‘Man of Steel’ movie poster shows Superman handcuffed between soldiers

Will Superman channel his inner darkness as Clark Kent struggles to have a normal life despite his hard-to-control superpowers?

By Joyce Chen

Superman may be getting a bit of a makeover next summer with the release of Zack Snyder’s “Man of Steel” blockbuster flick.

The film, the latest in a long line of narratives about the superhuman superhero, is set to follow the story of Clark Kent’s struggle to find normalcy in his everyday life on earth while juggling his natural-born powers from his native planet Krypton.

Christopher Nolan, the visionary director behind “The Dark Knight” series and “Inception,” will help produce the film, possibly lending a darker tone to the classically optimistic superhero tale.


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‘Star Trek Into Darkness’ poster has a ‘Dark Knight Rises’ vibe

The slow unveiling of next summer’s “Star Trek Into Darkness” has begun in earnest, first with the official plot synopsis released last week and now with the first poster, which seems to be taking a few tips from “The Dark Knight Rises.”

This year’s conclusion to Christopher Nolan’s trilogy began its marketing push with a poster showing the Batman symbol formed from a crumbling urban cityscape, and now J.J. Abrams’ “Trek” sequel appears to be in keeping with that approach.

Forget about seeing the USS Enterprise, Kirk, Spock or any of the beloved crew. This first poster promises death and destruction in the form of the film’s villain, played by Benedict Cumberbatch, seen from behind wearing a long trench coat.

Who is he? While no one has confirmed anything officially, the initial guess was that he would be playing Khan Noonien Singh, the villain most people know from “Star Trek II: The Wrath of Khan.” However, more recent speculation has centered around Cumberbatch being Gary Mitchell, a powerful villain with psionic powers played by Gary Lockwood in the original series episode “Where No Man Has Gone Before.”

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‘Lincoln’ Premieres At NYFF: Daniel Day-Lewis Performance Is Overwhelming

By MIKE FLEMING

As Deadline revealed exclusively last week, the Steven Spielberg-directed Lincoln made a surprise world premiere at the New York Film Festival on Monday evening. It has been one of the wildcards in the Oscar conversation. I saw it tonight. I thought Daniel Day-Lewis was a deserving Oscar winner for My Left Foot and There Will Be Blood, and that he probably should have won for In The Name Of The Father. But this really is his best performance. He becomes Lincoln, beyond an uncanny physical resemblance. He has fully fleshed out the 16th U.S. President into a living, breathing man. He captures his intelligence, his grasp of the high stakes of prolonging the Civil War until he can get the votes to abolish slavery for good, and moments of charm and sly wit that brightened the darkness around him as the country was in the fourth year of a war that had to end.

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Goyer Talks His “Man of Steel” Approach

By Garth Franklin

“Batman Begins” scribe David Goyer says his work on the script for Zack Snyder’s upcoming Superman reboot “Man of Steel” shares a lot of parallels with his work on the Chris Nolan Batman trilogy.

BadTaste reports that Goyer spoke at Rome Fiction Fest this week and said what he and producer Chris Nolan are doing with “Man of Steel” is to try and “bring the same naturalistic approach that we adopted for the Batman trilogy. We always had a naturalistic approach, we want our stories to be rooted in reality, like they could happen in the same world we live in.”

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Comic-Con Anonymous: Are Fanboys Still Worth the Time and Money?

An insider asks if the geek crowd is still the best audience on which to blow marketing budgets.

Here we go again, another July, another parade of movie stars and executives heading south to peddle their wares at Comic-Con. But before we all spend crazy money jetting in talent, booking lavish parties and crafting just the right teaser-trailer package, think for a moment: Is the Comic-Con crowd still the best audience on which to be blowing our marketing budget? A decade after Hall H became Hollywood’s must-stop venue on the path to the multiplex, what if Comic-Con is sort of over?

After all, many would argue that the people who attend every year would see a genre movie or superhero tentpole no matter what. And the rest of the moviegoing public increasingly doesn’t care much whether the fanboys love or hate something. Three words: Cowboys & Aliens. Last year’s toast of the Con flatlined at the box office.

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