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Blades of the Guardians Heads to North American Theaters in February

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blades-of-the-guardiansWell Go USA Entertainment has acquired North American distribution rights to Blades of the Guardians, the large-scale historical action film directed by legendary martial arts filmmaker Yuen Woo-ping. The film is set for a theatrical release on February 17, 2026, timed to the Chinese New Year.

Based on the popular comic by Xianzhe Xu, Blades of the Guardians stars Wu Jing, who also serves as producer, alongside Jet Li, Nicholas Tse, Yosh Yu, and K-pop idols JUN (Seventeen) and Winwin (NCT).

Set during China’s Sui Dynasty, the film follows a mercenary tasked with escorting a mysterious mission across the Western Regions, only to find himself pulled into a dangerous political scheme.

With Yuen Woo-ping at the helm, the film leans heavily into classical martial arts spectacle, blending large-scale action choreography with historical intrigue. The release continues Well Go USA’s long-standing focus on bringing international action cinema to North American audiences.

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Pinnacle Peak Pictures has acquired North Am theatrical rights to sci-fi dramedy Matter of Time

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matter-of-timePinnacle Peak Pictures has acquired North American theatrical rights to Matter of Time, a sci-fi dramedy from filmmaker Jeremy Snead, with an exclusive theatrical release set for February 27, 2026.

The film follows Charlie Fleck, a 29-year-old aspiring video game designer who stumbles upon a device that can stop time, giving him the chance to chase the ambitions he has always put off. What starts as a dream scenario slowly turns more complicated, as the ability to pause life forces Charlie to confront the cost of control, ambition, and the people caught in between.

Matter of Time stars Myles Erlick alongside Sean Astin, with Ali Astin and Jamie Alexander appearing in supporting roles. The film marks a rare on-screen reunion for Sean Astin and his daughter Ali Astin, their first shared appearance since The Lord of the Rings era. Directed by Snead, the film blends emotional character drama with genre-forward sci-fi elements, pulling from themes of creativity, grief, friendship, and gaming culture.

The film premiered at the Dallas International Film Festival in 2025 and later screened internationally at SCI-FI-LONDON. Pinnacle Peak Pictures plans a targeted theatrical rollout in partnership with IGN Entertainment, aiming to connect the film directly with audiences drawn to narrative-driven games, science fiction, and creator-led storytelling.

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Kid Cudi Announces The Rebel Ragers Tour With M.I.A., Big Boi, and More

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rebel-ragersKid Cudi is returning to the road in 2026 with The Rebel Ragers Tour, a North American run featuring a rotating lineup of special guests including M.I.A., Big Boi, A-Trak, me n ü, and Dot Da Genius on select dates.

Produced by Live Nation, the tour kicks off April 28 in Phoenix and spans more than 30 cities, with stops in Atlanta, Toronto, Los Angeles, New York, and beyond before wrapping up June 27 in Chula Vista, California.

The tour pulls from across Cudi’s catalog, touching on early breakout tracks like “Day ’N’ Nite” and “Mr. Rager” while also incorporating newer material from recent releases.

The run reflects Cudi’s long-standing connection with his fanbase and his continued evolution across music and culture. Tickets go on sale January 30 via LiveNation.com, with presales beginning earlier in the week.

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One Battle After Another Leads Online Film Critics Society Awards

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onebattle-after-anotherPaul Thomas Anderson’s One Battle After Another emerged as a major winner at the 2025 Online Film Critics Society Awards, taking Best Picture and Best Director among five total wins. The film’s strong showing places it firmly among the most critically embraced releases of the year.

Ryan Coogler’s Sinners ultimately led the awards overall, collecting 10 wins across major categories including acting, writing, cinematography, score, and multiple technical honors. With more than 38 films recognized across 22 categories, this year’s OFCS awards reflected an unusually broad spread of genres, from studio releases to international and independent titles.

One notable takeaway from this year’s results is how concentrated the wins were at the top: just two films accounted for nearly half of all awards handed out, underscoring a rare level of consensus among the Society’s nearly 300 voting critics worldwide.

The organization also presented Lifetime Achievement Awards to Colleen Atwood, Jack Nicholson, Steven Spielberg, Vittorio Storaro, and Walter Murch, alongside Special Achievement Awards recognizing sustainability efforts in filmmaking and advocacy within the industry.

Here’s the complete list of Online Film Critics Society Award winners and nominations for 2025.

Continue reading →

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The Fray Announce Summer of Light Tour With Dashboard Confessional and More

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the-frayThe Fray are heading back on the road this summer with the newly announced Summer of Light Tour, a North American run that brings Dashboard Confessional, Colony House, The Strumbellas, and Brother Elsey along on select dates.

The tour kicks off May 11 in Moncton, New Brunswick, and runs through late August, hitting cities across Canada and the U.S. including Montreal, Vancouver, Los Angeles, Austin, Atlanta, Boston, and more before wrapping up August 29 in Chicago.

The announcement arrives ahead of the band’s upcoming album A Light That Waits, due out March 13. Tickets for the Summer of Light Tour go on sale January 30 via TheFray.com, with presales starting earlier in the week.

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Head Lopper Returns This April With New Story Arc Celebrating 10 Years

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Head-LopperAndrew MacLean’s fantasy adventure comic Head Lopper is returning to shelves this April with a brand-new story arc, marking the 10-year anniversary of the series’ original launch. The new chapter begins with an extra-length issue published by Image Comics, arriving April 22.

First released in 2016, Head Lopper follows the warrior Norgal and his sharp-tongued companion Agatha, a severed witch’s head, as they battle mythic creatures across the land of Narschlahn. The upcoming issue continues directly from the end of the original series while also serving as a new entry point for readers discovering the world for the first time.

MacLean, who writes and illustrates the series, recently discussed the return of Head Lopper and the direction of the new arc on the Let’s Talk Comics podcast. The anniversary issue will be available in multiple cover variants at comic shops and on digital platforms including Kindle, Apple Books, and Google Play.

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Broken English Brings Marianne Faithfull Tribute to Sundance Spotlight Premiere

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Broken English co-directors Iain Forsyth and Jane Pollard

Broken English co-directors Iain Forsyth and Jane PollardBroken English made its Sundance Film Festival debut on Sunday, January 25, with a Spotlight screening at Eccles Theatre in Park City. The North American premiere was preceded by a red carpet press line, where filmmakers, producers, and performers gathered ahead of the evening’s screening.

Directed by Iain Forsyth and Jane Pollard, Broken English is a documentary portrait of singer, songwriter, and cultural icon Marianne Faithfull. The film blends archival material, staged sequences, and performance, presenting Faithfull’s life and career through a stylized and unconventional lens rather than a traditional retrospective format.

Forsyth and Pollard attended the red carpet alongside producer Beth Earl and executive producers Victoria Steventon, Julia Xu, Julia Stier, and Miranda Bailey. Performers Norah Jones and Rufus Wainwright were also present ahead of their post-screening tribute performances, which followed the film’s premiere and added a live element to the evening’s celebration.

The Sundance appearance follows the film’s earlier world premiere at the Venice International Film Festival. At Sundance, Broken English screened as part of the festival’s Spotlight section and was presented in person only, drawing a full house and a noticeably attentive crowd.

The night felt less like a standard documentary premiere and more like a shared moment of remembrance, fitting for a film centered on legacy, memory, and artistic refusal to conform.

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Sundance Producers Celebration Honors Apoorva Guru Charan and Dawne Langford

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sundanceThe 2026 Sundance Film Festival Producers Celebration took place January 25 in Park City, bringing together filmmakers and industry guests to recognize producing excellence across this year’s festival lineup. Presented in partnership with Amazon MGM Studios, the event was held at The Park and centered on the Sundance Institute Producers Awards.

Two producers were honored with $10,000 grants during the ceremony. Apoorva Guru Charan received the Fiction Producers Award for Take Me Home, premiering in the U.S. Dramatic Competition, while Dawne Langford was awarded the Nonfiction Producers Award for Who Killed Alex Odeh?, debuting in the U.S. Documentary Competition. Both films are part of the 2026 Sundance program.

The celebration also featured a keynote from producer Shane Boris, whose recent work includes Navalny and Fire of Love. Boris spoke about collaboration, uncertainty, and the often unseen role producers play in sustaining creative work. The event highlighted producers as connective forces within independent filmmaking, emphasizing long-term relationships and shared risk rather than outcomes or accolades.

The Producers Celebration is an annual Sundance tradition, offering a moment to pause amid premieres and screenings to spotlight the behind-the-scenes work that brings films to the festival.

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Big Girls Don’t Cry Premieres at Sundance World Cinema Dramatic Competition

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Big Girls Don’t Cry premiered Saturday, January 24, at the Sundance Film Festival, screening at The Ray Theatre in Park City as part of the World Cinema Dramatic Competition. The afternoon screening was preceded by a red carpet press line, where the film’s creative team gathered for photos and interviews ahead of the first public showing.

In attendance were writer-director Paloma Schneideman, lead cast members Ani Palmer, Rain Spencer, and Noah Taylor, along with producers and executive producers connected to the project. The atmosphere reflected the film’s debut status, with the team marking its introduction to festival audiences following its New Zealand production.

Set in rural New Zealand in 2006, Big Girls Don’t Cry follows 14-year-old Sid Bookman over the course of a formative summer as she navigates early desire, shifting friendships, and the influence of the early internet. The film centers on observation rather than spectacle, placing its young protagonist in everyday situations that quietly shape her sense of identity and belonging.

The premiere screening in Park City was the film’s first stop at the festival, with additional in-person and online screenings scheduled as Sundance continues through the end of January.

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Merata Mita and Graton Fellows Honored at Sundance 2026 Native Forum

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Merata-Mita-and-Graton-sundanceThe Sundance Institute recognized this year’s Merata Mita and Graton Fellowship recipients during the Native Forum Celebration at the 2026 Sundance Film Festival in Park City, Utah. The annual gathering brings together Indigenous filmmakers, artists, and alumni during the festival to spotlight new voices and ongoing work.

Masami Kawai was named the 2026 Merata Mita Fellow. A Ryukyuan filmmaker based in Oregon, Kawai’s work often explores identity, history, and Indigenous experience, and she has previously participated in Sundance’s Directors and Screenwriters Lab. The fellowship supports an Indigenous woman-identified filmmaker developing a feature project.

The 2026 Graton Fellows are Isabella Madrigal and Tsanavi Spoonhunter. Madrigal, a writer-director and actor, is developing her first feature, expanding a story rooted in Indigenous community performance and cultural memory. Spoonhunter, a nonfiction filmmaker and journalist, is based in Northern Nevada and focuses on documentary storytelling through her independent media company, Mahebe Media.

The Native Forum Celebration took place during the festival as a moment to recognize Indigenous-led projects across Sundance programs and to acknowledge the broader creative community gathered in Park City throughout the week.

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