By Cameron Pridmore

The time is almost among us again, the Monterey Jazz Festival is set to take place September 15th – 17th in Monterey, California. The Jazz Festival in Monterey is a little different this year as it is celebrating its sixtieth birthday. It is amazing that in today’s era of music, there is such anticipation for a Jazz Festival. Jazz music is still a very big part of Monterey culture, which is an area that is right near one of California’s most beautiful beaches. The festival which has been held at the Monterey County Fairgrounds has been held at the same location for sixty years.

The Jazz festival is more than just a musical gathering though; there are also different food vendors who specifically come to the festival once a year. You can taste a variety of different local seafood from the San Francisco Bay Area, urban cuisine, Italian cuisine, and even street food like some of the best local hot dogs that you will ever taste. For the 2017 even there are a couple of new artists who are set to perform, GoGo Penguin is a group who is based out of Britain who specializes in a unique acoustic sound. This is a wonderfully unique smooth jazz sound, and a group who definitely deserves more recognition in the states.
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By Niy Birden

Youtube

After a series of public feuds and social media scams, earlier this summer Taylor seemed to have deleted all of her online accounts, including her Instagram, and Twitter, much to the dismay of her adoring audience and music industry colleagues, which racks in a couple hundred million in total. Despite the massive success she had with her last album 1989, released only 3 years ago, the singer’s reputation seemed to be chasing closely behind her, almost running in front of her to reach us before her music. But things have definitely changed…or have they?

On August 21st, Taylor returned to the internet-osphere with a cryptic series of videos over 2 days of simply a very quick video of a snake, with no audio accompanying it whatsoever. This was clearly in retaliation to the hundreds of tweets, memes, and posts in which people were comparing her industry practices and ethics to being similar to those of a snake’s. Then, she released a few graphics, amongst them being a picture of her with a collaged amount of texts in various fonts, simply saying the words that many people seem to say next to each other about her: taylor swift, and reputation. Reputation, as it turned out, is the name of her newest album, and of course the graphic was the official album art.
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Eric Gasa

Taylor Swift’s newest single “Look What You Made Me Do” is dizzying pop art at its pettiest and finest. It’s not necessarily the beat or hooks that make “Look What You Made Me Do” such a notable piece of pop savvy, but the vengeful lyrics and symbolic music video visuals. It’s one thing for pop stars to call out the haters; it’s another for them to wear the insults like a diamond necklace instead of a crown of thorns. Swift does all of this and more on “Look What You Made Me Do” even if it’s just a lazy pop beat with a settle to score.

Like any sucker punch, there is a lot to unpack here. “I don’t like your little games/Don’t like your tilted stage/The role you made me play,” sings Swift. The stage is a reference to Kanye West’s elaborate Saint Pablo tour, as well as the infamous beef they’ve had since West stole the mic from Taylor during the 2009 VMAs. Swift also takes shots at her past friendships with Katy Perry and the HAIM sisters.

Instrumentally, the song is a dark trance number that contrasts to the upbeat, wholesome melodies of 2015’s 1989. Where 1989 was a free-spirited power pop romp, “Look What You Made Me Do” is toxic, extra, and snide in nature.

Things go from melodramatic to cheesy when Swift answers a telephone and replies, “I’m sorry, the old Taylor can’t come to the phone right now…Why? Oh, ‘cause she’s dead!”

Swift sees herself as the hero going against the odds in a treacherous story. She sits on a throne covered in snakes, while the pillars leading up to her perch read, “Et Tu, Brute”; a quote from Shakespeare’s Julius Caesar, symbolizing Caesar’s surprise when he is stabbed to death by his friends. Go figure.

Swift also wears a ridiculous Zoolander-inspired fur outfit and stands over a panicking dogpile of her clones, kicking and screaming for the seat at the top. It’s a goofy sight of multiple personalities; there’s Black Swan Taylor, hissing snake Taylor, fake country Taylor, and of course, zombie Taylor. Can’t forget about her. Each one representing moments and emotions of Swift’s psyche. The pop star pokes fun at herself but the imagery couldn’t be more obvious and on the nose.

On her latest album Reputation, due to release November 10, Swift plans on changing exactly that about herself. Even if it means scrawling the word in pink spray paint on the side of a private she just chain-sawed in half. In 2017, Taylor Swift couldn’t be more hate-able and she couldn’t be prouder of it.