Black-and-White Jazz Musical ‘Airport BLVD’ Heads to Tribeca Competition

Posted on May 25, 2026 by admin

A black-and-white musical about gentrification and belonging in East Austin is heading to the U.S. Narrative Competition at Tribeca 2026.

Airport BLVD follows Xavier as his neighborhood, friendships, and sense of home slowly vanish around him. Writer-director Alejandro Hendricks shot the film in luminous black-and-white with an original jazz score, centering Black creative lives in a city rarely shown from this perspective onscreen.

The film tackles displacement, intimacy, ambition, and what happens when a city transforms faster than the people who made it home. It’s a love letter to East Austin, old and new, caught in that bittersweet space between memory and evolution.

The cast includes Jamal Gamble, Toluwani, Kenny Duet, Mor Cohen, Matthew Graham Wagner, and Azeem Williams. Brannin Webber, Jamal Gamble, and Trai Wade produced.

Airport BLVD world premieres June 5 at 6:15 PM at Village East Theater by Angelika, with additional screenings June 6 and 10.

For indie filmmakers tackling gentrification and cultural erasure, this one hits close to home. Austin’s transformation has pushed out countless artists and communities of color. Hendricks is putting that story, and those faces, front and center.

Mexican Director Fernanda Tovar’s “Sad Girlz” Brings Double Berlinale Win to Tribeca

Posted on May 23, 2026 by admin

Fernanda Tovar’s debut feature is heading to New York with serious momentum. “Sad Girlz” (Chicas tristes) will make its North American premiere at Tribeca Festival next month after sweeping Berlin’s Generation 14plus section with both the Crystal Bear and the Grand Prix.

The Mexico City-set drama follows Paula and La Maestra, two 16-year-old competitive swimmers training for the Junior Pan American Championship. After a party where Paula is left alone with a longtime crush, something shifts. She becomes withdrawn. Her best friend pushes for answers. As Paula slowly shares what happened, neither girl can fully name the experience or its weight.

What starts as an unbreakable bond begins to fracture under the pressure of fear, guilt, and anger. Tovar captures how teenage friendship can become both refuge and battlefield when trauma enters the frame.

Produced by Colectivo Colmena, the film recently added another prize at Cartagena Film Festival. Tovar’s shorts have played Cannes Critics’ Week and Morelia, but this marks her most ambitious work yet.

“Sad Girlz” screens June 4-12 at Tribeca, with its North American premiere on June 4 at 5:15pm at Village East by Angelika. For indie filmmakers watching, it’s a reminder that intimate, emotionally precise storytelling still cuts through.

Zoey Deutch Chases Jon Hamm Through L.A. in David Wain’s Sundance Comedy

Posted on May 21, 2026 by admin

A small-town hairdresser’s quest to even the score after her fiancé sleeps with his celebrity pass gets wildly out of hand in Gail Daughtry and the Celebrity Sex Pass. The new comedy from David Wain (Wet Hot American Summer, Role Models) stars Zoey Deutch as Gail, whose wedding plans implode when her high school sweetheart follows through on that infamous relationship agreement.

Her solution? Track down Jon Hamm in Los Angeles and claim her own celebrity pass. What starts as an impulsive road trip spirals into a full-blown Hollywood adventure involving a psychic’s advice, a talent agency assistant, a paparazzo, and actor John Slattery, who apparently helps her hunt down Hamm himself.

The film, written by Ken Marino and Wain, features a stacked cast including John Slattery, Marino, Miles Gutierrez-Riley, Ben Wang, and Sabrina Impacciatore. Hamm appears as himself, which already feels like the kind of meta comedy Wain fans will eat up.

Gail Daughtry premiered at Sundance earlier this year and heads to Tribeca on June 10 before hitting theaters July 10 via Sony Pictures Classics. A teaser dropped this week, and judging by the premise alone, this one’s leaning into the absurd in the best way. For indie comedy lovers, Wain’s return to rom-com chaos feels overdue.

Alicia Scherson Brings Roberto Bolaño’s “The Third Reich” to Life in “Summer War,” World Premiering at Tribeca

Posted on May 12, 2026 by admin

A tabletop wargame becomes terrifyingly real in Alicia Scherson’s “Summer War,” adapting Roberto Bolaño’s novel “The Third Reich” for its world premiere at Tribeca Festival 2026.

The Chilean director returns to Tribeca two decades after winning Best New Narrative Director for her debut “Play.” This time she’s crafted a psychological thriller set in 1989, as Pinochet’s dictatorship crumbles. It’s Scherson’s second Bolaño adaptation, following 2013’s “Il Futuro.”

Dan Beirne stars as Udo Berger, an obsessive wargame champion whose beach vacation spirals when his WWII battle simulations start bleeding into reality. After a tourist vanishes at sea, Udo faces off against a mysterious local in a match where strategy dictates what’s real.

The international cast includes Lux Pascal, David Gaete, Aline Kuppenheim, and Agustín Pardella. Scherson relocates Bolaño’s story to Chile’s fragile political transition, turning it into a meditation on masculinity, paranoia, and how simulated violence echoes real-world consequences.

For indie filmmakers wrestling with literary adaptations, Scherson proves that respecting the source while making bold creative choices pays off. Her dry, dark humor captures Bolaño’s quiet unease without losing the tension.

The film screens June 7 at AMC 19th St. East 6 in New York.

Marcel Ruiz Makes His Screenwriting Debut With “Summer of Three” at Tribeca

Posted on May 8, 2026 by admin

Marcel Ruiz, best known for playing Alex Alvarez in Netflix’s One Day at a Time, is stepping behind the camera for the first time. His debut as a screenwriter and producer comes with Summer of Three, which world premieres at Tribeca Festival’s U.S. Narrative Competition in June.

The film is directed by his father, Carlitos Ruiz-Ruiz, whose debut Lovesickness premiered at Tribeca back in 2007. Now they’re back together with a deeply personal collaboration.

Summer of Three follows 17-year-old Javi, who returns to Puerto Rico after years away, first for his grandfather’s funeral. What starts as a reluctant trip turns into an unexpected homecoming when he meets Luife and Kiki, two misfits who pull him into a sultry love triangle. The film explores identity, grief, and belonging through a summer of heat, music, and emotional awakening.

The soundtrack blends reggaeton classics with Puerto Rico’s indie scene, grounding the story in the island’s youthful energy. Newcomers Kiki Montilla and Paolo Schoene join Ruiz in the cast.

This is exactly the kind of project Tribeca was built for: personal, bold, and rooted in cultural identity. A father-son collaboration premiering where the father’s career began? That’s the indie dream.

Spike Lee’s Apartheid Story “Apart” Heads to Tribeca

Posted on April 22, 2026 by admin

Spike Lee co-wrote an animated short about friendship under apartheid, and it’s making its world premiere at Tribeca Festival next month.

“Apart” follows two boys, Themba and Joel, whose bond is tested by the violence and racism of apartheid-era South Africa. The film was directed by Pola Maneli, a South African artist whose work has appeared on the cover of The New Yorker and hangs in the National Museum of African American History and Culture.

Grammy-winning South African musician Black Coffee supervised the music, while fashion designer Laduma Ngxokolo designed isiXhosa-inspired wardrobe for the characters.

The 15-minute short blends traditional 2D animation, cutout, 3D, and 2.5D techniques. Over 600 days, a crew of 266 people produced 18,000 frames using 14 different software tools. The animation style nods to woodcut prints, the DIY art form used to spread anti-apartheid messages and evade censorship.

The entire film was made by human artists, no AI involved.

“Apart” screens twice at Tribeca as part of the Animated Shorts program curated by Whoopi Goldberg: June 6 at Spring Studios and June 13 at AMC 19th Street East.

For indie creators, it’s a reminder that handmade animation still matters, especially when telling stories rooted in history and cultural resistance.

Uruguay Selects Don’t You Let Me Go as Its Oscar Submission

Posted on November 22, 2025 by admin

Uruguay has chosen Don’t You Let Me Go (Agarrame fuerte), the latest feature from filmmakers Ana Guevara and Leticia Jorge, as its official entry for Best International Feature at the 98th Academy Awards. The film previously premiered at the Tribeca Festival, where it won the Nora Ephron Award, and later earned a nomination for Best Ibero-American Film at Spain’s Goya Awards.

Produced by Agustina Chiarino’s Bocacha Films, the 74-minute drama centers on Adela, a woman grieving the sudden death of her closest friend. During the funeral, she slips into an otherworldly journey that takes her back a decade, where she reunites with her younger friend group for one final weekend together. Through its mix of intimate realism and gentle fantasy, the film explores memory, loss, and the enduring bonds that shape women’s lives.

Featuring performances by Chiara Hourcade, Victoria Jorge, and Eva Dans, the film continues the longtime collaboration between Guevara, Jorge, and Chiarino, and underscores their focus on female-driven stories both in front of and behind the camera.

International sales are handled by Alpha Violet.

Sundance Comedy “Serious People” Skewers Ambition and Identity in Hollywood

Posted on October 24, 2025 by admin

Sundance hit Serious People, the debut feature from filmmakers Pasqual Gutierrez and Ben Mullinkosson, brings a sharp comedy about ego, work, and self-replacement in the creative industry. The film opens in theaters November 14, followed by a VOD release December 16, distributed by Tribeca Films and Memory.

Written and directed by Gutierrez and Mullinkosson, the film stars Pasqual Gutierrez, Christine Yuan, RJ Sanchez, and Miguel Huerta. It follows a successful music video director who hires a double to take over his work during paternity leave, only to watch his life and career spiral out of control.

Gutierrez, known as half of the directing duo Cliqua (collaborating with Bad Bunny, Rosalía, and The Weeknd), makes his first feature with Serious People. Mullinkosson, whose past work includes The Last Year of Darkness and Don’t Be a Dick About It, brings a documentary sensibility to the film’s sharp tone. Together, they create a satire that examines ambition, burnout, and identity in modern Los Angeles.

The film premiered at the 2025 Sundance Film Festival, earning praise for its humor, originality, and inventive storytelling.

“She Loved Blossoms More”: Yannis Veslemes Blends Sci-Fi, Horror and Dark Comedy in Surreal Tale of Grief

Posted on September 24, 2025 by admin

Dark Sky Films and Yellow Veil Pictures will release Yannis Veslemes’ She Loved Blossoms More on VOD and digital platforms October 3.

The film, which premiered at Tribeca, follows three brothers who construct a time machine to bring their late mother back to life. Their efforts spiral out of control when their unstable father reappears, sending them into a surreal blend of past and present.

Described as a mix of science fiction, body horror, and dark comedy, the film stars Panos Papadopoulos, Julio Giorgos Katsis, Aris Balis, and Dominique Pinon.

Veslemes co-wrote the script with Dimitris Emmanouilidis and directed.

Lucía Garibaldi’s Dystopian Sci-Fi A Bright Future to World Premiere at Tribeca

Posted on May 28, 2025 by admin

Award-winning Uruguayan director Lucía Garibaldi returns with her second feature, A Bright Future (Un futuro brillante), set to premiere in the Viewpoints section of the 2025 Tribeca Festival, running June 4–14 in New York City.

Building on the acclaim of her Sundance-winning debut The Sharks, Garibaldi presents a dystopian sci-fi tale centered on Elisa, an 18-year-old girl chosen to journey to the elusive “North”—a supposed promised land no one has ever returned from. As Elisa prepares for her departure, doubts emerge, especially after a mysterious nurse’s arrival disrupts her tightly controlled world. What unfolds is a defiant coming-of-age story about resistance, agency, and the myth of a better future.

Starring newcomer Martina Passeggi in a standout role, alongside Soledad Pelayo, Sofía Gala Castiglione, and Alfonso Tort, A Bright Future paints a stylized yet eerily familiar world where youth is a commodity and escape comes at a cost. The film blends bleak sci-fi vision with ironic clarity and emotional depth, offering a sharp critique of generational sacrifice and institutional control.

Garibaldi’s bold narrative and visually immersive world mark her as a leading voice in Latin American cinema, with A Bright Future positioned as a festival standout.