Paul Walker’s “Fast and Furious 4″ car for sale at $1.4 million

By Armando

Paul Walker’s “Fast and Furious 4″ Nissan GT-R for sale at $1.4 million

A few years ago Steve McQueen’s GT40 fetched for $11 million on a Pebble Beach Auction block, becoming the most expensive American car ever sold. Following the unexpected death of Paul Walker, the tradition of collecting celebrity vehicles is back in business.

Check out the car here: http://suchen.mobile.de

The car in the ad is allegedly the same one used by Paul Walker’s character in Fast and the Furious franchise, a Nissan Skyline GT-R of the R34 which appeared in the fourth film. Apparently, the car was seized by the US government a few months ago, along with many other cars, due to auto safety and emission rules non-compliance.

So how did it end up being in Germany?

A few months ago, a German car magazine posted a review of the car, wherein the owner also reveals its in his possession and has on sale for 300,00 euros (around $400k). Within the last few days, another ad for the car has come up, only this time with a new price: 1 million euros (approximately $1,373,000).

It is kind of creepy when someone cashes in on a former celebrity ownership. But in this day and age, we all know it won’t be the last.

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71st Golden Globe Nominations

Best Picture, Drama

12 Years a Slave
Captain Phillips
Gravity
Philomena
Rush

Best Picture, Comedy

American Hustle
Her
Inside Llewyn Davis
Nebraska
The Wolf of Wall Street

Best Director

Alfonso Cuaron, Gravity
Paul Greengrass, Captain Phillips
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O. Russell, American Hustle

Best Actress

Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Emma Thompson, Saving Mr Banks
Kate Winslet, Labor Day

Best Actor

Chiwetel Ejiofor, 12 Years a Slave
Idris Elba, Mandela
Tom Hanks, Captain Phillips
Matthew McConaghey, Dallas Buyers Club
Robert Redford, All Is Lost

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New York Film Critics Circle award American Hustle for Picture

By Armando

Once again, New York Film critics is first to come out of the awards season in awarding a front-runner. Last year, Zero Dark Thirty came out of the gate with a best picture win before it was officially reviewed by critics. That movie went on to receive 5 Oscar nominations including Best Picture, and a win for Sound Editing… and nothing else. So this may or may not be a good precedent for American Hustle, depending on how you look at it.

Here’s a complete list of winners follows:

Best Picture: American Hustle
Best Actor: Robert Redford, All Is Lost
Best Actress: Cate Blanchett, Blue Jasmine
Best Director: Steve McQueen, 12 Years a Slave
Best Screenplay: Eric Singer & David O. Russell, American Hustle
Best Supporting Actor: Jared Leto, Dallas Buyers Club
Best Supporting Actress: Jennifer Lawrence, American Hustle
Best Animated Film: The Wind Rises
Best Cinematographer: Bruno Delbonnel, Inside Llewyn Davis
Best First Film: Ryan Coogler, Fruitvale Station
Best Foreign Film: Blue Is the Warmest Color
Best Nonfiction Film (Documentary): Stories We Tell
Special Award: Frederick Wiseman

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Delivery drones are coming: Jeff Bezos promises half-hour shipping with Amazon Prime Air

By David Pierce

Jeff Bezos is nothing if not a showman. Amazon’s CEO loves a good reveal, and took the opportunity afforded by a 60 Minutes segment to show off his company’s latest creation: drones that can deliver packages up to five pounds, to your house in less than half an hour. They’re technically octocopters, as part of a program called “Amazon Prime Air.” A drone sits at the end of a conveyer belt, waiting to pick up a package — Bezos says 86 percent of Amazon’s packages are under five pounds — and can carry them up to ten miles from the fulfillment center. As soon as Amazon can work out the regulations and figure out how to prevent your packages from being dropped on your head from above, Bezos promised, there will be a fleet of shipping drones taking the sky.

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Winamp Media Player Shutting Down After 15 Years

By Angela Moscaritolo

After 15 years on the Internet, the once-ubiquitous digital audio player Winamp will soon be just a memory.

According to a brief note on the Winamp website, the formerly uber-popular media player will no longer be available for download after Dec. 20, 2013. This includes Winamp.com and associated Web services.

You probably remember Winamp from the late 90s and early 2000’s when it was one of the most widely used Internet services for listening to music and radio streams. Winamp eventually lost popularity as services like iTunes and Windows Media Player hit the Web, but it’ll always hold a special place in the hearts of many.


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How video games are transforming the film industry

Posted by Steve Boxer

At one time it was the game industry that wanted to emulate films. But now the movie industry is adopting the technology of video games

Amid the debate about television stealing the film industry’s thunder, another entertainment form has crept up unnoticed, further threatening Hollywood’s creative hegemony: video games. With a new, much more powerful generation of games consoles poised to arrive – Microsoft’s Xbox One goes on sale on Friday, with Sony’s PlayStation 4 due a week later – the games companies reckon they finally have the ammunition to shake off the perception that their digital epics are inferior to movies.

I’m in a place that could not reinforce that impression more emphatically: the historic Ealing studios, where classics such as The Lavender Hill Mob and The Ladykillers were filmed. But I’m here to experience the process of making a video game called Ryse: Son of Rome, an epic tale charting the Roman conquest of Britain, which will be a launch title for the Xbox One. And the studio is nowadays home to The Imaginarium, an outfit co-founded by Andy Serkis, who – as Gollum in The Lord of the Rings – is perhaps the world’s leading exponent of performance-capture, in which every nuance of an actor’s performance (specifically movement, voice and facial expressions) is recorded and mapped on to a video game character.

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Sony PlayStation 4 review: Welcome to the next generation

By Sean Hollister, Ross Miller, and David Pierce

Seven years is a technological eternity. Yet the PlayStation 3 has sold well for that long, ever since DJ Fatman Scoop and Ludacris hosted its blowout launch event in New York City in 2006. At launch, the PlayStation 3 was big, heavy, and expensive — it took nearly two revisions and almost a dozen SKUs of PS3 to get Sony to 2013. The console now starts under $200, the controller rumbles, Blu-ray is the dominant physical disc format, backwards compatibility is a moot point, and there’s a large back catalog of titles both physical and digital. PlayStation Move exists now.

But even as the current generation continues to adapt and evolve, Sony has decided it’s time to start anew. Time to do something fresh, to create the console that will sate gamers for seven more years. Sony’s new PlayStation 4 reflects the company’s guess about the future of video games, and displays the many lessons Sony’s learned over the life of the PS3. It’s built a different kind of console for a different sort of purpose as it looks to 2014 and 2021 to see what we’ll want to buy.

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Hot Trailer of the Week: Noah

By: Armando

The trailer for Darren Aronofsky’s highly anticipated biblical tale Noah has finally arrived. The film stars Russell Crowe, last seen in this summer’s blockbuster Man of Steel, in the titular role of Noah. Also in the film are Anthony Hopkins, Emma Watson, Logan Lerman, and Jennifer Connelly who won an Academy Award for her supporting role as Alicia Nash in Ron Howard’s 2001 biopic A Beautiful Mind which also starred Crowe.

The movie has a reported budget of $130m, a departure for Aronofsky who is best known for more intimate, modestly budgeted tales of tragic figures.

NOAH opens on March 28, 2014 in the US.

Director: Darren Aronofsky
Starring: Russell Crowe, Anthony Hopkins, Emma Watson, Logan Lerman, Jennifer Connelly
Release: 28 March 2014 (USA)

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Snapchat’s Teen Appeal Is Also Its Achilles Heel

By Robert Hof

You can argue until you’re blue in the face whether or not Snapchat is worth the $3 billion Facebook FB +4.52% apparently offered to buy it. But there’s little argument over why Facebook CEO Mark Zuckerberg was willing to pay that much for the disappearing-photo-sharing service: It’s attracting the teens that Facebook is losing.

At least, that’s the conventional wisdom. But here’s the problem: If there’s anything more ephemeral than Snapchat snaps, it’s teen attention spans. Today, Snapchat looks unbeatable, at least for what still seems like a rather narrow slice of social activity. But there’s no reason to think that teens will stick with most any app or service for long–all the less so when it seems that there’s a new hot social networking app every month or so these days.

So I’m betting Zuckerberg is a little smarter than that. What he really wants more than just a surge of new teen blood–as he also showed with his $1 billion purchase of Instagram–is to make sure that Facebook owns the most popular and compelling kinds of social networking as they develop. Snapchat clearly appeals to those who want to exchange bits of themselves in a more ephemeral way than they do on Facebook.

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