Gotham Season 2: What we know so far

Season two of Fox’s “Gotham” will premiere later this month.

By Armando

Fox has been releasing promo materials the past few weeks as we head into Gotham’s second season premiere later this month. Judging from these promos, it appears that Jim Gordon and Harvey Bullock will be busier than ever as Gotham’s villains old and new begin to rise to power.

Star Ben McKenzie recently revealed on EW that the show’s story arcs will be more serialized in it’s treatment of villains, as opposed to season 1 wherein new villains were revealed and disposed of in the same episode.

Here’s the official synopsis that Fox released to go along with the announcement of the premiere date.

“The stakes are higher than ever as Gotham explores the origin stories of some of the most ambitious and depraved Super Villains, including The Riddler, The Joker and Mr. Freeze, and Bruce Wayne (David Mazouz) uncovers more secrets from his father’s past.”

A new promo video can be seen below:

“This is not a red herring,” writer/producer Bruno Heller told E! Online in February. “It’s the beginning of the story of how the Joker came to be, how the Joker was created, where he came from, who he is. Now, that doesn’t necessarily mean that Cameron Monaghan is the Joker. He might be.”

And to fans who have been waiting for Gotham’s season 1 Blu-ray, all 22 episodes will be available on Tuesday, September 8th in glorious 1080p. Additionally, it will also be available for streaming on Netflix beginning September 21st, the same day season 2 premieres on Fox. The 4-disc season 1 on blu-ray will include special features that will not be available via streaming services.

“Gotham” Season 2 premieres Monday, Sept. 21, on Fox at 8 p.m. EDT.

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Classic Film Review: A Detective’s Dilemma In Alfred Hitchcock’s “Sabotage”

By Armando Inquig

Sabotage-The-Woman-Alone---Alfred-HitchcockAlthough ‘Sabotage’ is one of Alfred Hitchcock’s lesser-known films, its darker elements mark it as a significant precursor to his later works.

Released in 1936, Sabotage is one of Hitchcock’s British productions before he moved to the US and transitioned into Hollywood. The film is narratively daring for its time, incorporating dark and tragic elements that Hitchcock would later become known for.

The film follows cinema owner Karl Verloc (played by Oscar Homolka), a man who engages in attacks against the city’s infrastructure. His wife, Mrs. Verloc (Sylvia Sidney), and her younger brother, Stevie (Desmond Tester), are unaware of his activities.

Detective sergeant Ted Spencer (John Loder) is assigned to investigate Verloc and infiltrate his life under the guise of a cinema patron. As Spencer delves deeper into his investigation, Mrs. Verloc gradually senses that something is wrong with her husband. It is soon revealed that Verloc, pressured by his co-conspirators, is planning to carry out a big sabotage act.

Verloc secretly instructs Stevie to deliver a film canister containing a lethal bomb, set to explode in the heart of London. Stevie is unaware of its contents and innocently agrees to transport the canister. But the bomb tragically detonates on a crowded bus, killing the young boy and sending shockwaves through the city. Mrs. Verloc is devastated by the loss of her brother and, in a moment of anger, she confronts Karl, eventually stabbing and killing him.

By now, Detective Spencer is seemingly having some feelings for Mrs. Verloc. He is torn and grapples with the implications of it all. Will Detective Spencer abide by his obligations and turn Mrs. Verloc in, or will his emotions prevail and help her escape?

In true Hitchcockian fashion, the film navigates complex ethical dilemmas involving loyalty, justice, and the consequences of actions, themes that became a hallmark of his storytelling style and continued throughout the rest of his career. His direction is steady, focused on the psychological complexities of the characters without devolving into conventional tropes.

“Sabotage” is released as “The Woman Alone” in the United States, and is now available in Blu-ray in the United Kingdom in a high-definition format.

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Samsung Galaxy Note 5 review

By Andrew Martonik

This is the best Galaxy Note to date — and a great overall phone — even with the loss of a couple of major features.

The quick take

Samsung has brought the once-oversized Galaxy Note closer in line with the more traditional Galaxy S line in 2015, and that’s not necessarily a bad thing. Cleaner software, a new-and-improved hardware design and the industry-leading S Pen add up to a wonderful phone, even though some will bemoan the loss of a removable battery and SD card slot.

The Note 5 has one of the best screens available in a phone, is easier to hold thanks to the new hardware design and the internals offer a significant performance boost over the Note 4 — and even so, battery life is a non-issue. This is a Note made for even more people to enjoy, and it’s a really great choice if you want a large screen.

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Samsung Stays Ahead of the Curve with Bold, Big Screen Smartphones

Galaxy S6 edge+ features dual edge display for ultimate multimedia experience; Galaxy Note5 takes multi-tasking on mobile to new heights

NEW YORK, August 13, 2015 – Samsung Electronics Co., Ltd., announced today the global launch of the Samsung Galaxy S6 edge+ and Galaxy Note5. Both devices represent Samsung’s commitment to the big screen smartphone market, which Samsung boldly pioneered in 2011 with the original Galaxy Note.

The Galaxy S6 edge+ and Galaxy Note5 blend form and function with industry leading features, including: the best screen technology, the most advanced camera for high quality photos and videos, the latest fast wireless and wired charging, and an incredibly powerful processor. With increased 4GB RAM, both smartphones offer the most powerful capacity and processing power on the market, enabling users to enjoy more seamless multi-tasking, keep up with messages, post updates to social networks faster, and enjoy graphic-heavy games without suffering lag time.

With its curved 5.7-inch Quad HD Super AMOLED screen, the Galaxy S6 edge+ makes the edge experience even bigger to provide a more immersive multimedia experience. The newly-designed Galaxy Note5 provides an unmatched set of productivity tools such as SideSync, along with a much refined 5th generation S Pen capabilities to better serve the major multitasker.

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Converse’s Chuck Taylor Redesigned For The First Time In A Century

By Armando

The stuff of teenage rebellion and rock ’n’ roll is now more comfy.

The Chuck Taylor, one of the world’s most iconic shoes, got a redesign as Converse unveiled today the “Chuck II” at a press conference in South Boston.

If you ever owned one, you probably are thinking this redesign is long past due. With all the advances in sneaker technology, the shoes haven’t changed much in 98 years. Additionally, it has been somewhat challenging to wear while doing any sort of athletic activity.

So it’s no surprise that the upgrades are on the interior, while keeping the same classic look that made it a fashion icon as its forebear. The redesign includes a foam padded collar, perforated micro-suede liner and a new “Lunarlon Sockliner” that adds cushioning and arch support. A lot of these technologies came from Nike, which bought Converse in 2003 for $305 million.

And there’s also the name change to Chuck II. Named after the Indiana basketball star, “Chuck Taylor” was the first to get his name on signature sneaker shoes when it came out in 1917.

“The launch of Chuck II is a groundbreaking moment for Converse as we continue to move the brand forward through creativity and innovation, ushering in not just a new sneaker, but a completely new way of thinking,” Jim Calhoun, president and CEO at Converse, said in a statement.

Here it is, the Chuck II:

Available later this month, the sneakers will be $70 and $75 for low-tops and high-tops respectively, and will be available in black, white, red, and blue when they launch next week.

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Delcourt Group Debuts In English On ComiXology

More Than 150 Delcourt Group Titles To Be Released Exclusively by ComiXology

July 6th, 2015 New York, NY/ Paris, France Delcourt Group, the leading independent comic book publisher in France, took a big step in their global expansion today with the debut of an exclusive line of English language digital-first comics on comiXology, the revolutionary cloud-based digital comics platform. This major publishing program premieres this month with three of the bestselling titles published in France, including The Curse of the Wendigo, which was illustrated by artist Charlie Adlard, best known for his collaboration with Robert Kirkman on The Walking Dead, and Come Prima by Alfred, the graphic novel which won the Prix du Meilleur Album at the 2014 Angoulême International Comics Festival. Announced in advance of San Diego Comic Con 2015, the initiative calls for more than 150 acclaimed Delcourt titles to be published over the next 12 months exclusively through comiXology.

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New ‘Batman vs. Superman’ Pics Revealed: first pictures from the film

By Armando

Released exclusively to Entertainment Weekly, the stills and images are the best look yet into Snyder’s hotly anticipated “Batman v Superman: Dawn of Justice. As part of EW’s preview of Comicon 2015, the images include Batman and Superman squaring off and a first look at Wonder Woman in the film.

Stay tuned as we will be bringing you live updates as they happen from SDCC 2015.

Batman vs. Superman opens in theaters March 26, 2016.

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PROFILES IN HISTORY PRESENTS MCCUNE MASTERWORKS AT 2015 COMIC-CON INTERNATIONAL

CALABASAS, CA-June 23, 2015—Profiles in History will pay tribute and honor to special effects master Grant McCune as they present McCune Masterworks at the 2015 Comic-Con International: San Diego, July 8 – 12. Profiles in History will devote its entire Comic-Con booth (#1605) to McCune’s work, highlighted by the original, screen-used, Star Wars IV: A New Hope 18″ miniature “Blockade Runner,” the ship that set the tone for the entire Star Wars franchise, creating an epic cultural phenomenon that would capture audiences worldwide for generations to come. The “Blockade Runner” was the first flying ship audiences around the world saw hurtling through space in the opening sequence of the first Star Wars film, carrying Princess Leia, C-3PO and R2-D2 among its crew.

Comic-Con fans will be treated to a rare opportunity to see this iconic piece of movie history up close, as it hasn’t been seen or displayed publicly for nearly 40 years! Mr. McCune, as Chief Model Maker, was one of the primary members of the Team that won the 1978 Academy Award® for Best Visual Effects for the film-and his Oscar® will also be on display.

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