Lou Ye’s Docufiction AN UNFINISHED FILM + Four Ye Features | Opening March 14 at Film Forum

an-unfinished-filmFilm Forum has announce the US theatrical premiere of Lou Ye’s AN UNFINISHED FILM on Friday, March 14.

Using outtakes and on-set footage from SUZHOU RIVER and other films (SPRING FEVER, MYSTERY, THE SHADOW PLAY), and casting real actors from these films to play themselves, Lou creates an intense yet playful catharsis for filmmakers, artists, and, ultimately, all of us — a chance to revisit that time, and to heal.

In this enthralling, poignant docufiction, director Lou Ye (SUZHOU RIVER) and his crew reunite in Wuhan in January 2020 to complete a film started a decade earlier. When the first wave of COVID precipitates lockdown and fear, this story of revived artistic vision pivots to a thriller-paced account of the early spread of the virus — both the devastation and the deep connections borne of shared isolation.

AN UNFINISHED FILM had its world premiere at the 2024 Cannes Film Festival in the Special Screenings section and was an official selection at the Toronto International Film Festival, MoMA Doc Fortnight, and more.


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“Tales from The New Yorker”, 30-Film Series Opens February 21 at Film Forum

Robert-Benchley

Robert Benchley

Tales from The New Yorker, a two-week series celebrating the iconic magazine’s first century, will run from Friday, February 21 to Thursday, March 6 at Film Forum, with a slate of over 30 films inspired by fiction and reporting from its pages, and by the legendary writers who helped define it.

The series opens on the 100th anniversary of the magazine’s very first issue (dated February 21, 1925, featuring the magazine’s top-hatted dandy, Eustace Tilley, on the cover), with Richard Brooks’ faithful adaptation of Truman Capote’s IN COLD BLOOD (1967), which first appeared in serial form in The New Yorker in 1965. The opening night screening will be introduced by New Yorker editor David Remnick.

Other films in the series adapted from New Yorker stories include Alexander Hall’s MY SISTER EILEEN (1942), based on stories by Ruth McKenney; Vincente Minnelli’s MEET ME IN ST. LOUIS (1944), based on stories by Sally Benson, Norman Z. McLeod’s THE SECRET LIFE OF WALTER MITTY (1947), based on the story by James Thurber; Nicholas Ray’s BIGGER THAN LIFE (1956), based on the Annals of Medicine story “Ten Feet Tall” by Berton Roueché; Frank Perry’s THE SWIMMER (1968), based on the short story by John Cheever; Ang Lee’s BROKEBACK MOUNTAIN (2005), based on the short story by Annie Proulx; Lee Chang-dong’s BURNING (2018), based on the short story “Barn Burning,” by Haruki Murakami; and many more.
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