Alexander Payne’s Debut Feature Gets a 4K Upgrade for Its 30th Anniversary

citizen-ruthBefore Election and Sideways made him an indie darling, Alexander Payne kicked off his career with Citizen Ruth, a dark comedy that ripped into the culture wars with zero mercy. Now Film Forum is bringing back his 1996 debut in a new 4K restoration, running October 30 through November 5.

Laura Dern stars as Ruth Stoops, a drug-addicted woman with four kids already taken away by the state. When she gets pregnant again while locked up, a judge gives her an ultimatum: get an abortion or face a felony charge. What follows is a brutal tug-of-war between pro-life and pro-choice activists, both desperate to use her as a poster child for their cause. Ruth doesn’t care about either side. She just wants to survive.

The film premiered at Sundance in 1996 and introduced Payne’s signature style, sharp satire with uncomfortable truths baked in. Critics at the time loved Dern’s performance, calling her “a revelation” and “weirdly lovable” despite playing someone you probably shouldn’t root for.

Payne went on to earn an Oscar nomination for Election three years later, but Citizen Ruth remains a boldly irreverent first swing. The restoration was handled by IndieCollect, working with Criterion and Paramount. If you missed it the first time around, here’s your chance.

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Animation Is Film Festival Returns with Knights of Guinevere Theatrical Premiere and Nine Competition Films

animation-is-filmAnimation Is Film is kicking off its ninth edition with something different: a TV show.

The Los Angeles festival announced its 2026 lineup, running October 16-19 at TCL Chinese 6 Theatres. For the first time ever, AIF opens with an animated series instead of a feature, bringing Dana Terrace’s Knights of Guinevere to the big screen. Terrace, the creator behind one of the decade’s most beloved animated series, returns to showrunning with this psychological thriller from Glitch Productions.

Nine features compete for prizes this year, led by Louis Clichy’s Iron Boy, which swept awards at Cannes and Annecy. Also in the mix: Leah Nelson’s Tangles, starring Abbi Jacobson and Julia Louis-Dreyfus, Cartoon Saloon’s latest Julián, and The Violinist, winner of the 2026 Annecy Cristal.

The festival doubles as an awards season preview. Iron Boy has already played Toronto and New York, while Jim Queen caused a stir at Cannes. AIF also showcases first-time filmmakers like Masanao Kawajiri (Cherry and Virgin) alongside returning favorites like Sébastien Laudenbach, whose Chicken for Linda! won both jury and audience awards in 2023.

Special events include a 25th anniversary conversation with Cartoon Saloon founders, a behind-the-scenes look at Disney’s upcoming Hexed, and a work-in-progress peek at Matt Braly’s independently funded Clara and the Below.

For animators and fans tired of studios playing it safe, this festival matters.

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New Documentary Traces 20 Years of Research Linking What We Eat to How We See and Think

A new health documentary follows an Irish scientist’s two-decade quest to prove that nutrition affects vision and brain health in ways we’ve barely begun to understand.

“A Vision for Vision,” directed by two-time Emmy winner Wayne Chesler, tracks Professor John Nolan’s research into carotenoids, the plant-based pigments found in marigolds, eyes, and the brain. The film spans locations from marigold fields in Mexico to research labs in Ireland, omega-3-rich waters off Norway, and elite performance centers in Singapore.

Nolan, who founded and directs the Nutrition Research Centre Ireland, has spent over 20 years studying how targeted nutrition might support vision, memory, and aging. His recent trials, including the re-MIND, CARES Trial 2, and CREST AMD studies, found that supplements combining carotenoids, omega-3 fatty acids, and vitamin E showed positive effects on Alzheimer’s symptoms, improved working memory in healthy adults, and better visual performance in patients with early macular degeneration.

The doc arrives as conversations around preventative health gain traction. Nolan’s pitch is straightforward: aging happens, disease doesn’t have to, and earlier intervention through nutrition could change outcomes.

The film drops on digital and VOD November 3. For indie filmmakers covering health and science, it’s a reminder that some of the most compelling stories live in labs, not studios.

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Mirka Andolfo Returns to Victorian Horror With Merciless, a Long-Awaited Sequel to Mercy

The Devil of Woodsburgh is back.

Mirka Andolfo is returning to the world of her international hit Mercy with Merciless, a four-issue miniseries launching this December from Image Comics. This time, she’s teaming up with artist Lidia Bolognini (Sweet Paprika: Black, White & Pink) for a new Gothic horror tale set 15 years after the original.

“Mercy readers have been waiting for this sequel, and I’m so happy it’s finally on its way!” Andolfo says. The story follows Rory, now all grown up and ready to uncover dark secrets in Woodsburgh.

The mining town thought it was done with devils. But when Rory arrives to open her factory, a mysterious drug called Electric Sumac starts spreading through the streets, turning ordinary people unnaturally strong and dangerously unhinged. Rory and her companion Joel know the drug’s origins aren’t earthly, and they’re determined to stop it.

Meanwhile, Sheriff Bancroft returns to settle his father’s unfinished business. Old debts resurface, secrets unravel, and Rory might find herself caught in the middle of it all.

Andolfo describes it as a dark supernatural horror story perfect for fans of From Hell, Fatale, and the original Mercy series.

Merciless #1 drops December 2 at comic shops, with 11 different covers including incentive variants. For anyone catching up, the complete Mercy series is collected in a trade paperback available now.

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Hilary Duff Adds 32 Tour Dates After Selling Out Around the World

Hilary Duff is taking “the lucky me tour” even further. The pop star just announced 32 new dates across Europe, Latin America, and the U.S. after selling out arenas worldwide.

The expansion kicks off May 7 in Madrid, hitting Berlin, Paris, Amsterdam, Copenhagen, Stockholm, San Juan, São Paulo, Buenos Aires, and Santiago. Rebecca Black joins for all European stops. The U.S. leg launches October 1 in Sunrise, Florida, wrapping November 20 in Anaheim. Dashboard Confessional and Tegan and Sara support on select American dates.

Tickets go on sale Friday, October 2, with various presales starting September 28.

Duff teased the announcement at her second sold-out O2 Arena show in London. During the encore of “What Dreams Are Made Of,” confetti rained down reading “2027 More Dates Loading” as a countdown clock appeared on screens.

This is her first full-scale global tour in almost two decades, celebrating her sixth album *luck… or something*. Rolling Stone, Billboard, and Variety all named it one of 2026’s best albums. The record hit number three on the Billboard 200, her highest chart position since 2007, and went number one in Canada and Australia.

The tour has already crushed it. Madison Square Garden, LA’s Kia Forum, and multiple international venues sold out.

For indie artists grinding toward their first headlining run, Duff’s 18-year gap between major tours proves momentum can return stronger than ever.

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A Hollywood Hills Dream House Turns Into a Vampire Nightmare in “The Teenage Vampire”

A recent high school grad thinks she’s scored the perfect spot in the Hollywood Hills. Parties, romance, the whole California dream. Then she finds out her landlords are vampires, and her first party ends in a bloodbath.

“The Teenage Vampire” hits VOD and digital platforms October 27 via Lionsgate. The indie horror follows Sandra, who moves into what looks like a chic bungalow only to discover the ancient creatures living upstairs have plans that don’t involve welcoming her to the neighborhood.

The film stars Jazlyn Nicolette Sward alongside Kelly Lynn Reiter (“Deadlock,” “Mojave Diamonds”), James Chalke (“Renegades,” “Don’t Kill It”), and Courtney Akbar (“Boneyard,” “Clown Fear”). It’s directed with an 85-minute runtime and an R rating for language, bloody images, and the kind of teen behavior that tends to attract vampires.

Shot in 2022, the film arrives just in time for Halloween viewing. It’s priced at $5.99 to rent, $9.99 to own.

For indie horror fans, it’s another entry in the crowded vampire genre, but one that swaps castles and small towns for LA’s glittering hills, where even the undead want a piece of the view.

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Sandra Hüller Reunites With Her Father in Pawlikowski’s Postwar Drama ‘Fatherland’

Paweł Pawlikowski is back with another black-and-white stunner. His new film “Fatherland” premieres October 23 at Film Forum in New York, and it’s already racking up serious attention.

The film stars Sandra Hüller (fresh off “Anatomy of a Fall”) as Erika Mann, daughter of legendary author Thomas Mann, played by Hanns Zischler. Set in 1949, they’re driving through a bombed-out Germany after years of exile in the U.S. Mann’s returned as a Nobel Prize winner with celebrity status, but the country he knew is gone. Erika’s coordinating his trip while dealing with her own family trauma, trying to break through her father’s distant facade.

Pawlikowski won Best Director at Cannes for this one. It’s also Poland’s official Oscar submission for Best International Feature. If you know his work, the pedigree checks out. “Ida” won the Oscar in 2014, and “Cold War” scored three nominations including Best Director.

The reviews are glowing. Critics are calling it “a perfectly cut jewel” and praising cinematographer Łukasz Żal’s gorgeous monochrome work. At just 82 minutes, Pawlikowski keeps it lean and devastating.

For indie cinema lovers, this is the kind of restrained, visually striking filmmaking that reminds you why arthouse matters. Film Forum’s the place to see it first.

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Jet2 Partners With Adobe to Build AI-Powered Holiday Planning Tools

UK tour operator Jet2 is teaming up with Adobe to bring AI-powered personalization to its 10 million customers. The multi-year partnership will use Adobe’s customer experience tech to help travelers plan and book holidays based on their preferences and past trips.

Adobe CX Enterprise Coworker, which uses agentic AI, will let Jet2 staff create personalized offers and recommendations at scale. Customers could see destination ideas tailored to their style, whether they’re looking for family resorts or city breaks, plus curated itineraries once they’re on vacation.

The partnership includes a new Jet2 x Adobe Customer Experience Lab, where Adobe engineers will work directly with Jet2’s digital and tech teams to build AI-powered services. The goal is to match customers with holidays that fit their travel history and what they’re actually looking for.

Jet2 will also use Adobe’s content tools to create on-brand holiday content faster. Adobe Firefly Foundry will build custom AI models using Jet2’s brand assets, while Adobe Brand Intelligence keeps everything consistent across channels.

David Hills, Jet2’s chief customer officer, says the partnership will make every customer interaction more personal and timely while staying true to what sets Jet2 apart.

For indie travel creators and smaller operators, this signals where the industry is headed, AI as the baseline for customer experience, not a luxury feature.

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Jet2 Partners with Adobe to Build AI-Powered Holiday Planning Tools

UK travel giant Jet2 is teaming up with Adobe to give its 10 million customers smarter, more personalized holiday planning.

The multi-year partnership will use Adobe’s AI tech to help Jet2 deliver custom vacation recommendations based on each traveler’s preferences and booking history. Think family-friendly resort suggestions or curated daily itineraries while you’re already on vacation.

At the center of it all is Adobe CX Enterprise Coworker, which uses what Adobe calls “agentic AI” to help Jet2 staff quickly build personalized experiences at scale. The system will pull from customer data to send the right offer at the right time, whether that’s a city break idea or a last-minute deal.

Jet2 will also tap Adobe Firefly Foundry to create on-brand content faster, using custom AI models trained on the company’s own assets. That means quicker responses to travel trends and shifting customer demand.

A new Jet2 x Adobe Customer Experience Lab will bring engineers and travel specialists together to test and build new AI services, like better ways to match customers with trips that actually fit their style.

“Our customers are at the heart of everything we do,” says David Hills, Jet2’s chief customer officer. “Working with Adobe will enable us to serve our customers even better, using the power of AI to make every interaction more personal, more relevant, more timely.”

For indie creators and travelers alike, it’s a glimpse at how AI is reshaping the experience economy.

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UK Travel Giant Jet2 Partners with Adobe to Build AI-Powered Holiday Planning Tools

Jet2, the UK’s largest tour operator, is teaming up with Adobe to give its 10 million customers a more personalized way to plan their vacations.

The multi-year partnership will use Adobe’s AI tools to help Jet2 deliver tailored destination ideas, offers, and trip recommendations based on each traveler’s preferences and booking history. Think family-friendly resort suggestions or curated daily itineraries once you’re on the ground.

Adobe CX Enterprise Coworker sits at the center of the deal. It’s agentic AI tech that helps Jet2 teams create on-brand content faster and serve up the right message at the right moment, whether you’re browsing flights or checking into your hotel.

The two companies are also launching a joint Customer Experience Lab, where Adobe engineers and Jet2’s digital team will build and test new AI-powered services. The goal is to match travelers with holidays that actually fit what they’re looking for, not just what’s being pushed that week.

“Customers know they will always receive a VIP experience when they holiday with us,” says David Hills, Jet2’s chief customer officer. “Working with Adobe will enable us to serve our customers even better.”

For indie creators and small studios watching how tech giants flex their tools, this is a peek at how AI is being embedded into consumer-facing platforms at scale.

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