Lorde: Perfect Places Review
by Niy Birden
For the past few months, New Zealand-bread crooner Lorde has been blessing us with single after single from her new soon-to-be-released sophomore album, Melodrama. It comes after nearly 4 years since her debut, Pure Heroine, in which we got to have a dark, gloomy and refreshingly mysterious introduction to the teen with the millennial world in her pocket. And now she is back to remind us that she can still knock out a few hits or two, whilst still somehow being able to get away with her normal teenage rampage.
While her prior singles “Green Light” is her aggressive take on her “first major heartbreak” and “Liability” is on the take of yet another failed relationship, Perfect Places seems to give us more insight into what goes on in this mysterious heroine’s mind.
The song starts off with her two voices layered on top of each other, almost as close to each other as the teens who dance and grind together at parties that she regularly complains about in her songs, so much that you would actually question for a moment if you were just losing your mind rather than hearing two voices singing a normal melody. The lower voice is soft and brooding, the kind of voice you would hear in some kind of art film in which the main character starts going mentally insane, but in the best way that wouldn’t harm them.
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