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One Battle After Another Leads Online Film Critics Society Awards

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onebattle-after-anotherPaul Thomas Anderson’s One Battle After Another emerged as a major winner at the 2025 Online Film Critics Society Awards, taking Best Picture and Best Director among five total wins. The film’s strong showing places it firmly among the most critically embraced releases of the year.

Ryan Coogler’s Sinners ultimately led the awards overall, collecting 10 wins across major categories including acting, writing, cinematography, score, and multiple technical honors. With more than 38 films recognized across 22 categories, this year’s OFCS awards reflected an unusually broad spread of genres, from studio releases to international and independent titles.

One notable takeaway from this year’s results is how concentrated the wins were at the top: just two films accounted for nearly half of all awards handed out, underscoring a rare level of consensus among the Society’s nearly 300 voting critics worldwide.

The organization also presented Lifetime Achievement Awards to Colleen Atwood, Jack Nicholson, Steven Spielberg, Vittorio Storaro, and Walter Murch, alongside Special Achievement Awards recognizing sustainability efforts in filmmaking and advocacy within the industry.

Here’s the complete list of Online Film Critics Society Award winners and nominations for 2025.

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The Fray Announce Summer of Light Tour With Dashboard Confessional and More

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the-frayThe Fray are heading back on the road this summer with the newly announced Summer of Light Tour, a North American run that brings Dashboard Confessional, Colony House, The Strumbellas, and Brother Elsey along on select dates.

The tour kicks off May 11 in Moncton, New Brunswick, and runs through late August, hitting cities across Canada and the U.S. including Montreal, Vancouver, Los Angeles, Austin, Atlanta, Boston, and more before wrapping up August 29 in Chicago.

The announcement arrives ahead of the band’s upcoming album A Light That Waits, due out March 13. Tickets for the Summer of Light Tour go on sale January 30 via TheFray.com, with presales starting earlier in the week.

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Broken English Brings Marianne Faithfull Tribute to Sundance Spotlight Premiere

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Broken English co-directors Iain Forsyth and Jane Pollard

Broken English made its Sundance Film Festival debut on Sunday, January 25, with a Spotlight screening at Eccles Theatre in Park City. The North American premiere was preceded by a red carpet press line, where filmmakers, producers, and performers gathered ahead of the evening’s screening.

Directed by Iain Forsyth and Jane Pollard, Broken English is a documentary portrait of singer, songwriter, and cultural icon Marianne Faithfull. The film blends archival material, staged sequences, and performance, presenting Faithfull’s life and career through a stylized and unconventional lens rather than a traditional retrospective format.

Forsyth and Pollard attended the red carpet alongside producer Beth Earl and executive producers Victoria Steventon, Julia Xu, Julia Stier, and Miranda Bailey. Performers Norah Jones and Rufus Wainwright were also present ahead of their post-screening tribute performances, which followed the film’s premiere and added a live element to the evening’s celebration.

The Sundance appearance follows the film’s earlier world premiere at the Venice International Film Festival. At Sundance, Broken English screened as part of the festival’s Spotlight section and was presented in person only, drawing a full house and a noticeably attentive crowd.

The night felt less like a standard documentary premiere and more like a shared moment of remembrance, fitting for a film centered on legacy, memory, and artistic refusal to conform.

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Sundance Producers Celebration Honors Apoorva Guru Charan and Dawne Langford

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sundanceThe 2026 Sundance Film Festival Producers Celebration took place January 25 in Park City, bringing together filmmakers and industry guests to recognize producing excellence across this year’s festival lineup. Presented in partnership with Amazon MGM Studios, the event was held at The Park and centered on the Sundance Institute Producers Awards.

Two producers were honored with $10,000 grants during the ceremony. Apoorva Guru Charan received the Fiction Producers Award for Take Me Home, premiering in the U.S. Dramatic Competition, while Dawne Langford was awarded the Nonfiction Producers Award for Who Killed Alex Odeh?, debuting in the U.S. Documentary Competition. Both films are part of the 2026 Sundance program.

The celebration also featured a keynote from producer Shane Boris, whose recent work includes Navalny and Fire of Love. Boris spoke about collaboration, uncertainty, and the often unseen role producers play in sustaining creative work. The event highlighted producers as connective forces within independent filmmaking, emphasizing long-term relationships and shared risk rather than outcomes or accolades.

The Producers Celebration is an annual Sundance tradition, offering a moment to pause amid premieres and screenings to spotlight the behind-the-scenes work that brings films to the festival.

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Big Girls Don’t Cry Premieres at Sundance World Cinema Dramatic Competition

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Big Girls Don’t Cry premiered Saturday, January 24, at the Sundance Film Festival, screening at The Ray Theatre in Park City as part of the World Cinema Dramatic Competition. The afternoon screening was preceded by a red carpet press line, where the film’s creative team gathered for photos and interviews ahead of the first public showing.

In attendance were writer-director Paloma Schneideman, lead cast members Ani Palmer, Rain Spencer, and Noah Taylor, along with producers and executive producers connected to the project. The atmosphere reflected the film’s debut status, with the team marking its introduction to festival audiences following its New Zealand production.

Set in rural New Zealand in 2006, Big Girls Don’t Cry follows 14-year-old Sid Bookman over the course of a formative summer as she navigates early desire, shifting friendships, and the influence of the early internet. The film centers on observation rather than spectacle, placing its young protagonist in everyday situations that quietly shape her sense of identity and belonging.

The premiere screening in Park City was the film’s first stop at the festival, with additional in-person and online screenings scheduled as Sundance continues through the end of January.

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Merata Mita and Graton Fellows Honored at Sundance 2026 Native Forum

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Merata-Mita-and-Graton-sundanceThe Sundance Institute recognized this year’s Merata Mita and Graton Fellowship recipients during the Native Forum Celebration at the 2026 Sundance Film Festival in Park City, Utah. The annual gathering brings together Indigenous filmmakers, artists, and alumni during the festival to spotlight new voices and ongoing work.

Masami Kawai was named the 2026 Merata Mita Fellow. A Ryukyuan filmmaker based in Oregon, Kawai’s work often explores identity, history, and Indigenous experience, and she has previously participated in Sundance’s Directors and Screenwriters Lab. The fellowship supports an Indigenous woman-identified filmmaker developing a feature project.

The 2026 Graton Fellows are Isabella Madrigal and Tsanavi Spoonhunter. Madrigal, a writer-director and actor, is developing her first feature, expanding a story rooted in Indigenous community performance and cultural memory. Spoonhunter, a nonfiction filmmaker and journalist, is based in Northern Nevada and focuses on documentary storytelling through her independent media company, Mahebe Media.

The Native Forum Celebration took place during the festival as a moment to recognize Indigenous-led projects across Sundance programs and to acknowledge the broader creative community gathered in Park City throughout the week.

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Harry Styles Announces Global Residency Run “Together, Together”

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harry-stylesHarry Styles is returning to the stage with Together, Together, a seven-city global residency running from May through December 2026. The Live Nation-promoted run includes 50 performances across Amsterdam, London, São Paulo, Mexico City, New York, Melbourne, and Sydney, with Styles limiting his live appearances next year to those cities only.

The residency includes major stretches in New York and London, highlighted by 30 shows at Madison Square Garden, his only U.S. dates of 2026, and a six-night run at Wembley Stadium. Rather than a traditional tour, the format focuses on extended stays, turning each city into its own chapter.

The announcement comes alongside new music. Styles will release his new single “Aperture” tonight, January 22, ahead of his fourth studio album Kiss All The Time. Disco, Occasionally., arriving March 6. Select dates will feature special guests including Robyn, Shania Twain, Jamie xx, Jorja Smith, and Fousheé.

More details, including ticket information by market, are available at hstyles.co.uk/tour.

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Independent Film Company and Shudder Acquire Natalie Erika James’ Saccharine Ahead of Sundance Premiere

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SaccharineIndependent Film Company and Shudder have acquired North American and UK rights to Saccharine, the latest feature from filmmaker Natalie Erika James, ahead of its world premiere at the Sundance Film Festival.

Written and directed by James, Saccharine is described as a supernatural body horror film and marks her third feature following Relic and Apartment 7A. The film stars Midori Francis, Danielle Macdonald, and Madeleine Madden. It is slated for a theatrical release before streaming on Shudder later in 2026.

The story follows Hana, a medical student whose involvement in an extreme weight-loss trend leads to increasingly disturbing consequences after she consumes human ashes. The film continues James’ interest in horror rooted in psychological and physical transformation.

Saccharine was produced by James alongside Anna McLeish and Sarah Shaw, with financing from Screen Australia in partnership with XYZ Films, IPR.VC, Stan, and VicScreen. XYZ Films handled the sale, which was finalized ahead of the film’s Sundance debut.

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Tedeschi Trucks Band Announce Future Soul Album and 2026 Tour

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tedeschi-trucks-bandTedeschi Trucks Band have announced Future Soul, their sixth studio album, set for release on March 20 via Fantasy Records, alongside plans for a wide-ranging 2026 tour. The band has also shared the album’s first single, “I Got You,” which is out now.

Led by Susan Tedeschi and Derek Trucks, the 12-piece ensemble recorded Future Soul at their own Swamp Raga Recording studio in Florida, as well as Phantom Studios in Tennessee. The album follows 2022’s ambitious I Am The Moon project and continues the band’s collaborative, full-band approach to songwriting, drawing from blues, soul, rock, funk, and gospel influences.

The Future Soul Tour will begin this spring following the band’s annual residency at New York’s Beacon Theatre. The tour includes stops across North America through the fall, with shows at major venues such as Red Rocks Amphitheatre and multiple multi-night runs. Select dates will feature co-headlining performances and special guests, including Alabama Shakes, Sheryl Crow, and Jason Isbell and the 400 Unit.

Pre-sale tickets begin January 27, with general on-sale opening January 30.

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Extra Geography Premieres at Sundance 2026 in World Cinema Dramatic Competition

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Extra Geography premiered Friday, January 23, at the Sundance Film Festival, screening at The Library Theatre in Park City as part of the World Cinema Dramatic Competition. The screening was preceded by a red carpet appearance from director Molly Manners and members of the cast, marking the film’s first public showing.

The debut feature, written by Miriam Battye, centers on two high-achieving students at a British girls’ boarding school whose tightly controlled routines are disrupted by a self-imposed summer project to fall in love.

The film stars Marni Duggan and Galaxie Clear, with Alice Englert and Aoife Riddell also appearing. Extra Geography is Manners’ first feature following her work in television, including the Netflix series One Day.

Following its premiere night in Park City, the film continues its Sundance run with additional public screenings in Park City and Salt Lake City through February 1, giving festival audiences multiple opportunities to catch the film during the final days of the festival.

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