Film Forum to Host Weeklong Hitchcock and Herrmann Festival

Posted on November 14, 2025 by admin

Film Forum is set to launch Hitchcock and Herrmann, a one-week festival celebrating one of cinema’s most influential director-composer partnerships. Running December 12 to 18, the series highlights the collaboration between Alfred Hitchcock and legendary composer Bernard Herrmann, whose work together shaped some of the most iconic suspense films ever made.

The program showcases newly restored 4K presentations of classics including North by Northwest, Psycho, Vertigo, The Birds, The Trouble With Harry, The Man Who Knew Too Much, as well as a 35mm screening of The Wrong Man. The festival coincides with the release of Steven C. Smith’s new book Hitchcock & Herrmann: The Friendship & Film Scores That Changed Cinema. Smith will appear throughout the week to introduce select screenings, participate in conversations, and deliver an illustrated talk titled “Hitchcock & Herrmann: The Sound of Murder.”

Additional events include a discussion on The Wrong Man with author Jason Isralowitz and Film Forum Repertory Artistic Director Bruce Goldstein, exploring the real wrongful-conviction case that inspired Hitchcock’s film.

The full schedule, including introductions and special events, is available through Film Forum.

New 4K Restoration of Stanley Donen’s Charade Opens December 5 at Film Forum

Posted on November 10, 2025 by admin

A new 4K restoration of Stanley Donen’s 1963 classic Charade will screen at Film Forum in New York from December 5 to 11. Starring Cary Grant, Audrey Hepburn, and Walter Matthau, the film blends romance, suspense, and comedy, often described as “the most Hitchcock movie Hitchcock never made.”

Set in Paris, Charade follows a widow pursued by several men trying to recover stolen money linked to her late husband. Known for its sharp dialogue, stylish direction, and the chemistry between Grant and Hepburn, the film remains one of Donen’s most celebrated works.

The restoration brings renewed clarity to the film’s cinematography and design, offering audiences a chance to revisit the title on the big screen more than six decades after its release.

Luis Buñuel’s “Viridiana” Returns in New 4K Restoration at Film Forum

Posted on October 18, 2025 by admin

Janus Films will release a new 4K restoration of Luis Buñuel’s Palme d’Or-winning classic Viridiana (1961), opening November 14 for a one-week engagement at Film Forum in New York City.

Banned in Franco-era Spain and condemned by the Vatican upon release, Viridiana remains one of cinema’s most provocative works. The film follows a novice nun (Silvia Pinal) whose idealistic faith collides with corruption and hypocrisy when she moves in with her uncle, played by Fernando Rey, in a narrative that skewers religious dogma and human weakness.

Winner of the Palme d’Or at the 1961 Cannes Film Festival, the film has long been regarded as one of Buñuel’s masterpieces. Co-written with Julio Alejandro and photographed by José F. Aguayo, the restoration showcases the film’s bold imagery and subversive wit for a new generation of audiences.

Viridiana runs November 14 to 20, 2025, exclusively at Film Forum.

Film Forum to Host 36-Film Tribute to Kevin Brownlow Featuring ‘Napoleon,’ ‘The Wind,’ ‘Unknown Chaplin’

Posted on September 28, 2025 by admin

Film Forum will present a 36-film retrospective honoring filmmaker, historian, and preservationist Kevin Brownlow from October 24 to November 6 in New York.

The two-week series will feature works Brownlow directed, films he helped restore, and silent classics that influenced him. Highlights include the first New York screening since 1981 of Abel Gance’s 1927 epic Napoleon in its full 5½-hour version, Brownlow and Andrew Mollo’s WWII drama It Happened Here (1964), Winstanley (1975), and the documentary Unknown Chaplin (1983). Screenings of silent landmarks such as The Thief of Bagdad (1924), Intolerance (1916), Safety Last (1923), and The Phantom of the Opera (1925) will feature scores by the late composer Carl Davis, with select titles accompanied live on piano by Steve Sterner.

The retrospective will also include Victor Sjöström’s The Wind (1928) in a restored 35mm print, opening night introductions from filmmakers and authors including Diane Baker and Daniel Kehlmann, and a special daylong presentation of Napoleon.

Brownlow, who received an Academy Honorary Award in 2010 and TCM’s Robert Osborne Award in 2019, is recognized as one of the most influential voices in film history and preservation. His books, including The Parade’s Gone By, and documentaries such as Hollywood and Cinema Europe have been credited with reshaping the way silent cinema is viewed and valued.

Film Forum’s tribute is supported by the Robert Jolin Osborne Trust and the Ira M. Resnick Foundation.

Robert Redford, Hollywood Icon and Architect of Independent Cinema, Dies at 89

Posted on September 16, 2025 by admin

By Armando

Robert Redford during the filming of The Sting (1973). Photo by Ken Dare, Los Angeles Times / Courtesy of the Dutch National Archives.

Robert Redford, the Oscar-winning actor, director, and visionary who built Sundance into the home of independent film, has died at his home in Utah. He was 89. Redford was first known as one of Hollywood’s most magnetic leading men, but his greatest impact came later, as he reshaped the future of filmmaking by giving independent voices a place to be heard.

Redford began his career in television and on Broadway before breaking through in film. His first leading role that brought him recognition was Barefoot in the Park (1967) opposite Jane Fonda. Two years later, Butch Cassidy and the Sundance Kid (1969) made him a household name. His pairing with Paul Newman became one of the most beloved duos in film history. They reunited in The Sting (1973), which became a massive hit and earned Redford an Oscar nomination for Best Actor.

An American Icon

In the 1970s, Redford wasn’t just a star. With his blond hair, windswept style, and natural charisma, he became a cultural symbol of American masculinity. But he quickly proved he was more than an image. In The Candidate (1972), Jeremiah Johnson (1972), Three Days of the Condor (1975), and All the President’s Men (1976), he pursued stories with political and social weight. By the end of the decade, he had become both a top box office draw and one of the most respected actors of his generation.

Behind the Camera

In 1980, Redford made his directing debut with Ordinary People, a family drama that went on to win four Academy Awards, including Best Picture and Best Director. The film marked his transformation from leading man to accomplished filmmaker and proved he could command just as much respect behind the camera.
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“Darling” 4K Restoration to Open at Film Forum for 60th Anniversary Run

Posted on September 14, 2025 by admin

John Schlesinger’s Darling (1965), starring Julie Christie, Dirk Bogarde, and Laurence Harvey, returns to the big screen in a new 4K restoration for its 60th anniversary. The bittersweet satire of Swinging London will screen at Film Forum in New York from October 10 to October 23.

The film, which helped define the British New Wave, earned five Academy Award nominations, winning Best Actress for Christie, Best Original Screenplay for Frederic Raphael, and Best Costume Design for Julie Harris. Christie’s performance as ambitious model Diana Scott launched her to international stardom.

Darling also earned four BAFTAs and three New York Film Critics Circle Awards, cementing its place as a cultural landmark of the 1960s.

Film Forum Celebrates 100 Years of Peter Sellers With Two-Week Retrospective

Posted on August 31, 2025 by admin

Film Forum will honor one of cinema’s greatest comic actors with 100 Years of Peter Sellers: From Britcoms to International Icon, running September 19–October 2. The series spans Sellers’ career from early U.K. comedies like The Ladykillers (1955) and his BAFTA-winning role in I’m All Right Jack (1959), to Hollywood landmarks including The Pink Panther series, Stanley Kubrick’s Dr. Strangelove (1964), and his Oscar-nominated turn in Hal Ashby’s Being There (1979).

Eighteen features are included, alongside rare 35mm screenings of Casino Royale (1967), What’s New Pussycat? (1965), A Shot in the Dark (1964), and Sellers’ Oscar-nominated short with Richard Lester, The Running Jumping & Standing Still Film (1959).

Film critic Siddhant Adlakha will introduce the opening-night screening of Blake Edwards’ The Party (1968) on September 19.

Highlights include:

The Ladykillers (1955) – Sept 19, 21, 22, 29
I’m All Right Jack (1959) – Sept 19, 21, 26, 27, 30, Oct 1
Dr. Strangelove (1964, 35mm) – Sept 19, 20, 22, 28, Oct 1–2
Lolita (1962) – Sept 20, 21, 25, 27, Oct 2
The Pink Panther (1963) – Sept 21, 24, 30
Casino Royale (1967, 35mm) – Sept 23
Being There (1979, 35mm) – Sept 26–28, Oct 2

(Additional titles include Two Way Stretch, Only Two Can Play, Heavens Above!, The World of Henry Orient, What’s New Pussycat? and more.)

The full schedule and ticket information are available at filmforum.org.

The Texas Chain Saw Massacre Returns to Theaters Nationwide for One Night Only

Posted on August 17, 2025 by admin

Fans of classic horror will have a chance to see The Texas Chain Saw Massacre back on the big screen for a single night this summer. On August 18, 2025, 52 years to the day the film’s events are set, Dark Sky Films and Fathom Events will present the original 1974 feature in 4K at theaters nationwide.

The screening arrives after a year of 50th anniversary celebrations and recognition of the film’s place in the National Film Registry. Long regarded as one of the most influential works in the genre, Tobe Hooper’s The Texas Chain Saw Massacre continues to draw both longtime fans and new audiences.

In addition to the restored feature, the event will include a sneak peek of Chain Reactions, a forthcoming documentary directed by Alexandre O. Philippe. The film examines the legacy of Texas Chain Saw through the perspectives of artists including Stephen King, Patton Oswalt, Takashi Miike, Alexandra Heller-Nicholas, and Karyn Kusama.

Film Forum Launches Screen Deco, Festival of 1920s and 1930s Art Deco Classics

Posted on August 14, 2025 by admin

Film Forum in New York will present Screen Deco, a festival showcasing more than 25 films from the 1920s and 1930s that exemplify the style later dubbed Art Deco. Running from September 8, 2025, through January 1, 2026, the series commemorates the 100th anniversary of the 1925 Exposition des Arts Décoratifs in Paris, which helped introduce the movement to the world.

Highlights include silent-era landmarks such as Our Dancing Daughters with Joan Crawford, A Woman of Affairs with Greta Garbo, Pandora’s Box with Louise Brooks, and the French production L’Inhumaine. Pre-Code features include Michael Curtiz’s Female, Edgar G. Ulmer’s The Black Cat with Boris Karloff and Bela Lugosi, William Wyler’s Counsellor at Law with John Barrymore, Ernst Lubitsch’s Trouble in Paradise, and Busby Berkeley’s Footlight Parade. Musicals such as Top Hat with Fred Astaire and Ginger Rogers also feature in the lineup.
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Jack Lemmon 100: Festival of Classics Opens May 16 at Film Forum

Posted on April 22, 2025 by admin

JACK LEMMON 100, a two-week festival of classics from the 1950s to the 1990s, will run at Film Forum from Friday, May 16 to Thursday, May 29, in commemoration of Lemmon’s centennial year in 2025. The festival will include Lemmon’s best-known movies, including THE APARTMENT, SOME LIKE IT HOT, DAYS OF WINE AND ROSES, THE ODD COUPLE, IRMA LA DOUCE, and THE CHINA SYNDROME.

One of the most beloved actors in movie history, with a 50-year career that included comedies, musicals and dramas, Jack Lemmon (1925-2001), known for his quintessential “every man” persona, became the first person to win Academy Awards for both Best Supporting Actor for his role in MISTER ROBERTS (1955) and Best Actor for SAVE THE TIGER (1973). Lemmon also received Oscar nominations for THE CHINA SYNDROME (1979), TRIBUTE (1980) and MISSING (1982).

A frequent collaborator of director Billy Wilder and actor Walter Matthau, Lemmon first worked with Wilder on the comedy masterpiece SOME LIKE IT HOT (1959), shortly followed by the Oscar-winning THE APARTMENT (1960). He first starred opposite Matthau in THE FORTUNE COOKIE (1966), but it was their iconic clashing of personalities in THE ODD COUPLE (1968) that cemented their place as one of the all-time great comedy teams, with The New York Times dubbing them “one of Hollywood’s most successful pairings.”
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