arguably a perfect choice to close the trilogy. Abrams will co-write the film with Chris Terrio.

Last week, Lucasfilm announced that Colin Trevorrow will no longer be directing Star Wars: Episode IX. According to the statement, the split was a mutual decision.

Abrams is currently not attached to direct any film, which makes one wonder why he was not initially pursued. Though its possible his involvement with Mission: Impossible 6 and HBO’s Westworld as producer might have something to do with that.

Principal photography for Star Wars: Episode IX is expected to start early 2018 with the film’s release scheduled to be May 24, 2019.

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Patty Jenkins Officially Directing “Wonder Woman” Sequel

By Creative Media Times

DC/WB


Jenkins led Wonder Woman to critical and commercial success this summer, and on Monday, the director officially closed the deal to helm the sequel after a lengthy negotiation process, Variety reported.

To fans, this is more of a confirmation and less a surprise as Jenkins was widely speculated to return. While Wonder Woman broke multiple boxoffice records during it’s theatrical run, its been reported that Jenkins was already working on a script.

What is a revelation however is the amount she’s expected to receive for the job. According to the report, Jenkins is said to be paid “in the $8 million dollar range to write, direct and produce.” A substantial jump from the $1 million she was paid for the original.

This makes her the highest paid director of all time, above Nancy Meyers (What Women Want, Something’s Gotta Give and The Holiday), who reportedly earned $5 million per film during her heyday. And as with similar deals, her fortunes could rise further given the “back-end of boxoffice grosses” deal included in the contract.

Gal Gadot is also set to reprise her role as the Amazonian warrior princess, and will next be seen in this November’s Justice League superhero team up. Wonder Woman 2 is currently scheduled to open in theaters on December 13, 2019.

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